Sophia finds life in Arcadia Gardens beautiful and luxurious and wonderful. Certainly,On sale now! Full review, first posted on FantasyLiterature.com:
Sophia finds life in Arcadia Gardens beautiful and luxurious and wonderful. Certainly, her husband rarely sleeps next to her nowadays and seems preoccupied even when he is around, but of course his work is terribly important, and he gives her so much. And she doesn’t mind all of the rules and restrictions of the Homeowners Association, who are only looking out for the residents’ best interests. The neighbors all love her and respect her husband. She’s really so very lucky. The world is theirs.
But then, for no real reason — and it’s an impulse Sophia desperately regrets later — this morning she pulls open the top left-hand drawer of her vanity. And doesn’t know what to make of what she finds in that drawer.
When a tale about a young wife keeps emphasizing how everything is SO PERFECT and she is SO HAPPY … you know things are going to go south in a big way. And the creepiness and tension keep building and you’re not sure exactly what is going on until the light blinks on in your head and you’re all, OHH, so that’s what this was building toward this whole time. But then it’s too late.
Catherynne Valente does a fascinating mashup of various stories, folktales and tropes — old tales with some current elements and a feminist spin — in this wickedly sharp novella. Comfort Me with Apples weaves in not just the Bluebeard folktale but much more that only becomes apparent as you get deeper into the story. It’s easy to get lost in Valente’s evocative, lyrical prose, but every detail is significant and even symbolic: places, objects and character names (I particularly liked Mr. Semengelof, Mrs. Palfrey and Cascavel). Even the chapter names come into play: each a different type of apple, many of which I’d never heard of before, like Black Twig and Northern Spy.
I didn’t really love Comfort Me with Apples, I think mostly because I don’t care for its troubling worldview (you'll know what I mean), but I’m in awe of Valente’s craft in this disturbing allegorical story. My two co-reviewers at FanLit really loved it - see the link above for their takes.
Thanks to the publisher for the ARC!
Content advisory: It's on the gruesome side of creepiness, and religion and (view spoiler)[and the Bible story used as the basis of this story (hide spoiler)] are given an ugly twist here....more
Feminism crashes into Sleeping Beauty, and Sleeping Beauty will never be quite the same. And that's not a bad thing. Also, Alix Harrow's writing is amFeminism crashes into Sleeping Beauty, and Sleeping Beauty will never be quite the same. And that's not a bad thing. Also, Alix Harrow's writing is amazingly good. I wish I could put together a sentence like that.
I love fairy-tale themed stories AND multiverse fiction, and this is such a fun combination of the two! Plus I've gained a new appreciation for novellas after reading so many doorstoppers in the last few years. So I started looking at this last night and somehow ended up reading the whole thing in one sitting.
RTC. Thanks to the publisher and NetGalley for the ARC!...more
4+ stars - highly recommended if you like fairy tale retellings! This review is for a short story in this issue, "A Country Called Winter." It's free 4+ stars - highly recommended if you like fairy tale retellings! This review is for a short story in this issue, "A Country Called Winter." It's free online here at Lightspeed magazine, and is a Locus award nominee. Review first posted on FantasyLiterature.com:
This is a lovely, atmospheric retelling of Hans Christian Andersen’s “The Snow Queen” (not really a spoiler, IMO; the names Kay and Gerda are a dead giveaway). Vera, who narrates the story, emigrated to America with her mother as a child, from a cold European country they call, in English, Winter. Very is studying for her masters in Boston when she meets and falls in love with Kay, a wealthy and handsome European undergrad who’s a couple of years her junior.
This retelling has a very different take on the characters, subverting the original story — none of them, except perhaps Kay, is what I might have expected, even allowing for the modern setting. Gerda is an edgy TA who teaches a college literature class and is a member of a band called “Robber Girl” (nice touch). But the relationship conflicts between Vera, Gerda and Kay are only part of this tale; there’s a whole separate part of the plot dealing with Vera’s background and how her long-lost past begins to pull her in a direction she never expected.
It’s not the most earth-shattering story in the world but I found it truly delightful. The story ended a bit too soon for me, though; I’d love to know what happens next. I’m rooting for the ice troll prince!...more
3.33 stars. A pleasant, short Regency romance, very loosely based on Beauty and the Beast. I mean, the Baron is a grumpy guy (but handsome; whatever b3.33 stars. A pleasant, short Regency romance, very loosely based on Beauty and the Beast. I mean, the Baron is a grumpy guy (but handsome; whatever beastliness there is, is solely internal), and the girl, Rose, comes to live in his mansion and be his servant and, eventually his friend. Oh, and Rose loves books. But that's about it for the fairy tale connection, so if you're into fairy tale retellings, don't get your hopes up here.
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Rose Sinclair has fallen on extremely hard times, with her father in prison because his gambling addiction led to unpaid debts. Rose was the manager and bookkeeper of the family bookstore (sold to pay some of their debts). She musters up her courage and asks the Baron, Henry Covington, to let her handle his books. He's appalled by the idea - some of the money her father gambled away was Covington's investment with him - but her sad story and teary eyes lead him to offer her a job ... as an undermaid. With no home and nowhere else to go, Rose accepts.
It's a very rough job - especially since the main housekeeper hates Rose and the other servants resent her - but Rose starts to adjust. And of course she and Henry start to connect and overcome their differences. But ... there are Complications.
It's a cute, sweet romance novella. Nothing really new going on here, but fine to download as a freebie if you like this sort of pleasant, fluffy little diversion....more
One year after Tachyon Publications published The Emerald Circus, a collection of fantastical short stories by Jane Yolen based on various fairy tales and legendary people (both fictional and real), it has followed up with a similar collection, How to Fracture a Fairy Tale. Like The Emerald Circus, this is a compilation of Yolen’s older, previously published stories, spiffed up with new author’s notes in which Yolen briefly discuss each story and how she “fractured” it with significant departures from its original source material. These end notes for each story also include a poem by Yolen that’s linked to the same original source material. The source material varies widely, including fairy tales (Snow White, Cinderella, the Little Mermaid), vampires, Scottish selkies, Chinese dragons, Greek and Native American legends, and much more.
These twenty-eight reimagined fairy tales and legends also vary greatly in tone. When I finished this collection my first thought was, wow, what a bleak bunch of stories. Looking back on the individual stories, though, it turns out only about eleven or twelve of them (yes, I counted) are really downbeat. That number does include several stories right at the end of the collection, which may explain the somber feeling I had when I finished. One of my favorite stories, though, was one of this set: “Mama Gone,” the story of an Appalachian girl whose mother has died and become a vampire. It’s heartbreaking but surprisingly tender, with a bittersweet note.
One of the themes that surfaces a few times in this collection is the history of Jewish persecution, reflecting Yolen’s Jewish heritage. My favorite of these was “Slipping Sideways Through Eternity,” an unlikely combination of time travel, a quirky Elijah, and the Holocaust, experienced by a modern day Jewish girl with a talent for art. “Granny Rumple” also draws on the historic oppression of Jews, making a thought-provoking connection between that and the tale of Rumpelstiltskin.
