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20
| 0399184511
| 9780399184512
| 0399184511
| 3.89
| 121,495
| Oct 11, 2016
| Oct 11, 2016
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it was amazing
| A girl nowadays has to get nice and close to tell if her man ain’t shit and by then it might be too late. We were girls once. It’s exciting, lovin A girl nowadays has to get nice and close to tell if her man ain’t shit and by then it might be too late. We were girls once. It’s exciting, loving someone who can never love you back. Freeing, in its own way. No shame in loving an aint-shit man, long as you get it out of your system good and early. A tragic woman hooks into an aint-shit man, or worse, lets him hook into her. He will drag her until he tires. He will climb atop her shoulders and her body will sag from the weight of loving him.It does not matter where you are planted. How can you grow straight and strong if some of your deepest roots have been ripped out? If the cords that nurture are cut before completing their mission? The Mothers is a story of absence, a tale based on what is not there, and secrets about what is. Nadia Turner is a pretty seventeen-year-old, living in Oceanside, California with her father. For reasons that are never made entirely clear, her mother killed herself. Dad turned inward and to their church for solace or distraction. Nadia sought comfort elsewhere, with Luke Shepherd, the pastor’s handsome son, which led to her becoming pregnant. [image] Brit Bennett - from her site Oceanside has a small town feel, made even more so by the Greek chorus narrators, the elder mothers of Upper Room, the church that Nadia and her father attend. Most chapters begin with “the mothers” offering observations based on their long experience. The book opens with one of the best of these: All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn’t. We shared this sour secret, a secret that began the Spring Nadia Turner got knocked up…The mothers feel somewhat spectral, but some of them get involved in very material ways throughout the story. Bennett’s book was conceived from some of her adolescent concerns: In a lot of ways, I was writing in the direction of my fears. When I was younger, one of the worst things I could have done was to get pregnant. Another thing that really scared me was the idea of losing my mother - from the Vogue interviewThe core plot structure is a romantic triangle. Nadia is smitten with Luke, although he shows himself to be something less than a beacon of light. She becomes close friends with another young woman who is also working at the church. Aubrey is the darling of the pastor’s wife, a devoted Christian who wears a chastity ring. She has had a rough go of it, though, living with an older half-sister, as the latest in her mother’s seemingly endless string of loser boyfriends has made life at home intolerable. As college-bound Nadia moves on and up, Aubrey and Luke become involved. But there is still a spark between Nadia and Luke, and things get complicated. Secrets abound. Why did Elise Turner kill herself? Nadia’s abortion is known to a few, but is kept hidden from most, for diverse reasons. Affairs must, by their nature, take place out of sight. Aubrey keeps some pretty serious secrets of her own. Sometimes, when secrets are revealed, the results are extreme. And I thought the book was going to take place just in one summer. But then as I got older, I realized something obvious—that the coming-of-age process doesn’t happen so neatly. The book, I think, is about this central question of how girls grow into women when the female figures who are supposed to usher you into womanhood aren’t there. - from the Vogue interviewAbsence is profound. When Nadia’s mother killed herself she took a huge piece of her daughter with her. Coping with that deep loss is core to Nadia’s personality and struggles. Compounding the loss of her mother, Nadia’s father retreats into himself, becoming the most minimal sort of father. Aubrey also suffers from the loss of her mother. Although she is alive, Mom remains an absentee part of her life. Both Nadia and Luke contend with feelings about the abortion over the years, wondering what their lives might have become if they had raised a baby. While much of the what-iffing centers on the abortion, other people’s forked roads are considered as well. What if they had done this instead of that? Made that choice instead of the one they made. What might their lives look like? What might Nadia’s life have looked like if her mother had lived? What might her mother’s life had been if she had chosen to live it? Community clearly figures large here, both in a positive and a negative way. This is communicated through the church, where people can be wonderfully supportive, but also spiteful and malicious. The mothers of the title refers not just to the church elders, but to Nadia and later Aubrey, and to their mothers as well. And Luke’s mother (a mama grizzly if there ever was one) too, for that matter. The book had a multi-year gestation. I grew up with this book. I started writing it when I was about 17 or 18, so either in college or about to go to college—and then started working on it more seriously in college and then grad school. So when I started writing The Mothers, I was the same age the characters were. I grew up as the characters stayed the same. - from the Jezebel interviewThere is a richness of language to this book that is surprising given the tender age of the author. Yet, there is such an ear for sound and rhythm, the cadence of language, and the beauty. Many times I imagined the dialogue being spoken on a stage, and wondered if parts were born there. Bennett has a story-teller’s ability to pull readers in, as if by a campfire on a warm evening. “Gather round, come on now, in closer. That’s right. Settle. Everyone comfy? Ok? I’ve got a story here I think you’ll want to hear.” And then she begins, “We didn’t believe when we first heard, because you know how church folk can gossip…” All eyes fix on her, and thought of all else floats up into the night, competing for air space with fireflies, mosquitoes, and wafting smoke from the blaze. Bennett’s voice swaddles us in the sound of story, in her portraits of people, and we fly with her through her realm. It is a journey worth making. Published - October 11, 2016 Review posted - February 17, 2017 =============================EXTRA STUFF Links to the author’s personal, Twitter, FB and Instagram pages I came by this book in an unusual way. I was contacted by Quarterly re their Literary Box. Each quarter they feature a new author, who curates the box contents. This would be a primary book, annotated by the author/curator. There were about (I say “about” because I have a tendency to lose things, so the number may be a touch higher) eighteen 3”x3” post-it notes in the book intended to appear to be in the author’s hand, offering bits of background on diverse elements of the novel. I was reminded of pop-up videos. This was wonderful. I wish all books had such additions. The author selects two other books to be included in the box and there is a bit of non-book extra as well. In this case a mug and some tea. Despite it being February when this review was posted, this box was sent to subscribers for October 2016. I received mine in mid-January 2017. Overall, the wonderfulness of the primary book aside, I thought this was a delightful package. If you want to check out their past literary boxes, adult and YA, or other stuff, you might try here. And no, no one asked me to make nice. Interviews -----Vogue – 9/21/16 – Brit Bennett on Her Buzzed-About Debut Novel, The Mothers - by Megan O’Grady -----Jezebel – 4/14/16 – An Interview With Brit Bennett About 'Good White People' and Her Debut Novel The Mothers - by Jia Tolentino Odetta singing Sometimes I Feel Like a Motherless Child ...more |
Notes are private!
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Jan 27, 2017
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| 0670785970
| 9780670785971
| 0670785970
| 3.76
| 23,589
| Jun 21, 2016
| Jan 01, 2016
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it was amazing
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“All history is the history of class struggle.” Sound familiar? It should. Well, the actual quote, from Karl Marx and Frederick Engels’ Communist Mani
“All history is the history of class struggle.” Sound familiar? It should. Well, the actual quote, from Karl Marx and Frederick Engels’ Communist Manifesto, is “The history of all hitherto existing society is the history of class struggles.” Doesn’t have quite the same ring, but it gets the job done, however transmogrified it might have been in popular recollection and various translations. And it may or not be the case. Certainly in America one is considered suspect for subscribing to the notion, usually by folks who are better off. But whether class is the be-all and end-all of historical analysis, it would be difficult, and dishonest, to contend that it does not hold, at the very least, a very significant role in human history. It is the history of class in America, and the myths that accompany it, to which Nancy Isenberg has applied her considerable labor and intelligence. She begins at the beginning, the 1500s. Richard Hakluyt a well-known 16th century writer, promoted development of the New World to the English leaders of the time. … what Hakluyt foresaw in a colonized America was one giant workhouse. This cannot be emphasized enough. As the “waste firm of America" was settled, it would become a place where the surplus poor, the waste people of England, could be converted into economic assets. The land and the poor could be harvested together, to add to—rather than continue to subtract from—the nation’s wealth. Among the first waves of workers were the convicts, who would be employed at heavy labor, felling trees and burning them for pitch, tar and soap ash; others would dig in the mines for gold, silver, iron, and copper. The convicts were not paid wages. As debt slaves, they were obliged to repay the English commonwealth for their crimes by producing commodities for export. In return they would be kept from a life of crime, avoiding, in Hakluyt’s words, being “miserably hanged,” or packed into prisons to “pitifully pine away” and die.Large numbers of the earliest Europeans to inhabit these shores were not so much the vaunted seekers after freedom of one sort or another that highlight our usual imagery. They were in fact the social detritus that England was looking to offload. Along with the poor, the criminal, and the unconnected, our mother country dropped off their toxic class system. Even in promotion of the New World in the earliest times, it was portrayed as a place where England could throw out the garbage, or at least put society’s waste people to some use during their brief time above the ground. [image] Nancy Isenberg - from PRS Speakers.com In an addled vision (and altered history) of America, many thought that, for various reasons, the New World was or would be the place where class came to die. You’re kidding me, right? It never was. It is not now, and it never will be. What we have now is less of a class struggle, which implies two opponents, and more of a class massacre. For example, the Republicans propose an ACA replacement that absolutely has to include an extra tax break for CEOs earning more than $500K, while effectively denying coverage to millions and raising costs catastrophically for millions more? Clearly those who have, well those who are of a Republican (Koch-brother-backed) frame of mind and have, seem to think that those of us who do not have shouldn’t. But it has almost always been thus. Isenberg traces the history of class in America, with a specific look at the lower echelons of white America. Slavery, of one sort and another, is never far from the history she describes, but she is not writing about slavery, per se. She traces the persistence and character of class in America, from its English (and presumably Dutch) roots, up to modern times. She looks at the structures that have enforced a lower level of existence on so many in diverse parts of the nation, with particular attention to the English ideal of connection to (meaning ownership of) land, as a core defining measure of one’s civic virtue. Only those with land were considered worthy of voting. Even after the American Revolution, the old ways persisted: During the colonial period, the right to vote for the lower house of colonial legislatures had been defined in traditional British terms: Only people who had freehold landed property sufficient to ensure that they were personally independent and had a vested interest in the welfare of their communities could vote. - from The Right to Vote and the Rise of Democracy, 1787–1828 by Donald RatcliffeI am nobody’s idea of a history nerd, but I have read a fair bit over the last fifty years or so, and am no virgin at looking at class structures. Yet, I found this book filled with stunning revelations. In particular, the views of some of our foundering fathers are particularly unkind when it comes to working class people. Franklin and Jefferson both believed that the availability of vast swaths of new land would provide all that was needed for the new breed of Americans that was emerging, a safety valve on the social and economic pressures of rising population and limited resources. It did not work out quite as hoped, as the wealthy moved west as well, sucking up most of the good land, and bringing along the means to develop the land, slaves and tools, that less favored pioneers lacked. Franklin was boldly in favor of class distinction: Franklin understood that maintaining class differences had its own appeal. In the Pennsylvania Gazette, the newspaper he edited, an article was published in 1741 that exposed why people preferred having a class hierarchy to having none. Hierarchy was easily maintained when the majority felt there was someone below them. “How many,” the author asked, “even of the better sort,” would choose to be “Slaves to those above them, provided they might exercise an arbitrary and Tyrannical Rule over all below them?” There was something desirable, perhaps even pleasurable, to use Franklin’s utilitarian axiom, in the feeling of lording over subordinate classes.The notion of breeding is paramount in how class has been viewed over time. It makes it so much easier, I suppose, for the haves to justify their position if they can persuade themselves that those who have not suffer because that is their genetic destiny. Fantasy does become reality often enough as the poor, who often have to struggle just to get fed, watch their children’s development be stunted by malnutrition, some going so far as to eating clay just to feel full, and by a lack of access to good medical care. Some particularly awful examples are noted. Forced sterilization was very much an approach favored by some to keep those they disparaged from reproducing. We are introduced to a wealth of class slurs from the pages of our past, many of them news to me. Here are a few: Waste people, Clay-eaters, Mudsills, Briar hoppers, sandhillers, lubbers, tackies, scalawags, low-downers, hoe wielders, offscourings, bog-trotters, swamp people. And the more familiar: degenerates, crackers, squatters, rednecks, hillbillies, and trailer trash. And for what it’s worth, some whites were even treated to the n-word. Isenberg takes us from the teenaged indentured servants of our deep past, when voting with your feet meant running away from an intolerable, and often illegally never-ending indenture, to Honey Boo Boo and Duck Dynasty, from the reality of class exploitation over the centuries to viewing people (not limited to the poor) as cattle, and looking to breed desired traits. From how the poor, particularly lower class whites, were viewed in the 16th century to how they are portrayed in popular media today. She looks at how some have seized on a sort of hillbilly chic to further their own ends. Isenberg looks at experiments like Oglethorpe’s in Georgia, in which slavery was banned, and how his predictions of what would happen were slavery to be allowed came to pass. Sometimes Isenberg’s analysis goes a bit too far. A prison official said it all: “One dies, get another.” Poor whites were inexpensive and expendable and found their lot comparable to suffering African Americans when it came to the justice system. Nothing proves the point better than the fact that both black and white convicts were referred to as "niggers."The prison systems in America have never treated people decently, but I would find the claim of equal abuse more persuasive were some research offered to back the claim. She also refers to the TV show The Honeymooners as a satire about the working class. It was nothing of the sort. What it was was a situation comedy that portrayed working class life, during a time when the norm was to show an idealized suburban Ozzie and Harriet world. It was not satirizing working class people, but bringing them to viewers’ consciousness. I would have liked a strong, overt connection to have been made between the mean-spirited right of today. (Why are these people so bloody cold-hearted towards the poor?) and the extant views of the poor from history. There is DNA to be traced there, even if it is mostly the history of excuse-making for hating on those lower down on the ladder. Overall, I found White Trash wonderfully, if depressingly informative. Any who are foolish enough to see America as a class-free place would do well to check this book out. Class is as real today as it has ever been, and merits our attention as an ever growing number of people are being pushed by automation, globalization, and seizure of more and more of the nation’s wealth by the wealthy, into the lower rungs of class distinction. Any who are interested in American history, in how we got from there to here, are in for a real treat. But whether or not you have a particular interest in American history or class, particularly my fellow and sister Americans, I would urge you to give White Trash a look. The myth of equality of opportunity in America has never been clearer. You have nothing to lose but the chains of ignorance. Publication date – June 21, 2016 Review posted – March 10, 2017 =============================EXTRA STUFF Links to the author’s personal, and Twitter pages More items by Isenberg -----NY Daily News opinion piece - Donald Trump’s perverse class war -November 2, 2016 -----Salon - American history: Fake news that never goes away — and empowered the Trumpian insurrection - “Fake history is fake news, only more widely believed.” Interviews -----The Baffler - Born and Bred - Q & A with Nancy Isenberg - by Emily Carroll - November 07, 2016 Audio -----On the Media ’White Trash’ and Class in America by Brooke Gladstone -----WNYC – How America's Landless Poor Defined Politics for Generations - by Leonard Lopate -----The Takeaway – The Angry Ghost of America's Unresolved Class Warfare - 8:59 Video -----PBS News Hour - The origin of ‘white trash,’ & why class is still an issue - by Jeffrey Brown Other -----February 3, 2018 - NY Times - Who’s Able-Bodied Anyway? by Emily Badger and Margot Sanger-Katz - a familiar extra-legal method for keeping people from getting needed benefits, reveling in a notion of some people as being undeserving of public aid ...more |
Notes are private!
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Jan 10, 2017
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Jan 27, 2017
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22
| 0385542364
| 9780385542364
| 0385542364
| 4.06
| 407,350
| Aug 02, 2016
| Aug 02, 2016
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it was amazing
| What a world, Cora thought, that makes a living prison into your only haven. Was she out of bondage or in its web: how to describe the status of a ru What a world, Cora thought, that makes a living prison into your only haven. Was she out of bondage or in its web: how to describe the status of a runaway? Freedom was a thing that shifted as you looked at it, the way a forest is dense with trees up close, but from outside, from the empty meadow, you see its true limits. Being free had nothing to do with chains or how much space you had. On the plantation she was not free, but she moved unrestricted on its acres, tasting the air and tracing the summer stars. The place was big in its smallness. Here, she was free of her master but slunk around a warren so tiny she couldn’t stand. - Colson Whitehead People get ready, there’s a train a-coming - Curtis MayfieldIn Colson Whitehead’s Pulitzer Prize winning novel, Underground Railroad, he takes a figurative term and gives it a literal application. This Underground Railroad posits a literal brick, steel, and steam system that transports fleeing slaves from southern captivity to what is hoped to be a form of freedom. This RR has actual station agents and train conductors. Most importantly, it has passengers. [image] Image from Whitehead’s Twitter feed Our guide through this underworld is Cora, 17 when we meet her, a slave on the Randalls’ property, in Georgia. Encouraged to flee with him by fellow slave, Caesar, she demurs, fearing failure and dire circumstances. But when her situation at the property becomes too damaging to endure, she signs on. Throughout the tale, we get bits of backstory. We learn of Cora’s mother, a slave who had fled when Cora was 11, never to be seen or heard from again. We learn some details of slave life. That brutality was a central feature will come as no surprise to anyone, but some of the specifics of such an existence will be news to many of us. The book had a particularly long gestation. I had the idea for the book about 16 years ago, recalling how when I was a kid, I thought the Underground Railroad was a literal railroad and when I found out it wasn’t, I was disappointed. So I thought it was a cool idea, and then I thought, “Well, what if it actually was a real railroad? That seems like a cool premise for a book.” But I had just finished up a research-heavy project and wasn’t up for that kind of ordeal again, and I didn’t feel mature enough or up to the task. But every couple of years, when I was between books, I would pull out my notes and ask myself if I was ready. And inevitably I would realize that I wasn’t really up for it. It wasn’t until about two years ago that I really committed to the idea. - from the Bookpage interviewThere is much here that hearkens back to literary classics. Cora might certainly feel a kinship with Jean Valjean of Les Miserables, escaping a wretched life, but pursued by a relentless, Javert-like slave catcher, Arnold Ridgeway. Ridgeway had been enraged for years that he’d failed to find and bring back Cora’s mother, Mabel, who had fled six years earlier. One might also think of stories like Gulliver’s Travels, in which each stop along the journey points out another form of madness. [image] Colson Whitehead - image from the NY Times The route takes Cora from Georgia to what seems a relatively benign South Carolina, then on to North Carolina for some new forms of horror, and finally on to Indiana, which offers its own forms of misery. Whitehead is not shy about part of his plan. I thought, why not write a book that really scares you? Whitehead was more interested in communicating the internal rather than external historical reality. The first chapter in Georgia I tried to make realistic and stick to the historical record, and then after that, I wanted to stick to the truth of the black experience but not necessarily the facts. As we go to South Carolina and Indiana and the different states that Cora goes to, I am playing with history and time, moving things up to talk about the Holocaust, the Tuskegee syphilis experiment, and the eugenics movement. So in some sense, it’s not really a historical novel at all because I’m moving things around. - from the Bookpage interviewWhitehead peppers Cora’s story with bizarre events, like regular public lynchings in one town, an early and bitingly grim version of public entertainment, reminiscent of feeding Christians to lions for the delight of the townspeople. A living history museum in which Cora plays the part of slaves through history in diverse tableaux makes your spidey senses wonder what might result. [image] Thuso Mbed as Cora in the film - image from IMDB Whitehead took his inspiration from diverse sources. Cora spend a protracted time in an attic, terrified of being discovered, and with good reason, as public lynchings are regularly held right across the street in a public park. The inspiration for that was Harriet Jacobs’ autobiography, Incidents in the Life of a Slave Girl, in which Harriet hid for years in a crawl space, terrified of being captured. Primarily I read slave narratives. There are a few histories of the Underground Railroad; one of the first ones I read, which proved the most useful was Bound for Canaan by Fergus Bordewich. That gave me an overview of the railroad, but the main thing was just reading the words of former slaves themselves. - from the Bookpage interviewIt would be a challenge to remain unmoved by Cora’s journey, and impossible to come away from reading this book without learning some things about the slave experience and the conditions that people treated as property endured. One may take issue with decisions made by this or that person in the story, but it is worth suspending a bit of disbelief to appreciate the journey on which Whitehead leads us. No one will force you to read The Underground Railroad, but choosing to do so would be an excellent expression of your freedom. Review first posted – June 20, 2017 Publication date – August 2, 2016 The mini-series was released on Prime in May 2021 =============================EXTRA STUFF Links to the author’s personal and Twitter pages August 2, 2016 – NY Times - Colson Whitehead on Slavery, Success and Writing the Novel That Really Scared Him - by Jennifer Schuessler INTERVIEWS -----Oprah’s interview with CW requires tolerating it having been broken down into very small chunks, each with a 15 second ad that repeats for each section, which is scream-inducing ----- Oprah, American history and the power of a female protagonist - Bookpage.com – by Stephanie Harrison SONGS -----Follow the Drinking Gourd -----Go Down Moses -----The Gospel Train ----- People Get Ready -----Swing Low, Sweet Chariot -----Wade in the Water ...more |
Notes are private!
