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1250801745
| 9781250801746
| 1250801745
| 3.62
| 2,035
| Mar 15, 2022
| Mar 15, 2022
|
it was amazing
| The comics business was messy—a slapdash sprint to meet immovable deadlines, a blur of pages flowing from production to editorial and back before b The comics business was messy—a slapdash sprint to meet immovable deadlines, a blur of pages flowing from production to editorial and back before being jettisoned out the door to the printer. Carmen loved it.-------------------------------------- Miami was a city, too, Carmen knew—but New York was something else. A disease that bubbled and expanded and multiplied and morphed, like some kind of magical, mystical being that seemed from another world.Carmen Valdez, late of Miami, is where she wants to be. She may not be exactly doing what she wants, but she is trying to get there. A New Yorker for the last year, Carmen is 28. She works at Triumph Comics, a third-tier publisher of such things, and is living the dream, if the dream is to be working as a secretary to a boss who cannot see past her gender, cannot even imagine a woman, let alone a Hispanic woman, actually writing stories for his press. But the stories are there, the ideas filling notebooks. She gives him some, but even if he bothers to read them, he dismisses the work out of hand. All she needs is a chance. And then one appears. [image] Alex Segura - image from Comicsbeat Harvey Stern is a junior editor there, young, friendly. They bond over a shared love of the medium (a love she had acquired from her father taking her out for father-daughter bonding that included the buying of comics). They are friendly without being quite friends. The house has a sudden need for a new character; Harvey is given the job of coming up with one, a female hero who will get a rise out of young male Triumph readers. Carmen sees her opportunity and offers to “help.” Their work together goes well. The story is mostly hers, of course, but Harvey has some skills. They produce a pretty good book. It does well. Problem is that no one other than she and Harvey knows the truth about how it came to be. Then Harvey suffers a BLAM! BLAM! leaving him with even less conscious corporeality than an invisible six-foot pooka. Guess who finds the body? And the noir gets dark. I’ve always been fascinated with Megan Abbott’s work and her ability to bring the tenets of noir to areas where you wouldn’t expect noir to exist—gymnastics, cheerleading, science, and so on. She crafts these narratives that are tense, fraught, and loaded with style outside of the typical noir settings. I remember reading Dare Me and just thinking, huh, wouldn’t it be cool to write a comic book noir? - from The Big Thrill interviewSegura had recently finished writing his Pete Fernandez Miami Mysteries, so has the chops to produce a pretty good whodunit. Carmen sees, in short order, that the police are not up to the task. She also knows that unless she can figure out why Harvey was killed, and by whom, she will never be able to get recognition for her work, or maybe sleep at night. Harvey is not the last person attacked by a mysterious villain. [image] The Legendary Lynx - from the book – image from The Firewire Blog Secret identities abound here. Carmen hides her true author self from the boss because of the sexism of the age. Everyone seems to have a secret. Harvey certainly she had to become someone else to surviveSegura has been busy in the comic book industry for many years, working on Archie Comics, while living in Miami, then moving to New York to work for DC. He has written detective novels, and a Star Wars book, stand-alone mysteries, short stories, a crime podcast, and probably an encyclopedia. He is married with kids, and I imagine that he must sleep some…time. Maybe he is one of the characters he writes about and his secret power is eternal wakefulness. Captain Insomnia takes on every request for writerly product, and satisfies them all. He has a particular soft spot for the 1970s in the comics industry, when the industry’s body was laid out on the street, bleeding money and readers. Who would come to its rescue? Well the comic book industry was really struggling at that time after the glory years of the 50s and 60s. Comics were struggling. It wasn’t like today, where we have shows about Peacemaker or obscure characters – it was considered a dying industry. So I wanted to use her passion for the medium and contrast it with comics at its lowest point, and then show her fighting to control this one thing she loves. - from the Three Rooms Press interviewThis was a time when comic books were sold only on newsstands or in small stores, before there were comic book conventions, before the steady drumbeat of blockbuster films based on comic book characters. There was plenty wrong with the industry at the time (there probably still is), with notorious cases of people stealing credit for the work of others. Some of those are noted here. In fact, there are many references made to well-known names in the comic book industry. I am sorry to say that most just slipped past me, as I am not the maven for such things that Segura and no doubt many readers of this book are. I can report, though, that not knowing all the references did not at all detract from my overall enjoyment, and recognizing the ones I did enhanced the fun. He even tosses in a nod to a character of his from another project, as that character’s story was set in the same time period. [image] The Legendary Lynx - from the book – image from The Firewire Blog There was plenty wrong with NYC at the time. I know. I remember. Fun City, originally a tossed-off line by a 1960s mayor facing multiple municipal crises (“It’s still a fun city.”) had not completed the shift to The Big Apple, itself a reconstitution of a city logo from the 1920s. The city, a political creation of the state, was starved by the state for the funds needed to provide the services it was required to offer, then was looked down on for that inability. It was a time when graffiti was ubiquitous, crime was up, and gentrification was beginning, as landlords were torching their properties to drive out residents so they could transform their buildings into co-ops. It was a time of white flight and a time when a local tabloid featured the infamous headline: Ford to City: Drop Dead, after NYC had turned to the federal government for aid. We get a taste with Carmen’s arrival. the drab, claustrophobic walls of the Port Authority giving her the most honest first impression of New York she could expect. As she wandered the cavernous transport hub, a concrete behemoth at the tail end of the Lincoln Tunnel, she got a heavy dose of what she’d only imagined. A city in disrepair, boiled down into this one sprawling bus terminal. Leaky ceilings, shadowy conversations, blaring horns, and unidentifiable smells all coalesced into an unbridled fear that gripped Carmen as she stepped out into the New York sunlight. [image] The Legendary Lynx - from the book – image from The Firewire Blog Carmen’s mission is to solve the crime of course (When a For example, did Carmen really believe that the boss would disbelieve her if she told him the truth about authorship of The Legendary Lynx? There is a scene in which Harvey gets weird and take off after a working-together session. Holy Tunnel Vision, Batman! No freaking out over that? And she lets Harvey take her notebooks, her primary and unbacked up material? Even the Daredevil wasn’t that blind. There was something else, of no real consequence, that really bothered me. There is a scene which entails Carmen walking from the East Side to the West Side of Manhattan without any mention of passing through Central Park, which is directly in the path, or walking around it. That just seemed odd, particularly coming from a guy who lives in New York. (view spoiler)[ Not really a spoiler, just wanted to spare most folks this aside. I used to live on the West side of Manhattan, for most of the 1970s, West 81st Street, then West 76th Street, and walked across the park to my grad school on the East Side. Walked back, too, so, speaking from experience. (hide spoiler)]Like I said, no consequence. One thing you will definitely enjoy is the inclusion in the book of seventeen pages from The Legendary Lynx. They presage events in the chapters that follow. It is a perfect addition to the book. Music permeates, including nods to the venues of the day, The Village Vanguard, CBGBs, The Bottom Line, et al. Her roommate, Molly, is a musician, rubbing shoulders with rising stars, like Springsteen and Patti Smith. Secret identity covers a fair bit of territory, an homage to a beloved industry in a dire time, a noir mystery, a look at the city where he now lives, when it was on its knees, while saluting the music of the time and the creators of the comic book industry, warts and all. And he tosses in a comic book for good measure. This is a fun read of the first order, even for those, like me, who may not be comic nerds. In producing this very entertaining novel, Alex Segura has revealed his true identity, at least for those who did not already know. Clearly, Seguro really arrived on this planet not in a Miami hospital ward, but probably somewhere in the Everglades, his ship originating in a galaxy far, far away. He may or may not be able to leap tall buildings in a single bound, but he clearly wields otherworldly power as a writer. POW! If it got published, I’d be ghostwriting it. . . . I mean, I’d get a shot, and if it did well we’d reveal my involvement, but. . . .” Review posted – March 11, 2022 Publication dates ----------Hardcover - March 15, 2022 ----------Trade paperback - February 7, 2023 I received an ARE of Secret Identity from, well, I can‘t tell you, in return for a fair review. Thanks, folks. And thanks to NetGalley for facilitating an e-galley copy. [image] [image] [image] [image] [image] [image] This review has been cross-posted on my site, Coot’s Reviews. Stop by and say Hi! =============================EXTRA STUFF Links to the author’s personal, FB, Instagram, and Twitter pages Interviews -----Crime Reads - SHOP TALK: ALEX SEGURA IS ALWAYS WRITING, EVEN WHEN HE'S NOT by Eli Cranor Mostly on Segura’s process and insane productivity -----The Big Thrill - Up Close: Alex Segura by April Snellings -----Three Rooms Press - Stand Up Comix:> An Interview with Author Alex Segura Item of Interest from the author -----Segura’s Sub-stack Items of Interest -----When a man’s partner is killed… -----pooka ...more |
Notes are private!
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1
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Feb 21, 2022
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Mar 03, 2022
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Mar 09, 2022
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Hardcover
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B0881YDNDD
| 3.82
| 89,447
| Jul 14, 2020
| Jul 14, 2020
|
it was amazing
| As my father lay dying, Donald went to the movies. If he can in any way profit from your death, he’ll facilitate it, and then he’ll ignore the fact As my father lay dying, Donald went to the movies. If he can in any way profit from your death, he’ll facilitate it, and then he’ll ignore the fact that you died.So, you think your family’s nuts? Usually we have to wait for historians to delve back through the years of a president’s life, digging through letters and writings, interviewing any who might have interacted with them, checking their letters and writings, to cull relevant bits, suss out impactful events, discern motivations and understand how that president came to make the decisions he (still only he) made. Also, sift fact from spin or worse in former presidents’ memoirs and other writings [image] Mary Trump - image from Inside Edition It is quite likely that Donald Trump may be the most written about person, let alone politician, in modern American history. And despite his attempts, many of them, sadly, all too successful, to protect his information from the world, (still waiting on those tax returns) there are so many eyes looking his way, so many searchlights in the darkness, that details continue to emerge, daily, it seems. But there are few who have the sort of access available to a family member. Reporters and historians did not have the personal experiences of dealing with him in a household setting. His remaining siblings have their own reasons to keep their counsel, despite the odd secretly-taped statement that finds its way to the public arena. But we have something pretty close, if a generation removed. Not a sibling, but Donald’s niece, Mary Trump, daughter of the eldest of Fred Trump’s children, Freddy. She is not only a family member but a clinical psychologist to boot. While she was not present when Donald was a child, (he was 19 when she was born) she was as familiar as one could be with family who had been, and had personal exposure to him all her life, in addition to the many tales she heard from family members of Donald’s earlier days. The stories she tells paint a picture of how Donald came to be the person he is. She does not offer a hard diagnosis on how much might be genetic and how much nurture, but the implication is clear that it was a substantial mix of both. Whereas Mary [Donald’s mother] was needy, Fred [his father] seemed to have no emotional needs at all. In fact, he was a highly-functioning sociopath. Although uncommon, sociopathy is not rare, afflicting as much as 3 percent of the population. Seventy-five percent of those diagnosed are men. Symptoms of sociopathy include a lack of empathy, a facility for lying, an indifference to right and wrong, abusive behavior, and a lack of interest in the rights of others. Having a sociopath as a parent, especially if there is no one else around to mitigate the effects, all but guarantees severe disruption in how children understand themselves, regulate their emotions, and engage with the world.There are better sources for the details of Donald’s lifelong crime spree. What Mary Trump offers is a look into the poisoned tree from which this rotten apple dropped. One thing that stands out is that, even though Fred Sr encouraged all Donald’s worst qualities, there is rarely any sense that Donald had any positive ones beyond a superficial charm. In the Stephanopoulos interview, though, Mary talks about there having once been some kind inclinations in Donald, but they were squashed by his father. Even as a child, he delighted in bullying children smaller than himself, to the extent that Fred was encouraged to take him out of a school on whose board Fred sat. That must have been a fun conversation. Pop relocated Donald to the New York Military Academy, six miles north of West Point, in upstate New York. It was the equivalent of being sent to reform school for rich kids. A lot of the book focuses on Mary’s father, Freddy, the oldest of the siblings, the one expected to take over the business. He presumed he would be the head of his father’s company, but Pop never really gave him a chance, sticking him with relatively menial work. He was a kid who was kind, had friends, and interests other than his father’s business. This got him labeled as weak and a failure. Fred Senior preferred someone with what he considered a “killer” instinct, which translated into being as sociopathic as he was. He offered zero support for Freddy’s interest in flying, even though he had joined the United States Air Force ROTC in college and put in mad hours flying and training. Even after he secured a choice position as a pilot with TWA, the elite airline of the stars, flying their new 707 from Boston to Los Angeles, a pretty big deal at the time, his father regarded him as nothing more than a bus driver in the sky. But even after abandoning his flying career, and crawling back to his father, Fred Sr. never really gave him a chance at gaining any real authority. Donald, the second son, eight years younger, was more than happy to step into the favorite son shoes. He clearly had the temperament, the narcissism and malignant regard for others that his father so wanted to see in a successor. Mary offers some details on the business disasters that Donald wrought, his business talent pretty much as non-existent as his talent for dishonesty and self-promotion was vast. Even Mary bought into the spin for a long time, not realizing that Fred Sr. had been keeping Donald afloat with hundreds of millions in loans and often illegal gifts. It was when Donald asked her to ghostwrite one of his books that she did some actual research into him, followed him around, and realized just what a totally empty suit he truly was. There are plenty of quotes from this book making the rounds, a passel of stories. I will spare you the full list. But there are few things worth noting. ----------Donald’s disregard for women tracks with his father’s disregard for his wife, and even Donald’s dismissive treatment of her. ----------Donald even tried to steal his siblings’ inheritance, a ploy that was only sidetracked because Fred Sr was having a rare lucid day and smelled a rat, when his lawyer, whom Donald had recruited for this will-rewrite task, asked him to sign some papers. It was Donald’s mother who saw to it that the plot was foiled. ----------It is telling to see how Donald has recreated in his role as president the model set by his father for always keeping his children from any feeling of security. ----------He has inherited pop’s complete incapacity and/or unwillingness to accept any responsibility for his actions. But at some point you become responsible for yourself, and it is clear that whether he has the capacity or not, Donald never will. He will remain a spoiled child, a bully, a danger to anyone near him, and now, as someone with the instruments of national power at his disposal, an actual menace to the planet. One of the overarching feelings I had while reading this book was sadness. However awful Donald is today (and has been almost all his life), it is still a very sad thing for anyone to grow up in a household where a father’s love was not only unavailable, but in which even wanting such affection would be considered a sign of weakness, and cause for rejection and humiliation. Add to this a mother whose narcissism combined with physical illness to ensure that their interactions would be all about her, and never about him. Mary’s relationship with her grandmother, Donald’s mother, is also heart-breaking. Materials from the book are all over the print and digital media. The understandable focus there is on the actual content of the book. What happened, where, and when, what was said, by whom? How did Donald become so awful and what awful things has he done or said that we do not yet know about? Usually unmentioned, or maybe noted in passing, is what a bloody good read this book is. I found myself rapt while poring through it, and not just fascinated by the major multi-car pileup that is Donald’s life, but actually moved, particularly by the other main story Mary tells, that of her father’s demise. What a waste of a life, of an opportunity, and at the hands of madness. Trumps are not known for writing their own books. But Mary had an interest rarely, if ever, seen in the Trump family. It was love of books that set her apart when she was growing up… in what she describes as a “shitty Trump apartment” in the gritty housing projects of Jamaica, Queens, quite different to the rarefied air of the nearby Jamaica Estates where the rest of the family lived. That gave her a grounding in reality. She took the subway to school. And she devoured literature. In her memoir, she recounts that her grandfather’s house did not display a single book until her uncle published his ghostwritten The Art of the Deal in the late 1980s. “I started reading when I was three and a half,” Trump says. “My horizons were already broader than anyone else in the family simply by virtue of that.” - from the Financial Times interviewWhile Mary Trump does not have the objectivity of a true outsider looking at the family, that does not mean that she leaves her clinical toolbox unopened. She has a PhD in clinical psychology. She has observed and had reliable reports on a large swath of Donald’s life, and the lives of other family members, a solid grounding for offering a very well-informed, and analytically incisive, opinion about Donald and other family members. Her personal take on 45 is the best we are likely to ever have in terms of understanding the psychological roots and early journey into madness of our Psycho President. It is a frightening picture. We can only hope that we all get to live long enough to fully appreciate just how valuable it is. Andrew Cuomo, the governor of New York and currently the de facto leader of the country’s COVID-19 response, has committed not only the sin of insufficiently kissing Donald’s ass, but the ultimate sin of showing Donald up by being better and more competent, a real leader who is respected and effective and admired. Donald can’t fight back by shutting Cuomo up or reversing his decisions; having abdicated his authority to lead a nationwide response, he no longer has the ability to counter decisions made at the state level…What he can do in order to offset the powerlessness and rage he feels is to punish the rest of us. He’ll withhold ventilators or steal supplies from states that have not groveled sufficiently…What Donald thinks is justified retaliation is, in this context, mass murder. Review first posted – September 10, 2020 Publication date – July 14, 2020 [image] [image] [image] [image] =============================EXTRA STUFF Links to the author’s Twitter and FB pages Interviews -----ABC News – with George Stephanopoulos - George is a bit hostile, but it is a good interview overall -----Financial Times - Mary Trump: ‘At Least the Borgias supported the arts’ by Edward Luce -----The Guardian - Mary Trump on her Uncle Donald: ‘I used to feel compassion for him. That became impossible’ by David Smith -----Mother Jones - Watch: Mary Trump on Why Donald Trump Lies, Why He’s “Racist,” and Why She Wrote Her Book by David Corn -----MSNBC has chopped up Rachel Maddow’s interview with the author into bits. If I find a complete vid of that interview, I will add it here. Items of Interest -----Wikipedia entry for The Trump Family -----The Lincoln Project - Bloodlines ...more |
Notes are private!