Several of these stories deal with the terrible things people do to each other. Sometimes there’s a happy or at least satisfying ending (as in “Green Plague,” a humorous variation on the legend of the Pied Piper of Hameln), but often not. If you thought Robin McKinley’s Deerskin (a retelling of Charles Perrault’s "Donkeyskin"), was tough to read, with its incest-based plot, Yolen’s similar “Allerleirauh” is even more tragic. At least it was very short! As was “The Gwynhfar,” an equally harrowing tale of another type of abuse.
On the other end of the scale, there are five or six quite humorous tales to lighten things up. My favorites of these were “Cinder Elephant,” a charming tale starring a cheerfully overweight Cinderella, and “Sleeping Ugly,” a humorous twist on Sleeping Beauty:
Princess Miserella was a beautiful princess if you counted her eyes and nose and mouth and all the way down to her toes. But inside, where it was hard to see, she was the meanest, wickedest, and most worthless princess around. She liked stepping on dogs. She kicked kittens. She threw pies in the cook’s face.
The ending of “Sleeping Ugly” left me grinning, as did a sudden twist in “Snow in Summer” (a Snow White story that’s similar to but not to be confused with Snow in Summer, Yolen’s novel of the same name, which is based on this earlier story).
Overall, I have to say that I enjoyed The Emerald Circus more. How to Fracture a Fairy Tale contains a dozen more stories than the sixteen in that prior collection, but the stories in The Emerald Circus were longer ones that engaged me more as a reader. (Plus: not generally as bleak as this set.) Still, there are some excellent stories in this collection, and if you’re a fan of Jane Yolen’s brand of story-telling, this is worth checking out.
I received a copy of this book from the publisher and this is my voluntary review. Thank you!
In this “What happened next?” take on “Snow White and the Seven Dwarfs,” Fairest (Snow White) is married to her prince and living with him in his castle. They have a lovely, golden-haired seven-year-old daughter. And they have Fairest’s stepmother, imprisoned in their castle, along with the magic mirror that originally began all the trouble. Fairest visits her stepmother each month, when they share an apple from a magical tree (presumably grown from the poisonous apple of the tale) along with their latest idea of a gory, imaginative way in which to kill each other.
The stepmother also warns her about the unspeakable intentions of Fairest’s husband, the prince, toward their daughter. Whether to believe her? The magic mirror might answer, but Stepmother warns Fairest against that as well.
“Heed me well, Fairest. When you stand before that thing, when you peer into its depths, you also allow it to peer into you. It will see the very darkest of your fears; it will sup on them and find them delicious. And it will use them against you in terrible ways.”
“Triquetra” is a dark subversion of the Snow White fairy tale, raising challenging questions about trust and the ways in which people can be misled. It’s imaginative, with vivid writing, but disturbing on several levels, not the least of which are the creative murder methods dreamed up by Fairest and her stepmother, which are used as a grisly framing device. I liked the way in which the stepmother’s character was recast, and the ultimate resolution of the story.
A triquetra is a triangular design with three interlocking, pointed loops, sometimes with a circle forming part of the design. It may be that the three points are intended to be Fairest, her daughter and her stepmother, but a few more interesting possibilities do come to mind.
Content notes: discussion of pedophilia, potential incest, and torture. Some gruesome imagery....more
Update: I read about half of this collection of semi-but-mostly-not-dark fairy tale-inspired fantasy short stories last night. Of the first five storiUpdate: I read about half of this collection of semi-but-mostly-not-dark fairy tale-inspired fantasy short stories last night. Of the first five stories, four were noticeably amateurish, in a couple of cases almost painfully so; definitely not professional quality stories. "The Queen of Frost and Darkness" (inspired by "The Snow Queen," with a thin Russian setting) was a cut above the rest, but still rough around the edges and with an overly abrupt ending. "Magic After Midnight" - kind of an urban fantasy take on Cinderella, with vampires, excuse me, bloodsucking Dark Elves with fangs - had an interesting underlying concept but was almost incoherently written in parts.
After this very rough start, I jumped ahead to a couple of stories that other reviewers recommended. "Dance with the Devil," about a would-be professional ballerina who literally makes a deal with the devil, is fun if you don't take the underlying concept seriously, and it has a twist that caught me by surprise. I haven't finished "Beauty Inside Beast" but so far it seems like a pretty good short story. "No Gift of Words," an African fairy tale, is decent as well.
The definite winner is "The Unicorn Hunter," the very last story in the collection, a sort of Snow White Goes Unicorn Hunting with a Demon tale. Though it's still a bit rough around the edges, this one I could see being published in a respectable collection. As long as the collection is free, I'd say download it if only for this one story.
I may check out the rest sometime but I'm not in any hurry to do that. For now I'm going to call it good and go read The Language of Thorns for my fantasy short story fix instead.
Initial post: This collection of 17 dark fairy tale retellings is a Kindle freebie, Aug. 14, 2018. GR friends' reviews say these fantasy short stories are a mixed bag but that there are a few good ones mixed in, so maybe worth downloading and checking out if you like the genre....more
The Transfigured Hart, a 1975 novella by the talented Jane Yolen, was recently republished as part of Tachyon Publications’ Particle e-book imprint. It’s a lovely, evocative tale, juxtaposing fairy-tale-like fantasy and a contemporary rural setting.
Richard and Heather are twelve-year-old neighbors with vastly different personalities who barely know each other. Richard, an orphan who lives with his aunt and uncle, is an introspective loner. A long bout with rheumatic fever has given him the habit of reading, and the habit has remained with him. Heather is an enjoyer of life and people, and she particularly enjoys going off by herself on adventures. But both Richard and Heather love the Five Mile Wood.
When his aunt and uncle think he’s leaving the home to play with friends, Richard is actually going to hide in the woods and read a book in peace (something I deeply identify with!). Heather rides her gray appaloosa horse Hop into the woods to explore. Richard and Heather each independently catches a brief glimpse of the white hart that spends most of its time by the hidden, crystal blue pool in the woods. Richard is convinced it’s a unicorn; Heather, more pragmatic, immediately determines that it’s an albino hart. But when boy and girl meet in the woods, they both understand how important it is not to share their secret with others, even if they don’t agree on what they saw. Heather wants to believe Richard’s firm opinion that they’ve seen a unicorn, though. And both agree that they want to see the unicorn again, and tame it.
Yolen takes the ancient legend of the unicorn and sets in our logical world. The sense of magical realism surrounding the white hart (is it a unicorn?) contrasts with the mundane concerns of the real world, like Richard’s social isolation at school and Heather’s teasing older brothers, avid hunters who she knows will shoot the white hart if they can.
The two main characters, Richard and Heather, are well-drawn, with distinctly individual traits. Their budding relationship appears entirely innocent and platonic, but Yolen weaves in meaning-laden symbols, like a wine-stained handkerchief and the unicorn itself. It may be a suggestion that all is not as it seems, or perhaps a hint of what lies in their future.