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| 110194661X
| 9781101946619
| 110194661X
| 4.08
| 77,014
| Aug 30, 2016
| Aug 30, 2016
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it was amazing
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Picking out a quote to open a review of The Nix is no small undertaking. There are so many from which to choose. So I am just tossing this small selec
Picking out a quote to open a review of The Nix is no small undertaking. There are so many from which to choose. So I am just tossing this small selection out there up front. Feel free to choose your own opening quote. ”…when all you have is the memory of a thing,” she said, “all you can think about is how the thing is gone.”Check, please. Samuel Andreson-Anderson has been bailing on his own life for a long time. A professor at a college in suburban Chicago, he is beset by a clinically narcissistic pathological plagiarist of a student who puts all her considerable talent and energy into bailing on doing her assignments, while seeing that others are left holding the bag for her misdeeds. It would be funnier if we had not elected her spiritual twin to the White House, or maybe that is why it is so darkly funny. Sam is not exactly having a great life, numbing the pain of his failure with endless hours playing an interactive role-playing game, Elfscape, in which his name is, appropriately, Dodger. He had a story published some years back, even got a book deal. The only problem is that he has been unable to produce a book. His publisher wants that hefty advance back, and Sam, needless to say, is a touch light at the moment. Maybe the root of his problem has to do with his mother leaving him and his father when he was nine-years-old, never to be seen again. [image] Nathan Hill - from his site In Chicago, a particularly toxic Wyoming politician by the name of Sheldon Packer, with his entourage and media wake, is heading through Grant Park when a sixty-year-old woman picks up a handful gravel and heaves the lot in his general direction, with the vocal accompaniment, “You Pig.” The press being what the press is, she is instantly labeled The Packer Attacker. Soon identified as having attended a Chicago protest during the 1968 Democratic Convention, she is quickly labeled a terrorist. It is learned, also, that she had been charged with prostitution back then. The judge assigned to her case, it turns out, has a personal vendetta against her. She is Sam’s mother. Check, please. Faye Andreson-Anderson, now a teaching assistant, had given her all to getting the life she wanted. But the thing she most wanted turned out to wield the sharpest blades, and so she fled. No, not Sam and her husband, before that. Bailing on Sam and Henry came later. But of course she had learned her lessons somewhere. Seems that bailing was a bit of a family tradition, and just why was it that her father had always seemed so sad? She remained in people’s good graces by being exactly who they wanted her to be. She aced every test. She won every academic award the school offered. When the teacher assigned a chapter from a book, Faye went ahead and read the whole book. Then read every book written by that author that was available at the town library. There was not a subject at which she did not excel…Everyone said she had a good head on her shoulders…She was always smiling and nodding, always agreeable. It was difficult to dislike her, for there was nothing to dislike—she was accommodating, docile, self-effacing, compliant, easy to get along with. Her outward personality had no hard edges to bump into. Everyone agreed that she was really nice. To her teachers. Faye was the achiever, the quiet genius at the back of the room. They gushed about her at conferences, noting especially her discipline and drive.From the opening epigraph, which recounts the familiar tale of several blind men being asked to evaluate an object, but only being allowed to touch one part of it, and coming up with diverse notions that somehow do not combine to form the elephant they touched, we can expect that the characters in The Nix will have different perspectives on the events about to unfold. And so Nathan Hill shows us the beast, part by part, until the whole gray, wrinkly hide and pachydermy shape becomes a bit clearer. The Nix covers this estranged mother and son, looking at Faye’s 1968 journey, Sam as a kid in 1988, a teacher, obsessive gamer, and failed writer in 2011, with a quick side trip to 2004. Hill ties these together with notable protests, the 1968 Democratic Convention events, or police riot, the 2004 demonstration in New York City against the Republican Convention, and the Occupy Wall Street protest in Zuccotti Park. Hill clearly did a lot of homework for his descriptions of the Chicago events. His tale of that time sings. Much less so for the latter demos, although he does toss in some nice details of both. It is the Chicago one that matters most. The Nix of the title is a tricky beast, in two varieties, a legend Faye’s Norwegian father brought across the ocean with him, along with a penchant for silence, a sour take on life, and a large secret. It is a house spirit, a basement-dwelling, slimmed-down Santa-looking sort that is easily offended. Once you insult this ghost, once you piss off a nisse, it will torment you wherever you go, for the rest of your days. When Faye passes on the nisse legend to Sam, it has become a beautiful white horse, a most desirable thing, that, once achieved will cause your destruction. This is a novel of both ideas and feeling. Sam and Faye are damaged people, carriers of a family curse, seemingly doomed to go through lives rich with both hope and dreams and the crushing disappointment that inevitably follows. For those of us who have not found non-stop success in our lives, it is not hard to relate to folks who have been hurt so deeply by forces beyond their control, and who have made things even worse with their own mis-steps. Sam likes to think of life as a Choose-Your-Own-Adventure book in which it would be really great if you could mark the page where each decision was made, and go back to make a different choice, if the one you made the first time did not work out as hoped. How many of us would pass up a chance at that? Sam, as a teacher, being beset by a clearly dark force in the form of a horror of a student, works well to get us on his side as well. Faye endures a Perils of Pauline sequence, starting with a less than supportive set of parents, who drive her to a place she really does not want to go. While one may take issue with her decisions, and how she goes about them, one can certainly appreciate the pain and stresses that drive her choices. Most of the characters, primary and secondary, guard core secrets that drive their lives. It does make one stop and think about what secrets might drive ours. The ideas piece covers a lot of turf. This is very much a social satire. The media and its manipulation comes in for a particularly searing look, most pointedly where it intersects with politics. Of course it’s getting harder and harder to write satire these days, as events and the surreality of the real keep leap-frogging whatever writers dream up. A 1968 cop who doffs his badge and name tag to whale on protesters without being identifiable seems a lesser version of the current spate of blue on black (and blue on protester) violence. A sociopathic student with political aspirations could hardly seem more ridiculous than the results of the 2016 election. And the ideology-free media whoredom of one of the characters has already been far outshone by Steve Bannon, although it is clear that Bannon is far from ideology-free. A 1960s home ec teacher does for feminism what Donald Trump does for honesty. Hill knows a thing or two about his subject matter. Sam’s gaming certainly sings with the siren song of familiarity. Hill was a young writer taking his shot in New York, and enduring the all-too-familiar writerly experience of finding no takers for his work, well, not enough anyway. Twenty to forty hours a week with World of Warcraft eased or at least distracted him from that pain. He has done some time as a college instructor so can speak to some of the horrors that entails, even if the horror he describes, in what we take to be satire, feels a little too true, certainly behavior that would not be beyond many a contemporary politician. Even his choose-you-own entry has a personal root. Mr. Hill knew from the time he was in elementary school that he wanted to be a writer. In second grade, he wrote a choose-your-own-adventure story about a brave knight trying to rescue a princess from a haunted castle. He titled it “The Castle of No Return” and illustrated it himself. (“The Castle of No Return” still sits in a box somewhere in his parents’ attic, but Mr. Hill sneaked the story into “The Nix,” during a pivotal flashback to Samuel’s childhood.) - from the NY Times profileAnd Hill has worked as a journalist as well, so has good touch-and-feel for that end of things. There is also an aroma of the cynicism and false equivalence that has made a mockery of much of modern journalism, and that detracted from the story. I took the following to indicate more than the cynicism of the character but to indicate the author’s take as well “What’s true? What’s false? In case you haven’t noticed, the world has pretty much given up on the old Enlightenment idea of piecing together the truth based on observed data. Reality is too complicated and scary for that. Instead, it’s way easier to ignore all data that doesn’t fit your preconceptions and believe all data that does. I believe what I believe, and you believe what you believe, and we’ll all agree to disagree. It’s liberal tolerance meets dark ages denialism. It’s very hip right now. “Actually, there is a definite tilt in how the sides of the political spectrum view reality. One side actually cares about facts, about the truth. The other side does not. And I am not talking about the Bernie bros who seem to equate Hillary with the Donald. Within the mainstream of the Democratic Party and what used to be the saner elements of the Republican Party, facts matter. With what has become the dominant strain of the Republican Party, they do not. So, while this element does make my blood boil a bit, the elevated mercury level does not take away from the fact that The Nix is a pretty amazing book. It covers a lot of territory, without losing its human element. It offers intriguing and well-woven themes, relatable characters, thoughtful (if sometimes questionable) social analysis, a fair bit of grim humor and that satisfying feeling, once one has read its 620 pages (trimmed down from over a thousand), that you have read a major work. If you haven’t read this one yet, you should. And I am outta here. Check, please. Review 1st Posted – December 9, 2016 Publication Date – August 30, 2016 =============================EXTRA STUFF Links to the author’s personal, Twitter and FB pages Essay by Hill for Powell’s on playing Dungeons and Dragons. Profile of Hill in the NY Times – August 27, 2016 He pilfered so much from his own life that he had to reassure his mother that Faye was not based on her. “I had to warn my mom, ‘Some of this is going to sound very familiar to you,’” he said.Interviews -----Print - In conversation with John Irving - this one is a cornucopia of insight into the novel. Must read if you want to dig into this book. For example: I was also writing this during our great recession, which was in part caused by the things we thought were so safe they were eventually risk-free. Things like mortgage-backed securities, AAA-rated sovereign debt. The retirement that you’ve been working all your life for suddenly gone in a flash. And so one of the things I was thinking about was that kind of economic anxiety that was happening in the country while I was composing the novel and it seemed to be that, yeah, the reason why the financial crisis was a crisis was because we believed that things were so safe as to be risk-free. We thought they were too good to be true, so the housing market could never fail, you know, and so I guess that helped me connect the personal stories with the political, it helped me see what’s happened between this mother and this son is happening writ large in the rest of the country.-----Video - PBS interview - 11:20 -----Audio - Minnestoa Public Radio ----------BookTalk January 27, 2017 - I know, I know, say it ain't so, but here we are offering a link to a George Will column, one that speaks to the stress Samuel encounters in attempting to apply academic standards to his toxic student. We take our common ground where we find it. - Trump and academia actually have a lot in common. ...more |
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Nov 25, 2016
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| 0316308102
| 9780316308106
| 0316308102
| 3.83
| 15,594
| Sep 06, 2016
| Sep 06, 2016
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it was amazing
| We don’t always know ourselves, who we can become, what we may do, after evil has done what it likes with us.Coming of age is tough enough, but t We don’t always know ourselves, who we can become, what we may do, after evil has done what it likes with us.Coming of age is tough enough, but toss in a World War, a forced relocation to one of the most infamous vortices of evil the world has ever known, and, for good measure, add in being in the hands of one of the most truly black-souled human beings to have ever fouled the surface of the earth. But perhaps the light we cannot see is the one that illuminates the soul. We meet Stasha and Pearl Zamorski in vitro. We were made, once. My twin, Pearl, and me. Or, to be precise, Pearl was formed and I split from her. She embossed herself on the womb; I copied her signature. For eight months we were afloat in amniotic snowfall, two rosy mittens resting on the lining of our mother. I couldn’t imagine anything grander than the womb we shared, but after the scaffolds of our brains were ivoried and our spleens were complete, Pearl wanted to see the world beyond us. And so, with newborn pluck, she spat herself out of our mother.Had they known what lay in store they might have resisted coming out at all. Two pages and twelve years later the girls, along with their mother and grandfather (Zayde) are being dropped off at Auschwitz-Birkenau. Among the greeters is one Josef Mengele, scanning the latest recruits for suitable fodder for his dark experiments. The Angel of Death had his own section at Auschwitz, The Zoo, where those selected were kept apart from the rest of the death-camp population, allowed privileges, more physical freedom, the ability to keep their own clothing, and greater food rations. But the screams from the doctor’s infirmary broadcast the cost. Twins were in high demand at The Zoo, as were others considered genetically different, albinos, small people, those with mismatched eye colors, anyone with genetic deformities. During a musical performance at The Zoo, Pearl is taken away. Stasha is torn in half by the loss of her sister, but clings to hope that she will be returned. It is this hope that keeps Stasha from collapsing under the accumulating burdens of evil. The primary dark force here is personified by Mengele. Not only does he perform bizarre experiments on his charges, but presents a pleasant demeanor to them in order to gain their trust, or at least acceptance. He even has them call him Uncle. The experimentation is mostly off stage, and we are spared some of the darkest of his deeds. You can look those up, if you are so inclined, using the links in EXTRA STUFF. But it is bad enough. There is plenty of garden-variety brutality and cruelty. [image] Affinity Konar - from Publishers Weekly Despite the severe darkness of the atmosphere, there are rays of sunshine. Konar offers a collection of joined-in-peril misfits that might make one think of Geek Love or Miss Peregrine's Home for Peculiar Children. They are a wonderfully drawn ensemble, engaging and well-defined without being trite. There is a nice mix of adults as well. Some are from Evil-Nazi central casting, but Doctor Miri, who works with Mengele, comes in for some pretty wonderful, well-rounded attention. There are benign spirits as well, who sometimes seem bereft of dark corners. One of the successes of the book is that the story remains focused on the twins and their journeys, and Mengele does not hog the spotlight, which must have been a real challenge for the author. The simple beauty of the writing, the location of much of the horrific events off screen, plus the focus on the kids, gives Mischling a Y/A feel. But if this is Y/A, so were All the Light You Cannot See and The Book Thief. And who cares, anyway? A wonderful book is a wonderful book. [image] Josef Mengele- from wikimedia Mischling is split into two parts. Part 1 covers their time in Auschwitz. Part 2 looks at events that take place after the Soviet Union liberates the camp. It is one of many splits in the book. Narration alternates between Stasha and Pearl. In the beginning the twins agree on how to share the burden of coping with the world. Everyone survived by planning. I could see that. I realized that Stasha and I would have to divide the responsibilities of living between us. Such divisions had always come naturally to us, and so there, in the early-morning dark, we divvied up the necessities: Stasha would take the funny, the future, the bad. I would take the sad, the past, the good.Stasha is more of a dreamer, but seeks satisfaction in revenge. Pearl seeks solace in forgiveness. Konar, who has Polish Jewish roots, has done her research. Her picture of The Zoo appears very much in line with the reality of Mengele’s extended lab. The things the girls experience, or learn about, were things that actually happened. Some of the names are even the same as those of the real people on whom they were based. This is Konar’s second novel. Her first, The illustrated Version of Things, released in 2009, also tells of the centrality of family and trying to find and sustain connections in a hostile world. The word mischling was used by the Nazis to define people whose blood was a mixture of Jewish and Aryan. As used by Hitlerians, it denoted not only different, but inferior. Potter fans will recognize the use of “mud-blood” as deriving from this notion. I have few gripes about Mischling. The bookend zoo scenarios seemed forced, as if, having presented the Auschwitz zoo in the front end, an actual zoo was needed at the back end. That felt very workshop-y. I thought a bit more of the horrors of the time might have been on-screen instead of off. But these are really more quibbles than gripes. Mischling is an incredibly moving tale of the struggle of the human spirit against an apocalyptic wind. It illuminates the power of human connection, of love, if not to overcome adversity, to at least give one the strength to survive it. Mischling offers characters that will touch you deeply. Tears were invented so you could read this book properly. Konar’s writing is both simple and lyrical, descriptive and intensely moving, Mischling is a stunning mixture, of power and beauty, and is not to be missed. Review posted – 9/2/2016 Publication date – 9/6/2016 =============================EXTRA STUFF The author's personal and GR pages, and her book’s page at Little, Brown On Auschwitz -----Wikipedia -----About.com Interviews -----Quarks Daily -----Publishers Weekly Videos -----Konar reads from the book -----A Brief Chat With Affinity Konar - with Lee Boudreaux -----Affinity Konar Q&A about MISCHLING November 23, 2016 - Mischling is named to the NY Times list of 100 Notable Books of 2016 ...more |
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| 3.83
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it was amazing
| ...the newcomers did not care to understand the strange new country beyond taking whatever turned a profit. They knew only what they knew. The fore ...the newcomers did not care to understand the strange new country beyond taking whatever turned a profit. They knew only what they knew. The forest was there for them.Barkskins is Pulitzer Prize winner Annie Proulx’s (the author of Brokeback Mountain and Pulitzer winner for The Shipping News) magnum opus, a wide ranging historical novel in which the central character is the land itself, more particularly the primeval forested land of (primarily) North America. Proulx plants a pod with two seeds, the arrival in New France of René Sel and Charles Duquet in 1693. They are contracted to remain with a local seigneur, in essence a feudal lord, for a limited number of years. Duquet flees the seigneur’s cruelty, and uses his considerable native intelligence, strength, guile, and ruthlessness to become a fur trader and much more. Sel suffers greatly at the hands of the lord, even being forced to marry a native woman. From these roots, there grows an overview of more than three hundred years of history, as the Sel (towards the Native American side) and Duquet (to a logging dynasty) lines branch out in numbers and geography, are periodically pruned back by disasters both natural and political, but persist through time, like the trees some of their representatives are often so eager to fell. Proulx takes us all the way up to 2013. For me, the chief character in the long story was the forest, the great now-lost forest(s) of the world. The characters, as interesting as they were to develop, were there to carry the story of how we have cut and destroyed the wooden world. - from The New Yorker interviewIt was not solely the wooden world that was ravaged. The native peoples who lived in and near those woods were cut down no less than the trees that had helped sustain and define them. [image] Annie Proulx - Photo by Wiqan Ang for the Wall Street Journal There are ten parts in the book (not noted by rings) covering diverse durations, from 10 years at the low end to 227 in the final, hurry-up part. Proulx walks us through stages in the denuding of North America’s woodlands, beginning in what is now Canada, then moving east and south to Maine, heading west to take in the Ohio Valley, then up to Michigan and touching briefly on southern and western woodlands. There are forays outside the continent as well, with looks at forestry practices in the Old World of Germany, a look-see at some of the magnificent old giants of New Zealand and a quick trip to take in the unimaginable diversity of the Amazon. She shows us how native peoples were driven off the land, pressured into accepting European ways and interbred, willingly and not, with the eastern invaders. Proulx paints a bleak portrait of what life was like for those unlucky enough to make their living at the bottom of the logging world power structure. Death was a daily visitor, danger a constant companion, and discomfort and worse from wet, cold, fire, disease and buzzing pests offered persistent hardship. One of the lumber barons, a female head of a logging business family, demonstrates how the media was used to manipulate workers. She urged editors to praise the manliness and toughness of shanty men, inculcating axmen with the belief that they could take extreme risks and withstand the most desperate conditions because they were heroic rugged fellows; the same sauce served settlers into the third generation, who believed they were “pioneers” and could outlast perils and adversities. Loggers and frontier settlers, she thought, would live on pride and belief in their own invulnerability instead of money.The European loggers’ approach to their work was not based, at least at first, on pure greed. There was that, of course, but there was also a considerable shortage of actual knowledge. “How big is this forest?” asked Duquet in his whinging treble voice. He was scarcely bigger than a child.While the book is a long-term scan of the despoilation of landscape by the ignorant and avaricious, it is not entirely charcoal and birch. We know a lot more now about the worldwide supply of woodland than it was possible to know then. This is reflected in Proulx’s characters, who consider decisions made in the light of what was known at the time. This changes, as eventually it becomes known that the woodland is not mythically eternal. But she also points out that in certain areas there was indeed knowledge available of less horrific forestry practices used in other parts of the world that was largely ignored by the North American logging industry. Even if everyone knew it was too late, we’d still keep on. There seems to be something in the human psyche that is unable to stop and step back and repair and fix things. It’s not willing to. It’s like we can’t shift easily. There’s just something in people. It’s the fatal flaw in humanity, I think. Once we start doing something, we keep on. - from the Globe and Mail articleThere is much in here about what one might call the American spirit, or more likely the entrepreneurial spirit, as there are plenty of representatives more than willing to undertake daring ventures, risking much and sometimes all in hopes of reaping a reward. But there are several sorts of enterprise on display. When a logging executive, newly arrived from Europe, sees a relative greasing the palm of a state official to ensure access to attractive parcels of forest, he remarks that the man had truly become an American. Strong women play key roles here. I was reminded in one case of Jeanne Anne