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1
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Aug 24, 2020
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Sep 05, 2020
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Sep 05, 2020
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Kindle Edition
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B084788BMF
| 3.97
| 2,181
| Aug 11, 2020
| Aug 11, 2020
|
it was amazing
| For his heroic service, Cher Ami was awarded the French Croix de Guerre with palm. He was returned to the United States and died at Fort Monmouth, N.J For his heroic service, Cher Ami was awarded the French Croix de Guerre with palm. He was returned to the United States and died at Fort Monmouth, N.J. on June 13, 1919, as a result of his wounds. Cher Ami was later inducted into the Racing Pigeon Hall of Fame in 1931, and received a gold medal from the Organized Bodies of American Pigeon Fanciers in recognition of his extraordinary service during World War I. - from the Smithsonian-------------------------------------- …in a contest against passion, truth always makes a poor showing.Two kinds of heroism are on display in Cher Ami and Major Whittlesey. The usual sort is displayed by a homing pigeon, Cher Ami of the title, braving and taking enemy fire to bring news back to base of the dire situation faced by a battalion caught behind enemy lines. The other was the courage Charles Whittlesey, the commander of that battalion, mustered to remain in place when the urge to retreat was almost overwhelming. Movement would have offered no assuredness of survival, and probably would have resulted in annihilation, the other option, surrendering to the surrounding German army, again offered no certainty of survival, but confidently promised the collateral damage of severe disgrace. A very Anthony Fauci decision, selecting the least of the available evils, but Whittlesey chose the one offering the greatest hope for the best results. [image] Kathleen Rooney and friends - image from her site This novel is a fictionalized account of a real-world event. Cher Ami is indeed in the Smithsonian. Charles Whittlesey did lead his men in dire circumstances. The Lost Battalion was a major media event in the waning days of World War I. [image] Cher Ami – image from the Air and Space Museum News coverage at the time had focused on the Metropolitan Division more than most segments of the Army prior to the event. It was made up primarily of New Yorkers, and thus a large contingent of immigrants, some of whom did not even speak English, many of whom were not yet naturalized citizens, draftees fighting for their home country of choice. So, there was much more news sent home about the 77th Division, of which the battalion was a part, than there might have been had the incident afflicted a less reported-on force. You could read all about the plight of The Lost Battalion in the New York papers, and then across the country. One of the main writers covering the story was a reporter for The New York American, a Hearst newspaper. He had a readership, based to a considerable degree on his sports journalism, but he was more than just a sports writer. You may have heard of him. His name was Damon Runyon. [image] Damon Runyon - image from FamousBirthdays.com Whittlesey’s piece of the 77th, part of an Allied offensive into France’s German-occupied Meuse-Argonne Forest in October 1918, did their jobs too well, continuing to advance, even when forces on either side of them had ceased their forward progress, unbeknownst to Whit. It is called a salient when you advance past enemy lines and find yourself surrounded by the enemy on multiple sides. Not a good thing. We get to see Whit’s decisions, and the efforts that had to be made to try to get word back to base, and the herculean task of keeping his soldiers’ spirits up, trying to keep them as safe as possible, countering any enemy moves while meting out diminishing supplies and tamping down those who would welcome capture just to end their awful situation. Each man was the miserable monarch of a kingdom that squirmed with vermin, one that consisted of the dirt and a bit of sky each one could see from the dirt, of their feet in their boots in the mud—a kingdom indistinguishable from a grave.But the battle and the heroism displayed is only one part of the story, albeit a compelling one. [image] Image from Chris Rice Cooper’s blog The periods portrayed are, like all Gaul, divided into three parts, the lead-up before their engagement in the war, wartime duties, and postwar experiences, including the psychological and political processes and actions that radiated from that Lost Battalion event. [image] Image from Chris Rice Cooper’s blogspot This is a tale of two narrators, Charles Whittlesey and the homing pigeon of the title, Cher Ami. Chapters alternate. Do not think that just because we have a pigeon narrating half this book that it is in any way a children’s tale. It most certainly is not. Cher is an amazing character whom Rooney uses to great effect. She has a rich social and emotional life, offers astute observations of human nature and behavior, and teaches us a lot. [image] Image from Chris Rice Cooper’s blogspot We meet her (yes, her, Cher was mis-gendered and named as a male, an error that persisted even into her descriptive display at the Smithsonian) in the present day, inhabiting, as she has for a century, a place of honor in the National Museum of American History in DC. It is from this perch that this highly decorated war hero looks back on her life, the events that led up to her heroic act, and her life after she completed her final wartime mission. Whittlesey is no longer with us, stuffed or otherwise, but tells his first-person tale in the present of his actions. [image] McMurtry was Whittlesy’s second in command and a fascinating character in his own right - Image from Chris Rice Cooper’s blog The alternating chapters cleverly share opening lines that lead each narrator to offer their cross-species perspectives on similar processes and events. Chapter 1, for example, opens with Monuments matter most to pigeons and soldiers. Cher addresses her long display at the museum, and gives us a look at her life, living and displayed. Whit has become something of a monument himself, widely lauded for his leadership under extreme duress. There is even a film being made of the horror of The Lost Battalion, in which Whit and some of the other survivors play themselves. He would much prefer being able to return to anonymity, particularly as he is a gay man in the Jazz Age, in which finding love on the run was a risky enterprise. And PTSD is never much fun, particularly when tinged with survivor’s guilt, and a feeling that he is nobody’s hero. [image] The Soldiers and Sailors Monument in Manhattans Upper West Side – image from Wiki - Whit names this as a significant locale for him early in the book In preparation for the adventure, Rooney shows us the stages Cher and Whit go through to become combat ready. For Cher, it is training to sharpen and strengthen her homing instinct, and she turns out to be a natural, a champion even. We learn a lot about how special pigeons are, what is involved in their training, and a bit of the history of homing pigeons being used in war. Whit’s training may not have involved flapping, but it is no less interesting, seeing how the military encouraged educated sorts to get a taste of military life, before having to sign up for real, a trial subscription, if you will. This was news to me, as was the makeup of this particular division. How Whit grows into his command is beautifully portrayed. We see Whit and Cher both in combat, and we see them both in love, with mirrored romantic interests. We see them both considering the madness of men and how veterans might be used as props for ignoble purposes. We see them both yearning for home, and giving their all. A particular strength of the novel is pointing out how media influences political, and even military decisions, and how real events can be used by the cynical to support less than laudable aims, why some are hailed as heroes, while others, equally meritorious, are abandoned to a dark fate. [image] Image from Chris Rice Cooper’s blog This is an incredibly moving book. I counted nine times in my notes the word “tears.” Have those tissues or hankies locked and loaded. It is rich with new info. Fun to learn of Damon Runyon’s involvement. Rewarding to learn so much about about what makes pigeons so much more than Woody Alan’s memorable “rats with wings” putdown, homing pigeons in particular, news to me, at least, and I expect news to most readers. It was fascinating to learn about military life and recruitment in 1918. The use of Cher as a narrator was a bold choice, and, IMHO, entirely effective. Well, I did have one gripe re Cher. Rooney stretches her consciousness way too far near the end, as she perceives in the mode of an omniscient narrator things she could have no way of knowing. I am willing to suspend disbelief for the conscious bird, but this was a step too far. The experiences of Cher and Whit may have been personal, but the importance of the issues raised is universal and still with us today. The War to End All Wars did no such thing. But if you are looking for a wonderful read, Cher Ami and Major Whittlesey will end your search, at least until you finish reading it. Battle was said to harden a man—during my youth I’d heard this stated in the same offhand tones used to discuss first Communions and debutante balls—but in my case there had been no hardening, only a constant effort to hold together despite proliferating cracks. Review posted – August 28, 2020 Publication dates ----------August 11, 2020 - hardcover ----------August 11, 2021 - Trade Paperback I received this book from the publisher via NetGalley. I was able to find my way to it with no problem at all. ==========In the summer of 2019 GR reduced the allowable review size by 25%, from 20,000 to 15,000 characters. In order to accommodate the text beyond that I have moved it to the comments section directly below. [image] ...more |
Notes are private!
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1
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Jul 29, 2020
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Aug 11, 2020
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Aug 10, 2020
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Kindle Edition
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1982121491
| 9781982121495
| 1982121491
| 4.04
| 4,493
| Nov 24, 2020
| Nov 24, 2020
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it was amazing
| “What did they see, Mama?” I murmured to her. “What was it that came to meet the birds that flew into the west?” “What did they see, Mama?” I murmured to her. “What was it that came to meet the birds that flew into the west?”--------------------------------------- …not all migrations end with a return home. Every memory begins to cut if you hold onto it too tight.Reading Zeyn Joukhadar’s The Thirty Names of Night is like walking through an incredibly rich and diverse aviary. Our attention is drawn to each flying thing as it comes into our visual range. No sooner do we coo at the beauty of the last than another feathered image hops into view. As in an actual aviary, there is an entrance and an exit. The flocks, and individuals, provide a landscape as we pass through dips and rises in the path, arriving at recognitions as we reach the end. There is a lot going on here. [image] Zeyn Joukhadar - image from his FB profile pix There are three generations and two alternating narrators in this beautiful novel. The twenty-something unnamed (well, for most of the book anyway) narrator is busy creating a mural in what once was Little Syria, before the neighborhood was mostly razed to make the Brooklyn-Battery Tunnel and the World Trade Center. One of the last remnants is an old community house. Led by an owl (not the Hogwarts sort, although it does, in a way, carry a message) to a particular place inside the building, he discovers a hidden journal, left by a woman missing for sixty years, a woman his mother had very much admired. He had been looking for clues to his late mother’s life in her old neighborhood, so this is a rich find. [image] “The Syrian Colony” – image from Paris Review article Laila Z was a Syrian immigrant, whose family moved from their troubled home to New York in the 1930s, when she was a teenager. In addition to the usual emotional trauma of such a move, Laila was broken-hearted at having to leave the love of her life. In New York, she begins writing to her lost love, whom we know only as “B” or “little wing.” Laila’s journal makes up half the story. Our contemporary narrator tells his story as he talks to his late mother, whose ghost he can see. Chapters alternate. [image] Canada Goose Learning about Laila’s life reveals an unsuspected history of gay and trans people from another era. Laila and our unnamed narrator have much in common. Laila was born in Syria, the narrator was born in the USA of Syrian stock. Laila was a gifted painter of birds. Our narrator is as well, using chalk instead of aquatint. Laila, in the 1930s, dared to love outside the acceptable norms of her culture. Our narrator finds himself struggling to find his way while born into a female body. [image] A Hudhud or Hoopoe - image from Oiseaux.net There is a mystery at the center that keeps things moving along. Laila had made a name for herself in the USA as an exceptional artist, specializing in birds. One pair she drew was a new species she had seen, nesting in New York, Geronticus simurghus, a kind of ibis. It is known that she’d done so, but the final image had never been found. Through a friend, our contemporary narrator meets Qamar, the granddaughter of a black ornithologist who’d worked in the 1920s and 1930s. He had been the first to describe this new species, but had never been taken seriously, in the absence of corroboration. Laila’s missing artwork would provide that, and allow Qamar to complete her grandfather’s work. What happened to that piece, and what became of Laila? G. simurghus was named by its discoverer for a character in the Persian poem The Conference of the Birds. If Simorgh unveils its face to you, you will findThe central, peripheral, overhead, and underfoot imagery in this novel is BIRDS. This includes tales from ancient classics, like the one above. Joukhadar infuses nearly every page with birds, real, magically real, drawn, painted, folded, and sometimes by allusion. Flocks appear, to enhance events. Goldfinches swarm during a building demolition. Forty-eight sparrows fall from the sky on the fifth anniversary of the narrator’s mother’s death. The first funeral I attended was held under a black froth of wings. The deceased was a crow that had been gashed in the belly by a red-tailed hawk…That was the day my body started conspiring against me. I’d gotten my period.B makes Laila a gift, a piece of a dead kite they had tried to save, fallen feathers stitched back to make a magnificent silver-white wing. It was the most beautiful thing I had ever seen. Our narrator’s mother had been an ornithologist. A close friend of his mother operates a bird-rescue aviary in Queens. An evening at a club entails people dancing, using very bird-like movements. Birds are both expressions of freedom and reflections of a divine presence. They are manifestations of underlying forces and sources of purest love and beauty. They are a means by which people connect with other people. [image] Passenger Pigeon by Robert Havell - image from the National Gallery of Art As our contemporary narrator struggles through finding the answer to the rest of Laila’s story, and figuring out what had happened to that special aquatint, he struggles as well with defining who he is. This is something with which Joukhadar is familiar. Zeyn came out publicly in Spring 2019 as transgender, and is now using he/him pronouns. This is not the only transition he has gone through. After earning a Ph.D in Medical Sciences from Brown, and working as a researcher for several years, he moved on to pursuing writing as a full-time gig. He is very interested in the immigrant experience, and the status of Muslims in the USA. I am tied by blood to Syria, and the country where my father was born is suffering while the country in which I was born still views us as not fully American. Where, then, does that leave me? And for people of Syrian descent living in diaspora, particularly for the generation of children who will grow up in exile because their parents left Syria for safety reasons, what can we take with us? What do we carry with us that cannot be lost? - from the Goodreads interview [image] Yellow Crowned Night Heron - by John James Audubon - image from Wayfair Go slowly through this one. There is much to take in, from the avian imagery to the tales of Laila and our narrator, from the flight from Syria to making a home in Manhattan’s Little Syria, from the destruction of that neighborhood to its migration to Brooklyn, from bloody events summoning revelations to love and connection across generations, from the real to the magical, from a portrait of a long-ago place to a look at today, from a place of not knowing to seeing truths beneath the surface. The Thirty Names of Night is a remarkable novel. Spread your wings, catch a thermal and hover. Take in the considerable landscape of content and artistry provided here. This aviary is very tall and there is so much to see. We parted. I wiped my face with the back of my hand. Review posted – June 5, 2020 Publication dates ----------Hardcover was supposed to be May 19, 2020 – but got CV19’d to November 3, 2020 ----------Trade paperback - July 13, 2021 I received an ARE of this book from Atria in return for a few seeds, worms, and some extra twigs for nest fortifications. =============================EXTRA STUFF Links to the author’s personal, Twitter, GR, Instagram, and FB pages Interviews - for his earlier book – recent interviews have eluded me -----The Booklist Reader- Syria and Synesthesia: An Interview with Debut Author Zeyn Joukhadar By Biz Hyzy -----Goodreads - Debut Author Snapshot: Jennifer Zeynab Joukhadar Songs/Music -----Fairuz - Ya Tayr -----Little Wing - Hendrix (live) -----The Wind Beneath My Wings Items of Interest -----Paris Review - Little Syria by Angela Serratore -----Wikipedia- Little Syria -----The National - The battle to save New York's 'Little Syria' from being forgotten -----6SqFt - The history of Little Syria and an immigrant community’s lasting legacy- by Dana Schulz -----Adubon’s Birds of America -----Birds in Islamic Culture -----The Cornell Lab Bird Academy - Everything You Need To Know About Feathers by Mya Thompson ----- Public Domain Review - Marvels of Things Created and Miraculous Aspects of Things Existing by Qazwini -----Wikipedia - The Conference of the Birds by Maqāmāt-uṭ-Ṭuyūr ...more |
Notes are private!
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May 10, 2020
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May 24, 2020
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May 10, 2020
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Hardcover
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0062854046
| 9780062854049
| 0062854046
| 3.78
| 269
| May 05, 2020
| May 05, 2020
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really liked it
| …she told about the coming resurrection, when our dead would rise from their graves and walk the Westside streets. …she told about the coming resurrection, when our dead would rise from their graves and walk the Westside streets.You can’t keep a good man down, or, apparently, a bad one. There seem to be some issues on the Westside around the dearly departed staying that way. Gilda Carr, the PI who found herself in some very strange sorts of peril in the 2019 release, Westside, that entailed a near civil war in the city, and a connection to a very strange place, is back for another go. The reimagined 1921 Westside of Manhattan from the first book remains extremely odd in 1922. Originally, Westside was imagined as a straight mystery, but as I found myself writing the early chapters, it occurred to me that the street scenes I was writing felt eerily empty. I wondered why that might be, and gradually (over the course of two or three very painful drafts) evolved the concept of a city where the Westside is desolate and isolated and the Eastside is vastly overcrowded. - from the Bidwell Hollow interviewIt still has a three story fence separating East from West, and some unusual characteristics that differ between the two sides. Things mechanical tend to fare poorly on the Western side, guns included, and the local flora tends to grow at an accelerated rate. Well, add one more touch of weirdness, as the Byrd family, long time cleric sorts, who spend considerable time and effort aiding the unfortunate, have been promising their parishioners, and any who will listen, that they will be holding a revivification lottery. Come on down to their place of worship, The Electric Church, buy a chance, and maybe your special passed-on-person can be brought back from the other side. Electric Resurrection they call it. Cash only. [image] W.M. Akers – image from Chapter16.org Gilda smells a rat. This is a bit much, even for the Westside, despite the strangeness she encountered first-hand in the first Westside book. As usual, she takes on a tiny case, looking for a very specific color for Enoch Byrd, a member of that clerical family, to which Byrd’s mother adds a search for the missing relic of a saint that was kept at their church. But Gilda’s small investigations tend to grow into epic life and death struggles, so of course… A notorious preacher has returned. Apparently, at about the same time, a woman has as well. A woman who somehow finds her way to Gilda’s home, looking for help, a woman who is all of twenty-one years of age, a woman with a keen wit and a driving, acerbic personality, a woman trying to find out what has happened to her boyfriend, who’d mysteriously disappeared, a woman who happens to be Gilda’s late mother, Mary Hall, nicely fitted out with amnesia and a wardrobe that seems a bit out of date. Insert Louis Black double take here, complete with bouncing jowls. So, where the first book in this series centered to a large degree around Gilda’s relationship with her father, this one focuses on her maternal lineage. There is a third book in the works. One wonders if more family members will be called on in that one. I can certainly imagine a successful Westside series volume some years down the line bringing in cousins once-removed. Gilda decides it is best to keep their future relationship under wraps for the moment, to better allow the two of them to work together. Well, working together may be putting it too kindly, as Mary keeps dragging Gilda about and complaining about her near total uselessness. How Gilda endures her returned mother, while trying to keep her from awareness of their relationship is a wonderful bit of fun. It is quite clear that Akers loves New York. But he is not exactly a native. I was born and raised in Nashville, Tenn. As early as six, I remember wanting to live in New York City—this probably had something to do with obsessive rewatching of Home Alone 2 and the fact that Eloise was one of my favorite childhood reads. Even after I learned that living in New York usually doesn’t mean life at the Plaza Hotel, I was infatuated with the city, where I moved for college in 2006… One of the many reasons why I’m thrilled to continue working on the Gilda Carr series is to give me a chance to hang out with my own imagined version of New York—where, coincidentally, the rent is very low. - from the Bidwell Hollow interviewLike many erstwhile New Yorkers, he was driven out by the excessive cost of living there, and now makes his home in Philadelphia, no doubt at a more brotherly rent. The visuals are great fun, as in volume one. One drinking establishment, Berk’s Third Floor, lacks electricity and heat, and operates in a building from which a considerable portion of the exterior structure has disappeared. Be careful where you step. It does, however, offer alcohol, a substance unavailable on the East side. Another, The Basement Club, operates underground, barely, offering a novel way to purchase the only drink in the house. I paid my nickel and cupped my hands under the hose, slurping up whatever didn’t run through my fingers. I wiped my hands on the patron to my left, who was glassy with drink, his mouth stained bloody by the beet red liquor.Local color abounds, tending toward the bluish, from the tiny mystery of Gilda trying to find a very specific shade of blue for a client, to an eldritch, and seemingly far too coherent, stream of crackling blue light that has peculiar qualities, to the color of one’s lips as winter takes its toll. That special bridge comes into play, as does the Roebling family, bridge builders of note, who might not be thrilled with their portrayal here. Unpleasant winter weather plays a role, as the tough winter at the beginning of the book takes a turn for the historical towards the end, in its level of cold, wind, snow, and misery. We get a further taste of the deep corruption that flows through the Westside, and a look at the source of some of that corruption, on the Eastside. [image] Brooklyn Bridge during a major blizzard – image from Wikipedia The cast of supporting characters is colorful and marvelous, as in Westside. Akers has succeeded in merging history, fantasy, and mystery, to concoct a wonderful take on old and imagined New York, and placing within it a compelling whodunit. There are very few saints in the Westside (any Westside without Zabar’s is decidedly unholy anyway), although there is one Cherub. Gilda will certainly not be offering herself for canonization, but you will enjoy hanging out with her. If you are fond of being transported (in a good way) to a strange but familiar place, crave a bit of mystery, and enjoy it all served with a chilled bowl of fantasy, you have come to the right place. Westside Saints is an infernally fun read. All I want is to help people—give them food, shelter, a midwife, a chance. But all that costs a hell of a lot of money, and crime is the only thing that pays. Review posted – May 8, 2020 Publication date – May 5, 2020 ----------May 5, 2020 - hardcover ----------April 13, 2021 - trade paperback =============================EXTRA STUFF Links to the author’s personal and Twitter pages and to his very fun newsletter, Strange Times Interviews - came across very little pertaining specifically to book #2 -----Harper Voyager - Live with W.M. Akers on Westside - Angela Craft -----Bidwell Hollow - W.M. Akers Dives Into a Divided New York City in His Debut Novel by Nicholas Barron My review of the first book in the series, Westside Items of Interest -----New Yok Times – March 13, 1888 - In A Blizzard’s Grasp -----Akers produces a newsletter/site that explores the weirdest news of 1921, one day at a time - Strange Times - check it out -----Crimereads.com - Tiny Mysteries From the Files of the New York Times - an intro to the above by the author with some fun samples -----John A. Roebling - designer of the Brooklyn Bridge ----- There is a Roebling Museum, but it is located in neither Brooklyn nor Manhattan, where one might expect it, but in Roebling, NJ, about 70 miles (about a three hour drive) from the bridge that brought them global renown. Of course, the Roeblings were involved in the construction of many bridges, including the Golden Gate. ...more |
Notes are private!
