The notion of storytelling as a means for inappropriately aestheticizing human suffering parallels the sorts of criticisms leftwing critics (such as, for a recent example, Terry Eagleton's critical remarks about the "inhumane humanism" and "spiritual
aristocraticism" of some interpreters of tragedy [72, 75]) have long lodged against writers and theorists of tragedy for purportedly ignoring the institutional bases of human suffering in favor of a fatalistic acceptance of the human condition as incapable of significant improvement.