McCullough from the The Son, another historical of eastern invaders and local devastation. [image] A Maine clearcut From the Forest Ecology Network Proulx offers some beacons of hope (a light in the forest?) in her grim landscape. One European forester brings a notion of sustainability to the lumber business. We are thus exposed to extant theory of the era of how it might be possible to carve out a modus vivendi between humanity and nature. Not that this happens, of course, but the ideas are introduced. There are also sprigs of the family bush that find more interesting ways to think about the land than in terms of potential board feet. One dedicates his life to studying the diversity of the Amazon, another, well, several others, devote themselves to studying the complex interactions and interdependence of ecosystems. And just as some seek to restore a sense of understanding, of sanity, to human interaction with natural resources, others feel the pull of their family, of their cultural roots, and seek those remaining stands of tribal knowledge and life. Proulx tosses into each chapter bits about the time that allow us to place where we are, and what is happening Oh, that first came in there? Cool. And that began there, and then? She accomplishes this quite deftly, so that it does not at all come across as excess exposition. More like easily identifiable road signage that fits in nicely with its surroundings. Changes in fashion and foods mark the times as well. Part of the progression is a look at the step-wise changes in logging technology. The downside of this book is that because it takes in such a long period, it is impossible to give enough time to any of the many wonderful characters that inhabit the space. Of course, had she attended to more of them fully, the book could easily have tripled in length. And there are certainly plenty of characters who will engage your interest and many episodes that will touch your heart, however brief the encounter. Proulx is a master of saying a lot with few words. [image] From the Forest Stewardship Council There is a considerable body count here, as one might expect in a novel covering more than three centuries. Character A is dispatched so we can move on to characters B and C in the next step of social and economic development, or landscape rape, as the case may be. And they are carried off in diverse ways, some that were new to me. One unlucky fellow is tossed overboard during a cold-weather storm and is later found encased in ice. (a corpsesicle?) Infections, fires, starvation, a scalping, More than enough to fill an Edward Gorey couplet book or three (S is for Steve who got stuck in a tree, T is for Tom who was frozen at sea). A cough here or a pain there are likely, within a page or two to turn terminal. Hi, lovely to meet you. Where are you going? Oh nooooo! There is definitely a “They’ve killed Kenny” vibe that pops up with some regularity. I suspect Proulx had a bit of fun figuring out how to off so many of her tale-bearers. Not as much as Tim Dorsey, maybe, but still. Perhaps she uses Annie’s Spin-the-Death wheel. Ok, what are we gonna do to this one? Crushed by floating logs? shot by invaders? a surprise scalping? (could we call that skullduggery?) nifty house fire? forest conflagration? done in by unfriendly natives? infected cut? heart attack? contract assassination? Go ahead, give it a turn. (I think we’re gonna need a bigger wheel.) The list goes on. these things happened to people. ... I mean, if you've got to kill off a character, you might as well do it with a bit of panache. - from the NPR interviewThere are some magical scenes of sylvan idylls as native people traverse remote lands to engage in a traditional hunt. And moments of beauty dapple the tale as those open to the glory of the wild allow the wonder all about them to find its way inside. But beyond that there is nothing enchanted about these woods, although a cleric at a residential school for Indians might bear a strong thematic resemblance to the woodland resident encountered by Hansel and Gretel. People are indeed transformed by their experiences in the forest. But, while it may be a place of opportunity, it is hardly a place of refuge. There are indeed dark scenes in this book that would seem suitable for the woodsy horrorlands of the Grimms. Plenty of two-legged troll-like monsters to go around, more than happy to engage in unspeakable acts of violence and cruelty. Were Tom Bombadil to have been found by the invaders, his home would soon have been burned to the ground, and he would have been lucky to escape with all four limbs, his head on his neck, and his scalp still covering its top. And were any ents to wander in from Middle Earth they would well recognize the sort of holocaust being practiced on their cousins. The enchantment has been driven from these woods, with sharp steel edges and fire. For North American forests after the arrival of Europeans, it is winter all the time and never Christmas. In his seminal look at how human societies have gone to ruin, Collapse, Jared Diamond identifies one of the most important elements in furthering this destruction as national deforestation. While Proulx looks primarily at forests here, she is using them to stand in for a range of short-sighted activities that are ruining our home planet. Reliance on fossil fuels, for example, overpopulation, over-fishing, pollution. That is not in the book, per se, well, not much, but it is pretty clear that this is what her intended larger picture includes. Film rights have been bought by National Geographic and are being developed by Scott Rudin. It seems to me that the best possible cinematic outcome for this work would be as a lengthy series of The Game of Thrones sort. This would allow the story to be told without racing off to the morgue every ten pages or so to clear a path for the next set of characters. There are many wonderful personalities in this book, and a more leisurely look at their experiences would be most welcome, and well supported by the material. Fingers are crossed. Barkskins is a triumph. It cuts a swath through a large historical spanse, offering a brilliant and engaging look at how the traditional rape-and-plunder formula for resource extraction has scarred the landscape, ruined many of its inhabitants, destroyed endemic culture, and contributed to making our planet one that is choking on its own smoke, warming to the boiling point and threatening to extinguish those who have treated it so fecklessly. In folklore the forest may be a place where people are afraid, but today, and for many centuries now it has been clear that it is the forest that must shiver at the sight of man. Many have gone into the woods, but far too few have allowed the woods to go into them. In the Anthropocene we have become the darkness we feared. Published - June 14, 2016 Review First Posted – August 26, 2016 ==========In the summer of 2019 GR reduced the allowable review size by 25%, from 20,000 to 15,000 characters. In order to accommodate the text beyond that I have moved it to the comments section directly below. [image] ...more |
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Aug 07, 2016
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Aug 07, 2016
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| 0062458191
| 9780062458193
| 0062458191
| 3.71
| 13,270
| Jun 28, 2016
| Jun 28, 2016
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really liked it
| …technology entrepreneurs are society’s chaos monkeys, pulling the plug on everything from taxi medallions (Uber) to traditional hotels (AirBnB) to …technology entrepreneurs are society’s chaos monkeys, pulling the plug on everything from taxi medallions (Uber) to traditional hotels (AirBnB) to dating (Tinder). One industry after another is simply knocked out via venture-backed entrepreneurial daring and hastily shipped software. Silicon Valley is the zoo where the chaos monkeys are kept, and their numbers only grow in time. With the explosion of venture capital, there is no shortage of bananas to feed them. The question for society is whether it can survive these entrepreneurial chaos monkeys intact, and at what human cost.If you want to learn about sex you will get a lot more useful intel from a hooker than you would from a nun (hopefully). If you want to learn about what life is like in Silicon Valley, you would do well to let to someone who has done the deed and lived the life show you the way. Antonio Garcia Martinez is our Virgil through a dark landscape where every great fortune is founded on a great crime, where morality is not only violated, but where its very existence is not recognized, where millionaires are a dime a dozen and where any sort of social consciousness is kept nicely sedated, a place where greed is king, fast is worshipped to the exclusion of better, and death is always at the door. [image] Antonio Garcia Martinez - from Money.cnn.com Martinez has the cred to offer the tour. Having toiled as a quant at that paragon of virtue, Goldman Sachs, he eventually found life on The Street less than fully rewarding. He says that quants at Goldman were mostly failed scientists like me who had sold out to the man and suddenly found themselves, after making it through years of advanced relativity and quantum mechanics, with a golf-club-wielding gorilla called a trader peering over their shoulder asking them where their risk report was. We were quantitative enablers, offering the new and shiny blessings of modern computation to the old business of buying and selling… quants were the eunuchs at the orgy. The fluffers on the porn set of high finance. We were the ever-present British guy in every Hollywood World War II film: there to add a touch of class and exotic sophistication, but not really consequential to the plot (except perhaps to conveniently take some bad guy’s bullet.)As someone with pretty high end analytical and programming skills, he saw (or says he saw, who knows?) the impending meltdown in the 2007 financial world, and opportunities in the new frontier out west, so traded The Street for The Valley, taking a chance on a job on the other coast. The book follows Garcia’s chronological trail from startup to finish, from employee to entrepreneur, to buy-out target, to middle-manager at a monster Valley corporation to…well, you’ll see, if you read the book, or just Google the guy. It is a well-worn trail, but not for you or me, most likely. So a tour guide is definitely called for. And Martinez is nothing if not an informative and eager cicerone through what can be a very dark and sulphurous place. Of course, there is plenty of that brimstone stench emanating from the author, an indication of just how well he fit in. anyone who claims the Valley is meritocratic is someone who has profited vastly from it via nonmeritocratic means like happenstance, membership in a privileged cohort, or some concealed act of skullduggery. Since fortune had never been on my side, and I had no privileged cohort to fall back on, skullduggery it would have to be.It does not seem like it was out of character for AGM to engage in a bit of back-stabbing, double-dealing, and multiple instances of self-serving justification for his various dark deeds. When he talks about his income and net worth, for instance, which would be a pretty sweet take for most of us, yet regarding it as subsistence level, one might be forgiven for gleefully imagining Martinez in his thirty-seven-foot sailboat having a very unfriendly encounter with a pod of large, angry, breaching sperm whales. He offers an entertaining, if sometimes off-putting, alarming, even rage-inducing account of his experiences, offering many a word to the wise, or at least the ambitious, on how deals are made, how organizations are structured, and how to interpret some of the observables you might see. He is incisive and funny, and has a wicked way with words. I have added a selection of quotes as part of the EXTRA STUFF bit at the bottom of the review. You will definitely see what I mean. And he demonstrates quite a gift for selecting absolutely fabulous quotes to introduce most chapters. Martinez covers the highs and lows of the struggle to rise up in The Valley. This includes the ABCs of doing a startup, getting funding, how to divide your equity for the most efficient operation, handling media to get the most buzz for your launch, researching the people you will be dealing with, and, if things go well, negotiating with the bigger blobs that want to absorb your company. One revelation was that acquisition of startups by the big players is just a higher-ticket form of HR recruiting. There are worse ways of monetizing sociopathy than startups. If you know any better ways, I’m listening.For policy wonks, you will learn about the H-1B sort-of immigration program that brings thousand of foreign workers to American jobs in a form of high-end indentured servitude. Martinez offers a peek inside the operations of Twitter and Facebook, which is either entertaining or depressing, depending. But every company has its own culture, and AGM has a keen eye for the differences, and an analyst’s talent for examining structure. His take on large corporations functioning like nation-states, to the point of exchanging what are essentially diplomats, adds definite texture to the notion of corporations as the trans-national entities they truly are. Worse, he points out not only how corporations are like religion, but how, in that, they are very like the cult-world of some communist nations. There are a few things that made this less than an entirely effervescent read. First, while part of his story line was how he worked towards installing a particular form of ad-revenue generation at FB, the details tended to get in the way of the overall picture. Office politics are nothing new, even in this bubbly narrative. Second, while AGM is obviously an uber-bright guy, with a keen mind for some things, and a talent for writing, he comes across as (and probably is) someone with the soul of a slave-trader. If you can hold your nose at his unnecessary tales of sexual adventure, his willingness to endanger the lives of regular folks with childish antics, and his casual acquaintance with ethical standards, there is much to be gleaned in Chaos Monkeys. It is a look at the sausage factory, a peep-show of how Review Posted - August 19, 2016 Publication date – June 28, 2016 =============================EXTRA STUFF Links to the author’s personal, Twitter and FB pages August 24, 2016 - A really interesting NY Times Magazine article on how FB has become a very large kahuna in the delivery of political ads - Inside Facebook’s (Totally Insane, Unintentionally Gigantic, Hyperpartisan) Political-Media Machine - by John Hermann ==================================QUOTES -----196 - humans, even at the rarified heights of the economic elite, are in truth scared, needy children playing at dress-up and pretending to be grown-ups -----324 - Here’s what people don’t understand about advertising. Facebook is simply a routing system, almost like an old-time telephone exchange, that delivers a message for money. The address on that message can be approximate (e.g. males aged thirty five in Ohio), or it can be specific (e.g., the person who just shopped for a specific pair of shoes on Zappos). But either way, Facebook didn’t make the match of user and messenger, and at most decides secondary things like how often the ad is seen in general, or which of two ads addressed to you is seen that particular instant. In this sense, ads on Facebook are no different from phone calls or emails. -----355 - At their extremes, capitalism and communism become equivalent: Endless toil motivated by lapidary ideals handed down by a revered and unquestioned leader, and put into practice by a leadership caste selected for its adherence to aforementioned principles, and richly rewarded for its willingness to grind whatever human grist the mill required? Same in both A (mostly) pliant media that flatters the existing system of production, framing it as the only such system possible? Check! Foot soldiers who sacrifice their families and personal lives for the efficient running of the system, and who view their sole human value through the prism of advancement within that system? Welcome to the People’s Republic of Facebook. But one can simply quit a job in capitalism, while from communism there is no escape, you’ll protest. As for the actual ability to opt out under capitalism: look at Seattle or SF real estate prices, and the cost of a decent US education, and consider whether Amazon or Facebook employees could really opt out of their treadmill I’ve never known one who did, and I’ve known many. Ask your average family providers, even those in a two-income family, whether they felt they could simply quit when they liked. They could barely get a few weeks off when they had a child, much less opt out. Switching jobs would amount to nothing more than changing the color of the shackles. ... The reality is that capitalism, communism and every other sweeping ideology feed off the same human drives—the founder’s or revolutionary’s narcissistic will to power, and the mass man’s desire to be part of something bigger than himself—even if with very different outcomes...yoking together the monomaniac’s twitchy urge and the follower’s hunger for a role in some captivating story. -----359 – What was intriguing was how the unwealthy embraced the system, even if they weren’t the beneficiaries of this new social order we’d all joined. The junior hire was sucked along by enthusiasm and cluelessness, but the more senior employees at the middle-manager level knew the score. They knew that they lived one lifestyle, but their old-timer supervisor, who wasn’t necessarily more talented, lived very much another. This was a textbook case of the Marxist argument that capitalists instill the values of the property owners into their managerial classes, while still keeping most of the fruits of labor, in order to make common cause against the exploited proletariat, even though manager and worker have more in common than either does with the senior leadership. ...more |
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it was amazing
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In 2009, Sarah Gray, 35, and her husband Ross, were ecstatic to learn that she was pregnant with twins. The road to parenthood opened ahead of them. B
In 2009, Sarah Gray, 35, and her husband Ross, were ecstatic to learn that she was pregnant with twins. The road to parenthood opened ahead of them. But it was not long before Gray would be informed that one of her twins had a rare condition, anencephaly, a failure of the skull and brain to form properly, leaving the developing brain unprotected. The causes of this rare condition are not well understood. The diagnosis was grim. Thomas Ethan Gray’s life, if he got to have one at all, would be a very short one. [image] Sarah Gray - from TED talks Gray was not your garden variety horrified parent-to-be. She was working at the time at the National Institute for the Severely Disabled, where she had established the AbilityOne Speakers Bureau (since renamed the SourceAmerica Speakers Bureau), helping secure speaking opportunities for disabled people of diverse sorts, and helping them craft their stories. Her mother was a nurse in Boston. She experienced the devastation anyone in her position would suffer. But Gray’s professional experience and connections, and access to medical intel from within her own family gave her a firmer base of knowledge from which to inform her response. When she realized that it would be possible for some of Thomas’s organs to be used to help others she set about making it happen, giving the loss she and her husband would experience and the short life her baby would know new meaning. Gray’s case was unusual in that Thomas’s donations were used for research, not transplant. After a short period of time, she grew curious about how they were being put to use, so began tracking where they had gone. Once she identified the places, she started calling and asking to tour their facilities, a totally new thing for those labs. It is not unusual for the families of transplant donors to contact recipients, sometimes building lasting relationships, but it was pretty much unheard of for the families of organ donors to get in touch with research labs to see how the donations were being used. [image] Thomas Ethan Gray - from Radiolab One thing Gray found on this quest was that the researchers were thrilled to hear from a donor’s family, heartily welcoming the interest. Unlike the transplant world, there is almost never a face or a name to put to a research donation. But lives are saved as a result of such gifts, particularly when there is an acute shortage of research material, which there often is. There are several elements to A Life Everlasting. Sarah and Ross’s experience as expectant parents is beautifully told, and is as moving as one could hope for. There is enough stress entailed in having a first child. I know. But adding the harsh decisions that the couple had to face was truly a heavy burden. Thomas’s birth, short life, and passing are among the most moving passages I have ever read. Have a box of tissues at the ready. [image] Sarah with hubby, Ross, and son, Callum - from NBC News But this is not, ultimately, a sad book. It is a hugely hopeful and uplifting one. And in Sarah Gray learning about what is possible, she educates us as well. She pushed the boundaries of what the families of donors could know, which will benefit not only those families, but everyone. When people are aware that their loved one’s remains might be able to help others, more are likely to choose donation instead of immediate burial. And researchers facing a shortage of needed materials will be better able to move ahead with their work if more people choose this option. "The way I see it our son got into Harvard, Duke, and Penn. He has a job. He is relevant to the world. I only hope my life can be as relevant." - from the Philly.com articleGray adds the stories of some other people, including parents of donors, and a beneficiary of research that advanced life-extending treatment as a result of having access to such donations. Each is moving in its own way, and together, they support the message that many more people need to be aware of the potential benefits to be had from donations of this sort. Losing a child is all too common. Unfortunate things happen, but there can still be some silver linings to even the darkest clouds. The book touches on some closely related topics as well. There are some inherent conflicts between the demand for transplantable organs and the need for many of the same organs for research. Gray points out some of the advances that such research has produced, using donations like Thomas’s. She also notes in closing the emergence of new gene editing technology (CRISPR) that may offer science the ability to repair genetic damage before a child is born. Gray’s position is very much pro. "If you have the skills and the knowledge to fix these diseases," Gray said at a 2015 conference on gene-editing, "then freaking do it." But opinions vary as to the overall risks involved in such tampering. There is considerable controversy about how such tools might be applied. I included a link about this in EXTRA STUFF. As a result of her quest and the ensuing attention she was paid by local and national media, Gray moved on to a new position, as Director of Communications for the American Association of Tissue Banks. Today, she speaks regularly to professionals involved in organ donation. She has included in an appendix a long list of relevant links for those interested in learning more about organ/tissue donation. You will be moved, learn a lot, and perhaps be inspired to consider becoming an organ donor yourself if you were not already. Sometimes even the smallest of donations, resulting from the saddest of circumstances, can reap huge benefits. A Life Everlasting is a gift to us all. Publication date – September 27, 2016 Review first posted July 15, 2016 Updated August 2020 =============================EXTRA STUFF Links to the author’s personal, Twitter, and FB pages Gray’s TEDMED talk There are many links in her site to talks she has given. Interviews ----- RadioLab – Gray’s Donation -----Thomas Gray lived six days, but his life has lasting impact - from Philly.com - "Instead of thinking of our son as a victim," she said, "I started thinking of him as a contributor to research, to science." Science -----CDC link on anencephaly. There are more than a thousand a year in the USA. There is no known cure or standard treatment for anencephaly. Almost all babies born with anencephaly will die shortly after birth. -----On the new gene-editing tool CRISPR -----Here is another on CRISPR, brought to our attention by GR pal Jan - THE GENE HACKERS by Michael Specter - in the November 16, 2015 issue of The New Yorker ...more |
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it was amazing