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Apr 07, 2020
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Apr 15, 2020
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Apr 29, 2020
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Hardcover
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1982103752
| 9781982103750
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| 4.15
| 5,164
| Apr 21, 2020
| Apr 21, 2020
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really liked it
| The will to survive is fundamental to us all. But in a life-or-death situation—when calm, careful planning, and logical thinking are what’s needed The will to survive is fundamental to us all. But in a life-or-death situation—when calm, careful planning, and logical thinking are what’s needed most—research shows that most of us will lose our shit.Evy Poumpouras is one tough broad. And she would like to help you become tough too. Of course, she wasn’t always as tough as she is today. Growing up a working-class kid in Queens, she lived in a world of restrictions. You can’t go here, or there, and certainly not there. She was even deprived of a chance to go Brooklyn Tech High School, one of the elite specialty high schools in the New York City Public School system, because her parents did not think it was safe for her to go to Brooklyn. She says that not wanting to live in fear was a motivating force in her eagerness to pursue a career in law enforcement, which she did, first with the NYC Police Department, and then with the US Secret Service, where she served for a dozen years. [image] Evy Poumpouras - image from her Instagram pages The book opens with her in the World Trade Center on 9/11, which she uses as an example of how training can come to the fore in a life and death situation. …when it seems like the world is ending, being willing to help others is the antidote to fearShe was awarded a Medal of Valor for her actions that day. The tale of her experiences there is both chilling and uplifting. There are two basic streams in Becoming Bulletproof. The first is the author’s memoir of seeking out a career in law enforcement and ultimately capping that with years of work in the Secret Service. This was fascinating, offering a look at what it really takes to become a cop or an agent in the USSS. In 2020 she co-hosted on Bravo’s reality series Spy Games. This last item is not given space in the book. She uses the challenges she faced in her career, having to overcome social, mental, and physical barriers, and just learning what agents learn, to reinforce the self-help message she is promoting. And that is the other stream here. Poumpouras writes about protecting yourself physically and mentally, and shows how you can influence others, and how others try to influence you. She writes about the three-F response to major stress, Fight, Flight, or Freeze. She offers sage advice on how to prepare for potentially stressful situations, and shows you how to dampen unhelpful reactions. There is excellent intel here on the importance of keeping on the move, whether coping with a shooter or a conversationally hostile actor. She even offers very useful information on securing your home. One of the things that self-help books offer is a quick way to get from here to there. In the case of Bulletproof, the author aims to show you how to become more inured to, and better prepared to cope with, the challenges life can throw at you, whether that might be an assassin attempting to take out the person you are protecting, or dealing with unpleasant people on line who attempt to draw you into no-win situations. The advice certainly seems reasonable enough. But, as with any such counsel, it can be a big leap from taking in some words on the page, and putting those words into action in a meaningful way. She writes of the hormetic effect of exposing yourself (or being exposed) to increasing levels of stress in order to build up a tolerance, so that when you are faced with a really stressful situation, you will be able to cope and not fall to pieces. This book is rich with the patois of the self-help genre – attitude, positivity, taking ownership, accepting responsibility, never giving up. There is a great list of suggestions for things to do and check when travelling, particularly abroad. But some seem bromitic, along the lines of “don’t let it throw you.” The bottom line for most self-help efforts is that it all comes down to the will of the reader. The advice can be divided into two categories, external actions you can take, things you can do that are pretty manageable and mostly a question of investing time and/or money. Others entail more personal challenges, and require more of a personal investment. The best advice in the world will not be particularly helpful if you lack the will to do what is suggested to achieve the desired results. There are enough specific suggestions here, however, that can be implemented, that can be learned, that it seems a worthwhile read even if you are not up to implementing all the recommedations. Sometimes, the advice could use a bit more nuance. For instance, there is a recommendation that one make eye contact when someone is making you feel uncomfortable. As many of us who have grown up in large cities (as the author did) can attest, it is often better to avoid eye contact, as eye contact is the route a certain sort of predator (or crazy person) uses to get you to stop moving, or to engage, when you really do not want to engage. Not all of us can rely on our well-honed combat skills to help us should our visual challenge to a predator be taken up. She offers excellent advice on how to handle yourself in an interview, as in when you are interviewing a suspect, the techniques also being quite useful when engaged in conversations in which you have a particular goal you want to achieve, whether persuading a person of something, or finding out something from or about them. She has a particularly sharp approach to getting a sense of when someone is lying, whether a suspect or your significant other. This is bolstered by an incisive description of body language, (aka paralinguistics) and how you can both use and interpret it. She honed this skill when she was an interrogator with the Secret Service. Of more interest, for me, anyway, is Poumpouras’s descriptions of preparations that are needed to make sure that this or that venue or travel route is safe for the VIP du jour, whether that be a member of the administration (or their families) or a foreign dignitary. Really interesting behind the scenes take there. There is a similar to-do list for regular folks planning foreign travel. I would definitely check that out. [image] Evy Poumpouras with then First Lady Michelle Obama - image from InStyle In keeping with tradition, this agent did not listen and tell. Loose lips may sink ships, and may be what makes DC go round, but you will be disappointed if you are hoping for dirt on the presidents (or other people) she has helped protect. She does, however, include a section near the end of the book in which she reports on some of the more laudable qualities manifested by those under her protection. It does not take a career in law enforcement to come up with some conclusions about which of these people she esteems more than others. While I was hoping that a higher percentage of the book would be on behind-the-scenes gossip and technique, there is still enough of that here (technique, not gossip). You will learn a bit about the Secret Service, which is a wonderful thing. Who doesn’t love learning something about a real world organization with the word “Secret” in its name? Poumpouras can indeed help you better defend yourself in the world, even if you do not take her up on all her recommendations. While she does not exactly exude warmth, I am not sure that is necessarily a desirable trait, anyway, in a book about hardening your defenses. Still, she comes across as a very real, very understandable person, someone who knows a lot and is eager to share. Becoming Bulletproof may or may not keep you from taking an incoming, but it can certainly improve your chances of being out of the line of fire. Review posted – May 1, 2020 Publication date – April 21, 2020 I received an ARE of this book from Atria, in return for…well, it seems that I am not allowed to tell you what I gave in exchange, if anything. Something about state secrets. But I can let you reach reasonable conclusions based on the evidence above. Ok? Can I say that? You will be stronger for having figured it out for yourself. =============================EXTRA STUFF Links to the author’s personal, Twitter, Instagram and FB pages Interviews -----Women of Impact - Former Secret Service Agent Shows You How to Get The Truth Out of Anyone | Evy Poumpouras - Lisa Bilyeu - Fun stuff on Sixth Sense – not in the book, and much more - this is a wonderful, longish interview, that will be well worth your time. If you watch only one interview it should be this one -----Steve TV - Evy Poumpouras Protects the President - with Steve Harvey – nice bit on physically protecting POTUS, but Harvey demonstrates his shallowness at the end of the segment -----MSN - Evy Poumpouras Was Ready To Face Death On 9/11 Songs/Music -----The Police - Every Breath You Take -----Sinatra - Someone to Watch Ove Me Items of Interest -----Spy Games -----People Magazine - Meet the Secret Service Agent Turned Bravo Star Helping Workers on the Coronavirus Frontlines ...more |
Notes are private!
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Mar 31, 2020
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Apr 06, 2020
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Apr 06, 2020
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Hardcover
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0525535276
| 9780525535270
| 0525535276
| 3.97
| 79,457
| Sep 17, 2019
| Sep 17, 2019
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it was amazing
| …now I knew there were so many ways to get hung from a cross—a mother’s love for you morphing into something incomprehensible. A dress ghosted in a …now I knew there were so many ways to get hung from a cross—a mother’s love for you morphing into something incomprehensible. A dress ghosted in another generation’s dreams. A history of fire and ash and loss. Legacy.Melody is sixteen, having her coming out party in her home, her grandparents home, in Brooklyn’s Park Slope. We are introduced to her father, her grandparents, her bff, her world. She has chosen for her entrance music something that draws a line between her generation and those that came before, Prince’s Darling Nikki. The guests are thankful that the lyrics have been omitted. [you can see them at the end of EXTRA STUFF]. But it is the connections across generational lines that are at the core of Jacqueline Woodson’s latest novel. How the past persists through time, molding, if not totally defining us, informing our options, our choices, our possibilities, the impact of legacy. [image] Jacqueline Woodson - image from the New York Times Red at the Bone is a short book with a long view. (I have had people say, "I've read that in a day" and I'm like, "Yo, it took me four years to write that. Go back and read it again." - from the Shondaland interview) It is not just about race and legacy, but about class, about parenting, about coming of age, about the making and unmaking of families. Look closely. It’s the spring of 2001 and I am finally sixteen. How many hundreds of ancestors knew a moment like this? Before the narrative of their lives changed once again forever, there was Bach and Ellington, Monk and Ma Rainey, Hooker and Holiday. Before the world as they knew it ended, they stepped out in heels with straightening-comb burns on their ears, gartered stockings, and lipstick for the first time.Iris found motherhood too soon, was fifteen when she became pregnant with Melody. Buh-bye Catholic school. Buh-bye coming out party. And when her parents were unwilling to endure their neighbors’ scorn, buh-bye neighborhood. It’s tough to be a proper, upstanding family, respected by all, when the sin is so public, and the forgiveness element of their Catholic community is so overwhelmed by the urge to finger-point and shame. Class informs who we choose and the roads we take through our lives. Although paths may cross, as we head in diverging directions we can wave to each other for a while, but eventually, mostly, we lose sight of those who have traveled too far on that other bye-way. The baby-daddy, Aubrey, steps up, but, really, Iris does not think he is a long-term commitment she wants to make. She has been raised middle-class, and Aubrey’s background, ambitions, and interests do not measure up. When she looked into her future, she saw college and some fancy job somewhere where she dressed cute and drank good wine at a restaurant after work. There were always candles in her future—candlelit tables and bathtubs and bedrooms. She didn’t see Aubrey there.Her decision impacts her daughter, who grows up largely motherless, a mirror to her father, who had grown up fatherless, although without the resources his daughter has from her mother’s parents. One impact of history is how the Tulsa Massacre, specifically, cascades down through the generations, driving family members to achieve, and to zealously protect what they have gained, ever knowledgeable that everything might be taken from them at any time. (Melody is named for her great-grandmother, who suffered in the Tulsa Massacre.) Every day since she was a baby, I’ve told Iris the story. How they came with intention. How the only thing they wanted was to see us gone. Our money gone. Our shops and schools and libraries—everything—just good and gone. And even though it happened twenty years before I was even a thought, I carry it. I carry the goneness. Iris carries the goneness. And watching her walk down those stairs, I know now that my grandbaby carries the goneness too.The goneness finds a contemporary echo when a family member is killed in the 9/11 attack, a space that cannot be filled. Goneness appears in other forms, when Iris leaves her Catholic school, and, later, heads off to college. Music permeates the novel, from Melody’s name (and the person who had inspired it) to the atmosphere of various locales, from Po’Boy’s recollections to Aubrey’s parentage, from Melody’s coming out song to Iris’s college playlist. Who among us does not have music associated with the events of our life? Most good novels offer a bit of reflection on the narrative process. The person-as-a-story here reminded me of Ocean Vuong writing about our life experience as language in On Earth We’re Briefly Gorgeous. …as we dance, I am not Melody who is sixteen. I am not my parents’ once illegitimate daughter—I am a narrative, someone’s almost forgotten story. Remembered.There are many moments in this book that reach deep. In a favorite of these, Aubrey remembers the pedestrian things he liked in his peripatetic single-parent childhood, a Whitman-esque litany of physical experience, capped with an image of fleeting, unsurpassed beauty, and desperate longing that well mirrors his love for Iris, and is absolutely heart-wrenching. The stories within the novel are told from several alternating perspectives, Melody, Aubrey and Iris getting the most time, and Iris’s parents, Sabe and Po’Boy, getting some screen time as well. We see Iris and Aubrey as teens and adults, and are given a look at Aubrey’s childhood as well. Sabe and Po’Boy provide a contemporary perspective, but a connection back to their young adulthood too. Woodson’s caution to the fast-reader to go back and try again is advice well worth heeding. Red at the Bone is a tapestry, with larger images, created with threads that are woven in and out, and drawn together to form a glorious whole. You will see on second, third, or further readings flickers here that reflect events from there, see the threads that had gone unnoticed on prior readings. It is a magnificent book, remarkably compact, but so, so rich. Surely one of the best books of 2019. Review posted – December 27, 2019 Publication date – September 17, 2019 =============================EXTRA STUFF Links to the author’s personal, FB, and Tumblr pages My review of Woodson’s prior novel, Another Brooklyn Interviews - Video/audio -----The Daily Show - Trevor Noah -----Longreads - “We’re All Still Cooking…Still Raw at the Core”: An Interview with Jacqueline Woodson - by Adam Morgan -----NPR – Weekend Edition - History And Race In America In 'Red At The Bone' - by Scott Simon -----Shondaland - Jacqueline Woodson Will Not Be Put in a Box - by Britni Danielle Items of Interest -----NPR - Jacqueline Woodson: What Is The Hidden Power Of Slow Reading? -----Wiki - The Tulsa Race Massacre -----Rollingstone - The Tulsa Massacre Warns Us Not to Trust History to Judge Trump on Impeachment - by Jamil Smith -----The Party - by Paul Lawrence Dunbar – read by Karen Wilson -----Sojourner Truth’s seminal speech - Ain’t I a Woman? Songs - both from the book and her stated playlist from the Longreads interview -----Prince - Darling Nikki -----Eva Cassidy - Songbird -----EmmyLou Harris - Don’t Leave Nobody But the Baby -----J. Cole - Young, Dumb, and Broke -----Etta James - I’d Rather Go Blind -----Erroll Garner - Fly Me to the Moon -----Erroll Garner - Jeannine, I Dream of Lilac Time -----The Chi Lites - Have You Seen Her? -----Boy George - That’s the Way -----5th Dimenion - Stoned Soul Picnic -----Phoebe Snow - Poetry Man Darling Nikki Prince I knew a girl named Nikki I guess you could say she was a sex fiend, I met her in a hotel lobby masturbating with a magazine, She said how'd you like to waste some time and I could not resist when I saw little Nikki grind. She took me to her castle and I just couldn't believe my eyes, She had so many devices everything that money could buy, She said "sign your name on the dotted line." The lights went out and Nikki started to grind. Nikki The castle started spinning or maybe it wa my brain. I can't tell you what she did to me but my body will never be the same. Awe, her lovin will kick your behind, she'll show you no mercy But she'll sure 'nough, sure 'nough show you how to grind Come on Nikki I woke up the next morning, Nikki wasn't there. I looked all… Sometimes the world's a storm. One day soon the storm will pass And all will be bright and peaceful. Fearlessly bathe in the, Purple rain Source: LyricFind ...more |
Notes are private!
