Klang Games’ Post

ART IN ACTION People Powered: Stories of The River Tees won the North East Cultural Partneship’s heritage event last night. It is a project curated by a specialist who has spent two decades creating learning programmes rather than exhibitions, our curator Claire Pounder. It was supported by Helen Welford and a team of technical workers. The project exemplifies a curatorial strategy that we’ve been working on at MIMA for the last few years, art in action. People Matter Most In the Art in Action model, an exhibition is not just a platform ‘to show’ something, it’s a temporary site in which to connect people. Historic works, contemporary works from our collection and the National Portrait Gallery collection meet in this exhibition with new commissions by contemporary artists and also with collaborative works developed with children, elders, young people, community members, local and international artists and academics. Qualities of display and artwork are never sacrificed and as a result voices can be heard, not as a cacophony, but as extended form of conversation. Art is All Art work reveals shared experiences, knowledge and asks us to pay attention to particular ways of looking, thinking and making. This exhibition has 48 artworks that have never been seen before - that was enabled by AHRC’s investment in our collection infrastructure. These works had previously been inaccessible in storage and weren’t framed or conserved. Historic, unheard voices meet new voices in this project. Hold tension in tension The two positions of art and people are so often placed in conflict with each other. They don’t need to be. The tension between them drives creativity. These tensions allow an exhibition to have a complex life of its own. This exhibition represents a key step forward in Teesside Uni’s School of Arts and Creative Industry learning and teaching - MIMA is part of the Uni and at the heart of the creative school. Every first year student has engaged with the exhibition in a multitude of ways. It’s a jigsaw piece into which other, multitudinous pieces connect. The award is great recognition… the exhibition is an act of doing work, putting art into action and building the real creative connections that don’t just create ‘pride of place’, but help shape and shift future stories and the way places can be reimagined. Very proud of the MIMA team.

Unleash Your Potential - Benefits of Participating in Atelierroute! Celebrate Artistic Brilliance Participating in Atelierroute means celebrating your artistic brilliance in the vibrant city of Eindhoven. Open your studio doors, connect with your audience, and bask in the limelight of your talent. Engage & Inspire Interact directly with art enthusiasts, collectors, and potential collaborators during the event. Engage with them, share your creative process, and leave a lasting impression, inspiring others with your art. Networking Opportunities Atelierroute is more than just an exhibition; it's a networking haven. Forge connections with fellow artists, art professionals, and gallery owners, opening doors to potential collaborations and future opportunities. Embrace Artistic Growth Participating in Atelierroute encourages you to challenge yourself creatively. Explore new artistic avenues, receive feedback from a diverse audience, and evolve your craft to new heights. Direct Sales & Exposure Sell your artwork directly to visitors, creating meaningful connections with potential buyers. Atelierroute provides the perfect platform to gain exposure and build a loyal following. Immerse in Eindhoven's Art Scene Eindhoven's vibrant art scene awaits you! Embrace the energy and creative spirit of the city as you become an integral part of its cultural fabric. Become a Part of Community Atelierroute fosters a sense of community among artists. Connect with like-minded individuals, share experiences, and be part of a supportive artistic family. Don't let this golden opportunity slip away. Apply for Atelierroute and unleash your artistic potential this October in Eindhoven, Noord Brabant. Let your art shine, inspire, and make a difference!