| Each week, sister Sonja said, Start at the beginning, her dark fingers bending around a small black notebook, pen poised. Many moments passed befor Each week, sister Sonja said, Start at the beginning, her dark fingers bending around a small black notebook, pen poised. Many moments passed before I opened my mouth to speak. Each week, I began with the words I was waiting for my mother…A forest grows in Bushwick. At 35, August, a worldly anthropologist, back in New York City to bury her father, recalls her growing up years. In Tennessee, when she was eight, her mother was unable to cope with news of her brother’s death in Viet Nam. She persisted in talking to her lost, beloved sibling as if he were still present. When dad finally replants August and her little brother in the county of Kings, his home town, a new life sprouts for them. We see through August’s eyes what life was like for a young black girl in 1970s Brooklyn. From white flight to the drug epidemic, from DJ parties in the park to dangerous sorts, interested in drugs and young girls, from blackouts and looting to the influence of the Nation of Islam, from innocence to awakening sexuality, from finding friends to seeing the world slowly opening to reveal diverse paths, many dangers, and some ways through. A core element of the story is August coming to grips with her absent, Godot-like mother. The bulk of her story, as it might for most of us, centers on her friends. My brother had the faith my father brought him to, and for a long time, I had Sylvia, Angela, and Gigi, the four of us sharing the weight of growing up Girl in Brooklyn, as though it was a bag of stones we passed among ourselves saying, Here. Help me carry this.Time shifts back and forth. August is 8, then 15 then 11. Woodson uses front page touchstones to place us, and August, in time. Son of Sam, the blackout of 1977, Biafran starvelings, and popular entertainment. On a different planet, we could have been Lois Lane or Jane or Mary Tyler Moore or Marlo Thomas. We could have thrown our hats up, twirled and smiled. We could have made it after all. We watched the shows. We knew the songs. We sang along when Mary was big-eyed and awed by Minneapolis. We dreamed with Marlo of someday hitting the big time. We took off with the Flying Nun.The dreams the girls nurture come face to face with the roots from which they grow. Possibilities appear. And impediments. Can their friendship survive the winds that push and pull them in diverse directions as they branch out? Maybe this is how it happened for everyone—adults promising us their own failed futures, I was bright enough to teach, my father said, even as my dream of stepping into Sylvia’s skin included one day being a lawyer. Angela’s mom had draped the dream of dancing over her. And Gigi, able to imitate every one of us, could step inside anyone she wanted to be, close her eyes, and be gone. Close her eyes and be anywhere.Memory is a refrain here, a blues chorus. Not sure I agree with Woodson’s take, or is it August‘s take on where tragedy lies, (I know now that what is tragic isn’t the moment. It’s the memory.) but it is an interesting take nonetheless. Asked how she came up with her characters, Woodson told the GR interviewer: Bushwick was the character I knew the best. And then I wanted to create a narrative around it, so I invented these four girls and their stories. I also wanted to talk about girlhood, what it means to grow up a girl of color, and what it means to grow up inside the backstories and dreams of your parents, who have their own ideas of where you should go while you're trying to make your own space in the world. [image] Jacqueline Woodson - from NPR References to how other cultures deal with death pepper the narrative, a way of illuminating how August, her family and friends cope with loss. It is moving and effective. There is a lyricism, a musicality to Woodson’s writing, her language flowing and floating, rhythmic, poetic, reading like it was meant to be read aloud. Stunning lines wait around every bend, insightful, beautiful, polished to a fine gleam. Her books for young audiences have gained her considerable acclaim. Brown Girl Dreaming won Woodson a 2014 National Book Award. She has received a lifetime achievement award for her YA writing. She won a Coretta Scott King award in 2001 for Miracle’s Boys, and several Newbery awards. I would not be at all surprised to see this book as well up for a slew of awards. While Another Brooklyn is definitely intended for adult readers, her YA writing DNA manifests in the physical structure, the short sentences, with big space between them. And the size. Another Brooklyn is not a long book. On the one hand, you will rip through it in no time, the first time, a drive through. You may take a bit longer the second time, recognizing that this is a treat to be savored, and linger a while, maybe wander through on a bike. It will turn out the same, but you may notice more store windows as you pedal down these streets, or living things, a beech here, a maple there. City-like, there is a lot compressed into a small space. You might even stroll through for a third look-see, picking up some bits and pieces unseen on previous readings. Not sayin’ ya have to, but if you get the urge I would go with it. We pretended to believe we could unlock arms and walk the streets alone. But we knew we were lying. There were men inside darkened hallways, around street corners, behind draped windows, waiting to grab us, feel us, unzip their pants to offer us a glimpse.There are some tough life experiences on display here, but we know that August makes it through. An important element of the story is hope. Talent may not always shine a light to a better future but sometimes it can. Intelligence may not always be seen, appreciated or nurtured. But sometimes it is. Hard times and personal loss are definitely painful, but maybe they are part of the compost of our lives. While the streets of her world may have been named for trees of a long gone sylvan past, Linden, Palmetto, Evergreen…Woodbine, (the name Bushwick, by the way, comes from Boswijck, which means “little town in the woods”), lives still grow there, tall and strong. August is a mighty oak. Her story of growing is lyrical, poetic, and moving. Another Brooklyn may not take much time to read, once, twice, or even more times. But as little time as it will take you to let this one in, it will plant a seed in your memory, another in your heart and grow there for a very long time. We lived inside out backstories. The memory of a nightmare stitched down my brother’s arm. My mother with a knife beneath her pillow. A white devil we could not see, already inside our bodies, slowly being digested. And finally, Sister Loretta, dressed like a wingless Flying Nun, swooping down to save us. Publication date – 8/9/2016 Review first posted – 6/17/2016 [image] [image] [image] [image] [image] [image] =============================EXTRA STUFF Links to the author’s personal, Twitter, FB, and Tumblr pages August 21, 2016 - GR interview with Woodson September 15, 2016 - Another Brooklyn is named to the long list for the National Book Award. Congratulations! October 6, 2016 - Another Brooklyn is named to the short list for the 2016 National Book Award for Fiction - Brava! November 23, 2016 - Another Brooklyn is named to the NY Times list of 100 Notable Books of 2016 November 25, 2017 - NY Times - Love to Love You, Baby - Woodson article remembering being fifteen and discovering the excitement of Manhattan. This review has also been posted at Cootsreviews.com and Fantasy Book Critic ...more |
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it was amazing
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I have had a life. I married twice, was in the room when two of my three entered the world. I helped them grow through infancy and childhood into beau
I have had a life. I married twice, was in the room when two of my three entered the world. I helped them grow through infancy and childhood into beautiful, talented, bright and loving adults. I have lost both parents and a sister, and in-laws as well. There are two kinds of people in the world, those who are older and those would like to be. Ashton Applewhite’s book, This Chair Rocks, shines a bright light on a labeling system that affects everyone on earth. Whether we are called addled, senior citizens, golden agers, coots, old farts, old fucks, old bitches or a host of other derogatories, we are separated from the rest of humanity when such labels are applied, separated from the presumed (younger) norm. We become outsiders. Just as black athlete is somehow a separate species, a woman president is presumed to be less capable, and an Islamic terrorist more unspeakable than a garden-variety terrorist, we can be cast into the soylent sphere by labels. And such casting harms not only those being tossed but those doing the tossing. [image] Ashton Applewhite - from Seniorplanet.org I have had a life. I cheered for Mets and Jets since their birth, and wept more times than not. I played on championship teams in my youth and led youth teams as an adult to both glory and painful defeat. I have hit for the cycle and swung and missed. Applewhite covers a wide array of subjects while considering things like how ageist attitudes legitimize maltreatment of olders, the impact of internalizing false notions of aging, and how the world pathologizes getting on in years. She looks at the language of ageism, the realities of aging and mental acuity (there are some surprises there), and how this impacts health care, physical and mental. She looks at the stigmatization of disability, at sexuality for olders, retirement and self-esteem. I have had a life. In the 1950s, I watched a black and white from our living room floor, saw it change color, go big, go flat, go small, go cabled, go tubeless and go wireless. I listened to radio dramas on our kitchen radio, saw the arrival of transistors, and now hear bedtime podcasts on a charging iPad. I saw phones go from rotary to digital and watched them cede their wires to the past, and even go all Dick Tracy. Applewhite goes into considerable detail in showing how the bias towards older people (she uses the term olders, so I am going with that here) that pervades this and many other societies, is based largely on falsehoods, and causes real harm, Condescension actually shortens lives. What professionals call “elderspeak”—the belittling “sweeties” and “dearies” that people use to address older people—does more than rankle. It reinforces stereotypes of incapacity and incompetence, which leads to poorer health, including shorter lifespans. People with positive perceptions of aging actually live longer–a whopping 7.5 years longer on average—in large part because they’re motivated to take better care of themselves.She includes several sections titled PUSH BACK, in which she offers suggestions for actions we can take to resist ageism when we encounter it, and things we can do to keep ourselves healthy. I have had a life. I saw as much 50s sci-fi as I could, saw 2001 when it was new, and still in the future, and Star Wars and Star Trek from the start. Lengthening lifetimes is one of the ways we measure human progress, and by that measure, we have done quite nicely. We live ten years longer than our grandparents. In the USA, in the 20th century, life spans increased a jaw-dropping 30 years. But our culture has not yet caught up with the facts. There are many things in here that will surprise you. Applewhite has separated the bull from the...um…poo, and pointed out many of the inaccuracies in what passes for common wisdom. We reinforce the association with constant nervous reference to forgetfulness and “senior moments.” I used to think those quips were self-deprecatingly cute, until it dawned on me that when I lost the car keys in high school, I didn’t call it a “junior moment.” Any prophecy about debility, whether or not it comes true, dampens our aspirations and damages our sense of self—especially when it comes to brain power. The damage is magnified by the glum and widespread assumption that, somewhere down the line, dementia is inevitable.I have had a life, but sometimes it is difficult to remember all of it. Of course this is not because of my age, in particular. I began keeping a diary when I was 15 because I could not remember all the New Years Eves of my short existence. I recently mislaid my glasses, and was never able to find them. But then, when I was ten years old, I lost my treasured baseball glove. I never found that either. Some traits seem to follow us through the years, however many there may be. Applewhite points out that there are plenty of ways for labeled groups to move forward together. Social Security is in no danger of going bankrupt or of devastating the nation’s economy. It can be sustained by marginally increasing the range of salary that is subject to Social Security tax. Medicare could fare a lot better if the rules that forbade it from exercising its market power were relaxed. Really, Medicare is not even allowed to try to get the best prices from drug manufacturers? Whose interests are served by that particular form of insanity? I have had a life. I’ve been Everly’d, Diddly’d, and Valens’d, and Darin’d. Been Elvis’d and Berry’d, and Buddy’d, and Ray’d. I sat in the mud with the hundreds of thousands, alone in the mass as the heavenly played. Near the stage at the Bitter End for Ronstadt and others, and loudly at Max’s KC for the Dolls. There just was so much music, I caught a few notes, but wished there was some way to go hear it all. I’ve been 4-Seasoned, 4-Topped, Beach Boy’d, Supremed. Been ELP’d at Wembley, and at the Garden, I got Creamed. Saw Towshend at the Round House, stood for Tina at the beach. Saw Zeppelin rock in Flushing. And I wish that each and every band I’ve seen up close could keep on playing. Some are gone, but I’m just saying. I’ve been Peter, Paul and Mary’d. I’ve been Dylan’d and been Seeger’d, and seen a stage or two where all the players looked beleaguered. I’ve been Yessed, and been Pink Floyded. I been Bowied and been Banded. I’ve been Beatled, Stoned and Dave Clark Fived, and I’ve been hotly Canneded. I dared to breathe at the Filmore East when the ever Grateful Dead made it seem that life and youth were qualities that we would never shed. I’ve been Ike’d and I’ve been Nixoned, JFK’d and LBJ’d. I’ve been Reaganed, Bushed and Bushed again, and I’ve been MLK’d. I’ve been Cartered and been Clintoned, been Obama’d. It may be that by the time you read this I will have been DJT’d. Applewhite looks at many of the canards that prevail, like olders taking jobs from youngers, the old benefiting at the expense of the young, the relative flow of resources, the inevitability of cognitive decline. As for the senior boom, that we have so many more older people than we once did should be seen as a benefit not a problem. Older people have experience that can and should be employed to help solve old, new, and ongoing societal problems. Not all old people are wise, any more than all younger people are energetic, but we have a considerable base of been-there-done-that from which to draw. Enough of us have valuable and relevant experience and skills that could be put to good use. Especially in the emotional realm, older brains are more resilient. As we turn eighty, brain imaging shows frontal lobe changes that improve our ability to deal with negative emotions like anger, envy, and fear. Olders experience less social anxiety, and fewer social phobias. Even as its discrete processing skills degrade, the normal aging brain enables greater emotional maturity, adaptability to change, and levels of well-being.I have had a life. I’ve gone to college and grad school. I have studied abroad, and had a broad or two study me. (sorry). Been hired, laid off, fired, went back to school and started over, back at the bottom. Been laid off again. I have toiled in several lines of work over the decades. Drove a cab, went postal, was a planner of health systems and a systems analyst for employers large and small, a guard and a dispatcher, and a few things beside. In 2001, I was laid off from my job as a systems analyst, after spending thirteen years at the firm, and over twenty in the field. I was not only never able to get another job in my chosen profession, I was never able to get an interview. It’s not like I was God’s gift to computer programming. But I was certainly competent enough to have been kept on by one of the largest financial institutions on the planet for over a decade. It’s not that I was priced out. I would have accepted pretty much anything. I was essentially kicked out of my field because of my age. AT 47!!!! All that experience not put to use by some business because they could not see past the age label. What a waste. We all know, or should know, that Republicans are particularly gifted at the old game of divide and conquer. It worked great in the UK recently, when right wing-xenophobes persuaded working people, yet again, to vote against their own interests by stoking fear of the other. It has worked pretty well in the USA too. It is what’s the matter with Kansas. Faced with electing people who would work to bolster union rights and voting for people who promise to keep those damned immigrants and minorities in their place, far too many working people seem more than ready to vote to enslave themselves further. We are as addicted to labels as the residents of a crack house are to their pipe. Fear-mongering is being used today for the same purpose it has always served, as a way to gain working and middle class support for policies that are anti labor, policies that pad the wallets of the already rich. Bush the junior tried his best to persuade the nation that privatizing Social Security would prevent the elderly from taking unfair advantage of the young. Labels are used as a way of manipulating people. They can do real damage, even if they sometimes fail to accomplish their mission. I have had a life. I saw Rocky in the West End before it crossed the pond and Sweeney Todd and Lovett’s first repast. Sondheim’s a god. Saw Shakespeare in the park, Hair, and Oh, Calcutta, Cats, Les Miz, The Phantom, Cabaret, and more, but really that’s not nearly enough, off Broadway or on. Saw my kids in all their school shows, and survived some of my own. Homo sap is a species that revels in labels. Us/them, Commie/Nazi, Winner/Loser, Black/White, the more dichotomous the better. And we seem to have more of the negative sort than the positive. Labeling offers shorthand, a macro reference, one word, maybe two, that allows us to redirect our brains away from the difficult and energy consuming task of considering and examining whole lives, freeing them up for the more satisfying activity of indulging our desires and impulses. How many are doomed to invisibility beneath labels? We are labeled because it makes things easier, and we are a species that values simplicity. I have had a life. I walked London streets in almost Victorian twilight as the energy crisis dimmed English streetlamps. I hitchhiked in the USA, in Britain and the continent. Saw sunset from Ullapool, played guitar and sang in a club in Copenhagen, had the best breakfast of my life in Rotterdam, saw the most beautiful city ever, in Paris, twice. I lived a while in Saint John’s Wood. I have seen a fair portion of North America and visited a decent sample of Europe. I have taken photographs of an active volcano from a helicopter with no doors. I have seen some of the most stunning landscapes on Earth. I’ve been to Coney Island, Hershey Park, and Disney World and Land, and Freedomland, Six Flags and Universal, Palisades and Rye and a World’s Fair or two that raised my spirit high. Seen the sights that one can see in NY, Boston, and DC. There is so much history, in Philly, Baltimore and Maine, New Hampshire and Vermont, as much to learn as you could ever want. There are many who, if they spotted me sitting or standing in a subway car, or walking down the street would see the color of my hair, note its retreat from my forehead, spot the lines that brace my eyes, and the forward tilt of my spine and see one thing only, age. All the rest would remain forever hidden beneath the large sticky-backed label that fits so nicely over another human being. I have had a life. My hair has been military short and long enough for a real pony. I have smoked and toked, popped and snorted, but stopped before I self-aborted. I am tall, although not as tall as I once was. I am a little bit fat and my body has less speed and strength than it once possessed. Maybe the additional mass is because I am a storehouse of the history of my time, a sculptor of my experience into an image of my era. I have read thousands of books, tens of thousands of newspapers and magazines, and untold on-line articles. I have participated in a vast number of discussions, attended god-knows-how-many lectures, and watched a gazillion hours of documentary and news on TV. I know a thing or two. I have had a life. I have been mugged, been in fistfights, and suffered a near catastrophic injury in an industrial accident. I have protested war and inhumanity and been struck with billy clubs for daring to speak. I have seen a thug slam a boy’s head into a brick wall. There is a wealth of information in this relatively short volume. The chapters are divided up into many short sub-sections, so you can take it in a bit at a time if you like. I found some of the sections repetitive, and found one famous quote misattributed (it was from Anatole France, not Voltaire). There is a significant shortage of humor here, but, then, this is not a particularly funny subject. It is rich with surprising facts, which is one of the great strengths of the book. For example, older people suffer from depression less than younger people. I have had a life. I was chilled by Sputnik’s beep, and was warmed as I watched, along with all humanity, an ageless dream realized with a single step. I have seen my city burn, flood, and go dark. I stood in the wind-blown unspeakable snow when my city was ravaged, and saw a new tower sprout on the memory of the lost. I have read quite a lot in my time, and it was inevitable that some of the material here would be old news, but I still found many new things to be learned in This Chair Rocks. I found, also, that Applewhite’s manifesto caused me to reconsider some attitudes and behaviors that I had thoughtlessly indulged. Consciousness raised. Check. It will make you more aware, too, of many things you had not noticed before. I cannot thank Ashton Applewhite enough for writing This Chair Rocks. It most certainly does. I have had a life. It is diverse and rich with experience, memory, history and emotion. But listen up. I am STILL having a life and intend to for as long as I possibly can. Do not dismiss me because of my white hair. My white hair kicks ass. Do not dismiss me because of my wrinkles. They are the evidence of a lifetime of laughter. Do not dismiss me because I am slightly bent. I can and will straighten up if I need to throw a punch or block a blow. I am a smarter person than I have ever been. I am a more knowledgeable person than I have ever been. I am probably a wiser person than I have ever been. I am a better writer, photographer, and I would say a better person than I have ever been. I have loved and I have hated, and wept until the tears abated. Jimi Hendrix said “I’ll die when it’s my time to die.” I will certainly do that. I may not be wealthy; I may not be important, I may not be particularly athletic; I may not be the sharpest tool in the shed; and I may not be beautiful. But I am somebody, and I have worth. I may be older but I will be here a while yet and I have plenty to offer, a lot left to experience, and a lot still to accomplish. I realize that I may not have had the best of all possible lives. There is much I have not done, much I have not seen, much I have not experienced. But I do not need an angel named Clarence to tell me that it’s been a wonderful life. I may or may not be having the time of my life, but I have definitely had a life of my times. Do not bury me under a label. Do not make me invisible behind a number. I’m still here, much more in store. I am older. Watch me SOAR!!!! Now get the hell off my lawn, you goddam kids, before I call the cops. Review Posted – July 29, 2016 Published – May 23, 2016 Applewhite sent me the book in return for an honest review. =============================EXTRA STUFF Rather than add in a bunch of links here, I suggest you check out Ashton’s site. There are links aplenty there. Applewhite got her start in an unusual way, writing joke books. Not just any joke books. She wrote Truly Tasteless Jokes One, as Blanche Knott (my kinda woman), had four of these things on the NY Times best seller list at once. But she began writing with a bit more seriousness. In 1997 her book Cutting Loose: Why Women Who End Their Marriages Do So Well , landed her on Phyliss Schlafly’s shit list, a signal achievement for anyone with a brain and a heart. In October, 2016 she is delivering the keynote address at the UN for the 36th International Day of Older Persons. No joke. 9/3/16 - Applewhite has a strong piece in the NY Times, on age discrimination - You’re How Old? We’ll Be in Touch A pretty interesting NY Times piece from 7/12/16, by Winnie Hu - Too Old for Sex? Not at This Nursing Home 9/29/16 - from Gail Collins at the NY Times - Who’s Really Older, Trump or Clinton? 4/7/17 - by Pagan Kennedy in the NY Times Sunday Review - To Be a Genius, Think Like a 94-Year-Old 7/24/17 - by Paula Span at the NY Times - Another Possible Indignity of Age: Arrest Songs -----I’m Still Here ----- When I was 17 ----- Running on Empty ----- When I’m 64 - (a cover) -----We Didn’t Start the Fire -----Everything old is new again - from All That Jazz ...more |
Notes are private!