In between the chapters that tell the children’s story are brief interludes from the hart’s point of view. The Transfigured Hart has a bit of an edge to it, particularly when the hart is tracked down by a deerhound and a brief, bloody encounter ensues. It’s a brief, shocking scene, a reminder that death can cruelly strike at a moment’s notice.
Readers who are fond of classic fantasy like Peter Beagle’s The Last Unicorn are likely to enjoy The Transfigured Hart. It’s imbued throughout with a delightful sense of childlike wonder.
What could one do with a unicorn? Look at it and long for it, and love it.
Many thanks to Tachyon and NetGalley for the free review copy!...more
Kindle freebie romance time again! (now back to 99c) This cute novella takes a few elements from the legend of Robin Hood and turns them into a sweet,Kindle freebie romance time again! (now back to 99c) This cute novella takes a few elements from the legend of Robin Hood and turns them into a sweet, squeaky clean contemporary romance, with just a little bit of Bible scripture-quoting and answers to prayers making their way into the mix.
Our heroine, Robyn, is a hardworking, no-nonsense kind of gal who broke up with her boyfriend Arrowe (NO LAUGHING AT THE NAMES) a year ago, because he wasn't much good at adulting, spending most of his time working on being a YouTube star. Robyn and Arrowe are both into competitive, trick archery, and when she needs a celebrity archer to be part of an archery tournament at the grand opening of the Sherwood Horse Archery Center that she's organizing, somehow it works out that Arrowe is the only qualified person available on those dates.
Meanwhile, Arrowe has been trying to change some of the things in his life that bugged Robyn - like excess flirting with other women and not being a responsible adult - and he feels like now's the time to try to patch things up again with Robyn, even though she's doing her best to avoid him. Just to thicken the plot, Robyn also has a stalkerish guy chasing her, Monty, that she dated a few times who is refusing to take no for an answer, certain that they're meant to be Together4Ever. So far he's stuck to sending daily notes and flowers, but when Arrowe shows up in Robyn's life again, Monty starts to escalate.
"Shot to the Heart" is short, cute, rather fluffy and not overly taxing of the brain. The Christian faith elements are there but play a pretty minor role. Plus points for what seem to be fairly knowledgeable details about trick archery. Fun and lighthearted read, except for one personal danger(view spoiler)[threatened torture (hide spoiler)] scene....more
3.5 stars for this MG/YA fantasy. Full review first posted on Fantasy Literature:
Anya is an orphaned young princess, about twelve or thirteen years ol3.5 stars for this MG/YA fantasy. Full review first posted on Fantasy Literature:
Anya is an orphaned young princess, about twelve or thirteen years old, and a bookworm (as many of the best princesses in literature seem to be). She and her fifteen year old sister Morven are orphans under the dubious care of their stepmother, a botanist who is enthusiastic about plants but completely uninterested in and uninvolved with the girls, and Duke Rikard, their stepstepfather (which is what you get when your stepmother remarries after your father dies). Morven is supposed to be crowned as the queen when she turns sixteen in three months, but she’s far more interested in handsome princes than in ruling. This suits Duke Rickard just fine: he’s a black-hearted sorcerer who’s intent on making his control of the Kingdom of Trallonia permanent.
Duke Rickard is also given to transforming unlucky servants and hapless princes into frogs. Morven asks Anya to do the dirty work of changing his latest frog victim, Prince Denholm, back into a human with a kiss (kissing frogs, even if they’re really handsome princes, is definitely not on Morven’s agenda). Luckily their librarian has a magical Transmogrification Reversal Lip Balm that will reverse the transformation spell without the otherwise necessary ingredient of true love. Unluckily, Anya kisses the wrong frog with the last of the lip balm, and although that prince was happy to no longer be a frog, it does still leave Denholm in a frog-sized bind, and making more lip balm involves assembling several tricky ingredients, like a pint of witches’ tears and six pea-sized stones of three-day-old hail from a mountaintop.
Coincidentally, at the same time Duke Rickard announces to Anya that he’s sending her far away to a school for royalty, on a journey that seems likely to be fatal for Anya and leave Morven alone and in danger. Tanitha, the senior royal dog, tells Anya that she must leave the palace and seek help from others to defeat the Duke. So Anya embarks on a twofold Quest: searching for the elusive ingredients to the Transmogrification Reversal Lip Balm, and also searching for those who can help to overthrow Duke Rikard and stop his evil plans. Anya is assisted in her quest by Ardent, a young and excitable royal dog; Shrub, a junior thief who’s also been shape-changed by a sorcerer into a huge, bright orange talking newt ...
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(two shout-outs to Monty Python and the Holy Grail for the price of one!); a Good Wizard who tries to evade her obligation not to directly help Anya; Snow White ― who is NOT what you’d expect ― and seven dwarves; and many others. Anya’s quest turns out to encompass more than she expected, as several people that she meets strongly encourage her to do even more to change their society ― in particular, to bring back the All-Encompassing Bill of Rights and Wrongs.
Garth Nix has a lot of fun with Frogkisser!, weaving in various fairy tales and fantasies, both old and new, and twisting them in humorous ways. Besides the aforementioned Monty Python references, there’s a Robin Hood figure, Bert (short for Roberta, which is only a couple degrees of separation from Robin), leader of the Association of Responsible Robbers, who steal from the rich and give to the poor in time-honored fashion. I never read Lloyd Alexander‘s CHRONICLES OF PYRDAIN series, so it took me a while to realize that there was a shout-out to Gurgi behind the Wallet of Crunchings and Munchings that Anya is offered by the semi-helpful Good Wizard.
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And OF COURSE magic carpets have to wrap you up in a tight roll so you can hardly breathe don’t fall off them when they’re zooming around. [image] Frogkisser! is a little long-winded for a middle grade novel, but then winds up in an unexpectedly rushed manner. It didn’t entirely captivate me, and I never really lost myself in the story. But it’s a reasonably fun middle grade fantasy with some weightier elements. Nix pays attention to diversity: the Good Wizard, like Bert, is dark-skinned woman; Snow White is an old man (nicknamed for his snowy white beard) who previously was known by another familiar name; the seven dwarves include three females. Nix also works some important life lessons into the plot.
Bert and Dehlia had planted the seed of thought in her mind, and it was growing away busily and putting out new shoots of thought, all of which were quite bothersome, because they were about things like responsibility and fairness, and thinking about others, and why being a princess perhaps should be about more than just having a nice library and three meals a day, particularly when other people didn’t have these things …
These periodic discussions of the previously unexamined privilege that Anya enjoys as a wealthy princess, her responsibility to others, and the need to recognize their rights, can get a little clunky and heavy-handed, but the book’s heart is in the right place.