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1
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Dec 09, 2019
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Dec 16, 2019
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Dec 09, 2019
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Hardcover
| |||||||||||||||
1982120967
| 9781982120962
| 1982120967
| 3.62
| 173
| Sep 17, 2019
| Sep 17, 2019
|
really liked it
| That is what I believed: that time nibbles away at the future, and in that moment puts the present behind its back. The past retreats as each prese That is what I believed: that time nibbles away at the future, and in that moment puts the present behind its back. The past retreats as each present moment joins it, on and on. Yet that is far too simple. Inside us, time sways backwards and forwards from now to then, here to there, and nothing of it is lost or goes away, but it all hangs everywhere, translucent in the air. Some men turn away, and walk on, saying that the past contains only their former selves and ghosts of people and deeds. Others, like myself, live every day with it. One minute I am in Nieuw Amsterdam, the next pulled on a string into the other time that comes with me, so that here on the Heere Gracht, or as I walk across the marketplace, you and I talk.======================================== Looking back is a game for fools and not one that I like to play.It is 1664. Jan Brunt, a reclusive Dutch bachelor and engineer, lives in what will soon become New York. When he receives a letter announcing the arrival of an old friend, he looks back to the greatest professional and personal challenge of his life, the first his work as an engineer on one of the greatest European development projects of the pre-industrial age, The Great Level, a draining of five hundred square miles of wetland in southeastern England and transformation of it into farmland. The second, the relationship he forms with a local woman while working on that vast endeavor, the love of his life. His story flips back and forth between these two periods. [image] Stella Tillyard - image from BBC Call Upon the Water is an historical novel of a time, during an ongoing English Civil War, when there was much turmoil, and much change happening in the world. It offers powerful portraits of significant places of the era, London of the interregnum, for example, with surreptitious street vendors peddling images of a decapitated King Charles, and a very visible military presence, of the sort one might expect in an occupied country. Another picture, of what is now East Anglia, shows its idyllic appeal as a natural place, in which the residents fight no wars against the natural order that provides them their livelihoods, and then later offers a dark view of the modernization, the denaturing of the place, with the use of hordes of slave laborers, prisoners of war from England’s ongoing battles. We get a look at 1664 New York, well, Niew Amsterdam, Manatus Eylandt, as the Dutch development of it grows northward, when Wall Street was still a wall, and the swampy edges of the island, as well as many wet inland spots beckoned the real estate developers of the time, and provided ample employment for an experienced Dutch engineer. We witness its handover to the English, who rename it for a crown favorite. And we get a look at the Virginia of the time, heavy with indentured labor, not yet so heavy with slaves. It appears that in the latter 17th century, every place is in need of draining, and conversion of wet land at the edges of solid land is de rigeur for the advancement of certain sorts of civilization, regardless of how that land provided for the residents, who are regarded as primitives, whether they are English fenlanders or Native Americans. Colonialism both at home and abroad requires denigration of the displaced residents. [image] The fens - image from The Guardian Eliza is one such. During his early paddling through the vast area to be redesigned in The Great Level, Jan comes across a group of local women bathing. One disrobes as he draws near, unaware. Virginal Janny is shocked So I see her as I have never seen a woman, her whole nakedness, half in my plain sight, half reflected in the water. And in the same instant, or so it feels, she lifts her head and sees me there. Her furious eyes strip me of everything and make me as naked as herself.Well, not quite. Mortified Janny is smitten at the first instant of seeing his personal siren. When I look up I see the mere, the water and the sky, all unchanged. But I know that everything is altered and translated. I spin the coracle, work abandoned and paddle back to Ely, heavy with whatever is inside me. Guy never had a chance. Of course, he is bewitched in the way many a young man can be. (I was young once, I know) From that day on I live a different life. Something has happened to me…straight away I accept and ingest it. The woman I saw, who saw me, has taken up residence inside me… They begin to encounter each other on the water, then closer, then closer, then, well, you know, they become an item. Each has something to teach the other, she the ways of the fenfolk, who make use of the bounty of their watery land. Like Professor Doolittle, although not to win a bet, he teaches her to read, write, very much at her request. He is making her over, as his company is making over the land. But she is no passive recipient. He teaches her also how to measure, in essence how to be an engineer. One might see Eliza not only as a siren figure but as a personification of the land itself. From that day the sun shines on everything in the world. It feels to me as if I have a new knowledge, and that the change that came over me when you first fixed me with your glance was the beginning of it. This knowledge is not from a person or a book. It is a knowledge of what is, neither sacred nor profane, but just the world itself.Already open to such vision, he notes more and more of the nature of the place as he spends more time with Eliza. Stand still in a full silence and it’s loud with noises. A heron takes flight; he creaks like a ship in sail. Ducks scuffle in the reeds. I hear the beat of wings, the movement of creatures in the grass, water rippling, and the wind that accompanies me everywhere, sighing and roaring. Nature, that seems so quiet, pours out its songs. Even in the darkness there is a velvet purr of sound, of moles underground and field mice above.One of the powerful elements of the novel is the portrayal of Eliza as a powerful woman, not only surviving in the perilous world of men, but using the knowledge she gains to survive the challenges she faces on two continents, and to secure what she wants from the universe, and maybe take a shot or two at what she perceives as dark forces. One of the lesser elements of the book is the static nature of Jan. He is a bit stiff, personally, while possessing a naturalist’s feel for the untrammeled world. He has some notions of the sort of life he would like to build for himself, but seems unable to adapt to changes in his circumstances, remaining withdrawn and solitary. I hoped for more development of Jan’s character. Both Jan and Eliza are mostly about business, but Eliza seems much the livelier character of the two. Jan goes through little character development, only from a young engineer to an experienced and confident one. He remains stand-offish, and sinks into the swamp of his unwillingness to act. [image] The fens - image from The Guardian They share an appreciation for the beauty of the land, whether the fenlands of the Great Level or the new, exciting lands of the New World. Those are lyrical passages. This is a novel of man in and versus nature, of colonialism at home and abroad, of both people and landscapes being subdued by political and monetary forces. Land as a source of power and freedom is central. Consideration is given to how one perceives time, Jan holding to a notion that time is a flexible thing, that one can inhabit multiple times simultaneously. This is contrasted with a New World perspective, that disdains any sort of rearward vision, and focuses on material success. While Jan’s story makes up the bulk of the book, as he addresses his story to Eliza, she gets a chance to narrate towards the back of the book. I would have preferred to have seen their perspectives alternated, instead of being presented so separately, and would have liked learning much more about Eliza’s life before her home turf was so assaulted. A greater balance between their two tales would have been most welcome. There are elements of excitement and danger, as the prisoners forced to work on the Great Level are less than willing, but are held in check by a dark sort who would look perfectly lovely in an SS uniform. The locals, as well, are not ecstatic about seeing their entire way of life bulldozed out of existence, and do not all endure it peacefully. Eliza’s experience is rich with peril, and we want her to find a way to survive. Bottom line is that Call Upon the Water is a fascinating look at several places at a time in history most of us do not think about or see much in our diverse readings and entertainments. It is a worthwhile read for that alone. It offers a thoughtful look at the appeal of both nature untrammeled and the satisfying power of taming landscape, counterflows within individuals, as well as in the larger context. The love story is wonderful, for a time. But Jan seemed, despite his lyrical feelings for nature, just too withheld. You can rub two sticks together, but there will not always be a spark. There was one here, for a while, but after the initial heat, the ember never graduated to flame. That said, there is much to like here. And it probably won’t drain all your resources to check it out. In the summer I may paddle on for days. I catch fish and travel as the wildmen do until I reach the far end of the island where it breaks into numerous inlets and beaches. Then I walk down to the open ocean and feel myself to be not a man but a part of nature, as is a star, or a dolphin that leaps for joy out in the bay. Far away round our earth lies the old world, while here I stand on the new. Waves rush up to my feet and then pull back, marbled with sand and foam. Review first posted – October 11, 2019 Publication dates -----UK – July 5, 2018 – as The Great Level - by Chato Windus -----USA – September 17, 2019 – by Atria Books =============================EXTRA STUFF Links to the author’s personal, Twitter and GR pages Her personal site is not particularly current. Tillyard is a historian, best known for her bio of the Lennox Sisters, The Aristocrats, which was made into a very successful mini-series in 1999. In addition to her historical works, Tillyard published her first novel, Tides of War, in 2011. Items of Interest ----- STREET PLAN OF NEW AMSTERDAM AND COLONIAL NEW YORK. - from the NYC Landmarks Preservation commission -----The Guardian - ‘Weirder than any other landscape’: a wild walk in the Fens - by Patrick Barkham -----Evening News - Norwich raised historian to release new book - by Rosanna Elliott The author said: “Growing up in Norwich I was certainly aware of the fens, and I remember passing Ely often on the way to visit my grandparents in Cambridge. The great skies of East Anglia have always been inside me, and I still love flat landscapes and marshes....more |
Notes are private!
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1
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Sep 18, 2019
|
Sep 30, 2019
|
Sep 28, 2019
|
Hardcover
| |||||||||||||||
0701183195
| 9780701183196
| 0701183195
| 3.73
| 192
| unknown
| Aug 28, 2018
|
really liked it
| That is what I believed: that time nibbles away at the future, and in that moment puts the present behind its back. The past retreats as each prese That is what I believed: that time nibbles away at the future, and in that moment puts the present behind its back. The past retreats as each present moment joins it, on and on. Yet that is far too simple. Inside us, time sways backwards and forwards from now to then, here to there, and nothing of it is lost or goes away, but it all hangs everywhere, translucent in the air. Some men turn away, and walk on, saying that the past contains only their former selves and ghosts of people and deeds. Others, like myself, live every day with it. One minute I am in Nieuw Amsterdam, the next pulled on a string into the other time that comes with me, so that here on the Heere Gracht, or as I walk across the marketplace, you and I talk.======================================== Looking back is a game for fools and not one that I like to play.It is 1664. Jan Brunt, a reclusive Dutch bachelor and engineer, lives in what will soon become New York. When he receives a letter announcing the arrival of an old friend, he looks back to the greatest professional and personal challenge of his life, the first his work as an engineer on one of the greatest European development projects of the pre-industrial age, The Great Level, a draining of five hundred square miles of wetland in southeastern England and transformation of it into arable farmland. The second, the relationship he forms with a local woman while working on that vast endeavor, the love of his life. His story flips back and forth between these two periods. [image] Stella Tillyard - image from BBC The Great Level is an historical novel of a time, during an ongoing English Civil War, when there was much turmoil, and much change happening in the world. It offers powerful portraits of significant places of the era, London of the interregnum, for example, with surreptitious street vendors peddling images of a decapitated King Charles, and a very visible military presence, of the sort one might expect in an occupied country. Another picture, of what is now East Anglia, shows its idyllic appeal as a natural place, in which the residents fight no wars against the natural order that provides them their livelihoods, and then later offers a dark view of the modernization, the denaturing of the place, with the use of hordes of slave laborers, prisoners of war from England’s ongoing battles. We get a look at 1664 New York, well, Niew Amsterdam, Manatus Eylandt, as the Dutch development of it grows northward, when Wall Street was still a wall, and the swampy edges of the island, as well as many wet inland spots beckoned the real estate developers of the time, and provided ample employment for an experienced Dutch engineer. We witness its handover to the English, who rename it for a crown favorite. And we get a look at the Virginia of the time, heavy with indentured labor, not yet so heavy with slaves. It appears that in the latter 17th century, every place is in need of draining, and conversion of wet land at the edges of solid land is de rigeur for the advancement of certain sorts of civilization, regardless of how that land provided for the residents, who are regarded as primitives, whether they are English fenlanders or Native Americans. Colonialism both at home and abroad requires denigration of the displaced residents. [image] The fens - image from The Guardian Eliza is one such. During his early paddling through the vast area to be redesigned in The Great Level, Jan comes across a group of local women bathing. One disrobes as he draws near, unaware. Virginal Janny is shocked So I see her as I have never seen a woman, her whole nakedness, half in my plain sight, half reflected in the water. And in the same instant, or so it feels, she lifts her head and sees me there. Her furious eyes strip me of everything and make me as naked as herself.Well, not quite. Mortified Janny is smitten at the first instant of seeing his personal siren. When I look up I see the mere, the water and the sky, all unchanged. But I know that everything is altered and translated. I spin the coracle, work abandoned and paddle back to Ely, heavy with whatever is inside me. Guy never had a chance. Of course, he is bewitched in the way many a young man can be. (I was young once, I know) From that day on I live a different life. Something has happened to me…straight away I accept and ingest it. The woman I saw, who saw me, has taken up residence inside me… They begin to encounter each other on the water, then closer, then closer, then, well, you know, they become an item. Each has something to teach the other, she the ways of the fenfolk, who make use of the bounty of their watery land. Like Professor Doolittle, although not to win a bet, he teaches her to read, write, very much at her request. He is making her over, as his company is making over the land. But she is no passive recipient. He teaches her also how to measure, in essence how to be an engineer. One might see Eliza not only as a siren figure but as a personification of the land itself. From that day the sun shines on everything in the world. It feels to me as if I have a new knowledge, and that the change that came over me when you first fixed me with your glance was the beginning of it. This knowledge is not from a person or a book. It is a knowledge of what is, neither sacred nor profane, but just the world itself.Already open to such vision, he notes more and more of the nature of the place as he spends more time with Eliza. Stand still in a full silence and it’s loud with noises. A heron takes flight; he creaks like a ship in sail. Ducks scuffle in the reeds. I hear the beat of wings, the movement of creatures in the grass, water rippling, and the wind that accompanies me everywhere, sighing and roaring. Nature, that seems so quiet, pours out its songs. Even in the darkness there is a velvet purr of sound, of moles underground and field mice above.One of the powerful elements of the novel is the portrayal of Eliza as a powerful woman, not only surviving in the perilous world of men, but using the knowledge she gains to survive the challenges she faces on two continents, and to secure what she wants from the universe, and maybe take a shot or two at what she perceives as dark forces. One of the lesser elements of the book is the static nature of Jan. He is a bit stiff, personally, while possessing a naturalist’s feel for the untrammeled world. He has some notions of the sort of life he would like to build for himself, but seems unable to adapt to changes in his circumstances, remaining withdrawn and solitary. I hoped for more development of Jan’s character. Both Jan and Eliza are mostly about business, but Eliza seems much the livelier character of the two. Jan goes through little character development, only from a young engineer to an experienced and confident one. He remains stand-offish, and sinks into the swamp of his unwillingness to act. [image] The fens - image from The Guardian They share an appreciation for the beauty of the land, whether the fenlands of the Great Level or the new, exciting lands of the New World. Those are lyrical passages. This is a novel of man in and versus nature, of colonialism at home and abroad, of both people and landscapes being subdued by political and monetary forces. Land as a source of power and freedom is central. Consideration is given to how one perceives time, Jan holding to a notion that time is a flexible thing, that one can inhabit multiple times simultaneously. This is contrasted with a New World perspective, that disdains any sort of rearward vision, and focuses on material success. While Jan’s story makes up the bulk of the book, as he addresses his story to Eliza, she gets a chance to narrate towards the back of the book. I would have preferred to have seen their perspectives alternated, instead of being presented so separately, and would have liked learning much more about Eliza’s life before her home turf was so assaulted. A greater balance between their two tales would have been most welcome. There are elements of excitement and danger, as the prisoners forced to work on the Great Level are less than willing, but are held in check by a dark sort who would look perfectly lovely in an SS uniform. The locals, as well, are not ecstatic about seeing their entire way of life bulldozed out of existence, and do not all endure it peacefully. Eliza’s experience is rich with peril, and we want her to find a way to survive. Bottom line is that The Great Level is a fascinating look at several places at a time in history most of us do not think about or see much in our diverse readings and entertainments. It is a worthwhile read for that alone. It offers a thoughtful look at the appeal of both nature untrammeled and the satisfying power of taming landscape, counterflows within individuals, as well as in the larger context. The love story is wonderful, for a time. But Jan seemed, despite his lyrical feelings for nature, just too withheld. You can rub two sticks together, but there will not always be a spark. There was one here, for a while, but after the initial heat, the ember never graduated to flame. That said, there is much to like here. And it probably won’t drain all your resources to check it out. In the summer I may paddle on for days. I catch fish and travel as the wildmen do until I reach the far end of the island where it breaks into numerous inlets and beaches. Then I walk down to the open ocean and feel myself to be not a man but a part of nature, as is a star, or a dolphin that leaps for joy out in the bay. Far away round our earth lies the old world, while here I stand on the new. Waves rush up to my feet and then pull back, marbled with sand and foam. Review posted – October 11, 2019 Publication dates -----UK – July 5, 2018 - by Chato Windus -----USA – September 17, 2019 – as Call Upon the Water - by Atria Books =============================EXTRA STUFF Links to the author’s personal, Twitter and GR pages Her personal site is not particularly current. Tillyard is a historian, best known for her bio of the Lennox Sisters, The Aristocrats, which was made into a very successful mini-series in 1999. In addition to her historical works, Tillyard published her first novel, Tides of War, in 2011. Items of Interest ----- STREET PLAN OF NEW AMSTERDAM AND COLONIAL NEW YORK. - from the NYC Landmarks Preservation commission -----The Guardian - ‘Weirder than any other landscape’: a wild walk in the Fens - by Patrick Barkham -----Evening News - Norwich raised historian to release new book - by Rosanna Elliott The author said: “Growing up in Norwich I was certainly aware of the fens, and I remember passing Ely often on the way to visit my grandparents in Cambridge. The great skies of East Anglia have always been inside me, and I still love flat landscapes and marshes....more |
Notes are private!
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1
|
Sep 18, 2019
|
Sep 30, 2019
|
Sep 28, 2019
|
Hardcover
| |||||||||||||||
0062854038
| 9780062854032
| 3.30
| 1,886
| May 07, 2019
| May 07, 2019
|
really liked it
| Only in the Westside could a woman with blood in her hair stroll down the sidewalk on a weekday afternoon, wearing nothing but a slip and hearing o Only in the Westside could a woman with blood in her hair stroll down the sidewalk on a weekday afternoon, wearing nothing but a slip and hearing only the chattering of a few far-off birds.Gilda Carr is a young woman who looks into what she calls “tiny mysteries.” Leave those murders for someone else. Big mysteries mean big problems and Gilda has had enough of those. Her mom died when she was a kid, and her father, one Virgil Carr, aka “Clubber” was not only the founder of a notorious Westside gang, he later became a notorious cop, vanishing in a notorious disappearance some years back. [image] W.M. Akers - image from SqueakyBicycleProductions Speaking of vanishing, in this magical reimagining of the Manhattan of 1921, considerable bits of the island have been doing just that. Odd objects, coffee pots, stairway railings, entire buildings are being swallowed up by something. This is not totally new. Akers notes an apocryphal 1628 letter from early arrival Peter Minuit about the oddity of the west side of this newly colonized island. (Our homes shift on their foundations…Our wood comes loose from its joints, and my dreams are plagued by visions of pestilence, stigmata, and the armies of hell.) Things tend to degrade faster, rust races instead of creeps. Machines cease working. Guns fail, automobiles sputter. The trees do pretty well, though, growing tall and fast. Streets become streams instead of the other way around. Occasional waterfalls form and descend from rooftops. It is where Gilda lives. In a brownstone facing Washington Square Park (mom came from money). [image] The American Seamen’s Friend Society Sailors’ Home and Institute - image from Corbin Plays And then there is the increasing vanishing of humanity. Enough so that when over three thousand people went pffft! on the Westside in 1914, thirteen miles of fence was erected down Broadway to separate the Westside from the rest of Manhattan. Not her problem. She can get back and forth through the security gates readily enough. Gilda is engaged by one Edith Copeland. It seems Mrs Copeland had mislaid a glove, one of a pair her oft-absent husband had given her as a gift. She would like the glove found and returned, as she does not want to face awkward questions about its absence. But in this version of New York, tiny mysteries have a way of leading to very large questions, and Gilda’s gumshoeing leads her to a very, very dark side of the city. [image] Fourth Precinct Police Station - Image from Patch.com The action is non-stop, rising to breathless as we near the end. Sleep is in short supply for Gilda, in inverse proportion to exhaustion and perpetual movement. There is a pretty neat explanation for it all, but don’t think about it too hard. Just roll with it. Gilda is a particularly appealing hero. Not just for the expected intelligence, wit, and derring do, (a hair gel for heroes?) but for being a fan of the New York Giants baseball team. I imagine Akers’ work in creating a game, Deadball – Baseball with Dice, might have been mined for this part of Gilda’s profile. Greasing the wheels of forward plot movement, Gilda picks up a few more tiny mysteries to solve, which lead to other leads. Delightful, this element. [image] This stop is on your route – image from NY Subway Mosaics Damon Runyon and Gangs of New York kept running through my head as Akers introduces colorful character after colorful character. Underworld sorts, of both the thuggish and white shoe varieties, loom large in this landscape. And the baddies balance out very nicely between hims and hers, leadership and field force. There is bootlegging, gun-running, (sins of the fleshier sort are kept on the down-low here), arson, assault, kidnapping, police corruption, and the odd murder. Plenty of dark deeds to keep the juices flowing. [image] Bex Red’s house – 75 ½ Bedford Street is 9.5 feet wide - image from The Daily Mail Akers offers a wonderful portrait of what Manhattan might look like if part of it was stuck in some version of the Victorian age, while the other part had moved on to the next century, and if raging against the dying of the light were made into a nice business opportunity. He makes fun use of a variety of Manhattan landmarks, and notes others in passing, in case anyone wanted to structure a walking tour. Bex Red, an artist, lives in a singularly narrow building. A train station and its associated tunnels has been put to alternate use, as has one of the city’s most famous theaters. Penn Station is not what it was. (It still isn’t) A seaman’s hotel, notable for being a place where some of the survivors of the Titanic were put up, remains a going concern. A police precinct noted here is still in operation. A socially conscious village church is given a trot or two across the stage. Such things may be fun for non-Noo Yawkahs, but are an absolute delight for us natives. [image] The Longacre Theater- image from The Shubert Organization Gripes - It seemed that there were occasional bits that did not compute. For example, the next day after a particularly large vanishing, Gilda heads to Ebbett’s Field in Brooklyn for reasons that were inexplicable, to me, anyway. Did I miss something here? I found Akers’ explanation for the underlying goings-on less than entirely persuasive. And I thought Gilda’s solution to a particularly dark situation required a rather large leap of faith. [image] Judson Memorial Church But I would not worry too much about all that. Fact is, this was a wonderful read. Fast-paced, engaging, with an appealing lead, a creative take on a fantastical alternate Manhattan, a very colorful supporting cast, and plenty of twists and turns. You might need to catch your breath a bit after you put this one down. Gilda Carr may be in the business of solving tiny mysteries, but reading Westside is nothing less than HUGE fun. [image] Penn Station - image from NY.Curbed.com Review first posted – May 10, 2019 Publication date – May 7, 2019 November 28, 2019 - Westside is named to the NY Times list of 100 Notable Books of 2019 [image] [image] [image] [image] [image] [image] =============================EXTRA STUFF Links to the author’s personal and Twitter pages Items of Interest -----Interview - NPR - Steeped In Fantasy, 'Westside' Novel Follows A Young Detective's Quest For Clues by Scott Simon -----Music - East Side West Side - Yes, I know the actual title is Sidewalks of New York, but the stretch seemed worth it. I seem to have come across (and reviewed) a fair number of novels in the last few years in which a Fantastical New York offers a setting, and I am aware of at least two more in my personal pipeline coming up. Here are the ones I could think of -----Zone One -----The Golem and the Jinni -----Ahab’s Return -----Winter’s Tale ...more |
Notes are private!
