black music


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Related to black music: R&B music, African American music
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.black music - music created by African-American musiciansblack music - music created by African-American musicians; early forms were songs that had a melodic line and a strong rhythmic beat with repeated choruses
blues - a type of folksong that originated among Black Americans at the beginning of the 20th century; has a melancholy sound from repeated use of blue notes
soul - a secular form of gospel that was a major Black musical genre in the 1960s and 1970s; "soul was politically significant during the Civil Rights movement"
rap music, hip-hop, rap - genre of African-American music of the 1980s and 1990s in which rhyming lyrics are chanted to a musical accompaniment; several forms of rap have emerged
R and B, rhythm and blues - a combination of blues and jazz that was developed in the United States by Black musicians; an important precursor of rock 'n' roll
music genre, musical genre, musical style, genre - an expressive style of music
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
References in periodicals archive ?
Each chapter includes questions and answers about the individuals from the author and other scholars, and the introductory chapter discusses the development and importance of black music in London.
The affair posthumously inducts pianist Randy Weston on a day of liberation and during a month-long celebration of Black music. Tickets are available at Eventbrite.
He will celebrate the legacy of a hero of black music James Reece Europe, a key figure in the Harlem Hellfighters.
Garcia has published his new book, Listening for Africa: Freedom, Modernity, and the Logic of Black Music's African Origins (Duke University Press), which explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance's African origins between the 1930s and 1950s.
The appeals black music makes to the future, to borrow from theorist Kodwo Eshun, are most powerful when black folk are having difficulty imagining any future at all.
With a raw and ready set of songs, let NOW take you back to the early days, and pay homage to the godfathers of rap, the trailblazers of modern black music, and the architects of hip hop and grime today.
The exploration details the development of the Black Arts Movement--from precursor activities such as the Umbra Workshop to transitional activities such as Ntozake Shange's choreopoem ""for colored girls who considered suicide when the rainbow is enuf""--and gives in-depth information about the role of prominent poets, such as Amiri Baraka, and the influence of Black music. The author is a performance poet, a dramatist, a fiction writer, and a music critic; founder of Nommo Literary Society, founder and former editor of the Black Collegian magazine.
She also slammed haters who said she was mocking black music.
In "Who Can Afford to Improvise?: James Baldwin and Black Music, the Lyric and the Listeners", Ed Pavlic (Professor of English and Creative Writing at the University of Georgia) offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B.
the corpus of materials relevant to black music studies cuts across a wide range of geographic, linguistic and disciplinary boundaries, making the task of identifying and locating materials both difficult and time consuming." Through its methodology, attention to detail, and organization, Gray has created an indispensable reference work for students of Afro-Latin dance music that has attained his goal for this incredible volume, specifically a research tool that facilitates the discovery of available materials for this important emerging field of research.
A 'must' for any collection strong in black music history.
But for Moby, this love of black music leads to a sadly misguided attempt to talk and sound black: "the style cobbled (with unquestionably sincere intentions of tribute) from the discarded materials of rap records, Grady Tate on Sanford and Son, a touch of Martin Lawrence, and then at the core, something really questionable, maybe Morgan Freeman as Easy Reader on The Electric Company."