Frogkisser! was a finalist for the 2018 Locus Award for Young Adult Book and is a current nominee for the 2018 Mythopoeic Fantasy Award for Children’s Literature. ...more
An excellent short story collection exploring old folk and fairy tales in new, twisty ways, by the very talented T. Kingfisher (aka Ursula Vernon), inAn excellent short story collection exploring old folk and fairy tales in new, twisty ways, by the very talented T. Kingfisher (aka Ursula Vernon), including what is probably my favorite fantasy short story ever, "Jackalope Wives." I finally broke down and bought a copy of the whole collection, so now I’ve read all of the stories that I haven't found online over the years ... and did MORE fixing of messes made by GR librarians who fouled up the merging reviews thing (which is at least better than disappearing my reviews entirely ...). Pro tip: Ursula Vernon also conveniently lists all of her online short stories here on her T. Kingfisher website.
Partial review—additional comments pending about the stories not reviewed below (online links to several of the stories are included):
The stars of this collection are "Jackalope Wives" and its sequel novelette, "The Tomato Thief," which won a Nebula and a Hugo respectively.
5 stars for "Jackalope Wives": When the sun goes down and the moon comes up, the jackalope wives take off their rabbit skins and dance in the moonlight to the notes of wild music. (“And now you will ask me about the musicians that played for the jackalope wives. Well, if you can find a place where they’ve been dancing, you might see something like sidewinder tracks in the dust, and more than that I cannot tell you. The desert chews its secrets right down to the bone.”) But, so the story goes, if a man steals a jackalope wife’s rabbit skin and burns it, the jackalope wife will stay in human form and he can keep her. Grandma Harken’s moody, semi-magical grandson tries to do this, but loses his nerve when the girl screams in pain and gives her half-burnt rabbit skin back to her. When she puts it on, she’s not only got severe burns but is caught between her two shapes, human and jackalope. It’s up to Granny Harken to try to fix the mess her grandson has created.
This is a fantastic short story, evocative of Native American legends. I loved Vernon’s writing in this:
The Patterned Man stared at her, unblinking. The ravens laughed to themselves at the bottom of the wash. Then he dipped his head and bowed to Grandma Harken and a rattlesnake as long as a man slithered away into the evening.
Grandma Harken (love the implications of her name!) is a memorable character: she’s impatient and abrupt, but also caring (though she tries to hide it with her grumpy comments) and insightful. This story is enjoyable not only on the surface, but on deeper levels, as it explores themes of selfishness, sacrifice, and respect for the ways of nature, among other things. Free online here: https://www.apex-magazine.com/jackalo...
5 stars for "The Tomato Thief": Now that Grandma Harken’s troublesome grandson has been shipped back east, she can relax in her desert home and enjoy ripe tomatoes from her garden in peace … or not. Her prized tomatoes start disappearing from the vine, with no footprints or signs to show who or what is the thief. Grandma Harken grabs her rocking chair and her shotgun and sits out on the porch, waiting for the thief. It takes a few nights and some creativity to evade the sleep spell that strikes her each night, but eventually she sees a shapechanging figure picking her beloved tomatoes. But Grandma Harken hides a bit of a soft heart under her gruff exterior, and when the thief turns out to be a victim, Grandma Harken once again takes action to solve another person’s problem.
Like “Jackalope Wives,” "The Tomato Thief" is told in a folksy voice, and has a Native American-flavored mythology. In this sequel, the mythology is explored further and takes some unexpected turns. My favorites were the train-gods, who woke when the white men built train tracks across the desert, took over the trains, and chose as train-priests some of the laborers who had built the tracks, “[p]eople who had, with toil and tears, earned the gods’ regard.” The railroad magnates, who were furious when their trains developed a mind of their own, tried to take back control with the help of the government’s armies but ― after a couple of regiments were eaten by the train-gods ― they changed their minds. So:
Freight got moved, more or less. Sometimes it wound up in the wrong place or was summarily dumped in the middle of nowhere. The machines were capricious gods. (This was part of the reason for the price of coffee.)
They were very good about letters, though. Anna’s grandson was the current train-priest, and he said that his god thought letters were prayers and moved them as a kind of professional courtesy.
You appreciated that sort of thing in a god.
Grandma Harken is an endearing character, mixing grumpy determination and homespun wisdom. "The Tomato Thief" is longer and more fragmented than the wonderful “Jackalope Wives,” and didn’t have the same impact on me, but it’s still well worth reading if you liked the first story and want to spend a little more time enjoying Grandma Harken’s company. Free online here: https://www.apex-magazine.com/the-tom...
4.5 stars for "The Dryad's Shoe": This is a delightful twist on a retelling of Cinderella. Hannah loves gardening and has far better things to do than try to attract the Duke's son, with or without magical shoes and ballgowns. Sometimes it’s difficult to do your own thing when the world ― or your fairy godmother/dryad in the tree (and the titmouse that the dryad uses as its mouthpiece) ― wants you to do or be something else. But a girl who’s sufficiently determined can figure out a way.
“Why didn’t you go to the ball?” squawked the bird. “That was the point!”
Hannah rolled her eyes. “Don’t be ridiculous. What would I do at a ball? A bunch of people standing around being snippy at each other and not talking about anything of any purpose. I caught a bit of it from the servants as I was passing through the manor. No thank you.”
“There’s dancing, though!”
“I don’t dance,” said Hannah shortly. “Dancing’s not a thing you just pick up in a garden.”
This is a humorous and quirky tale, with several twists on the old fairy tale. The snippy conversations between Hannah and the magical titmouse sent by the sentimental dryad are entertaining, and it’s heartening to see Hannah stick to her guns and continue pursuing her own dreams. “The Dryad’s Shoe” is a bit one-note, but it’s an entertaining read and carries a positive message Free online here: http://www.fantasy-magazine.com/new/n...
4 stars for "Pocosin": This is another folksy tale with a lot of heart. An old possum god, dying of snakebite ("It had likely been another god that poisoned him, she thought—Old Lady Cottonmouth, with her gums as white as wedding veils"), makes its way to the home of a witchwoman named Maggie Gray. She's reluctant to take it in, but when three powerful beings come sniffing around for the possum, Maggie decides she needs to stand up for someone who can no longer protect himself. Free online here: https://www.apex-magazine.com/pocosin/
4 stars for "Telling the Bees":
There was a girl who died every morning, and it would not have been a problem except that she kept bees.
With this intriguing beginning, we are introduced to an unnamed girl who lives alone in small cottage. Early each morning, after a long, sleepless night, she dies. A few hours later she gasps and shudders her way back to life again. Then she goes to tell her bees that their old master has died, and she is the new master, because bees require respect and must be informed of deaths, or they will abandon the hive and leave. And having a little honey to scrape over her black bread is one of the few pleasures left to the girl.
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“Telling the Bees” is a quiet, extremely short story. It’s also a little enigmatic, and it took me a few reads through it to tease out the details and fully understand the context.
Sleep like death and death like sleep are common curses. It is inevitable that they become tangled. Fair folk and wicked queens are not always precise in their diction.
There are consequences for imprecision, and it is always someone else who has to pay.