|
1
|
Apr 28, 2019
|
May 07, 2019
|
May 07, 2019
|
ebook
| ||||||||||||||||
0062679007
| 9780062679000
| 0062679007
| 3.66
| 218
| May 22, 2018
| Aug 28, 2018
|
it was amazing
| Just as despair was sinking its claws into me, there was a great bang, the flinging wide of the door to the street, which was down a short set of s Just as despair was sinking its claws into me, there was a great bang, the flinging wide of the door to the street, which was down a short set of steps to my left. The wind rushed up from outside, rifling the papers on the office desks, guttering the weak flame in the fireplace, and extinguishing my candle. I heard the door slam shut as I groped for matches. There came a heavy tread upon the stairway, every other as sharp and as distinctive as a hammer blow. I’m afraid I’m only courageous in the articles I pen, and so my hands shook badly as I relit the wick and spun to encounter the intruder.Always on the lookout for the plume of a wonderful read, and nicely positioned at the masthead, I can honestly call out “Ahoy Mateys, off the starboard bow. Thar she blows!" [image] Image from Imgur.com What a fun idea! What if Ahab did not dive to Davy Jones’s locker attached to a large cetacean? What if he somehow survived, then struggled for years to wend his way home, only to find that some crewman had written a rather poorly-received tome that has him passing on. One result of this unfounded rumor is that his wife and child have up and moved from their home, and he is desperate to track them down. A guy might be a little ticked off, and eager to plant something hard and sharp in the creator of such tales. We get some, but not too many, details of Ahab’s Oddyssean journey back from his near-death dunking. In fact, Ahab spent so much time on the ocean his name should have been Bob. He tracks his missing family to New York City and that Ishmael guy to a particular daily newspaper, where he was last known to be working, and the game is afoot, or, you know, a-peg, or a-something. George Harrow is a concoctor of tales. Of course, his confabulations are presented to readers of the penny press publication, The Gorgon’s Mirror, as fact. His literary license probably has a double-oh somewhere near the end of it for the ongoing carnage he wreaks on the truth. But his readers and his editor, a crusty, fatherly sort named Garrick, love his work. [image] Jeffrey Ford - image from HarperCollins He stood in the dim light of the entranceway. His beard, his glare, his stillness put me off. He exuded a sense of tension, a spring about to snap, and stared at me imperiously as if I had intruded upon him.It takes little time for Garrick to assign Harrow to accompany Ahab on his quest, Ahab being somewhat at sea in New York. Harrow attempts to help him steer a steady course while relating the tale of their adventures to his readers. But it is rough waters into which they are headed, for Manhattan in 1853 could be as treacherous as a nor’easter on the open ocean. The particularity of that danger resides in the person of one well-named evil-doer, Malbaster, a person of large proportions, an over-sized head, a considerable gang, growing control of crime on the island of Manhattan, and a talent that may be outside the ordinary. If his name sounds like a word for white and his oversized head puts one in mind of a certain representative of the odontoceti suborder, I am sure that is purely coincidental. In addition, he appears to have acquired, for enforcement purposes, the alarming assistance of a mythical beast. [image] Image from the NY Times You could read this solely as a fun action/adventure yarn, something along the lines of Abraham Lincoln, Vampire Slayer, and that would be perfectly fine. It works well on that level. The story of Ahab seeking to reconnect with his family and maybe disconnect Ishmael from his, keeps full the sails that propel the ship of story onward. But if you leave it at that, you would be missing several other levels in the book. Ford, in presenting a vision of the mid-nineteenth century, uses it to reflect contemporary issues. Third, there is thematic consideration of whiteness, whether the flesh be from sea creatures, dark-hearted people of the fair-skinned variety, or related to the color of toadstools, snow, gowns, purity, or death. Much is made of dreaminess, and magic as well. And finally, there is the metafiction element. Ahab Returns is not a just a wonderful telling of a story, it is a stimulating look at story-telling per se. If there’s one thing Ahab’s Return, or The Last Voyage isn’t, is a work of scholarship. One need not have even read Moby Dick to enjoy it. If a reader’s heard of Captain Ahab, merely heard of him, and knows he had a run in with a white whale, that’s plenty. This is not to say that the experience isn’t somewhat enhanced by the reading of what I once heard a wizened woman describe as “that wicked book.” - from Ford’s siteThe Ahab of this tale is not so much the larger-than-life fire-breathing-dragon of Melville’s novel. While he has retained some of his thunderous rage and monomaniacal drive, he is a landlubber here, out of his element, less tragic, more familial. He is looking to save his son, not seek revenge on god. He and Harrow follow the clues they find and take on the allies they can in attempting to salvage some of the captain’s life and remnant humanity. [image] New York’s The Crystal Palace- image from Bowery Boys History.com The setting for all this is New York City, Manhattan, in 1853, (the other four boroughs of today’s city not yet having become a part of the larger whole) a rough place, notable for, among other things, that geographic center of gang mayhem, the Five Corners. If you have seen the Martin Scorcese film, Gangs of New York, you might have a notion. Waterside locales were perhaps more important to the economy of the city then than they are today, and they tended to have more than their share of hard edges and dodgy characters, one of whom we encounter only by reference. You may have heard of him, the head of a particularly successful international gang of drug dealers, John Jacob Astor, whose trove of stashed opium, based on his actual dealings, is a major plot point. Our characters pass through the Five Corners, and through several other notable locations of the time. We get to visit the short-lived but magnificent Crystal Palace, occupying the outskirts of the city then, what is Bryant Park on 42nd Street today. One character has a residence at St John’s Park, which was the site of the first townhouse development around a private park. (Before Gramercy Park did the same.) Like most things in NY, it was later redeveloped into something else. Ford manages to squeeze an impressive number of street names into his narrative. Seneca Village, located in a part of what would become Central Park, gets a particularly focused visit. As does a piece of Manhattan little known even by residents, The Indian Caves, in what is now Inwood Park, at the northern edge of the island, a considerable trek by horse-drawn coach at the time, not the one-hour train ride it might be today from lower Manhattan. An erstwhile black-owned theater gets a brief look as well. For a native, this was all Turkish Delight, but it may be a tiny bit less sweet for non-native readers. [image] Breaching white whale with quote from Ahab – image from Imgur One of the primary motifs that appears throughout the book like foam on the crest of a wave is whiteness. Unless you are new to this planet, you already know that Moby Dick, Ahab’s bête noire, was a white whale. White might be a symbol of death in this context, or of God, but it is definitely something frightening, while still associated with purity. Weird, no? Malbaster has a particularly ghastly hue. His followers liken it to the surface of a toadstool. One of the team’s members, Arabella, a well-to-do sort with arcane interests, is frequently shown wearing white. Malbaster has a white-haired zombie assassin in his employ. Delightfully, his name is Bartleby, and he gets a laugh-out-loud line, as he sips tea after an attempted killing. The opium that drives much of the story is also white, sustaining a dark view of the color. And Ahab is further away from white than ever as his whalebone peg was lost in his watery travails, having been replaced with one of wood. In addition, the darker-skinned people in this tale are done dirt by their so-called betters, white leaders like JJ Astor and the city government. George rides an actual white horse at one point. [image] It is one of the good guys who wields this Fang Bieri – an African throwing knife – image from the Pitt Rivers Museum Dreams come in for some attention. Arabella Dromen has a name that is positively dreamy. She is working on a book based on her daydreams and hallucinations, helped along by considerable intake of opium, the pipe being referred to as a dream-stick. She is not alone in enjoying the odd pipe, or maybe constant pipe. The drug trade that made Astor so many millions was a major problem in the mid nineteenth century, as it is today. Malbaster uses it to control his gang of hooligans. Running the operation does not seem to keep those at the top from accessing the best things the city has to offer. There is a lot of anti-immigrant and racist feeling extant at the time. Not Muslims or Mexicans but Irish, Germans, Catholics, and the ever-popular black population. Seneca Village was an actual community begun by blacks, in which they started their own churches and schools. Non-exclusive, the place attracted others who had been shunned by polite society, Irish and Germans in particular. They established a functioning integrated community, owned land, and thus could vote. A young educator from the historical town is given a cameo. Too bad it all was torn down to make up a piece of Central Park. Note is made of a real organization, The Order of the Star-Spangled Banner, that would fit in quite nicely in the world we live in today. They would later become the “Know-Nothing Party,” for real, which should tell you all you need to know about them. [image] Ahab watching the sea– image from Acculturated.com At times, [Malbaster] was asked to speak, and it was evident he was no orator. His vocabulary was limited, but he spoke in such vague generalizations that the throngs of his compatriots found in his words enough room to nurture their own grievances and fears. His message was one of selfishness. “Life and resources and wealth are limited. They should be only for those of us who resemble those of us. All others should be driven out and/or dispatched of. A simple enough ideology for the masses.The notion of fake journalism is making the rounds today, on the one hand by the guilty looking to distract the public from reports of their crimes by claiming that all non-obsequious coverage is somehow unfair, but also nicely practiced by allies of said criminals, who have no apparent qualms about making up fantasies to feed the public, and repeating the falsehoods of their heroes. It is to a dark purpose. At least as portrayed here, the fake news of the 1853 penny press was less about securing partisan advantage than it was about securing readership with engaging, if less than entirely factual, stories. [image] Mitchell Map of New York - This is what Ford used as his geographical touchstone – image from Wikipedia There is magic as well, partly from the mythic presence of a fabled manticore, partly from Malbaster’s reputed unnatural powers. There’s Bartleby, the zombie assassin. But another sort of magic enters as we near port. Does reality vs fiction necessarily offer a solely binary choice? Might there be shades of reality between the extremes? Arabella’s writings, however opium-fueled, appear to have a weird impact on the real world. George Harrow’s articles for the Gorgon’s Mirror also find some disturbing expression in reality. Harrow and Arabella are both writing to try to influence events. [image] Image from Swashbuckler-films.com I write to see where her story is going, to find a place where I can meet her and regain control. What I’m looking for in the storyline is a crossroads, a juncture where the boundaries of our personal tales intersect with the tales of others. I must be on the lookout for it every time I put pen to paper. And when it presents itself, I must act swiftly and decisively.There is also a scene in which Ahab’s made-up tales of the sea have a healing power. Does reality command writing or can writing command reality? Victims of the manticore are not simply killed or devoured, they are erased, as of by an author’s impulse. (reminding one of langoliers chowing down on extant reality) Ford makes liberal use of nauticalisms throughout the book. A leaning house is said to be listing. Drunkenness is referred to as being not top o’ the mast. Drowsy eyelids are said to be at half-mast. There are many more, and they always made me smile. [image] A wonderfully tarted up image from ArcaneChrome at Deviant Art Gripes? I suppose. While the characters may be huge fun, they are few fathoms deep. I thought Ford went a step too far in dismissing, as part of the meta element, the reappearance of character thought gone. Seemed very deus ex meta to me. In short (well, too late for that, now, isn’t it?) Jeffrey Ford has written a hugely entertaining Nantucket sleighride of a read, with fun, fascinating characters, plenty of forward momentum, twists and turns, local and temporal color, relevant sociopoltical content, and even a consideration of the nature of evil. What’s not to like? Time to sharpen your mental harpoons, sing a few chanties, lay in some grog, and shiver your timbers. This is one battle with a great white beast you will not want to miss. Publication – August 28, 2018 Review first posted – July 13, 2018 ==============================EXTRA STUFF Ahab’s Return is Jeffrey Ford’s tenth novel. He has published five short story collections, and has written a vast number of short stories. He has written a large number of non-fiction pieces, on various subjects, for diverse publications. He is the winner of multiple World Fantasy awards, a Nebula, an Edgar Allen Poe Award, multiple Shirley Jackson Awards and more. Links to the author’s personal, Twitter and FB pages Items of Interest -----History.com - America’s First Multimillionaire Got Rich Smuggling Opium - by Erin Blakemore -----Order of the Star-Spangled Banner -----Seneca Village -----The Indian Caves of Inwood Park -----Greenland Whale Fisheries by The Weavers -----A New Bedford Voyage - a wonderful lesson plan about whaling from the education department of the whaling museum in New Bedford, MA Books by Melville available free on Gutenberg -----Moby Dick; Or, The Whale - free on Gutenberg -----Bartleby, the Srivener -----Typee: A Romance in the South Seas -----Omoo: Adventures in the South Seas ...more |
Notes are private!
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Jun 30, 2018
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it was amazing
| …he started out with his eyes firmly on the guiding star, his feet planted on the path, but that’s the thing about the life you walk—you start out poi …he started out with his eyes firmly on the guiding star, his feet planted on the path, but that’s the thing about the life you walk—you start out pointed true North, but you vary one degree off, it doesn’t matter for maybe one year, five years, but as the years stack up you’re just walking farther and farther away from where you started out to go, you don’t even know you’re lost until you’re so far from your original destination you can’t even see it anymore - Don Winslow Uneasy lies the head that wears a crown - Henry IV Part 2 – W. ShakespeareAfter eighteen years in the NYPD, Detective Sergeant Denny Malone has good cause for unease. The de facto king of Manhattan North has seen considerable upheaval in his kingdom. He may be, effectively, the head of this select unit, charged with going after gangs, drugs, and guns. “Da Force” may have unusually free rein to do as they see fit to accomplish their goals. But a turf war between competing providers of recreational pharmaceuticals is growing increasingly kinetic, with one of the combatants looking to purchase a considerable supply of death-dealing hardware. Not OK. The captain is pressing for a high-publicity bust. There is also the perennial political dance one must perform to keep the brass at One Police Plaza and the political suits from interfering with business as usual. Of course, what passes for business as usual might not look all that good splashed across the front pages of the local tabloids. [image] Don Winslow - image from Milanonera.com Bribery may be the grease that keeps the wheels of civilization turning, but it leaves a lot of cops with very dirty hands. Denny is no saint, and no Serpico. He may mean well for the community he is charged with protecting, but his methods often lack the soft gleam of legality. We first meet him as he arrives in federal lockup. The novel then goes back to show how he got there. Slippery slope stuff. See the greased wheels above. The street stays with you.Lines are crossed here with the frequency of runners reaching the end of the NYC marathon. Early on, Denny and his crew take out a major distributor, whack the principal, and skim off a significant portion of the captured product, a bit of an extra retirement fund. Some people are a tad upset by this. It’s not exactly much of a secret, though, and there are those who would like to see Denny being saluted by the entire force in Dress Blues and white gloves while someone plays Taps. One of the great powers of this novel is the perspective offered on diverse forms of human behavior. Is Denny a brute for roughing up a guy who beat up a kid? Definitely outside the law, but are his actions effective? Denny really does care about the people in his kingdom. He cuts slack when possible, and brutalizes when it is called for. But the law seems a lot more of a recommendation than an absolute. Winslow offers a close up look at a dark element of police culture. How does being on the take work? Who gets what? How is money distributed? Who is it ok to accept bribes from? What is allowed that would otherwise be justiceable? And why do the cops here consider it ok? He offers as well a moving look at the human relationships that make up police life, the code of honor, the power of partnership, the requirement that all members of the team partake of the ill-gotten, if only as a means of self-protection, the wives who turn a blind eye to where that extra cash may have originated, and what their breadwinner may be up to when the crew parties hard, up to a point anyway. The interaction between the police and people in their area is rich with real affection, as well as the expected cynicism. Some of these scenes are stunningly moving, tissue worthy. How about the relationship between cops and the local criminal element? You might be reminded of those cartoons in which Bugs Bunny and Wile E. Coyote punch a time clock, go at it, then clock out at the end of the day, friends. The cops and criminals often seem cut from the same cloth, although the baddest of the bad guys are certainly much worse than the worst of the cops. And the bullets really kill. Winslow does not spare the one-percent, either, in his look at layers of amorality. Don Winslow is a seasoned writer at the pinnacle of his craft. Malone drives past the Wahi diner and the mural of a raven on 155th. Past the church of the Intercession, but it’s too late for Intercession, past Trinity Cemetery and the Apollo Pharmacy, the Big Brother Barber shop, Hamilton Fruits and Vegetables and all the small gods of place, the personal shrines, the markers of his life on these streets that he loves like a husband loves a cheating wife, a father loves a wayward son.There are wonderful nuggets of law enforcement intel in here. Like the notion of testilying. Or what is considered proper attire for a day on the stand. How about special celebratory nights for a crew? The upside of EMTs not taking a Hippocratic oath. Rules for note-taking on the job. How 9/11 saved the mob. Planning your crimes so they cross as many precinct boundaries as possible, increasing the likelihood that a paperwork snafu will botch a prosecution. On tribes within the force. Winslow has a Damon Runyon-esque ear for character names. My favorites were a CI named Nasty Ass, and another the cops call Oh No, Henry, and a linguist’s appreciation for the local patois. Or maybe that would be another well-known teller of tales. (I think Dickens is one of the progenitors of noir fiction, writing as he did about the criminal underclass.) He peppers the novel with delicious small side-stories. Tales told in a bar by guys who have been spinning yarns for a lifetime. They give us occasional breathers from the breakneck pace. He takes on topics that will resonate, from Blue on Black violence, and the resulting reactions, to how the jails are functioning as de facto mental hospitals and detox centers. From a consideration of God and the Church (Denny is not a fan) to the impact of the job on people’s lives. Denny recalls his father. He was a cop on these streets, coming home in the morning after a graveyard shift with murder in his eyes, death in his nose and an icicle in his heart that never melted and eventually killed him. From how cops cope with the daily horrors to how the crime numbers are cooked to support whatever preconceived outcome was desired. On the Iron Pipeline, the route on which legal guns from Texas, Arizona, Alabama and the Carolinas become illegal guns in NYC. The politics of police tactics and voting. The hatred and respect the cops have for the best defense lawyers. Their relationship with reporters. You trust a reporter like you trust a dog. You got a bone in your hand, you’re feeding him, you’re good. Your hand’s empty, don’t turn your back. You either feed the media or it eats you. Denny may be dirty, but you will be dashing along with him and hoping for the best. Maybe this whole situation can be fixed. He is a rich, multi-faceted character, and you will most definitely care what happens to him. Think Popeye (Gene Hackman) of The French Connection, or Lieutenant Matt Wozniak (Ray Liotta) on the wonderful TV show Shades of Blue. You might want to secure your seat belt and make sure that your Kevlar is all where it is supposed to be. This is a non-stop, rock’em, sock’em high-speed chase of a novel, a dizzying dash through an underworld of cops, criminals, and those caught in the middle, screeching stops, and doubling backs, hard lefts, harder rights, and Saturn V level acceleration. Once you catch your breath after finishing the final pages I expect you’ll find yourself realizing just what a treat it has been. The Force is not just a great cop book, it is a great book, period, a Shakespearean tragedy of high ideals brought low, with one of the great cop characters of all time. The Force is an instant classic. Review first posted – February 24, 2017 Publication dates -----June 20, 2017 - hardcover -----March 13, 2018 - Trade paper =============================EXTRA STUFF Don Winslow has written many books. Some have been made into films. I have read none of them, so can offer no real insight into what carried forward from his prior work, or where new notions or techniques may have come into play. I read this totally as a stand-alone. Links to the author’s personal, Twitter and FB pages This page has many links to related interviews and materials An article by Winslow in Esquire - EL CHAPO AND THE SECRET HISTORY OF THE HEROIN CRISIS Interviews ----- Litsack -----Hi. My name is Don Winslow, and I'm a writing addict - by John Wilkins for the San Diego Union Tribune -----June 29, 2017 - NY Times - Don Winslow: By the Book ...more |
Notes are private!