"Museum Visit: Battle City Finale by artist Chang Li-Ren" (Part One) Which museum visit leaves a deep impression on you? Is it the art? The ambiance of the space? Or the flow of the exhibit? What makes a good exhibit for you? I went to this exhibit excited to see miniature cities, as I love handmade projects. How cool it was to see 1:12 Taiwan street views that combined reality with the artist’s imagination? Yet, the museum visit experience leaves a lot to be desired. When we walked into the dimly lit exhibit space, we were greeted with a brief and vague artist bio and a building model. Immediately after, there was a video. I thought it was about the artist’s background and creative process to complement the bio, but as it turned out, it was a short film the artist made with his miniature dolls. We then went upstairs to see the miniature characters and the street models the artist used in the film. Throughout the exhibit, there was virtually no explanation or guide to help approach the artists’ art. What is he trying to express? How does he come up with this grand idea? How does he make these models? It is a very one-sided exhibit without many interactions with the visitors. Maybe you would say the exhibit leaves space for our imaginations. However, proper exhibit guidance is the key to inspiring the visitors and establishing a deeper connection with the artist. If the opening is the artist’s film, why not organize the exhibit into a larger story? The visitors can follow the storyline as they appreciate each model, just like themselves being in the story. Moreover, most people might be curious about the artist's creative process. If there are some interactive props that help the visitors understand how he makes them, the visit will be more fun and memorable. Of course, it is never easy to set up a well-rounded exhibit. Unfortunately, this is a missed opportunity to spark deeper thinking and conversation. This exhibit is a good place for photographs, but it should give us more than posting cool pictures on social media. #museum #montue #戰鬥之城＿終 ＃張立人 ＃北師美術館

Exhibition Review: Michael Whitehead In the heart of Thierry B Fine Art, a new exhibition by Michael Whitehead invites visitors into a realm where colour, texture, and emotion converge in a breathtaking display of contemporary abstract art. As an art dealer, I can confidently say that this showcase is a tour de force, highlighting Whitehead's exceptional talent and boundless creativity. Immerse yourself in a vibrant tapestry of colour, texture, and emotion. Experience the dynamic energy and profound expression that define Whitehead's work. Whitehead's latest collection is a testament to his mastery of abstract expressionism. Each piece pulses with life, capturing moments of intense emotion and thoughtful introspection. The artist's use of bold, gestural strokes on a black background and intricate layering techniques creates compositions that are both visually arresting and deeply resonant. The exhibition at Thierry B Fine Art is a journey through Whitehead's unique vision, where every canvas offers a new perspective and invites viewers to engage with the art on a personal level. The dynamic interplay of colour and form in his works evokes a sense of wonder and curiosity, making each piece a focal point for reflection and conversation. This exhibition is not merely a display of beautiful art; it is an immersive experience that challenges and delights the senses. Michael Whitehead's work at Thierry B Fine Art is a must-see for anyone passionate about the transformative power of contemporary abstract art. Discover. Reflect. Be Inspired.

What does prioritizing cultural expression in exhibition design beyond colonial constructs look like? The First Americans Museum (FAM) is reimagining exhibition design to reflect Indigenous creativity, values, and aesthetics. In this free article from Exhibition journal, co-authored by Adrienne Lalli Hills and Margaret Middleton, learn why exhibition designers are influenced by the "colonial imagination"—and how FAM staff are working to disrupt "wonder cabinet" and "white cube" methods of presenting collections of Indigenous cultural materials. https://lnkd.in/gbCxkWWt Don't yet subscribe to Exhibition? Learn more about this journal of exhibition theory and practice for museum professionals, and how to get your copy of the Spring 2023 and Fall 2024 issues: https://lnkd.in/e6JAHB6q

❗ Allow us to reintroduce ourselves: Just over three years ago, the Institute of Contemporary Art, San Diego announced its formation. Since then, we have presented 24 exhibitions with local and international artists who represent a broad diversity of identities, cultures, and perspectives from around the world. In this time, we have reached over 10,000 children, adults, and seniors through our educational programs, and nearly 200,000 visitors to our exhibitions and events. About a year ago, with support from the Tippett Foundation, we reexamined our organizational identity; how we had evolved and where we were headed. Many of you participated in a community survey to support this effort. We wanted to clearly express what it is that we do and how that sets us apart. The result of this investigation was a small, but powerful transformation: we realized that we exist not for what we do, but for why we do it. We exist to serve others by responding to today’s challenges, anticipating the relevant topics of tomorrow, and building a better world for future generations through contemporary art. Our organization is a place for experimentation, and art allows us to connect to each other in powerful ways. ICA San Diego is a space for everyone. All are welcome. 🌟 We are proud to announce our new vision statement: ICA San Diego is a living laboratory for expanding the transformational power of art to build vibrant communities. ✨ We Spark Curiosity: We encourage people to take risks and ask challenging questions. ✨ We Open Doors: We remove barriers to contemporary art by offering exhibitions and events free of charge. We make space for people to be inspired, disagree, and learn from each other. ✨ We Connect the Dots: Contemporary Art can be hard to understand! Our learning tools help people find parallels between art and their everyday lives. What does this mean for you? It means that by being part of the ICA San Diego community you are making our region a better place to live for all. Your presence and support allows us to bring art and ideas to hundreds of thousands of individuals and change the lives of future generations. Our commitment to you means that we create experiences where artists, audiences, and art actively engage with each other. We develop learning tools centered on contemporary art and we foster the contemporary art ecosystem in the San Diego region. This is done by commissioning artists, offering them space to create and grow professionally; by expanding the art collecting community; providing opportunities for students and young artists to enhance their skills; and by offering a safe space for the community to ask challenging questions. How can you support us? ↙ First, Show up! Attend our exhibitions and events, participate in our programs. Or, contact us to learn how your business or organization can partner with us: advancement@icasandiego.org. www.icasandiego.org