This subtly horrifying portrait of a life where sleep has been replaced by a temporary death gained heft for me when I realized that it is based in part on an old traditional custom that one must inform one’s bees of key events in the household, particularly deaths, or the bees may stop producing honey or leave the hive. I would have liked to have known more of the girl’s backstory (could she be Sleeping Beauty?), but that may well have marred the overall impact of the tale. There’s a little bit of heartbreak in each of the details in this fine story. "Telling the Bees" is available to read online for free at Strange Horizons.
2020 reread for my IRL book club. We had an excellent discussion and I have a pretty good Powerpoint on this book that I made for our book club meetin2020 reread for my IRL book club. We had an excellent discussion and I have a pretty good Powerpoint on this book that I made for our book club meeting if anyone ever needs it, lol. And I still think this book is marvelous.
All the stars!! One of my favorite fantasies ever ... I think it's officially part of my desert island collection. Review first posted on Fantasy Literature:
It’s not often that I end a novel in awe of characters, the world-building, and the depth and complexity of the themes, while still being absolutely delighted with the storytelling. In Spinning Silver, Naomi Novik does all that and more.
In medieval Lithvas (according to Novik, a fantasy version of Lithuania with a little Russia and Poland blended in), Miryem Mandelstam is the daughter of a Jewish moneylender in a small town. Panov Mandelstam is a gentle, kindhearted man: too kind to be a successful moneylender, in fact, since he’s constitutionally unable to demand repayment of the money he’s lent out, leaving him and his wife and daughter destitute. When her mother falls ill, Miryam has had enough. A bit of winter has found its way into her heart, and that combined with her stubbornness (and her threats to involve her wealthy grandfather and the law if the villagers don’t repay her what they owe) makes her a success at her new job as village moneylender.
Miryem takes on a strong village girl, Wanda, as a household servant, letting her work off her father’s debt. Miryam doesn’t realize it, but Wanda is actually grateful for the chance to avoid her abusive father, and to stealthily put away the extra money that Miryam pays her. Miryam’s parents are alarmed at the increased iciness in her heart, but she has no intention of handing the moneylending job back to her ineffective father. Miryam rather defiantly tells her mother that she shouldn’t be sorry that her daughter has the ability to change silver into gold.
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However, there’s a magical road that appears and disappears in Lithvas during the winter, controlled by the fae-like Staryk, and other ears have heard Miryam’s boast to her mother during her journey back to their village. Soon she finds herself entangled in the Staryk king’s demands to change his silver into gold. Miryam comes up with a brilliant plan, but meeting the Staryk king’s demands may be almost as bad as failure.
[image] (I get a Thranduil vibe from the Staryk king, except ... needs more ice)
Spinning Silver begins with these allusions to the Rumpelstiltskin fairy tale, but Novik is weaving far more into her story than this one tale. Miryam’s plan involves the ambitious duke of Vysnia and his daughter Irina, who is thought too plain to attract the handsome young tsar of Lithvas, Mirnatius. The Staryk silver may tip the balance for Irina, but she soon finds that gaining Mirnatius’s attention is a highly dangerous thing indeed. Irina’s story quickly becomes as compelling as Miryam’s, as she needs to use all her wits and some gifts of her heritage to escape with her life and soul intact.
Novik’s unique moneylender twist on the story of Rumpelstiltskin is highly creative. Eastern European folklore is woven in as well. The (literally) icy Staryk king and his winter kingdom called to mind Morozko, the Russian frost-king, and I had an appreciative shudder of recognition when a certain fiery demon is named.
[image] (hat tip to Marvel for the Surtur image)
Novik takes her story far beyond a retelling or recasting of old tales, though. I particularly enjoyed the fascinating concepts dealing with cold Staryk silver and the warm gold from the “sunlit world.” It played into the plot in a way that I hadn’t anticipated.
The sensitive, meaningful way in which the Jewish faith and culture were incorporated into Spinning Silver was lovely. Antisemitism is addressed, but doesn’t weigh down the story. The focus is more on personal connections, like the love between Irina and her old nurse, the understanding and respect that Miryam gains for the Staryk people, and the family bonds that develop between the Mandelstams and Wanda and her brothers.
Without tipping over into unrealistic anachronism, we also see women characters who are empowered by the actions they take to save themselves, as well as others they care about, in spite of the fact that each of them ― against their desires ― is promised, given, or simply taken in marriage. It’s a fairly subtle connection between our three main characters.
Spinning Silver is an enchanting fantasy, woven of fire and ice, sunlit gold and Staryk silver, icy faerie winter and Lithvas spring. Naomi Novik has crafted a truly wondrous novel.
ETA: If you really hate the two marriages (view spoiler)[of the main characters (which are more or less true to medieval times but unhealthy and even abusive starts) (hide spoiler)], I was alerted to the original novelette version that Novik turned into this novel. It only focuses on Miryam's initial story but goes in quite a different direction. You can find it in The Best Science Fiction and Fantasy of the Year #11, which I picked up on Kindle for just 99c.
Initial posts: The author of Uprooted strikes again, with what appears to be a take-off on Rumpelstiltskin. Can't wait for July!!
ETA: I'm dying here. I didn't get the ARC (the publicist was unmoved by my sad email) and my local library, which I thought would jump right on this one, still doesn't have it in their catalog. I HAVE BROKEN DOWN AND BOUGHT THE DANG BOOK. In hardback, no less. Stay posted!...more
Prascovia is the teenage daughter of an unreasonable, highly demanding mother. Her mother was once a lovely woman who danced for the czar, but Prascovia is neither beautiful nor graceful, though she is talented at drawing. Mama refuses to believe that lessons and beauty treatments won’t make her daughter more like her, so their relationship is highly contentious.
Prascovia’s father dies when she is sixteen, and her mother remarries a common man who has a lovely and sweet (if slightly simple-minded) daughter, Marfa. Prascovia is surprised and a little dismayed to find that her mother’s venom has been transferred to Marfa, who has done nothing to deserve it. When Prascovia tries to intervene, it backfires … but leads to a surprising, supernatural encounter.
“Beautiful Winter” is inspired by Russian folk tales, mostly “The Twelve Months.” It’s a straightforward retelling, but Eugie Foster changes the story in some fundamental ways, particularly in the relationship between the two stepsisters and the character of the plain daughter. Though she has some envy for her stepsister, Prascovia is a decent person with a good head on her shoulders. I enjoyed the way her artistic nature was woven into this story....more
The Language of Thorns is a collection of six stories and novelettes by Leigh Bardugo, da[image] 4.5 stars! Review first posted on Fantasy Literature:
The Language of Thorns is a collection of six stories and novelettes by Leigh Bardugo, dark and lyrical folk tales set in her GRISHA universe, in the Russian-inspired country of Ravka and other nearby countries. These are stand-alone stories, unrelated to the specific characters and events in the GRISHA novels. This tales might be told on a dark night by a villager living in Ravka.