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Hardcover
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4.30
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liked it
| New York City is a great town and everybody knows it. It’s a place of unparalleled opportunity and a proving ground, so much so it’s a cliché. As t New York City is a great town and everybody knows it. It’s a place of unparalleled opportunity and a proving ground, so much so it’s a cliché. As the old song goes, “If I can make it there, I’ll make it anywhere.” The thing no one likes to sing about is that New York is a town filled with thieves, pimps, cutthroats and cheats; guys and dolls dressed up in all sorts of threads with dark skills perpetually on the hunt for easy marks that are found on practically every corner.I hold my liquor just fine, so long as there are only two bottles and neither hand is otherwise engaged. Alcohol has rarely had a significant place in my existence, which may seem a bit odd, coming as I do from a working class Bronx Irish Catholic family. (Clearly I am a disgrace to my heritage.) My first exposure was my father. A hard-working guy struggling to keep his wife and five kids fed while working a low end job for the railroad, and sometimes second jobs as well. He got paid on Thursday mornings, after his Wednesday night shift, very much as I do now in my low-end working class job, plus ça change. As often as not dad would arrive home after a stop at a watering hole near work, Penn Station (the old, beautiful one, not the piece of crap that bears the name today) in a bit of a state. In later years I would come to think of these as his Glass Menagerie mornings. On arriving home he would walk into the parental bedroom, pull open the third drawer in their five-drawer dresser, remove a repurposed Tums jar and, sitting on the adjacent bed, dump out the contents and then proceed to count the change he had collected there. He would mutter to himself while doing this. I was never able to actually make out what he was saying. Speaking to him was pointless. His bubble effectively screened out whatever lay outside his immediate thought process. The aroma of alcohol was distinct, accompanied by the unwelcome fragrance of el ropo cigar. Even to a very young kid, this seemed odd, and no doubt contributed to my general, although far from complete, distaste for alcohol. Far more typical, I expect, was Brian Michels’ exposure as a kid, the one depicted in his roman à clef, The Last Bar in NYC, the one in which bars were part of everyday life, places that held appeal, both as a venue in which to grow from stripling to adult, and as a positive environment overall. Growing up in the Highbridge section of the Bronx, a little over and a mile south of where I grew up, and a bit more than a decade later, Michels got an early exposure to bar life. The first time I set foot inside a bar I couldn’t stand on my two feet too good. I was two years old…. He gained his footing right quick. We follow Michels’ character through a sequence of bar stages, from youth into young adulthood, and on through a lifetime of working the watering holes of New York. Local bars give way to shabby Lower East Side spots. Spritz in a bit of higher end club, take a chance on bar attached to a gambling parlor, toss in a twist of famous sports bar (maybe sneak in a Virgin Mary chaser at another frequented by a steady stream of professional ladies and a nun), top off with a place that definitely resides on the more upper-crust end of such things, and serve on a cork coaster rich with peaty perfume near the Holland Tunnel. On the house. The first time I got drunk I was fifteen years old. A friend’s basement, a bunch of us. I bought a quart of Tropicana to go along with a pint of vodka. I had heard that it was a good idea to have some food while drinking to help hold it in, so I scarfed down a baloney hero. The results were predictable. Intoxication, the transport of considerable volumes of materials from the inside of my body past my gaping mouth to concrete surfaces, an inability to walk, accompanied, surprisingly, by an ability to run. A friend offered considerable quantities of black coffee, which definitely helped straighten me up, while following the same path from in to out that the other intake had blazed earlier. I walked home in pretty good shape by evening’s end, except for a bit of harshly torn cloth where my right knee had made sudden contact with an unyielding sidewalk. Asked if I had had a good time at the dance I was supposedly at, I said “yeah.” And when Mom asked how I had ripped my pants, I said that I had gotten into a fight, which was an acceptable excuse in those days. To this day, half a century later, the smell of a screwdriver still makes me gag. I did get drunk again, a few years later, on completely different forms of alcohol. Similar, and longer-lasting outcome. I don’t think I have ever gotten stinko since, although I may have approached it a time or two, having found a few such beverages that my palate does not immediately identify as piss or paint thinner. I mention this bit of personal inebriate background to make the point that bars and I have never had a close relationship. So, what Michels reports here is pretty much all news to me, almost completely outside my experience, despite having grown up in a place and a circumstance not that far from the author’s. I can’t say that it gives me pangs of regret for experiences I did not share, but I do wish I had had more of a stomach for spirits and raucous establishments than I ever did. However, like, say, a Paul Raffaele book about cannibalism, there is quite a lot that is interesting in Michels’ tale from a voyeuristic perspective. Ah, so that’s what goes/went on in those places. If, like me, you have little or no clue about the scene in the sorts of Manhattan drinking establishments Michels describes, he has just opened a large window that you can either peek into (if you can see through the smoke) or climb through, depending, I guess, on how many drinks, or other substances (Yes, Virginia, there are many reports here of diverse, mood-altering, but non-alcoholic substances being consumed) you’ve just had. [image] Brian Michels - from his Twitter page There are two elements to this novel/memoir, a look at diverse bars and clubs in NYC, primarily Manhattan, and the journey along that besotted path by our narrator. It is normally the case that when one is being led through an unfamiliar landscape, no matter how many rings it may have, it is advisable to have a relatable guide. Well, that might be a tough one here, given our Virgil’s pattern of substance abuse and what can be described, kindly, as a raucous life, both in the volume and variety of substances he consumes and the Dionysian carnival of flesh in which he was a frequent participant. Of course there will be some for whom this is mother’s milk. They are probably hung over or in rehab. While I am not interested in milquetoast sorts telling a tale, it was a challenge to relate here. But wait, there are other things that keep the tour guide’s spiel from dashing itself on the rocks. There are some wonderful scenes, and some beautiful writing. For example, Daytime boozers scattered along that bar like worn and beaten garbage cans emptied and tossed to the curb.or how about The sound system was like something NASA might’ve invented to orbit earth to share the music of the universe with the good people below.And if you want to know what it takes to be a top-level bartender or cocktail waitress you have got to read Michels’ descriptions of what is entailed. They are too long to include here, but are very high proof. As a teen, Michels hung out in Inwood Park near the Spuyten Duyvil Creek with his pals. One night he brought along a keg, which somehow bounded its way to the water. Our intrepid author bounded into the water after it, and found himself on an unscheduled river journey on the Hudson, gaining a passing look at the underside of the George Washington Bridge and the west shore of Manhattan. It is marvelous story-telling. Another tale of discovering, as a teen, a place run by welcoming Rastafarians who sneered at drinking-age limits and offered excellent conversation, and ganja for sale, is wonderful. In another he tells of an unlucky robber who drew his gun in a place rich with the armed and dangerous. [image] Spuyten Duyvil creek emptying into the Hudson - photo by Lenny Pridatko Michels pumps out a heady brew of fascinating characters. From a 450 pound, odious bar owner with a fondness for his own version of diet coke, and for taking advantage of his younger employees, to a sweet guy he calls Tommy Saloon, who brings in a link to some bad guys of a gone-but-not-forgotten era, a nun on the lookout for underage professional ladies in need of help, (maybe a bit of real life Guys and Dolls here) a desperate aging waitress, his dodgy co-owners when he finally partnered in buying a bar, gangsters, drug-dealers, ex-cons, future-cons, forgers, politicians, stud-muffin bartenders, very Damon Runyon, and enough drink-and-tell A-list celebrity interactions to keep People magazine in business for a while. (Tales of Ali and Mantle occupying opposite ends on the wonderful scale) Some of these will surprise you. And there is even a small bit on his experience with 9/11. There are, of course, some problematic aspects that, thankfully, do not take up large swaths. It seems that every few chapters our main character dives into a spell of life re-evaluation, which usually results in some sort of career adjustment, and rarely much more. He also offers some political insights that I thought did not add much, and were, in fact, a bit off-putting. I am including in EXTRA STUFF links to a couple of the writers who inspired his perspective so you can judge for yourself. The Last Bar in NYC is an independent publication, and that entails certain down-sides. For one, there are way too many typos. A few is normal enough, in any book, but the richness of their presence here suggests that another copy-editing pass was in order. The text seems crowded on the page, a too-common feature in indie products. Not horrible, but could have been better. Final gripe is one scene at the end in which our intrepid character behaves in a very offensive manner to someone who does not really have it coming. That seemed unnecessary, and shaves back even further the sympathy we may have built up for him. Ok, time to settle the tab. What’s the damage here? While this book did not always go down smoothly, it was certainly flavorful. The distilled richness of the insider intel on what it takes to be a barkeep pro is full-bodied and flavorful. The portion of information on the bar scene in NYC since the 1980s is generous. There are passages that are written with old-fashioned beauty and distilled mastery. The array of supporting characters is intoxicating. If you can tolerate a bit of bitter, then I would slide yourself onto a stool and have a go at this spirited, hand-crafted offering. You may be shaken. You may even be stirred. But you will be well served, and will learn some things. But you might need someone to drive you home afterwards. The author provided a copy for review. Review posted – January 20, 2017 Book published – April 24, 2016 =============================EXTRA STUFF The link to his personal webpage, shown on Michels’ Twitter page, was not up when I posted. I did not find a Facebook page. A couple of Michels’ political heroes include Murray Rothbard and Ludwig Von Mises ...more |
Notes are private!
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1
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Jan 10, 2017
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Jan 15, 2017
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Jan 15, 2017
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Kindle Edition
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1250113326
| 9781250113320
| 1250113326
| 3.85
| 30,473
| Jan 17, 2017
| Jan 17, 2017
|
it was amazing
| Arriving in a Roaring Twenty Arriving in a Roaring Twenty On New Year’s Eve 1984, 84 year old Lillian Boxfish sets out from her Murray Hill apartment on a considerable walk. In stopping at various Manhattan spots over the course of the night, she encounters prompts to memory that span her lifetime, and a major chunk of the 20th century. Lillian Boxfish, the character, is based on a real person, Margaret Fishback, whose career and life paths Lillian mimics. Like Margaret, Lillian hails from Washington DC, arriving in 1900, came to NYC in her 20s, and became one of the premier ad writers in the country. She penned several books of verse that earned her a reputation beyond her ad work. The poems that Kathleen Rooney uses in the book as Boxfish’s are Fishback’s. She presented a somewhat cynical view of romance, and had to eat a bit of crow when she succumbed to love and marriage in her 30s, taking it so far as to having a child. [image] Margaret Fishback - from the Poetry Foundation In portraying Lillian’s life, Rooney shows us markers for the times. In her earliest memories we see, for example, a coal-powered railroad advertising the cleanliness of their service. Those who cynically refer to “clean coal” today would have been right home in the 19-aughts. In fact the book opens with what seems a fairy tale tone,“There once was a girl named Phoebe Snow,” the pristinely appealing character in the railroad’s ad campaign. Lillian will follow Phoebe not just on the road of anthracite but in her fondness for rhyming sales pitches. A nurse aunt brings mention of the Triangle Shirtwaist fire, and the Spanish flu pandemic. Other notable notes include the jazz age, the lindy-hop, break-dancing, WW II, rap, the subway vigilante, fear of crime in the city, automats, the Depression ( When I first came to the city, a line of people often helped me discover an exciting premiere or a big sale; in 1931, such a queue more often ended at soup kitchens or collapsing banks.), construction of Battery Park City, loft-living by artists, AIDS, the changing looks and uses of city infrastructure, and plenty more. The rights of women are given considerable attention. Lillian fights for equal pay at Macy’s. Pregnancy is a termination-level offense. Her publisher pushes her to take a more upbeat tone, but Lillian is no shrinking violet. Of course, a look over any time period will not hold anyone’s interest if the guide on that tour is not engaging. Not to worry. Lillian is as hearty a traveling companion as you could want, although she does suffer from some well earned blues from time to time. She is bright, witty and charming, a character we can relate to, even if we may differ from her in this view or that. [image] Kathleen Rooney - from Entropymag.org I adored Lillian maybe a bit more than most for our shared love of the city. While I may have started my NYC life a fair bit later than she did, I have seen it over a lifetime, and my attachment is as strong as hers. I was here, and remember well many of the events she notes. The form of a person traversing a physical space as a structure for recalling a life is not a new one. Serial flashbacks are common enough. But it is done particularly well here. Lillian the younger is hardly the same as Lillian the elder, yet the core voices work well. In fact, one of the great strengths of the novel is that Rooney has made Lillian, from young woman to eighty-something, entirely credible. And her latter day walkabout is rich with a sense of diverse elements of the city, interesting characters who serve to illuminate the New York City of 1984, the fading institutions, and some new trends. Lillian Boxfish is a marvelous, entertaining and moving read. I suppose you could walk to your nearest book emporium to pick up a copy. But if your legs are up to it, I would run. Review first posted – January 13, 2017 Publication – January 17, 2017 =============================EXTRA STUFF Links to the author’s personal, Twitter, and FB pages This is her second novel A wiki on Margaret Fishback , who was born in DC in 1900 and died in Maine in 1985. Kathleen Rooney wrote this profile of Fishback in the Poetry Foundation site My favorite small poem of Fishback’s, (from what little I have seen), appears in the book. When life seems gray...more |
Notes are private!
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1
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Dec 26, 2016
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Jan 04, 2017
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Jan 04, 2017
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Hardcover
| |||||||||||||||
038533334X
| 9780385333344
| 038533334X
| 3.48
| 11,527
| 1998
| Jan 1999
|
really liked it
| In the arc of an unremarkable life, a life whose triumphs are small and personal, whose trials are ordinary enough, as tempered in their pain as in In the arc of an unremarkable life, a life whose triumphs are small and personal, whose trials are ordinary enough, as tempered in their pain as in their resolution of pain, the claim of exclusivity in love requires both a certain kind of courage and a good dose of delusion...Those of us who claim exclusivity in love do so with a liar's courage: there are a hundred opportunities, thousands over the years, for a sense of falsehood to seep in, for all that we imagine as inevitable to become arbitrary, for our history together to reveal itself as only a matter of chance and happenstance, nothing irrepeatable, or irreplaceable, the circumstantial mingling of just one of the so many millions with just one more.Charming Billy tells of a New York Mic who, as a young man, had a great passion for an Irish lass. She returned to the old country and he expected her to come back when he sent for her. But she up and married someone else. His cousin Dennis knew the truth and lied to Billy, telling him she had died. Later in life, Billy goes to Ireland, intending to visit her grave, and finds her alive and feeling guilty. Oops. [image] Alice McDermott - image from Johns Hopkins University The story is structured around a wake held for Billy after he had basically drunk himself to death, made up of the recollections of the folks present, a bit of their individual stories. The narrator is the daughter of his cousin and best buddy Dennis. The book describes the culture of its New York Irish Catholic characters (my peeps) through their relationships with each other. I was surprised that I felt mostly unmoved, but then, towards the end, when people realize the waste they have made of their lives, it struck a chord, or maybe was busy tuning up the entire bloody orchestra, and I was weepy as I turned the pages, pausing frequently with uncomfortable recognition. I found myself wishing or wondering about a choice made a lifetime ago and how things might have turned out had I decided otherwise. Of course, they might not have wound up any better. I'll just never know. The book captures that ennui well, and I recognize it in myself, having grown up in the culture she describes. Hopefully it is a curable trait, although at my age, I seriously doubt any such cure, even if found, would apply. I also recognize the pain of having spent so much of one's life dedicated to something that turned out to have been different from what I had expected and hoped for. The ability of Charming Billy to tug those heartstrings, to prompt one to step back and take a look at one's life, is one of the major strengths of the novel. That McDermott portrays with chilling accuracy and insight a living culture is another. There are reasons this book won the National Book Award. Published - December 31, 1997 Review first Posted - March 10, 2017 PS - I read this book in 1999 and wrote most of this review then, but did not post it until March 2017, after a bit of editing. =============================EXTRA STUFF The author's personal and FB pages ...more |
Notes are private!
