The great composers from whose works they had chosen to play in the concert were Mozart, Beethoven and
Jean-Philippe Rameau. While the audience was familiar with the former two names, some nuggets of information about Rameau (1683-1764) because it was assumed that they might not know a great deal about him.
The ensemble performance ranged from
Jean-Philippe Rameau, French composer (1683-1764), Ludwig Van Beethoven German composer (1770-1827), to Wolfgang Amadeus Mozart, Austrian composer (1756-1791).
The ensemble performance will range from
Jean-Philippe Rameau, French composer (1683-1764), Ludwig Van Beethoven German composer (1770-1827), to Wolfgang Amadeus Mozart, Austrian composer (1756-1791).
His repertoire for this year's tour of Taiwan, however, comprises exclusively French composers, including Romantic greats Maurice Ravel and Erik Satie, as well works from
Jean-Philippe Rameau and Cecile Chaminade.
With the publication of Decoding Rameau: Music as the Sovereign Science, Mark Howard provides the first translation into English of two treatises by
Jean-Philippe Rameau (1683-1764): Code de musique pratique and Nouvelles reflexions sur le principe sonore, which were published together in late 1760 or early 1761 (Paris: L'imprimerie royale).
Debussy often paid homage to his French musical forebears, including eighteenth-century composers
Jean-Philippe Rameau and Francois Couperin, and from the nineteenth century, Frederic Chopin and Gabriel Faure.
Porat, who is considered to be one of the most original voices to have emerged in recent years with artistic activity encompassing a wide spectrum of work as a pianist and composer, will perform Images of Piano, Book I and PrAaAaAeA@lude AaAaAeA l'aprAaAaAeA@s -- midi d'un faune by Claude De Suite en La by
Jean-Philippe Rameau and Humoresque for piano in B-flat major by Robert Schumman.
From 28-30 April 2017 at Zellerbach Hall in Berkeley, California, the Philharmonia Baroque Orchestra, Philharmonia Chorale, New York Baroque Dance Company, and seven vocal soloists presented a fully staged production of the original 1745 version of
Jean-Philippe Rameau's Le Temple de la Gloire (The Temple of Glory).
First up in a triple bill will be Brisk Singing, Alston's response to music by
Jean-Philippe Rameau, who was known as "the god of dance".
Also discussed are Pierre Bayle's ideas of toleration and rationalism in Defense of Religious Toleration, moral philosophy in William Godwin's Enquiry Concerning Political Justice, historical memory and the oral tradition around biographical accounts written after John Locke's death, David Hume and Thomas Reid on political economy, Immanuel Kant's empiricist rationalism, and musical criticisms of
Jean-Philippe Rameau in Jean-Jacques Rousseau's Musical Polemics.
The rest of the program includes
Jean-Philippe Rameau's Dance Suite from "Les Boreades" and Franz Joseph Haydn's Symphony No.
jean-Philippe Rameau's Platte at the Opera Comique (seen Mar.