Bardugo’s stories, containing elements of both fantasy and horror, include elements of traditional fairy tales like “Hansel and Gretel,” “The Little Mermaid,” and “The Nutcracker and the Mouse King,” but morals are twisted into something new and traditional tropes are subverted. Sometimes handsome princes and kings are weak and evil, and beasts honorable. Fathers don’t always know best. Beauty may be more of a burden than a gift. Bardugo takes fairy tale tropes apart, examines their assumptions, and recasts them in new and often much more logical ways, often with an eye toward feminist values and empowerment of women.
The six stories are:
❧ “Ayama and the Thorn Wood:” In a troubled kingdom, there’s a parallel between the royal family and a poverty-stricken one: both families have a favored, handsome older child and a younger one that is unattractive and despised. The younger prince, born with a wolf’s fur and horns, is confined to a labyrinth … until he escapes to the Thorn Wood. Ayama is stocky and clumsy, and is treated like a servant by her family.
As the children in both families grow older, the wolf prince begins terrorizing the country. Ayama is volunteered by her family to journey to the thorn wood to confront the wolf prince. She goes, although with a great deal of fear and reluctance. These two characters, disregarded and rejected by everyone around them, find power in themselves and in each other as they tentatively begin to communicate. Amaya tells stories to the wolf prince, changing the endings to better suit both herself and the prince, and gradually realize that they can change their own stories as well. It’s a potent tale.
❧ “The Too-Clever Fox” is a very fable-like story about (logically enough) a fox. Not a cute fox, though: an impressively ugly one. But Koja the fox is clever, and smart is more important than looks. I was thoroughly charmed by this animal fable, right up until the point Bardugo slapped Koja ― and me ― upside the head for thinking we had everything all figured out.
Told in deceptively simple style, this tale follows Koja from his birth (when he’s almost eaten by his mother for being so small and ugly, and is saved only by his quick thinking) through various adventures. Koja learns about patience, sacrifice, and the importance of friends. But mostly he learns that despite his lack of good looks, his cleverness and creative thinking will get him ahead. When a hunter moves into the area and captures and kills several of Koja’s animal friends and neighbors, Koja takes steps to save the day.
As with all fables, there’s a moral to this story … but it’s not the one I thought was going to be served up to me. Well played!
❧ “The Witch of Duva” is a dark Russian-flavored fairy tale with echoes of Hansel and Gretel and a serial killer twist… or is it wolves? Nadya and her brother Havel are the children of Maxim Grushov, a carpenter and woodcutter. They live in a village on the edge of a deep, dark forest. When a famine hits, Maxim no longer gets enough work from the other impoverished villagers. The children’s mother fades away and dies, the famine deepens, and ― worst of all ― girls begin disappearing from the village.
Real fear came upon the town. In the past, girls had vanished every few years. True, there were rumors of girls being taken from other villages from time to time, but those children hardly seemed real. Now, as the famine deepened and the people of Duva went without, it was as if whatever waited in the woods had grown greedier and more desperate, too.
Nadya’s father marries a neighboring widow, who makes it clear that Nadya isn’t welcome in her house. She sends Nadya out to check their traps for rabbits in the dark. When Nadya gets lost in the forest, she comes across a strange hut in the woods where an old woman cooks over a vast black cookstove, with bubbling pots and an oven large enough for a child to get inside. I might be forgiven for thinking that I knew where the story was heading at this point, but I was completely wrong. Those who like dark fairy tales will enjoy this one.
❧ “Little Knife:” It’s fascinating to see Bardugo subverting so many traditional fairy tale tropes here. The duke’s daughter Yeva is surpassingly beautiful … so beautiful, in fact, that it literally makes people crazy: nurses and midwives fight over her and try to kidnap her as a baby (her father ends up hiring a blind nurse for her), reasonable men come to blows over her as she grows older, and she can’t ever go outside.
So Yeva’s father decides that he needs to marry her off when she’s about sixteen, and holds a contest with challenges for her suitors, because that’s what prideful aristocratic fathers get to do in these tales. It’s clearly not as much fun as it might sound for the girl.
When her father returned to the palace and Yeva heard what he had done, she said, “Papa, forgive me, but what way is this to find a husband? Soon I will have a fine mirror, but will I have a good man?”
Nor, as it turns out, is it fun for her father in this case. He assumes that his favored suitor, the prince, will be able to use his wealth and servants to win all the challenges, but there’s a poor Grisha Tidemaker, with magical power over water, who comes into town just as the first challenge is getting rolling. Seeing Yeva, he decides to throw his hat into the ring. With the invaluable help of a nearby river, which he calls Little Knife, he’s hard to beat.
But. It doesn’t work out the way you might guess.
Now, if you have been foolish enough to wander from the path, it is up to you to make your way back to the road… If you are lucky, you will find your friends again. They will pat you on the back and soothe you with their laughter. But as you leave that dark gap in the trees behind, remember that to use a thing is not to own it.
❧ “The Soldier Prince” is primarily a dark retelling of The Nutcracker, with several twists, though I think it also borrows a few elements from The Steadfast Tin Soldier. A smooth-talking clocksmith called Droessen, intent on raising himself in society, gives a nutcracker to a young girl named Clara, for his own selfish reasons.
This is the problem with even lesser demons. They come to your doorstep in velvet coat and polished shoes. They tip their hats and smile and demonstrate good table manners. They never show you their tails.
Clara adores the nutcracker, who has a hard time not losing himself in her and others’ desires. The tale gets a little murky, but I appreciated the theme of finding yourself and determining your own path in life. The Mouse King gets a cameo here to good effect.
❧ “When Water Sang Fire,” the longest tale in this collection, immerses the reader in a society of mermaids who have magic that manifests in the form of song.
Magic flowed through all of them, a song no mortal could hear, that only the water folk could reproduce. In some it seemed to rush in and out like the tide, leaving little in its wake. But in others, in girls like Ulla, the current caught on some dark thing in their hearts and eddied there, forming deep pools of power.
Ulla has one of the most powerful magical voices in their world, but is ostracized for acting and looking different, with her black hair and grayish skin. When she connects with red-haired Signy, she finds not only friendship but a more powerful magic in their duets. Despite their obscurity in sildroher society, the undeniable power of their magical songs brings them to the attention of others … attention that might raise them in society or prove their undoing. [image]
Bardugo has a knack for getting right at the heart of the flaws in people’s characters. The ending reveals a delightfully unexpected (at least to me) link to a character that will be familiar to most readers.
Each page of these stories is framed by Sara Kipin’s illustrations, which gradually morph from page to page until bursting into full flower with a two-page illustration at the end of each story. It’s a wonderful and well-executed concept.
The Language of Thorns invites the reader to share in the characters’ learning and growing experiences, their triumphs and their heartbreaks. The invitation in “The Witch of Duva” - “come help me stir the pot” - resonates long after the stories end.
