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What Is the What
What Is the What is the story of Valentino Achak Deng, a refugee in war-ravaged southern Sudan who flees from his village in the mid-1980s and becomes one of the so-called Lost Boys. Valentino’s travels bring him in contact with enemy soldiers, with liberation rebels, with hyenas and lions, with disease and starvation, and with deadly murahaleen (militias on horseback)–the same sort who currently terrorize Darfur. Eventually Deng is resettled in the United States with almost 4000 other young Sudanese men, and a very different struggle begins. Based closely on true experiences, What Is the What is heartbreaking and arresting, filled with adventure, suspense, tragedy, and, finally, triumph.
538 pages, Paperback
First published October 18, 2006
About the author
Dave Eggers
309 books8,923 followersDave Eggers is the author of ten books, including most recently Your Fathers, Where Are They? And the Prophets, Do They Live Forever?, The Circle and A Hologram for the King, which was a finalist for the 2012 National Book Award. He is the founder of McSweeney’s, an independent publishing company based in San Francisco that produces books, a quarterly journal of new writing (McSweeney’s Quarterly Concern), and a monthly magazine, The Believer. McSweeney’s also publishes Voice of Witness, a nonprofit book series that uses oral history to illuminate human rights crises around the world. Eggers is the co-founder of 826 National, a network of eight tutoring centers around the country and ScholarMatch, a nonprofit organization designed to connect students with resources, schools and donors to make college possible. He lives in Northern California with his family.
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Displaying 1 - 30 of 7,544 reviews
January 2, 2008
If you know me at all, you know I read a lot. So I don't take these reviews lightly. Here goes: What is the What is without a doubt one of the best books I have ever read!
The story of Valentino Achak Deng, a so-called Lost Boy of the Sudan, is so moving that after reading the book I went to his web site and signed up for information on how I can help the cause. Dave Eggers, who is easily one of my favorite fiction writers, has donated the proceeds of the book to a foundation co-founded by he and Valentino (www.valentinoachackdeng.org).
The writing is brilliant and the story is compelling...but I think what makes the book so great for me is the sheer tragedy of this boy's life and the unbelieveable sense of courage and optimism he showed throughout a life that would have caused most people to simply give up. Valentino's courage is beyond belief. As his story unfolds, it's unimaginable that he could have survived and it's heartbreaking how at each turn things continued to get worse. His survival is a mystery that will never be solved...yet here he is as a young adult doing everything he can to help the world learn from his experience.
The book was also a great history lesson about Sudan and Africa in general and gives the reader great insight into the troubles in Darfur today. If the world does not learn from this story then perhaps we are doomed as a species.
Finally, though the story is Valentino's, the writing is all Eggers. He could have easily played the story as a straight biography, but instead Eggers weaves Valentino's life together in a beautiful way -- going back and forth between his time in Africa and his new life in Atlanta. And while his life in Africa was indeed a horror, his life in the U.S. is not much better and perhaps the biggest lesson of the book -- we have tried to help these Lost Boys but we are far from perfect and have made many mistakes as a society.
It's ironic that this morning I awoke to a front page story in the Arizona Republic about a birthday celebration for Arizona's Lost Boys (there are about 500 Sudanese boys living in the Valley). They all celebrate their birthday on Jan. 1 because they have no idea when they were really born.
It's also ironic that I finished this book around the same time as I saw The Kite Runner. When I read The Kite Runner, and even Hosseini's second novel A thousand Splendid Suns, I thought life was terrible for the Afghans -- but Valentino's real story makes the fictional story of the boys in The Kite Runner seem tame by comparison. But together these stories make me feel both lucky to live in America and at the same time ashamed that the world can let things like this happen.
As I sat reading Valentino's story on my sofa, I thought here is a boy who has experienced things I couldn't even imagine, while I sit in my 2100 square foot home with a fridge full of food, two cars, a happy and relatively healthy family, casually spending $4 for a cup of coffee and throwing out more food each day than Valentino ate in a month. It reaffirms my political views and teaches me to be thankful for what I have -- and more importantly that I have a profound responsibility as a citizen of the world to help those who are less fortunate. If you think that makes me a bleeding heart liberal than I'm proud to wear that badge.