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May 23, 2016
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May 23, 2016
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Paperback
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| 4.18
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| Aug 09, 2016
| Aug 09, 2016
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it was amazing
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You’ve got company. [image] Carol Anne Freeling was certainly right when she said, “They’re hee-ur,” well maybe not enraged spirits, but there are cer You’ve got company. [image] Carol Anne Freeling was certainly right when she said, “They’re hee-ur,” well maybe not enraged spirits, but there are certainly plenty of entities present to which we have paid insufficient attention. Maybe Regan MacNeil was closer to the mark in proclaiming “We are legion.” [image] When Orson Welles said “We’re born alone, we live alone, we die alone,” he was mistaken. Even when we are alone, we are never alone. We exist in symbiosis—a wonderful term that refers to different organisms living together. Some animals are colonized by microbes while they are still unfertilized eggs; others pick up their first partners at the moment of birth. We then proceed through our lives in their presence. When we eat, so do they. When we travel, they come along. When we die, they consume us. Every one of us is a zoo in our own right—a colony enclosed within a single body. A multi-species collection. An entire world.Trying to map what it is to be a physical human being, in something like the Human Genome Project, is a daunting task. But our genes tell only part of our story, like a novel with a beginning and ending but no middle. That middle is taken up by the vast array of other life that exists within our bodies. While the guests we harbor may not necessarily be in league with Satan, they are a mixed lot. They mean us no harm, particularly, and we have evolved very workable symbiotic relationships with them, but they are not necessarily our friends either. They took up residence for their own benefit and will stick around and provide benefits to us only as long as we provide what they need, like that girl/boy friend you remember with gritted teeth. I won’t say this book will blow your mind, but this is your brain [image] And it’s not even Mardi Gras – from the Brain Association of Mississippi This is your brain after reading this book [image] Shame about that haircut [In the interest of full disclosure, it should be known that every day when my wife was reading this book, she would walk in the door and tell me of yet another thing she had read that had totally blown her mind. Not that my mind didn't go Ka-Boom when I read it. It certainly did. But hers was blown first. I only steal from the best. ] I Contain Multitudes will change how you understand not only the human body, but all the biota on the planet, hell, the universe. It will help you understand how it can happen that diseases like the flu can adapt so quickly to our latest attempts to stamp them out. It will help you understand why coral reefs are dying. It will give you some new words that help keep the new knowledge manageable. (My favorite is dysbiosis which is what it sounds like, a biological parallel to dystopia, with a hint of enforced disorganization.) It will expand your appreciation for how microbial biology works within people and in the world. It will offer you hope that there can be a future in which many of our maladies will not only be diagnosable, but will be treatable with the introduction of the right, specific probiotic. It will do your dishes and massage your feet. Well, ok, not the last two, but KABOOM, big new look-at-the-world stuff. Ok, you biologist types, pre-med, med, post med, anti-med, wearers of white lab coats, whatever the length, you know this stuff, at least I hope you do. But for most of the rest of us it is indeed a big change, a new layer of reality, well maybe not entirely new, but new enough to go KABOOM! Our intro to the world of which Yong writes, antibiotics, is probably akin to the one WW II bombadiers had through their bombsites. Amazing invention/discovery, antibiotics. They do a great job of wiping out pathogens, the nasties that make us ill, well, some of them anyway. Other harmful microbial types, the viral ones, roll their eyes at incoming antibiotics and keep on with what they are up to. However, as with items dropped from passing aircraft, the use of antibiotics entails considerable collateral damage, as the human body is a container for a vast array of microbial life. One might well envision millions of non-pathogenic residents shaking their fists as the incomings not only wipe out the harmful bugs, but vast numbers of the helpful ones as well. Ed Yong offers a more on-the-ground look, filling us in on what is actually going on inside, and how this part of what’s inside relates to that other part. [image] If these folks can have an entire civilization inside a locker, just imagine what might develop in your liver or large intestine. If you don’t know who Ed Yong is, it’s a good bet that you will before too long. Yong is a popular science guy, a Neal DeGrasse Tyson, Bill Nye, Mary Roach, Jacques Cousteau, David Attenborough, Carl Sagan sort, a person who can take the wild, wonderful and fascinating things that are going on in the world of science and distill them all down for public consumption without making viewers’ or readers’ eyes glaze over, or listeners’ ears suddenly clog, without making you feel like an ill-educated dolt, and he accomplishes this with enough humor to produce a fair number of smiles and an occasional LOL. (Not in Mary Roach’s league for humor, but hey, who is?) He is an award-winning science writer at The Atlantic, whose work has appeared in a wide range of publications, from The New York Times to Nature, from The Guardian to Wired, from Slate to Scientific American, and on and on. He splits his time between London and DC, and I would not be at all surprised if he dashes back and forth in a TARDIS. I have provided links in EXTRA STUFF that will lead you down rabbit holes of fun material from Yong that may take you a while to leave. [image] Ed Yong - From Speakerpedia Among the many surprises you will encounter here are a squid with its own high-beams, the microbial advantage of vaginal birth, the impact of gut microbes on mood, why a third of human milk is set aside for our guests (protection payments?), the relationship between the US Navy and mucus, why no man may be an island, but we may be archipelagos, and vats more. There is serious consideration given to how our relationships with this invisible world evolved: …animals emerged in a world that had already been teeming with microbes for billions of years. They were the rulers of the planet long before we arrived. And when we did arrive, of course we evolved ways of interacting with the microbes around us. It would be absurd not to, like moving into a new city wearing a blindfold, earplugs, and a muzzle. Besides, microbes weren’t just unavoidable: they were useful. They fed the pioneering animals. Their presence also provided valuable cues to areas rich in nutrients, to temperatures conducive to life, or flat surfaces upon which to settle. By sensing these cues, pioneering animals gained valuable information about the world around them…hints of those ancient interactions still abound today.“It all depends.” As if life wasn’t complicated enough. Don’t you just love it when you are looking for help and the person you are asking responds with “It all depends.” And it really does, and it really will. What will be different, though, will be that your caregiver will have a much better idea than most caregivers can possibly have today. They will be able to look at a profile from a type of blood test and match potential solutions to the bacteria living in your gut, or wherever else in your two-legged bacteria condo might pertain. This knowledge is still in its infancy – at least a broad knowledge, but it is coming, and has the potential to make meaningful improvements in our health. As microbiologist Patrice Cani told me, “The future will be a la carte.”[image] Balance – from Explainxkcd.com This raises some concerns, although they do not get a lot of attention here. If scientists can develop designer probiota to ameliorate suffering, there will always be evil-doers eager to use new technology to make designer biota intended to act as pathogens. In fact that is pretty much my sole gripe about this book. I wish more space had been devoted to the potential dangers of this advancing treatment modality. Just ask yourself, What would ISIS do? The title of Ed Yong’s book may not be up there with The Selfish Gene, Silent Spring, or Guns, Germs and Steel but what it lacks in snappy-ness it more than makes up for in content. This is a smart, readable explanation of one of the major ongoing scientific revolutions of our time. If you look deep inside yourself you will know that this is absolutely must-read material. Publication -----August 9, 2016 - Hardcover -----January 16, 2018 - Trade Paper Review first posted – July 1, 2016 ==========In the summer of 2019 GR reduced the allowable review size by 25%, from 20,000 to 15,000 characters. In order to accommodate the text beyond that I have moved it to the comments section directly below. [image] ...more |
Notes are private!
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May 02, 2016
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May 08, 2016
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May 20, 2016
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Hardcover
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| 3.51
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| Aug 25, 2016
| Oct 11, 2016
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it was amazing
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Antarctica. The first sunset of the year. Darkness will increase 20 minutes a day. Róisín, an Irish astrophysicist, and François, a French chef, both
Antarctica. The first sunset of the year. Darkness will increase 20 minutes a day. Róisín, an Irish astrophysicist, and François, a French chef, both working at a research station, are becoming involved. They share a wanderlust and a deep attachment to people and places continents away, she to her beloved cousin, Liam, he to his unusual mother, Severine. But each feels a connection to the other that seems to have been written in the stars. The Comet Seekers traces their paths through time and geography to show how they found themselves and each other at this time in this forbidding but magical place at the end of the Earth. [image] Helen Sedgwick - from her site Róisín always had her eyes on the sky. Even as a child she would drag her closest friend, her cousin Liam, out at night to look at the heavens, in rural Ireland, particularly when there was a comet to be seen. Liam is very much earth-based, expecting to spend his life working his family's farm. Róisín always knew that she wanted to see the world, and study the worlds beyond. The tension in Róisín's relationship with Liam is as palpable as their deep love for each other. They talk about their respective worlds, the earth and the sky, the ground under his feet and the planets over her head. [image] Comet West - from LearnAstronomyHQ.com François was an only child, raised in the Normandy town of Bayeux, seven miles from the English Channel, home to the world famous Bayeux Tapestry, but more on that later. It is François' mother, Severine, we follow on most of the track-back of François' journey. Severine is an unusual sort. Faulkner may have famously noted that The past is never dead. It's not even the past. Maybe this is more true for some than for others. After her grandmother passed away, Severine began receiving frequent visits from her relatives, her...um...late relatives. She had humored her beloved grandmother when she had seen her, frequently, talking to people no one else could see, and who Severine presumed were not there. Turns out, she has inherited her Granny's ability, and becomes hostess to frequent visitations. Much more garden party than spook house, as she gets to meet, in addition to beloved Granny, ancestors from ages past. There is one, though, whose ghostliness is decidedly ghastly. Brigitte haunts Severine in a more usual way, with displays of the horror that had ended her life. The mystery of this ghost, and why she remains, herself, haunted, is a large motivator for Severine. [image] Comet McNaught - from LearnAstronomyHQ.com François, as had been true for his mother before him when she was young, does not see the ghosts. He thinks his mother is mad, and is mortified when she chats with the unseen while any other living souls are present. But they remained close, despite her oddity, and his disbelief. But Severine contributed more to her son than a store of discomfiting tales. It is the cooking she does with him that leads him to a life in fine cuisine. And she passes on to François her passion for exploring the world, however homeward she may have turned her own adventure. [image] Donati's Comet - from Wikimedia A central notion of The Comet Seekers is that not only are there ghosts, but these spirits are most visible when there is a comet in the sky. Like hand-crank radios, comets seem to provide temporary power to spirits, enabling them to visit their earth-bound descendants, at least the ones with the capacity to see. Once the comet fades from sight, so do the visitors. Her granny says the ghosts will only stay for as long as she can see it in the sky. The brighter it is, the more they have to say. And there are other conditions. The ghosts are somehow rooted to an earthly location. Yes, they can make the odd visit elsewhere, but the cost in battery power is considerable. If you want to hang with the haunts you really have to stay close to home. You have to want to see the visitors in order to get to see them, and you must have lost someone. [image] Comet Hyakatuke -from the University of Oregon The spirit-power issue embodies the home-heart, stay-wander conflict for Severine. For François, while he is not in on the ghostly vision thing, he is very attached to Severine, which keeps him from wandering too much, even though Maman encourages him to see the world. For Róisín, the attachment is Liam, (As a young man, he wanted to be just like his father. It is heartbreaking, he thinks, the things people believe they want when they are young.) but the pull of her curiosity is so overpowering that she breaks out of the gravity of home and sees as much of the world, and the universe, as she can. When she walks across the field she opens her arms wide and imagines a world so big, so full of people, she would never tire of exploring it, her eyes fixed on the sky above until she slips on some sheep droppings, only just managing to catch her fall. Liam ís always telling her the ground is just as important as the sky.The book is organized around the arrival of major comets. Each chapter includes the name of the comet and the year in which it appeared, from contemporary, well, a little ahead of when this was posted, (2017) to medieval (1066) times. Each chapter is populated by ancestors. The selection of Bayeux as a base location is no coincidence. The Bayeux Tapestry (on display in Bayeux, but most likely made in England), an impressively lengthy work of art, at over two hundred twenty feet by a foot and a half tall, not only tells the historical tale of events leading up to the Norman Conquest and ending with the Battle of Hastings, it is also the first reference in human history to Halley's Comet, which appeared in 1066. Sedgwick weaves the tapestry into her tale, shows us a bit of it's making, and it's display in a local museum. She uses images from the tapestry as inspiration for elements of her story. [image] A small piece of the tapestry, with Halley's comet - from Britain's Reading museum At first blush one might make the mistake of thinking this is a romance. I did not react to it as such. Sure, there are certainly romantic elements in the connection of this person to that, and that one to another, but The Comet Seekers has it's eyes cast upward on grander visions. There is a certain force we experience with people and places, an attraction, a pull, a connection, however invisible it might be, and so we circle, maybe connect, possibly even crash, even if, in the case of things like comets, or hearts, the ovoid route may be a particularly long one. In a way, one might see Róisín-Liam and François-Severine as two binary star systems, locked in a gravitational dance with each other, whatever the physical distance there may be between. In addition to the draw of home, there is much tugging between the past and present, the attraction of and even need for adventure vs the gravity of warmth and home, the appeal of the wide open universe vs the draw of terra firma. [image] Comet Hale-Bopp - from Wikimedia The plot line may involve connecting Róisín and François, who encounter each other like two heavenly bodies with intersecting orbits, but that is a mechanism, not the essence. There is so much going on here it could fill a planetarium dome. But it would all result in a gray cloudy view if the characters Sedgwick created did not have some starlight in them. I found things I could relate to in a range of characters, male and female. Yearning knows no gender. Feeling stuck is neither male nor female. Having to make excruciating choices is a human condition not a male or female one, as are joy and disappointment. Losing loved ones hurts on both sides of the gender fence. There are tears to be found here. Keep those tissues at the ready. But there is joy as well, in the humanity of Sedgwick's characters, the daring of her approach, and the magic she has dreamt up to illuminate her tale. The Comet Seekers is a masterful and brilliant book, smart, emotionally engaging and wholly entertaining, a celebration not only of our capacity for connection to each other but of taking strength, hope and inspiration from the connections we have to our past. This is a book that is sure to blaze a bright trail across the publishing universe, one you will not want to miss. The Comet Seekers is nothing less than heaven on earth. Publication - 10/11/16 Review first posted - 5/13/16 =============================EXTRA STUFF Links to the author's personal, Twitter and FB pages There is a lovely short piece on Sedgwick's inspiration for a short-story progenitor of this novel, on Kirsty Logan's blog. The Comet Seekers gets a nice pat on the back in this piece in the NY Times - October 30, 2016 - Newly Released Books The animated Bayeux Tapestry The sound of a comet. Yes, really, well, sort of. Go ahead. Check this out. For all things Comet-ish, check out this site The comet section of NASA's website is lovely as well ...more |
Notes are private!