Snow & Rose (2017) is a charming middle grade level retelling of the Snow-White and Rose-Red fairy tale with illustrations by the author, Emily WinfieSnow & Rose (2017) is a charming middle grade level retelling of the Snow-White and Rose-Red fairy tale with illustrations by the author, Emily Winfield Martin. Final review, first posted on Fantasy Literature:
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Rose and Snow are the beloved eleven and nine year old daughters of a nobleman and his commoner wife, a sculptor. Rose has black hair and rosy cheeks, and is patient and gentle; Snow has white-blonde hair and icy blue eyes, and has a wilder and more adventurous personality. They have a fat grey tabby cat called Earl Grey (I adore that name! I want to adopt a grey cat now and name him Earl Grey) and had a large house with servants, a library with shelves that reached the ceiling, and a spectacular garden, half white flowers and half red, in honor of the two girls.
Shortly before our story began, however, their father disappeared in the woods one day without a trace, and their mother and the two girls were turned out of their mansion and moved into a cottage in the woods. The three are gradually adjusting to their new life. But Snow refuses to believe their father won’t return ― she lurks around their old home, spying on the family that’s moved into it ― and their mother is absentminded, burdened by sorrow. The girls can’t help but wonder about their father’s disappearance, why and how the woods would spirit someone away.
The wondering burned inside them both but took different shapes because of what they believed. Rose wanted to know why their father had been taken, and Snow wanted to know how to get him back. Their wondering touched the edges of things they could never know, about this place that had changed their fortunes once and would change them again.
Despite their fear of the woods, eventually Rose and Snow begin to venture out to explore off the beaten paths. They find a new friend, a boy who lives underground and grows mushrooms with picturesque names like Flea’s Parasols, Golden Pence, and Mouse’s Buttons. They also discover an unusual library, filled with little objects that you check out rather than books (the librarian assures the girls that these are nonetheless stories). But Rose and Snow also come across more ominous things in the woods: bandits, wolves, a very rude little man and an enormous bear.
Snow & Rose doesn’t veer too far from the original Grimm Brothers folk tale, but Martin adds depth and details to the characters and their experiences. The two sisters are well-realized characters with fully distinct personalities as well as appearances, and with concerns and emotions that ring true. The story emphasizes the ties of family, especially the power in the bond of sisterhood, rather than romance, which is refreshing. The magical aspects of the tale are subtle, for the most part, lurking around the edges of the story rather than taking center stage. One can almost imagine this tale taking place in olden times in our world.
Martin also includes some unexpected elements in her story: the library and its quirky librarian; the bandit group that gives the girls some scares; a Huntsman with a fur cape and feathered cap, who may be both a rescuer and a threat. There are periodic interludes where the trees watch as two mysterious beings, an old one and a young one, discuss the girls and their fate. These elements were creative and add color to the tale, but didn’t play a large enough role in the plot to feel fully realized as an integral part of the story.
Snow & Rose is a deliberately paced story that some readers might find slow … until the ending, which unaccountably was a bit rushed. But I was immersed in Martin’s evocative language and whimsical images, both verbal and visual. As a middle grade/children’s chapter book, Snow & Rose is fairly simply told, but the writing and pictures are delicately lovely. I recommend it for readers, both young and older, who like traditional fairy tale retellings.
I received a free ARC of this book from the publicist for review. Thank you!!...more
A chilling fairy tale horror short story, free here at Tor.com. It's a great short read for October. Final review, first posted on Fantasy Literature:A chilling fairy tale horror short story, free here at Tor.com. It's a great short read for October. Final review, first posted on Fantasy Literature:
A familiar fairy tale setting: A witch of a stepmother nursing a secret hatred for her stepchild, an eleven year old boy who is the prince of their country. The king, the boy’s father, is oddly absent. But gradually the reader’s expectations are cracked, then shattered, in this dark and disturbing yet morbidly satisfying tale.
As the prince and the stepmother have dinner, they begin to argue and insult each other. The stepmother, who narrates the story, excuses the servants and then magically shields the room so no sound within it can escape, while she and her petulant stepson let loose with all their frustrations and venomous hatred for the other. In between, she gives us a few glimpses of her past: her desires and her regrets, and some unspeakable things she has seen and experienced.
There was one thing [the king] wanted, and such a simple thing, too, such a compassionate desire. More than anything else, my husband yearned for me to love his son. The little prince was all that remained of the boy’s venerated mother; a pale wraith, sweet if slightly stupid, given to whimsy. She was beloved by the court, I’m told, an overgrown pet whom no one saw reason to censure, charming enough in brief doses. When she died, they mourned for weeks.
Small wonder they feared me: the flint-eyed, sharp-mouthed wildling the king brought home from a distant land, mere months after the tender one’s tragic demise—midnight and bone to my noonday predecessor.
“These Deathless Bones” frankly explores the dark side of life with lyrical and expressive writing. It engaged me with its strong-willed and unrepentant protagonist and its gradual and chilling subversion of my expectations.
Content note: Sensitive readers beware. There's disturbing cruelty, including descriptions of past animal cruelty(view spoiler)[, but there's a satisfying comeuppance in the end (hide spoiler)]....more
In Beneath the Sugar Sky, the third book in Seanan McGuire’s WAYWARD CHILDREN series, we return to Eleanor West’s Home for Wayward Children, that haven for children and teens who once found their way through portals to other, magical worlds but have been involuntarily returned to ours. At Eleanor West’s boarding school, at least they find others who believe them and empathize, and desperately hope with them for a way to return to a magic world where they truly felt they belonged.
At Eleanor’s there’s a new girl, Cora, cautiously making her way through the halls and through daily life. Cora’s been teased and abused as overweight all her days, except for that glorious time she slipped through a portal to a world called the Trenches, where she was a particularly excellent mermaid and her fat was wonderfully functional. The only thing now remaining from her mermaid world is that Cora’s hair is still a dozen shades of green and blue (though Eleanor knows if these colors ever fade, Cora will never be able to find her way back).
A new adventure for Cora and her friend Nadya, another returnee from a watery world, begins with a splash: [image] (I love this illustration!)
A girl falls from the sky into the pond behind Eleanor’s school, startling Cora, Nadya and the turtles. The falling girl is Rini, daughter to Sumi, a character from Every Heart a Doorway who died as a teenager while she was at Eleanor West’s school. Rini informs them that in her own timeline, Sumi was able to return through the portal to the magical Candyland-type world called Confection and defeat the evil Queen of Cakes, after which she married and had her daughter Rini. But now the malicious Queen is alive again and back in charge of Confection, and Rini is slowly disappearing, à la Marty McFly in Back to the Future, albeit far slower. Clearly Rini, Cora, Nadya and other friends (who will be familiar to readers of the first book) need to find a way to change the current reality! And so their quest to bring Sumi back begins.
Readers who enjoyed the first two books in the WAYWARD CHILDREN series will likely be equally charmed by Beneath the Sugar Sky. This novella throws open more portals, and readers are lucky enough to visit some magical worlds that we had only heard about before. McGuire balances imaginative whimsy with her insightful and thoughtful writing and engagement with meaningful issues of diversity and belonging.
As always, McGuire has an understanding and sympathetic eye for those youth who feel like outsiders in our society. In Beneath the Sugar Sky we engage not just with characters of alternative sexuality but also those who are overweight, disabled, of minority religion and races, and more. Cora struggles with self-acceptance because of her weight; Nadya is missing one arm, which she refuses to let hold her back; and there’s a delightful cameo by a girl wearing a hijab. It’s a pleasure to meet up again with several characters from Every Heart a Doorway, some of whom I hadn’t expected to see again.
