Furtwängler

(redirected from Furtwangler)

Furt·wäng·ler

 (fo͝ort′vĕng′lər), Wilhelm 1886-1954.
German composer and conductor known for his passionate interpretation of romantic music, notably that of Wagner.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Furtwängler

(German ˈfʊrtvɛŋlər)
n
(Biography) Wilhelm (ˈvɪlhɛlm). 1886–1954, German conductor, noted for his interpretations of Wagner
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014
References in periodicals archive ?
"I THINK I'll give Herr Furtwangler a miss this afternoon" - - Margaret Brown on Lark Rise To Candle ford instigates a nookie ban.
He follows in the footsteps of Herbert von Karajan and Claudio Abbado, as well as Wilhelm Furtwangler - names which are absolute legends in the world of recording and performance.
The four music dramas that make up the Ring unfold, albeit perhaps not with the majesty or epic grandeur Knappertsbusch or Furtwangler bring to the work, but with a natural flow and pace that are organic and never forced.
A recently aired episode (which became Germany's overall fall ratings topper) starred not a rotund German pushing retirement age but a young and good-looking actress (Marie Furtwangler) as an investigator probing the murder of the boss of a big food company.
As you would expect of an aristocrat, the Philharmonia was classy from the moment it was born, working with conductors such as Beecham, Klemperer, Furtwangler, Karajan and the great Richard Strauss, whose Four Last Songs the orchestra premiered in 1950.
In the Berlin of 1946, the famous German conductor Wilhelm Furtwangler (Stellan Skarsgard) is interrogated by an American army major, Steven Arnold (Harvey Keitel), about his relationship with the Nazi government.
Mr Furtwangler is a name we see on local clocks very often in our sales, as is Jacobs and Kaltenbach.
This is not so grand a Passion as that of Klemperer or Furtwangler, nor is it so energetic as the period performance by Gardiner, but it is profoundly moving in a most intimate way.
This was just the right time for a young conductor because the major maestros -- Furtwangler, Karajan, Knappertsbusch, Krauss -- had not yet been de-Nazified.
Without "a reaffirmation," in performances like Furtwangler's of Bach, "of the presence of Bach in Wagner and ...