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Apr 23, 2016
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May 02, 2016
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May 03, 2016
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Hardcover
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| 3.91
| 60,946
| May 17, 2016
| May 17, 2016
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it was amazing
| The people in charge can always justify doing terrible things in the name of the greater good. A slaughter here, a little torture there. It becomes m The people in charge can always justify doing terrible things in the name of the greater good. A slaughter here, a little torture there. It becomes moral to do things that would be immoral if an ordinary individual did ‘em.They have been trying to take us down for quite a while. Some may enjoy the end of the world (EotW) arriving in the form of an incoming asteroid. Hey, it worked for the dinosaurs. Alien invasion is always popular. Very big in the 50s, whether by maleficent alien civilizations or maybe a nice juicy mobile plant of the triffid variety. Viruses have been pretty big the last few decades, global pandemics, whether of alien or Terran origin. Zombie apocalypse is all the rage today, whether the zombies are animated by a force of nature or not. How an author takes us from the pre-disaster here through the horrors to there, wherever or whenever there may be, is the fun. But many of these entertainments carry a stowaway. EotW tales exist not only to titillate, and elevate our blood pressure, but to deliver a core of perspective along with the fun. The collapse of civilization is a favorite mechanism for writers looking at the core of human nature. Imaginative tales go to extremes to point out things about the here and now. [image] Joe Hill - from USA Today Joe Hill has come up with a truly ingenious mechanism for bringing about his apocalyptic vision. Draco incendia trychophyton is a spore with some unusual properties. (smoothly rolling off the tongue not being one of them) The skin of people who have been exposed to it erupts in what looks like burger meat that has been way, way overcooked, interspersed with lines of gold. The affliction comes to be called “Dragonscale,” or ‘scale for short. It gets worse. Not long after initial exposure, most of the afflicted spontaneously combust. The spore spreads like wildfire, and soon the entire world is ablaze. [image] This Freightliner snow plow could be better called a Frightliner for its use here Harper Grayson, a school nurse, is practically perfect in every way. She is both kind and firm with her young patients, an admirable combination she employs when dealing with adults as well. Her hero is, of course, Mary Poppins. Throughout the 747 pages of this book (the page count may vary with the edition), there are many references to P.L. Travers’ magical nanny, too many to list here. But you should know that Harper totes her belongings in a carpet bag, once had a dog named Bert, and in the imagined film of the story of her life, she wants to be played by Julie Andrews. In an interview for his last book, Hill said I was thinking about Lon Chaney who had line about, “There’s nothing funny about a clown at midnight.” I think that’s part of the horror writer’s job: to create unsettling juxtapositions. You find something that seems harmless and innocent, and pair it with aspects that are disturbing. Christmas is a joyous occasion, it’s a time of pleasure and family, but there’s something about Christmas songs in the middle of the summer that’s not quite right.- from Nightmare Magazine interviewThe juxtaposition of Harper’s Disney-ish aspect, which stops just short of animated bluebirds chirping away on her shoulders, adds a nice dollop of sweet to the sour of the apocalyptic landscape. Harper and her husband, Jakob, have talked about ending their lives themselves rather than burning to death like the Dragonscale sufferers. But when she discovers that she is pregnant, the appearance of tell-tale black-and-gold on her skin presents not a death sentence, but a challenge. She has seen ‘scaled mothers deliver uninfected babies, and hopes she can too. Jakob has other plans. The Fireman of the title is John Rookwood. Harper first encounters him when he insists on crashing the very long line outside the hospital where she is working, (after the school has been shut down) carrying a boy with a severe illness. Later, as vigilante groups spring up to exterminate the infected, so-called Cremation Squads, he leads her to a place of safety. John’s talents extend beyond being handy with a halligan, being kind and protective toward children, and looking steamy in a yellow slicker. He can control his dragonscale, and do some pretty interesting things with it. You wouldn’t want to make his blood boil. John still carries a torch, though, for his old flame. [image] It may not be a roque mallet, but John’s halligan comes in pretty handy The Fireman can be read on at least two levels. On the surface, this is a can’t-put-it-down amazing scifi/horror adventure, a barn-burner of a read, exciting, fun, and very, very scary. It will keep you flipping the pages so fast you might generate sparks. (I recommend reading with a glass or bottle of non-alcoholic liquid near to hand) Harper is a wonderful character. I mean, really, a young nurse, pregnant, fleeing dark forces, while trying to figure out how dragonscale works and how it might be controlled, a woman who is the epitome of cheerful and positive, in a very bleak time, just hoping to live long enough to deliver her baby into the hands of people who can care for him or her. Add a damaged hero in John, an ally who can help her find a haven, if one really exists, but who comes with a bucket brigade of baggage. Good guys, bad guys and plenty in-between, a lot of action and a wealth of creativity. All that said, there is something more going on here. This is not just some cozy catastrophe in which a group of survivors carve out a manageable modus vivendi in the shadow of global horror. Hill is not only looking to give his readers a good scare. He wants to offer something more substantive. The Fireman delivers what the best speculative fiction provides, a look at contemporary reality through the lens of fantasy. John brings Harper to a place where others with ‘scale have come together, for group support and defense. The place is called Camp Wyndham. And for those to whom the name is unfamiliar, it might help to know that John Wyndham was the author of a 1957 novel, The Midwich Cuckoos. You might know it better as the film Village of the Damned. The lovely kids in this tale, of dubious parentage, are possessed of a group consciousness. Members of the Camp Wyndham community, all with ‘scale, have found that under certain circumstances the spore allows them to join into a joyous group rapture they call The Bright. This entails a loss of self, which not everyone is all that thrilled about, somewhere between the ecstatic experience of a full-bore revival meeting and a hive mind. Hill also references Jack Finney’s book, made into multiple film versions, The Invasion of the Body Snatchers Carol said, “Sometimes when I’m in The Bright, I would swear I feel my [late] sister standing right next to me, close enough so I could lay my head on her shoulder, like I used to. When we shine, they all come back to us, you know. The light we make together shows everything that was ever lost to the darkness.When we lose ourselves in a group-think situation, morality goes out the window. Why have a head at all if you only use it to ditto someone else’s psychotic rage? The relevance to our world is blazingly clear, whether the group be political or religious. There be dragons there. And there is a very real question of whether cooler heads will prevail. There is consideration as well of how people reach out to help those in pain or in danger. Maybe like the way Chris Christie locked up a nurse returning to the USA after she had been helping Ebola victims in Africa. In addition to seeing the ‘scalers as infected, see them as unwanted immigrants, as a despised class. See them as Syrian refugees fleeing civil war. See them as Costa Rican children fleeing north to keep from being forcibly drafted into drug gangs. Even a Trump-sized wall cannot keep out a global pandemic. Fear can usually be counted on to drown out most kinder impulses, often with the assistance of small arms. We get a taste of this here, as Cremation Squads do for spore victims what the SS did for Jews and others, or what, I am sure, many Tea-Baggers and militia groups would love to do to progressives, immigrants, members of the LGBT community, and ethnic and religious minorities here in the USA. Erstwhile residents of Auschwitz might recognize how some of the constabulary treat their prisoners in Hill’s dark landscape. All the nastiness is done with the eager support and encouragement, even participation, of a particularly sociopathic hate radio jock, broadcasting on a radio station with appropriate call letters. Hill tips his hat to luminary writers who have written about despotism and apocalypse. In addition to John Wyndham, noted above, a boat is named for Margaret Atwood, author of The Handmaid’s Tale and the MaddAddam series. Nobel laureate Alexander Solzhenitsyn, author of The Gulag Archipelago gets a mention, as does Cormac McCarthy, for The Road. There are almost certainly more of these. Over his entire oeuvre, Hill has demonstrated considerable glee in referencing the popular culture in which he was raised. MTV VJ Martha Quinn gets a lot of ink. Song, TV and movie references abound. But his largest source of material here is Disney. The Mary Poppins references in support of Harper’s character are legion. But there are plenty of others, including Toy Story, and a somewhat more oblique reference to Pinocchio. A ref to a classic Coke commercial also resonates, creepily. He even references his own work a bit. I spotted one link to NOS4A2, but I bet there are plenty more. I did not check the DNA of character names against the Stephen-King-Joe-Hill-character-database (there probably is one) of names used in their books, but generally, Joe has taken to tossing in refs to his dad’s work. These are always fun to spot. The writing of one particular character here is very reminiscent of Jack Torrance’s magnum opus in The Shining. Not so much the form, but the impact, and the revelation it contains about that character. As with the haunted Torrance, this guy blames others for all his problems. And shining is referenced as well, although of a sort different from that possessed by Danny at the Overlook, when the Camp Wyndham folks link up in The Bright. Hill has even said of The Fireman “it’s my version of The Stand, soaked in gasoline and set on fire.” So what comes next? Fire is often used as a cleansing image, in nature and religion. Burning the earth, as Maine, and the world, is scorched, may allow new growth, in the same way that new growth arrived in the years after Mount St Helen’s blew. Is that a factor here? Cleaning via fire so something new can grow? I won’t burn the ending for you, but it did suggest that Hill will be adding some logs to the flames of this story in future volumes. No inside intel, just a guess. I am tempted to suggest that readers of The Fireman will feel the burn, but that might imply that Hill has indicated a preference in the Democratic primary for Bernie Sanders. He has not. But I can say that The Fireman is certain to be both one of the hottest books of the year, and one of the coolest. Review posted March 25, 2016 Publication date – May 7, 2016 =============================EXTRA STUFF In the epigraph to the novel. Hill includes three diverse quotes, one from Springsteen, one from Mary Poppins, and one from Fahrenheit 451. All were sources of inspiration. It should come as no surprise that before settling on the final title, the original name for Bradbury’s classic was “The Fireman.” Links to the author’s personal, Instagram and Tumblr pages You can read an excerpt from the book on Entertainment Weekly Interviews ----- Joe Hill Calls Bullshit On The Crazy Artist Cliché on Buzzfeed – by Haley Campbell ----- Pouring Gasoline On the Fire With Horror Author Joe Hill on Writers Bone – by Sean Tuohy -----Interview: Joe Hill (Part 1) by The Geeks Guide to the Galaxy for Nightmare: Horror and Dark Fantasy Reviews of other Joe Hill Books -----Full Throttle -----Strange Weather -----NOS4A2 -----20th Century Ghosts -----Heart-Shaped Box December 6, 2016 - The Fireman is voted the GoodReads Choice award winner for Best Horror book of 2016 ...more |
Notes are private!
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it was amazing
| We can have democracy in this country, or we can have great wealth concentrated in the hands of a few, but we can't have both. - Louis D. BrandeisIt h We can have democracy in this country, or we can have great wealth concentrated in the hands of a few, but we can't have both. - Louis D. BrandeisIt has been a consistent element of modern life in the USA that the public polls as more progressive than our elected officials. Given that in a democracy one would expect representatives to more or less reflect the views of the people who make up the population, and not speak in opposition to them, this seems surprising at first blush. Yes, we have our extremist elements, but by and large, the political position of the majority of the nation is a bit left of center. And yet, there has been a remarkable shift in the nation’s political direction. At least the political direction of the professional political class, elected officials, lawmakers, government executives, members of the judiciary, political operatives, lobbying organizations, interest groups. This pushing of the political gauge, this redefinition of what constitutes the center in American political thought, can only be understood by looking below the surface at actions that have been going on for decades, stealthily, effectively, dangerously. [image] Jane Mayer - from WashingtonNote.com There is a cancer on American democracy. It began with the accumulation of unimaginable amounts of capital in a few hands. It spread through targeted application of that money to the political process, under the fig leaf of philanthropy, and has metastasized into a life-threatening malignancy. It does this through the application of billions of dollars to stealth organizations, set up specifically to propagandize against government programs and policies that the uber-rich oppose. It does this through the application of billions of dollars to tar political candidates who are not with the program, regardless of party affiliation. It does this through application of billions of dollars to programs promoting the redrawing of voting districts to minimize and eliminate, where possible, the chances that candidates with any respect for democracy might be elected to public office. It does this by applying untold millions to target those who expose their secret doings, whether that means going after whistle blowers, within their own organizations, whose consciences have outgrown their need to earn a living, their fear for their personal safety, or following, investigating, smearing and attempting to intimidate journalists who dare to speak (and document) truth to power. The only question at this point is whether it is, even now, too late to prevent the oligarchs from amassing total power within the USA, and beyond. Is democracy already at Stage 4? If it is, it will be no problem identifying those guilty of democricide. Of course it will be impossible to prosecute them, as they have gained considerable control of the courts that were once upon a time a barrier to the dismissal of the national interest by the uber-wealthy. Consider, even now, how none of those responsible for the economic meltdown have seen the inside of a cell. The truth is becoming ever more stark, ever more frightening. There is no law, only power. And the big money group has the biggest army in town, having gained control of Congress, and the judiciary, and they are very much hoping to get their greedy paws on the presidency. Be afraid. Be very afraid. [image] Charles Koch - from USA Today So how did this dire state of affairs come to be? Jane Mayer digs through history and shows us, stage by stage, how fanatical right wingers with vast sums, have moved from the political fringes to the mainstream, not by, themselves, shifting, but by using the gravity of their money to pull the mainstream closer to their far-right positions, positions erstwhile right-wing centerfold William F. Buckley once called ”Anarcho-Totalitarianism.” [image] David Koch - from artnews.com There are two parallel tracks in Dark Money. One looks at the mechanisms by which the oligarchs have converted their money into political power, and thus into even more money. And the other is the personalities behind this movement. Although calling it a movement may be offering more credit than is due. It is less a movement than a well planned putsch. Think of the dark-hearted spouse who feeds an ailing partner increasing doses of poison, evading suspicion, and then inheriting an entire estate. There are plenty of billionaires on display in Dark Money, but the primary focus of the book is the brothers Koch, particularly David and the leader of the pack, Charles. We peek into the family history, which includes providing significant material support to Stalin and that other moustachioed European dictator as they ramped up for WW II. The brothers’ father, Fred, was so smitten with what he saw as the German work ethic that he hired a German nanny for his sons. Think Nurse Ratched, complete with white uniform and pointed cap. Freud would have had a heyday with this one. She made the boys defecate at the same time every day, and if they did not produce, it was cod-liver oil and enemas. And read them stories from sundry cruel German children’s books, including Der Struwwelpeter, which includes warnings about horrifying things that might happen to misbehaving children. These include being burned alive, starving to death for refusing to eat a particular kind of soup, and having ones thumbs cut off for the crime of sucking on them. It is the sole place in the book where one can actually feel sorry for these kids. Excited about the Nazi conquest of France, this anti-Poppins spit-spotted back to Germany to join in the celebrations. Papa Fred was not one to spare the rod, and physical abuse of his children was a significant feature of their less than joyful upbringing. Frederick Koch the elder was certainly a dark force. Ever eager to bring the joys of fascism home, he was an ardent supporter of the fanatically and paranoiacly anti-Communist John Birch Society. (In 1978, he declared, “Our movement must destroy the prevalent statist paradigm.” - p3). Charles embraced the Birchers as an adult, but it may have been just to suck up to his old man and gain a favorable seat at the inheritance table. However, while his allegiance to the Birchers may have less than whole-hearted, he does appear to have incorporated much of what they stood for. Charles was much taken with a nutjob named Robert Lefevre, who established what he called The Freedom School. Notable among its teachings was a view that the robber barons were heroes. LeFevre was basically opposed to any form of government. Charles seems similarly inclined. The Brothers Koch have also had their own power plays within the family, dragging each other through lawsuits, and even threatening to out one brother suspected of being gay. Other members of the billionaire (mostly) boys club and their political fellow travelers come in for a look as well. Richard Devos, head of Amway, for example, and Richard Mellon Scaife. And there does seem a considerable proportion of these folks who suffer from significant mental illness and/or substance abuse issues. But the peregrinations of the Kochs is the primary focus on the personality side. Of far greater interest is learning what these people want and how they have gone about building a massive machine to manufacture it. In 1980 David Koch ran for vice president on the Libertarian Party line. The party’s platform was an almost exact replica of the Freedom School’s radical curriculum. It called for the repeal of all campaign-finance laws and the abolition of the Federal Election Commission (FEC). It also favored the abolition of all government health-care programs, including Medicare and Medicaid. It attacked Social Security as “virtually bankrupt” and called for its abolition too. The Libertarians also opposed all income and corporate taxes, including capital gains taxes, and called for an end to the prosecution of tax evaders. The platform called for the abolition too of the Securities and Exchange Commission, the Environmental Protection Agency, the FBI, and the CIA, among other government agencies. It demanded the abolition of “any laws” impeding employment—by which it meant minimum wage and child labor laws. And it targeted public schools for abolition too, along with what it termed the “compulsory” education of children. The Libertarians wanted to get rid of the Food and Drug Administration, the Occupational Safety and Health Administration, seat belt laws, and all forms of welfare for the poorThis is what they want. And this is how they have gone about getting it. [In the late 1980s, Richard Fink], after studying the Kochs’ political problems for six months, drew up a practical blueprint, ostensibly inspired by [right-wing icon, economist Friederich] Hayek’s model of production, that impressed Charles by going beyond where his own 1976 paper on the subject had left off. Called “The Structure of Social Change,” it approached the manufacture of political change like any other product. As Fink later described it in a talk, it laid out a three-phase takeover of American politics. The first phase required an “investment” in intellectuals whose ideas would serve as the “raw products.” The second required an investment in think tanks that would turn the ideas into marketable policies. And the third phase required the subsidization of “citizens” groups that would, along with “special interests” pressure elected officials to implement the policies. It was in essence a libertarian production line, waiting only to be bought, assembled and switched on.In the same way that those seeking to promote war use mercenaries, so that voters need not be concerned about Johnny becoming cannon fodder in some pointless foreign adventure, the warfare that is politics has likewise been outsourced. Prevented by law from contributing mass quantities to your favorite tax cutter? Not to worry. Just set up a non-profit foundation and have the foundation redirect your contributions to Astroturf political creations where foundation money is magically transformed into a paid-in-full army of attack ads. And this is legal? Democracy? We doan need no steenking democracy. ==========In the summer of 2019 GR reduced the allowable review size by 25%, from 20,000 to 15,000 characters. In order to accommodate the text beyond that I have moved it to the comments section directly below. You can find it in comment #41 [image] ...more |
Notes are private!
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Feb 05, 2016
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| 0316386537
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it was amazing
| ...the days of community policing were over. The world was a bottleful of sparkling darkness and the cops were charged with keeping the cork in it ...the days of community policing were over. The world was a bottleful of sparkling darkness and the cops were charged with keeping the cork in it while the rich shook and shook.The contradiction inherent in the title is realized in Your Heart is a Muscle the Size of a Fist as Sunil Yapa, in his remarkable first novel, brings us inside the 1999 anti-WTO protests that rocked Seattle. Over the course of a single day the seven main characters struggle with rage and love, alienation and connection, honor and shame, sacrifice and safety. [image] Sunil Yapa - from NPR Victor is a mixed race 19-year-old, back in his hometown after several years tramping through the world. He wanders out one morning, looking to sell a bit of weed, when he stumbles into a small gathering of 50,000. Timothy Park is a cop with major scarring on his face, and anger management issues. Julia is his partner, born in Guatemala, and formerly a cop in Los Angeles. She has some issues of her own. John Henry is a militantly peaceful protest organizer, challenged to maintain his cool when the local constabulary start going all Rodney King on the protesters. The mononymous Kingfisher, better known as King, despite her gender, shares Henry’s commitment to protecting the environment, but has crossed a line or two in doing that, and, her heart far from immaculate, is constantly disturbed by the murmur of a large secret. Dr. Charles Wickramsinghe is a Sri Lankan minister, eager to meet with President Clinton, expecting that the WTO meeting will usher Sri Lanka into the worldwide economy, and pump up living standards for his countrymen. He runs into a bit of a problem, though, when he gets caught in the crowd of demonstrators and is treated by the cops as they are treating the locals. [image] WTO Go To Hell - this and subsequent images from the demo are taken from the Seattle Post Intelligencer Police Chief William Bishop is under high pressure from the Mayor to make sure the delegates can get to the WTO conference. He had been expecting a much smaller, more manageable crowd. He had done a poor job taking the pulse of the gathering and is now overwhelmed and pushed into a corner. Nine hundred cops are clearly not sufficient to manage a multitude of such dimensions. He would very much prefer to be the good cop in this scenario, using persuasion and negotiation with the protesters to reach mutually agreeable accommodation, find a safety valve, keep things flowing, avoiding a large arrest scenario, but he really has to unclog several intersections and keep crucial arteries clear, whether with words or other means. He keeps a keen eye out, hoping to see his son, the one he had raised as his own ever since marrying the boy’s mother, the one who had fled three years ago after his mother died, the one who is now living in a tent under a highway overpass, Victor. [image] Do Not Block Intersection - showing the sort of vehicle Park and Julia were on There are two main elements at work here. One is a look at a place and time in history, a vision that considers politics, economics, race, and gender, the novel’s informational payload. The other, at the heart of the book, is the range of emotional journeys that Yapa’s characters undergo. All have depth, history, internal contradictions and drives. No one emerges unchanged. 1999, on the cusp of the millennium, was a time when disparities in income, working conditions, and environmental protections between the first and third worlds were gaining some attention, a time before 9/11, when the powers that be would take advantage to portray all dissent as treason. A movement was bubbling up and would spill over in subsequent demonstrations in other cities. It was certainly not the first time armed police had attacked unarmed civilians. That has been happening for as long as there have been police. But capital was circulating in new ways. The corporations of the world wanted the freedom to move their investments anywhere on the planet with as little resistance as possible. They wanted to move jobs that had been filled by Westerners, you now, those pesky unionized sorts, with actual rights and expectations, to places where the pay scale was a fraction of what it was in the West, and where they did not have to put up with all those sclerotic-seeming environmental and safety regulations. Not that there was a shortage of companies in North America and Europe more than willing to ignore the rules and pollute at will, externalizing the cost of cleanup onto exploited communities, while evading taxes on their profits, but they could make even more money by taking their production facilities to more pliable states. This was what the demonstrations were about, not opposition to global trade, but opposition to the sort of exploitative trade that was becoming more and more the standard. Sure, we’ll bring our businesses to your impoverished country, but first we have some conditions. The demonstrators got what the game was and were voicing their objections. Some say the heart is just like a wheel, when you bend it, you can’t mend it. - from a well known song by Anna McGarrigleSeveral of the seven main characters are trying to fix that dented rim. Bishop has suffered the heartbreak of loss, and wants his son to learn that attachment, that caring leads to crushing disappointment. Victor is trying to fill the void left by the loss of his mother and his falling out with Bishop. King, who has become a cop-whisperer at such gatherings, who sees herself as someone “with only love in her heart,” has blackened that heart with a terrible act, and carries the guilt with her every day. And what if the goodness of the human heart was not assured? King knew she would remember, drifting toward sleep some day far removed, the solid thump the wood made falling upon him. It was the sound of the true heartbeat of the world, and once it had been heard, there was no way to stop hearing it. Thump-thump. Thump-thump. And what was it in that long and prolonged instant—what was it that told her this pain would go on forever? What was happening there was no erasing. There would be no apologies, no forgetting, no reconciliations. Just the opening to the pain that is your friend dead or shot or starved or beaten. Disappeared into the place where the disappeared die. She saw six cops standing over him and there was something in the way their fists rose and fell that made her heart want to stop. Like a clock that had run out of time.John Henry leads and endures in the turmoil of the protest - they would not stop until they had accomplished what their hearts had demanded they do. Wikramsinghe’s heart is with his countrymen, but he must guard it in the rough and tumble of negotiations. [image] And the meek shall inherit the pepper spray And each of the characters, in his or her own way, and whether or not they are taken over by lower impulses, is trying, not just to repair their own hurts, but to do the right thing for the world outside themselves. Bishop is trying to clear the intersections without anyone getting hurt, and desperately hoping to find a way back into his son’s life. Park and Julia are, mostly, following orders in service of the street-clearing goal, but contend with their own internal demands and impulses. John Henry, Julia and then Victor are each doing their part to try to shut down the WTO meetings, non-violently. Dr. Wickramsinghe is trying to get the best possible deal for his country. No cartoon baddies here. The characters are held up side by side. Julia and King, for example are both very tough young women, each with a strong moral sense, each with guilt, each faced with challenges to their sense of right and wrong. John Henry and Park both endured hardships that tested their character. We see how each responds to the challenge of the demonstration. [image] The Seattle Gasworks At a recent book tour event Yapa called this a “father-son story.” And it is indeed that. The pain Bishop experiences at the loss of his son, the loneliness, the absence rivals the struggle that Victor goes through trying to fill the emptiness he feels. Their relationship not only permeates the novel, it braces it. The heart wants what the heart wants, even if the heart is not always able to articulate what that might be, even if it may not know how to go about filling its needs, even if it is not quite sure what those needs are. I was reminded of the TV series Sense8, (a bloody amazing TV show) not for the woo-woo element, but for the skillful weaving together of the individual stories into a coherent whole, a portrait of a time and place, a consideration of real emotion as connecting tissue among the (mostly) well-realized characters. That is a show that rises above the rest. There is some exquisite writing in this book, poetic, exultant, and insightful that lifts it above the crowd as well. The Heart is a Muscle the Size of a Fist will give your ticker a workout, in opening your heart to these characters, and in fanning the flames of rage at how dark some hearts can be. You will learn something about what it is like to be on both sides of such large confrontations, maybe pick up a little about the vagaries of international trade and power relationships. But mostly you will get to see and feel how the mayhem of that day is experienced by each of these seven characters, and maybe join them in considering some larger questions as well. Heartily recommended. Review First Posted – 2/12/2016 Published – 1/12/2016 =============================EXTRA STUFF Links to the author’s personal, Twitter, Instagram, and FB pages The author’s piece for LitHub.com on HOW TO LIVE CHEAPLY AND FINISH YOUR NOVEL - SUNIL YAPA'S THREE RULES FOR THE WRITING LIFE, in which he tells about losing the entire and sole copy of the novel. Oops. Yep. Yapa had to rewrite the entire novel from scratch. Now, that’s determination. Interviews -----video - Late Night with Seth Meyers - part 1 - availability will expire 1/13/17 -----Part 2 of the interview - availability will expire 1/13/17 Awards -----Amazon Spotlight Pick January 2016 -----Barnes and Noble Discover Great New Writers Winter '16 -----Indies Introduce Pick Winter '16 -----Indie Next Pick Jan '16 Items about the WTO demonstrations ----- 30 Frames a Second: The WTO in Seattle is a fascinating documentary about the Battle in Seattle by Rustin Thompson -----An excellent history of events from the Seattle Post Intelligencer ----- A nice piece that pulls together all the issues involved - WTO Protests in Seattle, 1999- from GlobalIssues.org- by Anup Shah ----- The Dark Side of Globalization: Why Seattle's 1999 Protesters Were Right : The WTO demonstrators were the "Occupy" movement of the late-20th century—mocked, maligned, and mostly right – by Noah Smith - from The Atlantic, January 6, 2014 Music -----In the text of the review, I included a link to the Linda Ronstadt version of the song Heart Like a Wheel. Here is a link to the original, performed by Kate and Anna McGarrigle -----Here is a link to the lyrics of the song Your Heart is a Muscle the Size of Your Fist, which I imagine figured into the naming of this book -----And a link to a performance of the song by its makers, Ramshackle Glory- an anarcho-punk band with many members, based in Tucson, AZ. ...more |
Notes are private!