I found Beneath the Sugar Sky much lighter in tone than the prior two novellas in this series, which makes it a more pleasant read, though it does deprive it of some of the heft and impact of the other two books. The multiverse/different timelines aspect of this story didn’t really hold water logically, but I suppose that can be excused at least to some extent where the world of Confection is, quite explicitly, a Nonsense world. The last paragraph of Beneath a Sugar Sky gave me goosebumps, along with a heartfelt wish to visit these characters and their worlds again.
I received a free advance copy of this book for review from Tor. Thank you!!
Content notes: scattered F-bombs and some mature language.
Initial post: The ARC just landed on my doorstep! YAY!! It was accompanied by two other Tor ARCs I hadn't even requested (The Armored Saint and The Red Threads of Fortune). Just when I felt like I was making a dent in my ARC pile, lol. #firstworldproblems...more
The Emerald Circus is a short story collection by Jane Yolen, who's so very talented and literate. Final review, first posted on Fantasy Literature:
UThe Emerald Circus is a short story collection by Jane Yolen, who's so very talented and literate. Final review, first posted on Fantasy Literature:
Under the big top of The Emerald Circus (2017) is a fantastical assemblage of sixteen short stories and novelettes by Jane Yolen. Historical figures like Emily Dickinson, Benjamin Disraeli, Hans Christian Andersen and Edgar Allen Poe enter the three rings and shed their normal identities, dancing across the high wires and peering into tigers’ mouths. In this circus’ House of Mirrors we also see unexpectedly twisted reflections of fictional characters like Alice in Wonderland (who makes an appearance here in two very different Yolen tales), Merlin, and Dorothy Gale. A few fairy tale characters ― the Snow Queen, Beauty and the Beast, Red Riding Hood and the wolf ― round out the performers in this entrancing circus.
My favorite stories in this collection:
“Andersen’s Witch” ― Hans, a young boy from a destitute, conflict-ridden family, is visited by the Ice Maiden one night, who grants him his three wishes. He wishes for a bed long enough for his legs to fit, for his Papa to get well enough to earn money for the family, and to become a rich poet, a digter. Like wishes granted by faeries, though, those granted by the Ice Maiden may twist in the way they are granted.
Surely a price will be demanded, he thought feverishly. Witches promise you sweets and then shove you in the oven.
Can the grown man Hans, the famous digter, outwit the Ice Maiden who has become the cold Snow Queen?
“Lost Girls” ― Darla, angry because it isn’t fair that Wendy does all the housework in Neverland and Peter Pan and the boys get to fight pirates, goes to bed and finds herself in Neverland. It’s even worse than she imagined: there’s a whole slew of girls (all of them dismissively called “Wendy” by Peter Pan and the Lost Boys) doing all of the cleaning for a group of extremely messy boys. Darla decides to lead a strike (“Being the daughter of a labor lawyer had its advantages”) in this delightful take on Peter Pan.
“Blown Away” ― Dorothy Gale does indeed get blown away by a cyclone in this story, narrated by Tom, one of the farm hands. When Dorothy returns seven years later, claiming that she’d experienced a memory loss and had been adopted by the Emerald Circus, Tom wonders about the truth of her story. It’s intriguing to trace the connections between this story and the original Wizard of Oz story by L. Frank Baum (the fate of Toto is eyebrow-raising), but more interesting is the insights into the various characters, like the long-hidden feelings of Tom’s wife Amelia.
“Evian Steel” ― This story is a type of prequel to the King Arthur legend, set on Ynis Evelonia, an island of women who make the finest swords known in the kingdom. Elaine is sent to the island as a young girl, to live there for the rest of her life. It’s a difficult transition, but gradually she settles in and begins to get to know the other girls and to learn the art of sword making. When the time comes for Elaine’s older friend Veree to go through an initiation process, Elaine wishes to stand by her in her trial.
In some of the other stories, Alice makes a return trip to Wonderland and has to face her greatest fear in the Jabberwock (“Tough Alice”), Beauty and the Beast channel O. Henry’s “The Gift of the Magi” with an outcome that I definitely did not expect (“The Gift of the Magicians”), Robin Hood’s dying mother has a terrifying request to make of his nurse when her son is born (“Our Lady of the Greenwood”), and Emily Dickinson meets … an unexpectedly inspiring space alien (“Sister Emily’s Lightship”). It’s a varied and imaginative collection.
A few of these stories, like “The Bird,” in which Edgar and his young, ailing wife discuss their bothersome pet raven, are vignettes, glimpses of events in a character’s life, rich with imagery but perhaps too brief or one-note to make a lasting impression. On the other hand, “Wonder Land,” though even shorter, packs a sensual, feminist punch in three pages.
Except for “The Bird,” these are previously published stories; for example, four of them appeared in an earlier Yolen short fiction collection, Sister Emily's Lightship and Other Stories. Here, though, each story is accompanied by Yolen’s insightful story notes at the end of this collection, and by a blank verse poem (most of which are new) that relates topically or thematically to that story. For example, “Tough Alice,” in which Alice desperately battles the Jabberwock, is accompanied by this thought-provoking poem:
Managing Your Flamingo
So there she is, Alice underground, life more complex than imagined. A game, she’s told, though without rules or white lines or a sense of finality. They hand her a bird, the pink of longing, beak as sharp as an executioner’s sword, its gangle of legs tangling her skirt. The queen growls: Manage your flamingo, and the others shout: Play on, play through. As if it were life. As perhaps it is.
The Emerald Circus is a circus worth visiting and revisiting from time to time.
I received a free copy of this book from the publisher through NetGalley for review. Thank you!...more
3.5 stars for this Kindle freebie. It's a cute, YA-level fantasy romance, and a retelling of the old Puss in Boots fairy tale, with a few twists to it3.5 stars for this Kindle freebie. It's a cute, YA-level fantasy romance, and a retelling of the old Puss in Boots fairy tale, with a few twists to it.
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The youngest child of the village miller, who inherits an odd cat, is a lovely young woman, Suzette, called Etta. She's astounded when her cat turns out to have the ability to speak ... especially when Puss starts ordering her around ("Learn to hunt!" "Take the game you catch to the king!").
Etta's head is turned by Kerrick, a handsome nobleman she meets in the village one day, to the dismay of Beau, another young man who's temporarily living in the village. He's very interested in Etta, but she firmly friendzones him while pursuing a relationship with Kerrick ... even though she knows that, as a destitute commoner, there's very little chance of the relationship with Kerrick going anywhere.
Despite the differences, the story sticks reasonably closely to the original fairy tale. It also manages to slide around the dreaded love triangle trope, though it skates a little close to the edge at times. Recommended if you're interested in a very light and rather amusing fairy tale retelling, with a fairly strong romance element. Not bad for a freebie and a self-published book!