Frieze Week London 2023: A Celebration of Art and Creativity Frieze Week London 2023 is fast approaching, and I'm buzzing with excitement! This annual event is a mecca for art enthusiasts like me, and here's why you should be excited too. Artistic Extravaganza: Frieze London, the centerpiece, features over 160 renowned galleries showcasing the best in contemporary art. It's a visual feast of paintings, sculptures, installations, and more. Historical Connections: Frieze Masters bridges the gap between past and present, highlighting the timeless nature of art. It's a fascinating journey through history. A Week of Artful Delights: Beyond the main fairs, satellite events, exhibitions, and talks transform London into an art lover's paradise. Catalyst for Dialogue: Frieze Week is where conversations about art trends, innovation, and collaboration thrive. It's a dynamic hub of ideas and creativity. Transformative Power: As Picasso said, "Art washes away from the soul the dust of everyday life." Frieze Week 2023 promises to cleanse our souls and leave us inspired. Join me in celebrating Frieze Week London 2023. Stay tuned for updates and highlights as I delve into this world of creativity and inspiration.

BROKEN PLACES Lena Schmidt Opening:  03.11.23 19–22h Exhibition: 04.11–05.11.23 15–18h Broken streets, collapsed buildings, destroyed power networks, immersed in a gloomy atmosphere of temporal indeterminacy. In her work series "Broken Places", the Hamburg artist Lena Schmidt shows pictures of catastrophes as they have been inscribed in cultural memory. The drama of the immersive scenes, however, does not result from the insight into human fates, because the urban views are deserted. Instead, the abandonment of the destroyed evidence of human lives and dwellings as well as the ambiguous temporality of the scenes generate a disturbing moment of tension: the traces of a catastrophic event point at the same time into a disastrous future. Inspired by documentary photographs of current events of destruction, Lena Schmidt transfers her collected visual impressions into her sculptural and painterly woodwork. In doing so, she transforms the technical images to a haptic sensuality that updates what is shown. In the traces of the destruction, the previous violence is still present and palpable. Even the artistic material, consisting of collected pieces of wood, does not seem safe from the devastating destruction that rages within it, the counterpart of which, however, is (artistic) creation. – Dr. Anne Hemkendreis

Fotografiska Berlin is finally open, after six years of work. The press has been breathless, wringing its hands as it wrestles with what it means to be an independent museum that receives neither government grants nor private donations, while fulfilling its educational role through programming rather than access to a collection. Worse, the idea that our guests actually enjoy themselves seems inconceivable to art world denizens who crave tenure in the traditional museum world, or those who write about it. Frieze gets it: "If Berghain can show art in the club, as it did with the COVID-era exhibition ‘Studio Berlin’, why can’t the museum respond in kind? With music – and, specifically, DJs – playing a role in Berlin’s re-openings, these institutions are strategically riding the wave of nightlife’s popularity and its accompanying audiences, pulling them – and their social-media accounts – into the fold. This is all a far cry from the edifying origins of the Enlightenment museum: taxonomy has been replaced by Technics. But the question is whether such populism is a bad thing. The art world is notorious for its elitism and its alienating, obfuscatory language, which excludes diverse audiences and thus reduces the potential to affect change."