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Feb 2016
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Feb 05, 2016
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Feb 01, 2016
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Hardcover
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5
| 0062400363
| 9780062400369
| 0062400363
| 4.20
| 3,768
| Apr 05, 2016
| Apr 05, 2016
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it was amazing
| For 130 years, pitchers have thrown a baseball overhand, and for 130 years, doing so has hurt them. Starter or reliever, left-handed or right-hand For 130 years, pitchers have thrown a baseball overhand, and for 130 years, doing so has hurt them. Starter or reliever, left-handed or right-handed, short or tall, skinny or fat, soft-tossing or hard-throwing, old or young—it matters not who you are, what color your skin is, what country you’re from. The ulnar collateral ligament (UCL) , a stretchy, triangular band in the elbow that holds together the upper and lower arms, plays no favorites. If you throw a baseball, it can ruin you. When the UCL breaks, only one fix exists: Tommy John surgery…More than 50 percent of pitchers end up on the disabled list every season, on average for two months—plus, and one-quarter of major league pitchers today wear a zipper scar from Tommy John surgery along their elbows.Major League Baseball (MLB) currently spends about $1.5 billion a year on pitchers. There is considerable financial incentive for organized baseball to find a solution to this epidemic of injury. And there is certainly plenty of human need on the part of players and their families for something to be done. How did this plague of injuries come to be and what can be done about it? [image] Jeff Passan - from the Sports Journalism Institute Jeff Passan is currently a sports journalist at ESPN. He got loose, picking up his journalism degree at Syracuse in 2002, did some soft-toss, covering Fresno State basketball for two years, warmed up his baseball writing in the hardball beat at the Kansas City Star for two years, and was been in the starting rotation with Yahoo for thirteen before taking his latest gig. “My dad worked at The Cleveland Plain Dealer for 40 years, so I knew what I wanted to do when I was 12 years old,” Passan said. “I was very lucky. My dad has been editing my stuff for 20 years now and I can say he’s the best editor I’ve ever had.” - from SJI articleI am sure his editors at Yahoo will be thrilled to know that. He co-authored Death to the BCS: The Definitive Case Against the Bowl Championship Series, published in 2010. The Arm is his first solo book. Mostly, I wanted to understand this for my son. He was five years old. He loved baseball. He wanted to play catch every day. He was hooked, like his dad. And the more I heard stories from other parents—of their sons getting hurt or boys they know quitting baseball teams because their arms no longer worked—the more I needed to figure out what was happening to the arm.Passan takes parallel approaches to his subject, mixing hardball facts with softer stuff. There is a lot of information to impart. He compares the current injury rate and occupational environment to those of the past. He looks at the structure of the arm, considers the stresses it endures and presents competing theories on the causes of the current epidemic. He spends time with experts in the current state of UCL injury medicine, and talks with several proponents of alternative approaches to injury prevention and rehabilitation. One of these is Doctor Tommy John, Jr. And yes, Passan does talk with TJ Senior as well. He examines promising models for the future, including one new surgery that could have a dramatic impact on recovery time and another training approach that shows promise as a way of preventing the injury in the first place. He follows through, making a large point of showing that many of the current approaches to prevention and rehab are based more on wishful thinking than on hard science. He also goes the distance, traveling to Japan to look at how things are done there, and seeing if their approach is better or worse for arms. [image] Todd Coffey - from redmtnsports.com While I revel in theory and data, there are many for whom it is much more informative to see how this widespread and growing problem affects actual humans. Analyzing the causes and effects, lost revenue, and lost time can leave one remote to the impact on living players and families. Passan’s other, softer approach comes in here. He had hoped to find one pitcher who would allow him to tag along through the entirety of his Tommy John process. He managed to find two. The emotional, human heart of The Arm lies in the stories of professional pitchers Daniel Hudson of the Diamondbacks and Todd Coffey. Coffey succumbed to a need for Tommy John a second time while pitching for the LA Dodgers. Passan is our eyes and ears as we accompany Hudson and Coffey on their painful sojourn from the Major League venue, through surgery and rehab, and their daunting struggle to make it back to the show. It may take a team to win a pennant, and a medical team to stitch up a damaged limb, but it takes supreme dedication to a lengthy and tedious rehab program, persistent optimism and a supportive family, to lift a player from the depths of a career-threatening injury back up to a place where the lifetime dream of pitching in the major leagues (and the income associated with that career) might again be realized. The physical pain of a UCL tear can be intense. The emotional pain on display here is heart-rending. The struggles the players endure are intense and long-lasting, the triumphs uplifting, the defeats crushing. [image] Daniel Hudson - from ESPN One of the joys of The Arm is when surprising bits of information drift past like an Eephus pitch or an RA Dickey knuckler. There was a time when surprising solutions were tried to address arm problems. In the 1950s in Brooklyn (not Victorian London) doctors working for the Dodgers actually extracted teeth from prize pitching prospect Karl Spooner. “They thought poison was coming down his shoulder,” said Sandy Koufax. One shudders to imagine what they might have tried when faced with a knee injury. Passan offers some chin music to organizations like Perfect Game, an entity that, among other things, organizes tournaments for promising young (sometimes absurdly young) amateur players, and has played a significant role in youth baseball. I had never heard of it before, and had no notion the impact such entities have had. In the absence of a better solution to this ongoing plague, and looking to biotech for an edge, I would expect that at some point in the not too distant future, MLB teams will require players to provide DNA and maybe even tissue samples for use by advanced labs so they can grow the parts that might someday need repair or replacement. (It does conjure a ballpark image for me of stadium hawkers peddling cold ones of a different sort from a beer cooler. “Getch yer tendons, heah,” but that’s just me.) [image] A nifty look inside – from TopVelocity.net There are some hopeful signs (one finger for likely, two for less certain?) for being able to stem this problem in future. Flush with a large sack of TV moolah, the Dodgers have invested some real money in an in-house think-tank looking at player health issues. As Passan points out, it would be better for the resulting intel to be available league-wide, rather than held by one team for competitive advantage, particularly as the Tommy John plague has struck children at an alarming rate. There is some promising research that looks to the relationship of forearm muscles to the UCL. Maybe forearm training can do for torn UCLs what increased shoulder muscle training did to reduce career death by torn rotator cuff a few decades ago. Jef Passan has the smooth delivery one would expect from someone who writes every day about sports. He drops in occasional dollops of absolutely lovely description like a 12-to-6 hook. The Currents Lounge inside the Hyatt Regency Jacksonville is a paint-by-numbers hotel bar, with a few flat-screen TVs, a menu of mediocre food, and a broad liquor selection to help people forget they’re drinking in a hotel bar in Jacksonville.It generates an urge to look around and find out where the down-at-the-heel PI is hoisting another ill-advised shot while waiting for a femme fatale client. Another: Nothing beats a major league mound, a ten-inch-high Kilimanjaro that few get to climb. Nobody in team sports commands a game like the pitcher. He dictates the pace and controls the tempo. A goalie in hockey or soccer can win a game with superior reaction. A pitcher prevents action. There is great power in that.So, a sweet, writerly changeup to go with his intel-rich heater. I have a particular interest in the subject matter here. A baseball fan since gestation, a Mets fan since their birth, I have been drooling over the possibility of (no, not tossing up a wet one) another trip to the MLB finale for my team, an organization with a collection of elite arms rarely seen in the history of the game. As a Mets fan forever, I am also far, far too familiar with the impact injury can have on the team, on any team. My Metsies’ chances flow nicely down the drain should the arms on which team hopes rest succumb to injury. Three of the five have already had Tommy John surgery, Zach Wheeler, Jacob DeGrom and Matt Harvey. How long can it be before Noah Syndergaard and rookie Steven Matz fall prey? As I was preparing this review, I came across an item of particular interest on the NY Mets site. Mets rotation features rare trio of flame-throwers, which focused attention on Noah Syndegaard, possessor of one of the most blazing fastballs in the game, and was reminded of one of the bits of intel in The Arm, namely that the higher the pitch speed, the likelier a pitcher is to be injured. The path from flame-thrower to flame-out is well worn and covered in the ash of lost dreams. And what if one of the already cut three should fall again? I am sure baseball fans everywhere share similar concerns. Even though, as followers of the national sport, we really have no impact on what happens on the field, it would be nice to at least be able to talk about the injury horrors from a base of knowledge, instead of the more usual dugout of pure, ill-informed bias. Passan’s The Arm offers fans that opportunity. If, like me, you get a bit queasy, reading detailed descriptions of bodily innards, if, like me you experience what seems phantom sensations in your joints when reading about things that may go wrong there, if, like me, you still have tenderness or feel far too vulnerable in body parts like those under consideration here, The Arm will lean on all those buttons and feed your inclinations toward physical discomfort. On the other hand (the good one) if you are a baseball fan (check), player (sadly, no), a coach (once, for many years) a parent of a player, or several (long ago), or a friend or a relation of a player, get over the quease, have a drink, or apply whatever substances, legal or prohibited, ease the condition (no, not an ice-pack to the elbow, but if that works, well, sure, why not), whatever will get you past the discomfort, and shake it off. Jeff Passan's opus is truly a sight for sore arms and must read for you. Review first posted - February 5, 2016 Publication Date – April 5, 2016 BTW - November 16, 2016 - Rick Porcello of the Boston Red Sox was awarded the American League Cy Young award. In April 2015 he had Tommy john surgery. Pretty frackin' amazing! ==========In the summer of 2019 GR reduced the allowable review size by 25%, from 20,000 to 15,000 characters. In order to accommodate the text beyond that I have moved it to the comments section directly below. [image] ...more |
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Jan 25, 2016
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Jan 30, 2016
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Jan 25, 2016
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| 3.91
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| May 10, 2016
| May 10, 2016
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it was amazing
| He was extremely adept, had started hunting small game with his grandfather at the age of seven. Landreaux took the shot with fluid confidence. Whe He was extremely adept, had started hunting small game with his grandfather at the age of seven. Landreaux took the shot with fluid confidence. When the buck popped away he realized he'd hit something else--there had been a blur the moment he squeezed the trigger. Only when he walked forward to investigate and looked down did he understand that he had killed his neighbor's son.Louise Erdritch uses a wide palette. She draws a core event in strong lines, then brings together a diverse range of textures, shapes and colors, mixing, matching, highlighting, smudging, lightening and darkening to make an amazing picture, more mural than something readily contained inside a frame. We know from the little text that precedes the shooting that Landreaux Iron's family and Peter Ravich's family are close. Their wives are half-sisters. Their children play together. They share and trade with each other, and the families help each other out. Faced with the horror of Dusty Ravich's accidental death, Landeaux, seeking to atone, looks for guidance in tradition, and in a sweat lodge ceremony arrives at a solution. Landreaux and his wife, Emmaline, would give their son, LaRose, to the Raviches. [image] Louise Erdrich - from NPR LaRose Iron is a very special eight-year-old, with a name that goes back generations. One of the brightest colors in LaRose is family history. The history which runs in his veins is manifest in kindness and wisdom far beyond his years. He's a great kid and you will love him. We see back to 1839, when the first LaRose was a girl, sold by her desperate mother for food. We follow her journey. There are looks back to the history of several other characters, with particular focus on their experiences in BIA schools. I wanted to write something with LaRose, I had the title—I always have the title. The rest of the book really collects the stories, the language, the characters, they collect around the title. So I knew I would write about LaRose. I had forgotten, though, that there was a LaRose far back in our family history. I really don't know anything about this LaRose, but I know the approximate dates when she lived. So I constructed a historical set of LaRoses, and then I worked out the traumas and the difficulties and everything until we came to this LaRose.We follow not only the travails of Landreaux, and LaRose having to cope with his abruptly different family situation, but with Emmaline Iron as she yearns to have her son back, and Peter and Nola Ravich as they grieve for their lost child and try to incorporate his replacement. There are wonderful characters beyond. Both the Irons and Raviches have daughters. Maggie Ravich, who we meet as barely a teen, is a particularly fierce and moving personality. Romeo Payat is a person of less than stellar character. He and Landreaux were friends once, but Romeo suffered physical damage as a result of an adolestent adventure Landreaux led, suffered emotional disappointment as well, and spends much of his waking life plotting his revenge. A local good guy of a cleric (carried over from The Round House) struggles with his mission, his sobriety, and his vows. One of Louise Erdrich's many strengths as a novelist is that central to her work is the distinct hue of her Native American culture. Thus her 21st century characters incorporate ancient Ojibwe lore and religion in their lives, just as their 1839 ancestors did, including origin myths. There is considerable magical realism on display. Fantastical things, light and dark, take place. Disembodied, flaming heads pursue their killers. A starry spirit light flies to a welcoming womb and takes root. Astral projection is a reality, although not for all. One character is joined with an owl spirit with positive effects. Another is seen to be hanging out with the spirit of a lost friend. The lines between the material and the spectral have been nicely smudged. Guilt-driven hallucinations highlight several scenes. Did you see what I saw? Was that really there? As she did in her previous opus magnum, The Round House, Erdrich mixes in a bit of sparkle in the form of secular cultural lore. In the last book, it was Star Trek NG. Here, kids quote from Blade Runner and reference robot flicks. Older Western culture colors the native experience as well. Xenophon's Anabasis and William Ernest Henley's poem Invictus tint the historical portraits. Contemporary (1999-2002) reality offers up a rich store of material as well. The lie-based Operation Enduring Freedom finds an echo in personal behavior, with consideration of the benefits of disarmament. Y2K figures in as well, with one character going a bit Y2Krazy overpreparing. In a recent interview with Claire Hoffman for Goodreads, Erdrich says: Well, the book really is about disaster in some ways. On the first page you thought something would happen, but not what did happen. And this is the same thing that happened with Y2K: We thought something would happen, everyone was prepared, and then what happened was 9/11.Gripes? Well, only one, really. Erdrich yields to an impulse to insult one particular religious institution with a juvenile bit of low humor. Not that I do not enjoy some pre-ad yucks, and not that I am a huge fan of organized religion. But it seemed out of keeping with the rest of the book, without adding anything worthwhile. There are some lines that run throughout that you might want to keep an eye on. Losing children (whether accidentally, or accidentally on purpose) is popular here, which certainly highlights the importance of community ties and maintaining a wide family network. Opacity of spirit darkens the scene for this or that character from time to time. (That's always the struggle—where is the balance between the decency and brutality? And that's a struggle that is embodied in Romeo. ) The challenges of coping with being dealt a lousy hand figure large. (I tried to not make it about grief and instead make it about the way people live.) But the primary line running through LaRose is redemption. Making things right, emotionally and spiritually if not always physically, is a challenge for more than just Landreaux. Louise Erdrich not only tells amazing stories, she tells them with a lyricism, with a beauty that is rare, rich, textured, and ecstatic. She mixes the contemporary with the historical, wisdom with foolishness, crimes with punisments, individual and communal, guilt with redemption, violence with justice, beauty with ugliness, the mundane with the magical, tragedy with comedy. You might have to mentally step back a few paces, maybe take a spot on a cushioned bench far enough away from this large image to fully appreciate it. Then move closer to give individual sections a finer look. There is a lot to see, and all of it is wonderful. In a rare feat, Louise Erdich has followed one great book with another. LaRose is an outstanding novel, engaging, emotionally rewarding, and a definite must read. Publication ----------May 10, 2016 (Hardcover) ----------April 18, 2017 (Trade Paperback) Review Most recently updates - April 23, 2021 =============================EXTRA STUFF Links to the author’s personal and FB pages Erdrich's personal site redirects to the site Birchbark Books. She owns the store. The poem Invictus is cited in the book As is Xenophon's Anabasis, an ancient tale of a great journey that informs the experiences of the first LaRose Other Louise Erdrich novels I have reviewed -----2021 - The Sentence -----2020 - The Night Watchman -----2017 - Future Home of the Living God -----2010 - Shadow Tag -----2012 - The Round House -----2008 - The Plague of Doves -----2005 - The Painted Drum Don't miss Ron Charles's magnificent review of this book at the Washington Post November 23, 2016 - LaRose is named to the NY Times list of 100 Notable Books of 2016 March 16, 2017 - LaRose wins the National Book Critics Circle Award for fiction ...more |
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Jan 15, 2016
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Jan 15, 2016
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| 3.77
| 381
| Feb 02, 2016
| Jan 19, 2016
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it was amazing
| Dear Murph, Dear Murph,In the beginning was the word. If so, what signals the end? Is the end silence? Another, different word? A not word? And once you go, wordy or silent, what remains? Have I told you about this? A life examined, a life remembered, a life imagined, a life still lived, a rich life, a passionate life, a life experienced to the fullest, with all the joys and miseries, gains and losses that entails, a good life, a long life, a life filled with poetry, a life of the mind and the body, an interesting life, a life story that is heading into the final chapters, a life shared with others, a life you will want to share. A writer and a mystery man walk into a bar. The man, Jack, tells the writer he is dying, but cannot bear to tell his wife, says he does not know how, figures that if anyone could do it, it would be a famous poet. After putting him off, Thomas, a writer of some renown, agrees to do the deed, agrees to meet the wife, thus opening another chapter in his life. While that will indeed be another chapter in a life, there are no chapters in this book. Thomas Murphy is made up of many small currents in a stream of consciousness. Recollections, observations, musings, inventions, tall tales, short tales, dreams, things that are and things that are not. (I counted 134, but I could be off by a few) We are regaled by the Thomas Murphy of the title, Murph, to most, who began on the Aran Island of Inishmaan, a bustling metropolis of about 160 souls, not counting livestock, imaginary beings, or dead ancestors, a place he visits in both his memory and imagination. As did many of his heritage, Murph emigrated to New York City, where he plied his trade as a writer for nearly half a century. He is a charming sort, someone who might have his own personal chip of Blarney Stone available for regular smooching. But his charm is nothing to his neurologist. [image] Roger Rosenblatt - from the Easthampton Star Rosenblatt knows a bit about the Auld Sod I know I don’t look it, but I’m Irish. I lived in Ireland for a while, my first child was conceived in Ireland, I speak a little Irish, I went back last year, I’ve been back a few times, there’s something in me — I don’t know, maybe the milkman was Irish — that grabs and embraces that country. Add that to the fact that my great, dear friend McCourt, he was a great guy. And he and I talked together in the department where I teach now, and we drank together and sang together — if you think I’m good, and boy am I good, you should’ve heard McCourt — we used to sing all night. I don’t know why this stirred in me before, but I wanted to write a satirical model, and I tried twice. And I started channeling McCourt. I could hear his voice in the dialogue. - from the Chautauquan interviewMurph has been losing his grip a bit of late. Leaving the eggs boiling long enough to start a fire in his kitchen; trying to open the wrong doors in his Upper West Side apartment building; walking into a friend’s pool, while fully clothed, having the odd hallucination. He keeps putting off return visits, fearful he will be declared mortal, and flawed, with the corresponding threats to his freedom that such a judgment entails. And that freedom means a lot to him. It means time with his four-year-old grandson William, time with the friends who remain, time to teach a class on poetry to the homeless, time to hoist a pint at a local watering hole, time to talk to each of the objects in his apartment, as a way of connecting, or maybe saying goodbye, to the love of his life, his late wife, Oona, gone a year. He grieves as well for the death of his closest pal, Greenberg. Thomas Murphy is a meandering tale, a collection of observations, recollections, musings. If you could capture the image of an entire life in a mirror, then accidentally (on purpose) drop the thing on the floor (of a favorite watering hole, perhaps) the life would still be there, but in diverse bits. That’s Thomas Murphy. Look at this bit, then that. It is not totally random of course. The chronological threads are Murph being informed that he is facing some meaningful personal brain drain and coping with that, or not, and also his relationship with a much younger woman. What is death? If your mind goes, do you leave along with it? What is life? Is a life disconnected from one’s mind a life at all? What is a poet who has no words? There is so much here on connection to people, history, to memory, and to the beauty that surrounds us, sometimes in surprising places. You will laugh out loud, and may wet a tissue or two. But you will not be unmoved. I was particularly touched by the scenes of Murph with his grandson William. They are fueled, no doubt, by Rosenblatt’s real-life experiences, as detailed in his memoir, Making Toast. In that book, he writes of having lost his 30-something daughter to a heart condition and moving in with his son-in-law and grandchildren in order to help out. The man knows a thing or two about being a grandfather and it permeates this book. It is the wit and intelligence of Murph’s thought process and the deep feeling that travels alongside that make this a work of grandeur, a thing of beauty. Not only facing one’s inevitable demise, but offering ongoing thought and a poet’s view on the human condition, Thomas Murphy is a book of immense power, emotion, humanity, and transcendent joy. Don’t walk, don’t even run to your nearest bookstore (well, those of you who, like me, remain minimally afflicted by e-books). Call a cab. Steal a car. Go! Now! (well, you might wait until the 19th, if you are reading this before then) There is no doubt about it. Thomas Murphy is a masterpiece, and should not be missed. Review posted – 1/15/16 Publication date - 1/19/2016 [image] [image] [image] [image] [image] [image] =============================EXTRA STUFF A wiki on the author An interview with Rosenblatt from The Chautauquan Daily Those not of the place are likeliest to have heard of the Aran Islands from the 1934 ethnofictional documentary, Man of Aran September 2018 - NY Times - Andrew McCarthy on a recent visit to the land of Synge - Ireland’s Aran Islands, Hiding in Plain Sight - on the islands as a place lost in time [image] On the road to Synge’s Chair, on Inishmaan, one of Ireland’s Aran Islands, which, as they did when the playwright J.M. Synge, can seem like places frozen in time. - Credit - Andy Haslam for The New York Times - from above article Yes, the Upper West Side building where Murph resides, The Belnord, is indeed a real place. Wiki on John Millington Synge an Irish writer of some note that Murph references from time to time ...more |