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1
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not set
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Apr 14, 1999
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Nov 24, 2016
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Paperback
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0062432036
| 9780062432032
| 4.44
| 518
| unknown
| Nov 01, 2016
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it was amazing
|
February, 2017 - I added a link at bottom to an amazing NatGeo article, MUST SEE!!! There may be eight million stories in the naked city (well, closer February, 2017 - I added a link at bottom to an amazing NatGeo article, MUST SEE!!! There may be eight million stories in the naked city (well, closer to nine these days). But that only counts people. What about some of our other citizens? How many times have you walked into a shop and spotted the resident mouser strolling down an aisle, busily guarding a shelf, or splayed in the front window? They are so common as to have become an embedded element of the urban landscape. But their very ubiquity has made them somewhat invisible. We accept them as part of our environment, and pay them little attention. But Tamar Arslanian noticed, and decided to write a book featuring these often unnoticed New Yorkers. It was one of those times when my wife, in a flurry of OMGs, blew through our front door and announced in full capital letters. YOU HAVE GOT TO SEE THIS. The this, of course, was the book under review here, Shop Cats of New York. If she had done this twenty years earlier, I would not have been very interested. And my first wife probably would have wondered just who the hell that woman was. At that time I was not only cat-free, but the proud owner of a considerable cat allergy. Things change.[image] Author Tamar Arslanian interviews the Neergaard Pharmacy representative The portraits in this collection include brief write-ups about the cats in question, ranging from considerable to pretty-much non-existent, with most falling in the one to three paragraph middle range. There are some moving tales told, along with the sort of cat-as-local-royalty picture one might expect. The photographs look good enough to make you want to rub the side of your head up against them, repeatedly. As happens with about half the marriages in the USA, my first went the way of dial-up. In late 1998, I was looking for an apartment, but also someone else to share the rest of my life with. I suppose one could say that at the time I was a bit of a stray, not exactly homeless, but certainly unsettled. I partook of Match.com, including the sort of profile millions of other people have penned. Mine was probably typical enough, blah-blah-blah, three kids, blah-blah-blah, systems analyst, blah-blah-blah Mets fan, blah-blah-blah, and Sorry, no cats. Allergic. I met several women, but was particularly intrigued by one. Despite the fact that we had engaged in a considerable series of on-line exchanges, it turned out she had issues with reading.[image] Shadow on arrival - shot by Cat Rescuer pal, Sara There are 36 chapters in Shop Cats of New York. Most cover individual kitties. Three deal in multiples. One of these looks at a pets supply store that also fosters, one looks at the campus cats of Pratt Institute, and the third tells of The Meow Parlour on the Lower East Side, a “cat cafe” that specializes in adopting cats out to local residents. The first time I went to visit my new friend at her place, I was in for a surprise. She was sharing her apartment. Her room-mates kept their distance but they made their presence felt anyway. In short order my eyes began to itch. Soon after, my nose began to run. Within thirty minutes of my arrival I was struggling to breathe and bolting for the door. Ummm, about that cat thing.[image] Photographer Andrew Marttila checking in at the Algonquin Andrew Marttila’s photographs are wonderful, capturing the expressiveness of the featured furries in their now-native habitat. These include a fair range of commercial enterprises, from a copy shop to a brewery, from bookstores to, surprisingly, a boutique for dogs, from a bike shop to a pharmacy. One thing that struck me as a bit odd was the absence of representation from both The Bronx and Staten Island. Hey, wuddah we? Chopped livah? I guess she was interested enough in me to risk not copping to the kitties. And I guess I was interested enough in her to take on a steady diet of whatever allergy med seemed to work at the time. It also seemed a reasonable thing to try to build up a bit of tolerance. About a year later, I was living in a garden apartment in Park Slope, with access to a back yard, when I started getting a regular visitor. This good-sized black cat showed his puss near my back door more and more. I started putting out some food for him. Then left my back door open until he began risking visits inside. After a few of these. I closed the door behind him. He did not seem to mind. I called him Pitch. He was my first cat.[image] Julian and Nala have been bosom buddies ever since we brought them home - shot by Mary Ann Arslanian asked the shop owners for their cats’ origin stories. Many are rescues. According to Neergard pharmacist Lana, “Ivy was found as a wee kitten pulling tricks on the gritty streets of Brooklyn’s Park Slope.”Geez, talk about mean streets. Some came along with the building or business when a new owner took over. We moved in together in 2001, marrying later that year. My Pitch joined her Madison, Winnie and Bo. There would be more. One morning a small stray tried to follow Mary Ann into the subway. It was not her first encounter with this kittie. She was so small we believed her to be a kitten. Concerned for her safety, she brought the wee beastie back upstairs before heading out to work again. I was not thrilled at the prospect of yet another cat being added to our pack. We put her in my daughters' bedroom. That night when Mary Ann got home from work, she came into the room, and there I was like a thief with his hand in the cookie jar, holding this little cat in my arms in the same way I had held my tiny humans not so long ago. Forgotten was the notion of trying to find another home for her. I looked up at my wife, sheepishly, and said, “She had me at meow.” Turned out she was as large as she would ever get. We called her Little Cat. or LC for short.[image] One of many shots available at the FB page for the book A fair number of these cats have fans, locals who stop by for a scratch-n-rub. But some of these contemporary kitties have on-lion (sorry) presences as well. The shop cats range in temperament from sweet to imperious, from scratch-me-rub-me-love-me attention-whores to full-on Travis Bickle. “Are you lookin’ at me?” Tiny, the cat in charge of the Community Bookstore in Park Slope, seems particularly fearless. Customers come in with their dogs assuring the staff they are ok with cats, to which the staff responds, “Well, our cat is not ok with dogs. If you see Tiny up in the shelves following you, your dog is being stalked.”[image] Madison In the mid aughts, a work friend of Mary Ann’s at Harper was about to relocate out of the country. His wife had gotten a job with the State Department, and they had very little notice before they would have to leave. In order to be able to take their two cats along, they would have had to put them into seriously prolonged quarantine. They were not confident that both would survive the experience. That is how Anakin and Kiki joined our herd.They may sleep sixteen to twenty hours a day, but these are working cats, with diverse jobs, in addition to their traditional rodent management portfolios. When I asked the only desk-less guy there [MPH messenger service] if he was security, he nodded in Sammy’s direction. “He’s security.”One Red Hook cat helps close deals as an assistant sales rep for a glass products company by sitting on customers’ laps. [image] And your total is… - From Shop Cats FB pages For any who may wonder at the ability of felines to feel, there is a particularly moving tale of one cat mourning the passing of his sister. In 2011, a surprise was found at my mother-in-law’s place in Wilkes Barre. A stray had taken up residence on the back porch. When Mary Ann, there for a visit, picked her up, there were two babies beneath her. Her mother was actually ok with taking them in. The mom was named Isabelle and the babies were Oscar and Felix. We had intended to head out there for a visit a few weeks later. Get Isabelle to the vet, and have the babies checked out. But Hurricane Irene had other plans, and we did not manage the trip until enough later to matter. Isabelle had managed to get mommified again, this time with Scout and Boo. So we had a triple-A team of cats in residence in Wilkes Barre. It was good company for mom, who was getting on. We helped out with cat costs, buying food, litter and dealing with vets. We had expected to bring them to Brooklyn over time. It was during this period that another arrival turned up. Tabitha had been showing up in the Wilkes Barre back yard looking for food, and getting it. But came inside a time or two when it got very cold. One time was when we were there on a visit. She came into the kitchen, but was so terrified of the other cats that she hid under the stove. To our great surprise mom-in-law asked us to take her back with us, afraid that her brood would harm the outsider. In January 2015, my mother-in-law passed, peacefully, in her sleep, a favorite German shepherd companion at her side. Our triple-A team would be moving up to the majors. Well, somewhat. Some of them were particularly gifted at evading capture. But we did bring home Isabelle, Scout and Oscar.[image] Scout on the couch - shot by Mary Ann Shop Cats may stretch the definition of the word shop a bit, including a chapter on the cats of Brooklyn’s Pratt University. We learn of the attempt by those in charge to make Pratt a cat-free zone, which is enough to make one want to hack up a hairball, and leave it in management’s shoes. But it is certainly a forgivable extension, considering the subject matter. We have lost several of our four-footed children to the ravages of age. They had lived lives that were respectably lengthy, but it was heart-breaking to lose them. There would be two more sets of incomings. We have a friend in Wilkes Barre who is a registered cat-rescuer. She is a saint, in our view, who has helped many a feline shift from living on the streets to finding a safe, loving home. However, there was a time when she needed a temporary place for many of her wards. Mom’s place in W-B was offered, and a dozen or so squatters took up residence. Two of them took a shine to Mary Ann and me when we were there. The result was Nala and Julian. On another trip to W-B, we had intended to retrieve Felix from the cat angel of W-B, but he was clearly happy to remain where he was. It so happened that at the time there was another resident in that illustrious cat house that was in need of placement. He was young, but no longer a kitten. What set him apart was that he had an extra digit on all four paws. We named him for Ernest Hemingway, as the cats at Papa’s Key West home were known for being polydactyl. So Nesto signed on.[image] King Jeffie of the Brooklyn whiskey distillery – an outtake on the FB page ==========In the summer of 2019 GR reduced the allowable review size by 25%, from 20,000 to 15,000 characters. In order to accommodate the text beyond that I have moved the EXTRA STUFF segment of the review to the comments section directly below. [image] ...more |
Notes are private!
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1
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Nov 02, 2016
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Nov 02, 2016
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Nov 03, 2016
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ebook
| ||||||||||||||||
0812988906
| 9780812988901
| 0812988906
| 4.15
| 41,059
| Aug 16, 2016
| Aug 16, 2016
|
really liked it
| All stories are love stories. Paul remembered someone famous saying that. Thomas Edison’s would be no exception. All men get the things they love. All stories are love stories. Paul remembered someone famous saying that. Thomas Edison’s would be no exception. All men get the things they love. The tragedy of some men is not that they are denied, but that they wish they’d loved something else.Paul Cravath, a young attorney in late 19h Century New York City, is drawn into a battle of the titans, as George Westinghouse engages him to defend his company against a lawsuit filed by his nemesis. The amount demanded is staggering, one billion dollars. The opponent is one Thomas Alva Edison. Not only is he suing Westinghouse over the light bulb GW had developed, but he has launched 312 suits against GW. Good luck, kid. [image] Graham Moore - from moviehole.com What is a historical novel supposed to do? It should explain to the contemporary reader how this or that historical event occurred. What happened? What were the driving forces behind making it happen? Who were the people involved? What were their motivations? It should also offer the reader a touch and feel for the place and time. What was life like then? What was different? What was the same? If we wanted a straight up history we would pick up a history book. Historical fiction is the spoonful of sugar that makes learning history go down easier. It helps if the era is significant. One could write about the drudgery of a serf’s life in the Middle Ages, but unless the serf were in some way involved with changing that world, it would be unlikely to be very interesting. It also helps if the characters the author creates, or, if presenting actual people from history, interprets, engage our interest. That interest can be positive or negative, but interest must be generated. Also, there is the problem of us as readers knowing how things turn out. It removes an element of mystery. So how does all this flesh out in TLDON? The history is of a significant time in American, actually world history, the electrification of modern life. Gas lamps had been doing the job of illumination for a long time, but the fire hazard they presented was significant. Providing an electric alternative had been a goal for a long time, but it was only then, in the late 19th century, that making the switch became technologically possible, with the development of an efficient light bulb. The battle on which the novel focuses is the legal contest between Edison and Westinghouse over who will secure the very lucrative right to light up the world. Edison had based his bulb on work done previously, his genius being the application of an industrial mindset to the development of new technology. He employed large numbers of lab workers and tried out thousands of different materials, searching for a workable filament. Of course this did not stop him from filing his patent before that final piece was in place. But when Westinghouse, also aware of and building on lighting tech that predated Edison, had come up with a better light bulb, Edison sued. This is the central legal battle going on here. [image] Edison- from The Atlantic There is a second, very much related, bit of technology that is illuminated. Edison’s lightbulbs, and sundry devices, were all built to use direct current. Think your flashlight. But that tech came with significant limitations. Because, with direct current, DC, a way had yet to be found to sustain a power level beyond a minimal distance, the source would always have to be near the destination. What that would require, infrastructure-wise, was the installation of small power plants everywhere. Not a big deal if one were powering, say, lighting in a mansion, but quite another if one aspired to lighting a city. Thankfully, there was another way. Alternating Current, or AC, was a technology that had been thought to be unusable for large scale power, but a way was found, by one of the great inventive geniuses of all time, a Serbian émigré named Nikola Tesla. Tesla had worked for Edison, but had issues with the boss. When he left, GW snapped him up. Of course, Tesla would fit very nicely into at least one of our notions of a mad scientist. Not that he had evil designs on anyone, or imagined ruling the world. It was more along the lines of him being actually barking. I have not read a biography of Tesla, so have no basis for comparison, but I thought the gibbering Tesla depicted here might be a bit over the line. Of course maybe he was really that strange. In any case, Tesla as depicted is a pretty over-the-top (Sasha Baron Cohen pops to mind) character. The book has the feel of a screenplay, where most of the storytelling is external. There are some internal looks, but it is clear that the author’s talent lies in the visible. I had the feeling that this book was intended to be a film, and was not at all surprised to see, not only that it had already been optioned for film, but that the lead had already been cast. I wondered if the author, the academy-award-winning screenwriter of The Imitation Game, actually began with a screenplay, then expanded it into a book, as opposed to the usual sequence. Turns out not so much. According to Moore, it was intended to be a novel all the while. He was writing it while filling down time on the set of The Imitation Game, and only after it was more or less finished (on final edits) did some folks close to him (and given his primary line of work we presume them to be cinema sorts) suggest that it would make a wonderful film. I am not sure I actually believe this, but you can read the tale in his blog. Young Paul Cravath, of the Tennessee Cravaths, and late of law school, is the link that binds all the parts together, Edison’s bullying, Westinghouse’s manipulations, and Tesla’s genius. In addition to the marquis names, Paul Cravath was a real person, and the telling of this tale reflects broad truth about the events that transpired. Cravath was extremely young to have been put in charge of such a monumental challenge. He is portrayed as a charming young man, with an interesting family history (Dad having been instrumental in setting up Fisk University, a school for Negroes) and a short fuse when the venal rich proclaim their bigotry in his company. It is his spirit that presumably appeals to GW. He is clever and decent, and you can go right ahead and imagine Paul with the face of Eddie Redmayne, as the Academy Award winning actor has already been signed to play the role. [image] Cravath (well after the events depicted in this book) and Redmayne Ya can’t have a modern American novel without some sort of love interest, and Moore checks that box, in the form of toast-of-the-town opera singer, Agnes Huntington, another person pulled from the pages of history. So we have a Goliath vs Goliath battle going on, mostly (although not entirely) being waged in courtrooms and in the arena of public opinion. I suppose one could see Paul as a David, but he had resources behind him that would fill quite a few slings. Neither of the primary combatants comes off too well. There is a bit of mortal peril to spice up the moral equivalent. [image] George Westinghouse - from the Old Post-Gazette One of the spiffy things about the novel is that Moore looks at the sausage making of how public opinion was manipulated. Given how the media covers elections, I would guess that not much has changed. And he looks at how power was held and connections were made. This definitely enriches the read. His portrayal of the social scene in NYC is fun. Calling in large personalities like Stamford White and Alexander Graham Bell for a bit of sideshow work adds spark as well. And JP Morgan plays a crucial role in the final chapters. Details of the era inform the sometimes carnival-like atmosphere. For instance, that there was no bar-exam requirement for practitioners of the law. The demonstrations by Edison’s people trying to show the dangers of A/C are chilling, and very much reality based. Moore also notes events and changes that were afoot, if not yet realized. Bell, for example, mentions in passing some guys in Ohio who are working on a flying machine. Last Days of Night tells a story of a time, the people who were involved, the challenges they faced, and the events that took place. It does it quite well. Using Cravath as the link to all was an excellent, workable approach. Events take place that you can see and hear. Which is what one would expect from a writer who makes his living writing screenplays. Nothing wrong with that. But while the fast-moving battles and intrigues keep the current flowing, there is another element to the book. Moore looks not only at what his characters do (what the historical characters did) but at what motivates them. While it may be that one’s driving forces cannot always be reduced to a phrase, Moore gives it a go. I have no idea if his analysis of the actors is accurate, but it is certainly interesting, and prompts one to consider what motivates contemporary figures in the public eye. It is this as much as anything that raises the book a notch. He uses quotes from contemporary tech all-stars, which highlights the permanence of some of these concerns. [image] Nikola Tesla I have a few gripes about the book, of course. Whenever Moore wanted to introduce some historical exposition, he uses the “Paul was thinking…” or “Paul was remembering…” mechanism too often, which seemed a bit heavy-handed. Definitely takes one out of the story. Characters appear to travel considerable distances with relentless ease. Scene One here, fade to black, Scene two there. One might be forgiven for wondering if they were flying before the Wright Brothers had had their way with Kitty Hawk, or maybe they had a spare TARDIS on hand. God knows, Tesla could probably have invented one. Also, I was a bit tepid about Paul. He was appealing, but maybe not appealing enough. Casting Redmayne should take care of that nicely for the film version. Dates have been changed to streamline story-telling, but the gist appears to be generally true. Moore included in his site a wonderful side-by-side look at where his time sequence diverges from the historical timeline. But aside from that, Moore delivers. This is a fun, inventive read, one that casts considerable light on a process that was a lot more complicated than connect plug A to socket B, one that is little known to modern readers. You are likely to get a charge out of this one, whether you read it using the direct current of an electronic device, or the lumens cast by A/C–powered light bulbs. The Last Days of Night shines brightly indeed. Publication Date – August 16, 2016 Review posted – September 16, 2016 The publisher was kind enough to send along a copy for review consideration. =============================EXTRA STUFF Links to the author’s personal, Twitter, and FB pages Some facts about Edison Wiki on George Westinghouse Wiki for Paul Cravath Songs -----You Light up My Life - Debby Boone ----- The Future’s So Bright I Gotta Wear Shades - Timbuk 3 ----- Light Up The World - Glee ...more |
Notes are private!
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1
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Sep 05, 2016
|
Sep 11, 2016
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Sep 05, 2016
|
Hardcover
| |||||||||||||||
0062359983
| 9780062359988
| 0062359983
| 3.87
| 39,913
| Aug 09, 2016
| Aug 09, 2016
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it was amazing
| Each week, sister Sonja said, Start at the beginning, her dark fingers bending around a small black notebook, pen poised. Many moments passed befor Each week, sister Sonja said, Start at the beginning, her dark fingers bending around a small black notebook, pen poised. Many moments passed before I opened my mouth to speak. Each week, I began with the words I was waiting for my mother…A forest grows in Bushwick. At 35, August, a worldly anthropologist, back in New York City to bury her father, recalls her growing up years. In Tennessee, when she was eight, her mother was unable to cope with news of her brother’s death in Viet Nam. She persisted in talking to her lost, beloved sibling as if he were still present. When dad finally replants August and her little brother in the county of Kings, his home town, a new life sprouts for them. We see through August’s eyes what life was like for a young black girl in 1970s Brooklyn. From white flight to the drug epidemic, from DJ parties in the park to dangerous sorts, interested in drugs and young girls, from blackouts and looting to the influence of the Nation of Islam, from innocence to awakening sexuality, from finding friends to seeing the world slowly opening to reveal diverse paths, many dangers, and some ways through. A core element of the story is August coming to grips with her absent, Godot-like mother. The bulk of her story, as it might for most of us, centers on her friends. My brother had the faith my father brought him to, and for a long time, I had Sylvia, Angela, and Gigi, the four of us sharing the weight of growing up Girl in Brooklyn, as though it was a bag of stones we passed among ourselves saying, Here. Help me carry this.Time shifts back and forth. August is 8, then 15 then 11. Woodson uses front page touchstones to place us, and August, in time. Son of Sam, the blackout of 1977, Biafran starvelings, and popular entertainment. On a different planet, we could have been Lois Lane or Jane or Mary Tyler Moore or Marlo Thomas. We could have thrown our hats up, twirled and smiled. We could have made it after all. We watched the shows. We knew the songs. We sang along when Mary was big-eyed and awed by Minneapolis. We dreamed with Marlo of someday hitting the big time. We took off with the Flying Nun.The dreams the girls nurture come face to face with the roots from which they grow. Possibilities appear. And impediments. Can their friendship survive the winds that push and pull them in diverse directions as they branch out? Maybe this is how it happened for everyone—adults promising us their own failed futures, I was bright enough to teach, my father said, even as my dream of stepping into Sylvia’s skin included one day being a lawyer. Angela’s mom had draped the dream of dancing over her. And Gigi, able to imitate every one of us, could step inside anyone she wanted to be, close her eyes, and be gone. Close her eyes and be anywhere.Memory is a refrain here, a blues chorus. Not sure I agree with Woodson’s take, or is it August‘s take on where tragedy lies, (I know now that what is tragic isn’t the moment. It’s the memory.) but it is an interesting take nonetheless. Asked how she came up with her characters, Woodson told the GR interviewer: Bushwick was the character I knew the best. And then I wanted to create a narrative around it, so I invented these four girls and their stories. I also wanted to talk about girlhood, what it means to grow up a girl of color, and what it means to grow up inside the backstories and dreams of your parents, who have their own ideas of where you should go while you're trying to make your own space in the world. [image] Jacqueline Woodson - from NPR References to how other cultures deal with death pepper the narrative, a way of illuminating how August, her family and friends cope with loss. It is moving and effective. There is a lyricism, a musicality to Woodson’s writing, her language flowing and floating, rhythmic, poetic, reading like it was meant to be read aloud. Stunning lines wait around every bend, insightful, beautiful, polished to a fine gleam. Her books for young audiences have gained her considerable acclaim. Brown Girl Dreaming won Woodson a 2014 National Book Award. She has received a lifetime achievement award for her YA writing. She won a Coretta Scott King award in 2001 for Miracle’s Boys, and several Newbery awards. I would not be at all surprised to see this book as well up for a slew of awards. While Another Brooklyn is definitely intended for adult readers, her YA writing DNA manifests in the physical structure, the short sentences, with big space between them. And the size. Another Brooklyn is not a long book. On the one hand, you will rip through it in no time, the first time, a drive through. You may take a bit longer the second time, recognizing that this is a treat to be savored, and linger a while, maybe wander through on a bike. It will turn out the same, but you may notice more store windows as you pedal down these streets, or living things, a beech here, a maple there. City-like, there is a lot compressed into a small space. You might even stroll through for a third look-see, picking up some bits and pieces unseen on previous readings. Not sayin’ ya have to, but if you get the urge I would go with it. We pretended to believe we could unlock arms and walk the streets alone. But we knew we were lying. There were men inside darkened hallways, around street corners, behind draped windows, waiting to grab us, feel us, unzip their pants to offer us a glimpse.There are some tough life experiences on display here, but we know that August makes it through. An important element of the story is hope. Talent may not always shine a light to a better future but sometimes it can. Intelligence may not always be seen, appreciated or nurtured. But sometimes it is. Hard times and personal loss are definitely painful, but maybe they are part of the compost of our lives. While the streets of her world may have been named for trees of a long gone sylvan past, Linden, Palmetto, Evergreen…Woodbine, (the name Bushwick, by the way, comes from Boswijck, which means “little town in the woods”), lives still grow there, tall and strong. August is a mighty oak. Her story of growing is lyrical, poetic, and moving. Another Brooklyn may not take much time to read, once, twice, or even more times. But as little time as it will take you to let this one in, it will plant a seed in your memory, another in your heart and grow there for a very long time. We lived inside out backstories. The memory of a nightmare stitched down my brother’s arm. My mother with a knife beneath her pillow. A white devil we could not see, already inside our bodies, slowly being digested. And finally, Sister Loretta, dressed like a wingless Flying Nun, swooping down to save us. Publication date – 8/9/2016 Review first posted – 6/17/2016 [image] [image] [image] [image] [image] [image] =============================EXTRA STUFF Links to the author’s personal, Twitter, FB, and Tumblr pages August 21, 2016 - GR interview with Woodson September 15, 2016 - Another Brooklyn is named to the long list for the National Book Award. Congratulations! October 6, 2016 - Another Brooklyn is named to the short list for the 2016 National Book Award for Fiction - Brava! November 23, 2016 - Another Brooklyn is named to the NY Times list of 100 Notable Books of 2016 November 25, 2017 - NY Times - Love to Love You, Baby - Woodson article remembering being fifteen and discovering the excitement of Manhattan. This review has also been posted at Cootsreviews.com and Fantasy Book Critic ...more |
Notes are private!
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1
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Jun 05, 2016
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Jun 07, 2016
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Jun 05, 2016
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Hardcover
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0062404954
| 9780062404954
| 0062404954
| 3.65
| 11,520
| Jun 28, 2016
| Jun 28, 2016
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really liked it
| When the girls admire him a young man takes it as a matter of course; but when a widow selects him for her attention he thrills with the knowledge th When the girls admire him a young man takes it as a matter of course; but when a widow selects him for her attention he thrills with the knowledge that he is being stamped with the approval of a connoisseur. - Helen RowlandWell, Mrs Theresa Marshal, 44, is no widow. She shares a 5th Avenue residence and a lovely place in Southampton with her very-much-alive husband, Sylvester. Octavian Rofrano, the 22-year-old she often refers to as Boyo, manages to prove, with some frequency and energy, that he is even more alive than the senior man in Theresa’s life. Marshall is goofy for her flyboy, Rofrano being late of World War I, although a lot less late than most of his fellow pilots. She is stuck on him enough to have begun having notions of them taking it on the lam together. If only life were so simple. [image] Beatriz Williams - from her FB pages There is the problem of Sophie Fortescue, 19, an heiress to a successful, if somewhat reclusive inventor father, mom having reached a bad end many years back. She is a mechanically inclined chip off the old engine block, and an object of extreme affection for Theresa’s brother. Jay is not as far along in years as his sister, but is past his first bloom. An erstwhile man about town, he is eager to marry young Sophie, and secure not only the companionship of a beautiful and vivacious partner, but the not insignificant advantage of her considerable inheritance. Theresa engages young Rofrano for him, to act the cavalier and present young Sophie with Jay’s formal request for her hand, and presumably the rest of her, in marriage. But seeing Sophie sparks something in young Rofrano. Complications ensue. We are introduced to the goings on by a gossip columnist for the New York Herald-Times. It is May 1922 and nom-de-plume Patty Cake fills us in on what looks like the crime of the century in Greewich, CT, a juicy case in which The Patent King is on trial for his life, his daughters, The Patent Princesses, in attendance. Ms Cake pops in from time to time to update us on the progress of the trial, and to add a third voice, enough to help plait the Theresa and Sophie threads into a lovely braid. LOVE, the quest; marriage, the conquest; divorce, the inquest. - Helen RowlandPatty is a fun element, but the star of this show is Theresa Marshall. I kept hearing the voice of Lady Mary from Downton Abbey, albeit it with an American accent. Lest one think of her as maybe too modern a woman, it should be borne in mind that the 20s was not called Roaring for nothing. It was a time of change. Boundaries were being pushed. Sophie is considered daring because she wants to work for her living instead of being a prize awarded to the highest bidder. Theresa takes advantage of the more daring culture of the day to match her philandering mate, for a change, in partaking of the world. Octavian confronts considerable survivor guilt, having made it through the vagaries of The Great War, while having lost so many of his fellow flyers. Everybody seems to be going through life at automobile speed nowadays; but alas, there are no sentimental garages by Life's wayside at which we may obtain a fresh supply of emotions, purchase a new thrill or patch up an exploded ideal. - Helen RowlandThe title refers not only to the chronological status of Theresa Marshall, (and the May/December couplings of Jay with Sophie, and Theresa’s hubby with his latest young thing) but the times themselves. Williams offers a nifty look at the 1920s, peppering her novel with elements of the dynamic culture and the odd sign-post. Ty Cobb and his infamous demeanor are tossed across the stage early on. Man O’War thunders past in a back-story role, bringing Octavian and Theresa together. That relatively new-fangled automotive device comes in for some use as well. Here is a nice passage that gives a sense of much of this era-capturing The bartender. The bar. So forbidden and masculine, an unimaginable place for a girl to find herself—alone!—until now. Until suddenly boys and girls are going to saloons together, and they aren’t called saloons any more. A whole new vocabulary is springing up overnight, it seems, like mushrooms or crocuses, all clustered around the underground slaking of illegal thirst, and it seems the more illegal the thirst is, the more ordinary and acceptable it’s become to slake it in mixed company, among strangers. And the vocabulary has something to do with that, doesn’t it? Hooch, speakeasy, blotto. Silly words, trivializing the laws they’re breaking. Trivializing everything in the world.I love how Williams posilutely picks up the sudden societal unsteadiness that followed the horror of war, as the world tried, once more, to regain its balance. It is putting her story in the context of a time of great upheaval, made manifest in her characters, that raises it from a pretty good novel, with a sparkling character in Theresa, to something higher. Love is like appendicitis; you never know when nor how it is going to strike you—the only difference being that, after one attack of appendicitis, your curiosity is perfectly satisfied - Helen RowlandAnd if that’s not enough you might think it’s the bees knees that the story is based on the German opera, Der Rosenkavalier. The name Octavian Rofrano is lifted whole from that. The Marshcallin, Princess Marie Therese von Werdenberg becomes Theresa Marshall. Baron Ochs auf Lerchenau has become Theresa’s brother, usually called Ox. Sophie remains Sophie. Williams added the murder mystery element to move things along, as the plot of her source material was a bit thin. It is no surprise that she finds inspiration in the classics. Williams was raised in Ashland, Oregon, and was exposed early on to a regular diet of Shakespeare and some of the more refined forms of public entertainment offered in that notable college town. After marriage, a woman's sight becomes so keen that she can see right through her husband without looking at him, and a man's so dull that he can look right through his wife without seeing her. - Helen RowlandOne of the truly delightful elements of this novel is that every one of the 27 chapters is introduced by a deliciously cynical (well, most are, anyway) quote from Helen Rowland. And if the name is unfamiliar, you are in good company. Rowland wrote a column called Reflections of a Bachelor Girl for The New York World in the early part of the 20th century. I have included in EXTRA STUFF a link to the Gutenberg edition(s) of one of her books of collected wit and wisdom, A Guide to Men, and sprinkled into this review some Rowland quotes taken, not from the book under review, but from Rowland’s opus, to give you a taste. A Certain Age is a fun read. It points out some of the gender issues coming to the fore at the time. It notes how possibilities for women, in both work and love were constraining and loosening. But that is understructure. The characters are fun to follow, with Theresa standing above the rest, and Patty Cake offering some extra spice. You may be reminded of A Little Night Music, although with fewer jokes. The mystery element keeps the story moving along quite nicely. I would be shocked if this is not one of the major summer reads of 2016. A Certain Age is an ageless read and a certain joy. Review first posted – March 5, 2016 Publication – June 28, 2016 =============================EXTRA STUFF Links to the author’s personal, Twitter and FB pages This is Williams’ seventh novel. Her books tend toward the historical and the romantic. Usually I gag at such things, but I was able to manage this one quite nicely. My review of Williams’ 2017 release, Cocoa Beach November 14, 2016 - A Certain Age is named to Kirkus's list of the best popular fiction of 2016 The internet Guide to Jazz Age Slang came in handy Project Gutenberg Edition(s) of Helen Rowland’s A Guide to Men ...more |
Notes are private!
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not set
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Feb 15, 2016
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Feb 15, 2016
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Hardcover
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0062394568
| 9780062394569
| 0062394568
| 3.77
| 381
| Feb 02, 2016
| Jan 19, 2016
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it was amazing
| Dear Murph, Dear Murph,In the beginning was the word. If so, what signals the end? Is the end silence? Another, different word? A not word? And once you go, wordy or silent, what remains? Have I told you about this? A life examined, a life remembered, a life imagined, a life still lived, a rich life, a passionate life, a life experienced to the fullest, with all the joys and miseries, gains and losses that entails, a good life, a long life, a life filled with poetry, a life of the mind and the body, an interesting life, a life story that is heading into the final chapters, a life shared with others, a life you will want to share. A writer and a mystery man walk into a bar. The man, Jack, tells the writer he is dying, but cannot bear to tell his wife, says he does not know how, figures that if anyone could do it, it would be a famous poet. After putting him off, Thomas, a writer of some renown, agrees to do the deed, agrees to meet the wife, thus opening another chapter in his life. While that will indeed be another chapter in a life, there are no chapters in this book. Thomas Murphy is made up of many small currents in a stream of consciousness. Recollections, observations, musings, inventions, tall tales, short tales, dreams, things that are and things that are not. (I counted 134, but I could be off by a few) We are regaled by the Thomas Murphy of the title, Murph, to most, who began on the Aran Island of Inishmaan, a bustling metropolis of about 160 souls, not counting livestock, imaginary beings, or dead ancestors, a place he visits in both his memory and imagination. As did many of his heritage, Murph emigrated to New York City, where he plied his trade as a writer for nearly half a century. He is a charming sort, someone who might have his own personal chip of Blarney Stone available for regular smooching. But his charm is nothing to his neurologist. [image] Roger Rosenblatt - from the Easthampton Star Rosenblatt knows a bit about the Auld Sod I know I don’t look it, but I’m Irish. I lived in Ireland for a while, my first child was conceived in Ireland, I speak a little Irish, I went back last year, I’ve been back a few times, there’s something in me — I don’t know, maybe the milkman was Irish — that grabs and embraces that country. Add that to the fact that my great, dear friend McCourt, he was a great guy. And he and I talked together in the department where I teach now, and we drank together and sang together — if you think I’m good, and boy am I good, you should’ve heard McCourt — we used to sing all night. I don’t know why this stirred in me before, but I wanted to write a satirical model, and I tried twice. And I started channeling McCourt. I could hear his voice in the dialogue. - from the Chautauquan interviewMurph has been losing his grip a bit of late. Leaving the eggs boiling long enough to start a fire in his kitchen; trying to open the wrong doors in his Upper West Side apartment building; walking into a friend’s pool, while fully clothed, having the odd hallucination. He keeps putting off return visits, fearful he will be declared mortal, and flawed, with the corresponding threats to his freedom that such a judgment entails. And that freedom means a lot to him. It means time with his four-year-old grandson William, time with the friends who remain, time to teach a class on poetry to the homeless, time to hoist a pint at a local watering hole, time to talk to each of the objects in his apartment, as a way of connecting, or maybe saying goodbye, to the love of his life, his late wife, Oona, gone a year. He grieves as well for the death of his closest pal, Greenberg. Thomas Murphy is a meandering tale, a collection of observations, recollections, musings. If you could capture the image of an entire life in a mirror, then accidentally (on purpose) drop the thing on the floor (of a favorite watering hole, perhaps) the life would still be there, but in diverse bits. That’s Thomas Murphy. Look at this bit, then that. It is not totally random of course. The chronological threads are Murph being informed that he is facing some meaningful personal brain drain and coping with that, or not, and also his relationship with a much younger woman. What is death? If your mind goes, do you leave along with it? What is life? Is a life disconnected from one’s mind a life at all? What is a poet who has no words? There is so much here on connection to people, history, to memory, and to the beauty that surrounds us, sometimes in surprising places. You will laugh out loud, and may wet a tissue or two. But you will not be unmoved. I was particularly touched by the scenes of Murph with his grandson William. They are fueled, no doubt, by Rosenblatt’s real-life experiences, as detailed in his memoir, Making Toast. In that book, he writes of having lost his 30-something daughter to a heart condition and moving in with his son-in-law and grandchildren in order to help out. The man knows a thing or two about being a grandfather and it permeates this book. It is the wit and intelligence of Murph’s thought process and the deep feeling that travels alongside that make this a work of grandeur, a thing of beauty. Not only facing one’s inevitable demise, but offering ongoing thought and a poet’s view on the human condition, Thomas Murphy is a book of immense power, emotion, humanity, and transcendent joy. Don’t walk, don’t even run to your nearest bookstore (well, those of you who, like me, remain minimally afflicted by e-books). Call a cab. Steal a car. Go! Now! (well, you might wait until the 19th, if you are reading this before then) There is no doubt about it. Thomas Murphy is a masterpiece, and should not be missed. Review posted – 1/15/16 Publication date - 1/19/2016 [image] [image] [image] [image] [image] [image] =============================EXTRA STUFF A wiki on the author An interview with Rosenblatt from The Chautauquan Daily Those not of the place are likeliest to have heard of the Aran Islands from the 1934 ethnofictional documentary, Man of Aran September 2018 - NY Times - Andrew McCarthy on a recent visit to the land of Synge - Ireland’s Aran Islands, Hiding in Plain Sight - on the islands as a place lost in time [image] On the road to Synge’s Chair, on Inishmaan, one of Ireland’s Aran Islands, which, as they did when the playwright J.M. Synge, can seem like places frozen in time. - Credit - Andy Haslam for The New York Times - from above article Yes, the Upper West Side building where Murph resides, The Belnord, is indeed a real place. Wiki on John Millington Synge an Irish writer of some note that Murph references from time to time ...more |
Notes are private!
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Dec 16, 2015
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Dec 22, 2015
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Dec 18, 2015
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Hardcover
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my rating |
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3.62
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it was amazing
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Mar 03, 2022
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Mar 09, 2022
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3.82
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it was amazing
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Sep 05, 2020
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Sep 05, 2020
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3.97
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it was amazing
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Aug 11, 2020
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Aug 10, 2020
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4.04
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it was amazing
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May 24, 2020
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May 10, 2020
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3.78
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really liked it
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Apr 15, 2020
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Apr 29, 2020
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4.15
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really liked it
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Apr 06, 2020
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Apr 06, 2020
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3.97
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it was amazing
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Dec 16, 2019
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Dec 09, 2019
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3.62
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really liked it
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Sep 30, 2019
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Sep 28, 2019
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3.73
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really liked it
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Sep 30, 2019
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Sep 28, 2019
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3.30
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really liked it
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May 07, 2019
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May 07, 2019
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3.66
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it was amazing
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Jul 08, 2018
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Jul 08, 2018
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4.11
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it was amazing
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Feb 22, 2017
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Feb 22, 2017
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4.30
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liked it
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Jan 15, 2017
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Jan 15, 2017
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3.85
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it was amazing
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Jan 04, 2017
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Jan 04, 2017
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3.48
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really liked it
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Apr 14, 1999
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Nov 24, 2016
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4.44
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it was amazing
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Nov 02, 2016
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Nov 03, 2016
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4.15
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really liked it
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Sep 11, 2016
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Sep 05, 2016
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3.87
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it was amazing
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Jun 07, 2016
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Jun 05, 2016
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3.65
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really liked it
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Feb 15, 2016
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Feb 15, 2016
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3.77
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it was amazing
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Dec 22, 2015
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Dec 18, 2015
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