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Dec 16, 2015
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Dec 22, 2015
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Dec 18, 2015
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Hardcover
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| 9780062409201
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| 4.08
| 106,670
| Oct 04, 2016
| Oct 04, 2016
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it was amazing
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**spoiler alert** The Latest News and Articles from the Major Journals**spoiler alert** The Latest News and Articles from the Major JournalsCaptain Jefferson Kyle Kidd is in his early 70s. He sports a shock of white hair as evidence, but possesses a commanding stature and presence that make him seem years younger. Kidd makes a living as an itinerant newsreader. He visits places far removed from civilization, in this instance northern Texas, and reads to the locals newspaper items from around the world. No internet in 1870. Just as the news today has to take care about stepping on toes, Kidd must employ a keen sense of the crowds who come to hear him for ten cents a pop, informing his decisions on what stories might delight and educate and which ones might prompt a riot. He has begun to find his life thin and sour, a bit spoiled. While making his rounds he is approached by Britt Johnson, a freighter (materials hauler), and his crew. Britt (who appears in other Jiles work) leads him to a ten-year-old girl. She is unnervingly still. I am astonished, he said. The child seems artificial as well as malign. And thus begins a beautiful friendship. [image] Paulette Jiles - from Harper Johanna Leonberger had been abducted four years earlier, at age six, when a Kiowa raiding party slaughtered her parents and sister. She had been taken in by Turning Water and Three Spotted, regarding them as her real parents. She speaks Kiowa but no English. Her aunt and uncle had offered a considerable sum for her to be found and returned. Britt took care of the obtaining part, but a black man transporting a young white girl to southern Texas, where the end of slavery was not entirely accepted, seemed a risk too far. Kidd obliges and takes on the task of restoring the girl who calls herself Cicada to her biological family. This is a road trip of self-discovery, or some sort of discovery. Kidd slowly tries to gain Johanna’s trust, no mean feat, and see her safely home. There are challenges along the route, of course, brigands, morons, white slavers, unfriendly natural elements, the usual. What is magical here, and I do mean magical, is the growth in friendship between the old man and the young girl, as she slowly sees his kindness and wisdom and he sees her strength, intelligence and character. The language Jiles uses for expressing Johanna’s growing grasp of English is distilled delight. The other great treasure to be found here is the portrait of a time and a place. A frontier with an actual front, during the transition from Native American control to ouster by Europeans. Jiles offers a compelling look at the challenges faced by the invading whites (hostile locals, for one), without turning a blind eye to the challenges faced by the dispossessed people. She also offers appreciation for the culture from which Johanna had been taken. Jiles uses a few methods to mark the trail the unlikely pair follows. Birds are used liberally, as are descriptions of local landscape and fauna. You are there. The color blue is applied frequently, but I do not know if that is for a particular purpose. [image] Tom Hanks as Kidd and Helena Zengel as Johanna from the film - Image from Diversions You’d better call United Van Lines. You will be moved. It was all I could do to keep from sobbing aloud on the G train on an autumnal (finally) early morning in November. Maybe I could pretend it was the cool air that raided the car whenever doors opened at each station that was making my eyes leak. Yeah, I’m gonna go with that. But for those of you short on ready excuses, you might want to finish this book at home. Tissue box locked and loaded. So, not only is this book information-laden with period detail, not only is this book incredibly moving, but it is written with surpassing beauty and sensitivity. It is truly amazing that News of the World weighs in at only a little more than 200 pages, at a word count of about 56K. Don’t be fooled. This is definitely a case where size does not matter. I have no doubt that NotW will find its way onto 2016 top ten lists aplenty, meriting consideration for major awards, and deservedly so. For me, at least, this is the first GREAT book of 2016. Don’t miss it! Publication Dates ----- 10/4/16 - hard cover -----6/20/2017 - trade paper -----12/25/2020 - film release Review first posted - 12/3/15 =============================EXTRA STUFF The author’s personal website A Wiki page on the Kiowa Jiles recommends The Captured by Scott Zesch for a closer look at the experience of returned captives September 15, 2016 - News of the World is named to the long list for the National Book Award. Congratulations! October 6, 2016 - News of the World is named to the short list for the 2016 National Book Award for Fiction - Brava! October 12, 2016 - a dazzling review by Janet Maslin in the NY Times November 14, 2016 - News of the World is named to the KIRKUS list of the Best Historical Novels of 2016 An Aside – As with Sweet Girl and True Grit this book features an older man trying to help out a young girl. I am aware of no particular category for this, so will offer up a suggestion. SMYF, pronounced “smiff” (cockney for Smith?) for Senior Male Young Female. I know it might conjure inappropriate associations with other acronyms of a sexual nature, but it was the best I could come up with. Sometimes words fail me. I am open, very open, to something better. It wouldn’t take much. Help me out here, folks. Please. If there isn’t a better title for what is certainly a sub-genre of the road-of-self-discovery type, or the bildungsroman, I’m not an oversized Mic. SMYF no more. With Sandra's rec in comment #1, I am throwing my support behind OMYG, unless someone comes with something even better. ...more |
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Nov 11, 2015
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Nov 15, 2015
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Nov 11, 2015
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Hardcover
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3
| 0062413473
| 9780062413475
| 0062413473
| 3.71
| 1,258
| Aug 02, 2016
| Aug 02, 2016
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really liked it
| In the hills grudges never died, they remained as they took place, as the words were uttered, since there was nowhere for them to go, nothing to b In the hills grudges never died, they remained as they took place, as the words were uttered, since there was nowhere for them to go, nothing to break them apart, the soft edges of the hills offered nothing hard enough to smash the anger, nothing sharp enough to cut through the Gordian knot, so it lived fresh, undeniable as the first day. In the hills there were only first days, no history. Nothing was allowed to die. They marked time by the growing list of wrongs until its weight pulled them under and they vanished, smothered with the breath of sand in their mouths.X-Ray heaven and you may not like what you see in the underyling structure. The wind blows hard and always in the Sand Hills region of Nebraska. Disturb the soil, even a little, say by planting anything other than grass, and that soil will catch the next gust on out of there. Not exactly a farming Shangri-la. And tough on cattlemen too, as big bovines have been known to trample the life out of a place, given the chance. Makes for a hard life. Calls for hard people. But where is the line between tough and ornery, strong and cruel, determined and murderous? Where is the line between being attached to the land and being nailed to it? [image] Jonis Agee Circa 1900, rancher J.B. Bennett was straddling that line, 20,000 acres, cattle, employing more than a couple of men, and struggling, always struggling. The land gave up its bounty grudgingly. Almost as tight-fisted as Bennett’s hard-hearted father, Drum, proud owner of the adjacent spread, and a dark force as sand-blastingly abrasive as the incessant wind. But JB won’t have to worry about the land or the sand for long. Moments after he finds a dead Lakota girl, while inspecting his property, a familiar face (“Oh, it’s you—“) appears, fires once, and sends JB to a wind and sand free realm. Thus opens the central pair of mysteries that constitute one of the major elements of Jonis Agee’s latest novel. As with her award-winning The River Wife, Agee (a distant relation of James Agee) offers a fictional look at a trying time in American history, and a trying place. Unraveling the whos and the whys of the twin-killings drives the narrative. When JB met his unexpected end, he had been thinking about his wife of twenty years, Dulcinea. They had had a major falling out ten years earlier and she had been away from the ranch for the duration. Which brings us to story elements two and three. You may recall that Odysseus wandered the planet for ten years after the end of the Trojan War before finding his way home. When Dulcinea refers to one of her sons as her Telemachus, it is pretty clear, if it wasn’t already, that there is some classical referencing afoot, albeit with Penelope in the role of wanderer this time. Don’t go looking for a one-to-one equivalence. The two stories are quite different. But it can be satisfying to pick out the refs as they pop up. A crowd of suitors is another nod to Homer. The more important item here, though, is the character of Dulcinia. She is the heart of the story. She may face more danger at home than she did on the road and the question is whether she can survive the sundry local threats, natural and not. Alienated from her children, Cullen and Hayward, now teenagers, she wants back in, and, having inherited her husband’s land, she will do everything in her power to re-establish a home, and family. Drum would like nothing more than to see her dead, or at the very least gone. And there are other forces allied against her as well. Does she have the strength, the character, the smarts to find truth and make things right, or will she succumb? It is not only JB’s death that requires investigation. The young Lakota was killed for a reason, and it falls to her sister, Rose, close friend to Dulcinea, to look into her murder. God knows local law enforcement won’t. The underlying force here is a large one. In 1890 there was a huge gathering of native people at Pine Ridge in what is now South Dakota, not far from the Sand Hills. It was ostensibly a religious event, a mass Ghost Dance meant to bring about the restoration of native hunting grounds and removal of white invaders, through spiritual means. Instead, the US Army surrounded the encampment and, whether through accident or intent, shooting erupted, at the end of which as many as three hundred Native American men, women and children, mostly unarmed, had been slaughtered. Rose and her sister had been present, as had some of the other characters in this tale. The echoes of events from that disgraceful day resound over the years to drive not only Rose and her sister, but some of the residents of the Sand Hills as well. Agee has woven Drum Bennett’s drive to consolidate his family’s holdings, whatever it takes, Dulcinea’s drive to reconstitute her family, make her late husband’s ranch productive again, while looking for his killer, and the chilly wind of history that blows across the sand from the Wounded Knee massacre into a compelling, heart-wrenching story. She offers attention as well to Dulcinea’s two lost boys. Cullen and Hayward (Cain and Abel?), gives us some history on how JB and Dulcinea came together and fell apart, gives us insight into the perspective of the victims of Wounded Knee, living and dead. There is a local farmer, a living testament to the unforgiving nature of the land, with an appropriate name, Graver, who gets caught up in the Bennett family drama. There is clearly a connection made between him and Dulce. Trust is established, and more, but Agee shows good sense in keeping it from playing too large a part in the tale. Agee’s love of the land is palpable. It may be harsh and less than bountiful in the usual sense, but there is something about the hardness that clearly makes her love it even more, and appreciate the beauty it has to offer. for a short, lovely time she believed that her life, their life, meant this place and what they did here, what they learned by living and loving each other. It was because she still felt him here, J.B., he touched her, and nothing could change this place, this land...It was how she understood the Indians…who mourned the land, not as wealth, but as the place where all was alive, all living, in one form or another. The whites took it but the dead still walked it, the spirits, whatever they were. Her faith had removed God, dispersed him like seed or gravel. It was not that God didn’t exist. It was that he wasn’t alone, but in pieces, parts, always whole, sufficient, always multiple. So like the ancient Greeks she trod lightly, carefully, tried to give no offense to the land, the sacred grass her feet crushed, the ants hurriedly preparing caverns for the winter, pushing tiny yellow boulders out of a hole the size of a bee’s leg. Oh the offence, to walk so clumsily through the world, to crush and bring havoc, that they couldn’t help. But to give no recognition to the cost of their being alive, to the price paid for their dreams by everything else?I had two small gripes about the book. My ARE copy comes in at 416 pages, a very reasonable length for a novel that covers as much territory as this one does. I was enrapt for most of the read. But I did feel that there was a sag towards the back end, before the finale. The other was that after a significant death, a whole host of characters head into town for a rodeo. I have no idea if this would have been usual behavior at the time, but it felt to my 21st century sensibility too soon after the loss for such an outing. This Sand Hills paradise may be a bit more bone than apple, but it clearly possesses its own serpents, its own angry deity and more than its share of castings out. Linking to another myth, a weary wanderer comes home after a long odyssey to find a bloody mess much in need of repair. It may not be Ithaca, but it is a kingdom nonetheless, and needs ruling. Set in a harsh American landscape, Agee brings to life visions of struggle. Fathers versus sons. Men versus women, whites versus natives, and the land versus everyone. There is no point if there is no hope, if there is only struggle. Many thought the land offered a new Eden, and certainly this spanse of promised land was not up to making good that utopian dream. But still, one could scratch out a living, if the elements were not too unkind. One could try to fix what had been broken. One could try to find out truths and attempt to right at least some wrongs. The Bones of Paradise offers enough light to keep us moving through the darkness, enough twists to keep us from going in too-straight a path, enough knowledge to make snatching that apple seem a worthwhile proposition, and enough satisfaction to make the journey through Agee’s pages rewarding. There may or may not be a paradise in store for you or me, but The Bones of Paradise offers readers a little bit of nirvana right here on earth. Review posted – 1/1/2016 Publication date – 8/2/16 =============================EXTRA STUFF The author’s personal website A nice wiki on the author A look at the Nebraska Sand Hills The wiki on Wounded Knee Massacre is pretty good An interesting piece on The Ghost Dance ...more |
Notes are private!
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1
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Nov 30, 2015
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Dec 18, 2015
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Nov 11, 2015
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Hardcover
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my rating |
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20
| 3.89
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it was amazing
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Feb 03, 2017
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Feb 03, 2017
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21
| 3.76
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it was amazing
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Jan 27, 2017
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Jan 10, 2017
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22
| 4.06
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it was amazing
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Apr 26, 2017
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Nov 25, 2016
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19
| 4.08
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it was amazing
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Dec 03, 2016
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Nov 25, 2016
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||||||
18
| 3.83
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it was amazing
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Aug 29, 2016
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Sep 01, 2016
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17
| 3.83
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it was amazing
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Aug 24, 2016
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Aug 07, 2016
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16
| 3.71
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really liked it
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Jul 22, 2016
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Jul 08, 2016
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||||||
12
| 3.93
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it was amazing
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Jun 16, 2016
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Jun 17, 2016
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||||||
11
| 3.87
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it was amazing
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Jun 07, 2016
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Jun 05, 2016
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||||||
15
| 3.82
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it was amazing
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Jun 05, 2016
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May 23, 2016
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||||||
13
| 4.18
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it was amazing
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May 08, 2016
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May 20, 2016
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||||||
9
| 3.51
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it was amazing
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May 02, 2016
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May 03, 2016
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||||||
8
| 3.91
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it was amazing
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Mar 14, 2016
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Mar 02, 2016
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||||||
7
| 4.30
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it was amazing
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Feb 10, 2016
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Feb 05, 2016
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||||||
6
| 3.61
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it was amazing
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Feb 05, 2016
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Feb 01, 2016
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||||||
5
| 4.20
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it was amazing
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Jan 30, 2016
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Jan 25, 2016
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||||||
10
| 3.91
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it was amazing
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Jan 25, 2016
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Jan 15, 2016
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||||||
4
| 3.77
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it was amazing
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Dec 22, 2015
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Dec 18, 2015
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1
| 4.08
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it was amazing
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Nov 15, 2015
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Nov 11, 2015
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3
| 3.71
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really liked it
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Dec 18, 2015
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Nov 11, 2015
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