Read this book. It will change your life.
The story of Valentino Achak Deng, a so-called Lost Boy of the Sudan, is so moving that after reading the book I went to his web site and signed up for information on how I can help the cause. Dave Eggers, who is easily one of my favorite fiction writers, has donated the proceeds of the book to a foundation co-founded by he and Valentino (www.valentinoachackdeng.org).
The writing is brilliant and the story is compelling...but I think what makes the book so great for me is the sheer tragedy of this boy's life and the unbelieveable sense of courage and optimism he showed throughout a life that would have caused most people to simply give up. Valentino's courage is beyond belief. As his story unfolds, it's unimaginable that he could have survived and it's heartbreaking how at each turn things continued to get worse. His survival is a mystery that will never be solved...yet here he is as a young adult doing everything he can to help the world learn from his experience.
The book was also a great history lesson about Sudan and Africa in general and gives the reader great insight into the troubles in Darfur today. If the world does not learn from this story then perhaps we are doomed as a species.
Finally, though the story is Valentino's, the writing is all Eggers. He could have easily played the story as a straight biography, but instead Eggers weaves Valentino's life together in a beautiful way -- going back and forth between his time in Africa and his new life in Atlanta. And while his life in Africa was indeed a horror, his life in the U.S. is not much better and perhaps the biggest lesson of the book -- we have tried to help these Lost Boys but we are far from perfect and have made many mistakes as a society.
It's ironic that this morning I awoke to a front page story in the Arizona Republic about a birthday celebration for Arizona's Lost Boys (there are about 500 Sudanese boys living in the Valley). They all celebrate their birthday on Jan. 1 because they have no idea when they were really born.
It's also ironic that I finished this book around the same time as I saw The Kite Runner. When I read The Kite Runner, and even Hosseini's second novel A thousand Splendid Suns, I thought life was terrible for the Afghans -- but Valentino's real story makes the fictional story of the boys in The Kite Runner seem tame by comparison. But together these stories make me feel both lucky to live in America and at the same time ashamed that the world can let things like this happen.
As I sat reading Valentino's story on my sofa, I thought here is a boy who has experienced things I couldn't even imagine, while I sit in my 2100 square foot home with a fridge full of food, two cars, a happy and relatively healthy family, casually spending $4 for a cup of coffee and throwing out more food each day than Valentino ate in a month. It reaffirms my political views and teaches me to be thankful for what I have -- and more importantly that I have a profound responsibility as a citizen of the world to help those who are less fortunate. If you think that makes me a bleeding heart liberal than I'm proud to wear that badge.
Read this book. It will change your life.
June 27, 2008
It takes a certain and rare kind of writer to make a story about civil war, genocide, and a refugee crisis boring and unreadable; that writer, specifically, is Dave Eggers. It's not that I don't understand the purpose that this book serves - just as we import the Third World's raw resources to fuel our own material greed, so must we import their tragedies to break up the monotony of our lives. My question is - can't we get better books to do it?
First of all, the voice is terrible. At points it reads like a parody of an American trying to imitate an African (oh, wait, it is, although Dave Eggers has probably at least met some, so I don't know what his excuse is). Take the very first sentence: "I have no reason not to answer the door so I answer the door." What, did the Sudanese civil war rob fake-Deng of the ability to use pronouns? The language is stilted and formal in a very amateurish way, not at all the way a young man talks, and for no good reason.
Second, why is it that going through a capital-T Tragedy means that none of the characters are allowed to have personalities? This happens all the time in fiction about genocide. No one is allowed to be cowardly, or funny, or petty, or squabbling - everyone must be stoic and long-suffering, because they are Noble Victims, and that is how Noble Victims are supposed to act (in real life, many people who go through tragedy tend to develop dark, savage senses of humor, but you wouldn't know that from reading this). After all, you can only be a nuanced and articulated character if you grew up in the suburbs of America, preferably with an unhappy childhood and a substance abuse problem in college.
Third, Eggers' writing is just flat and boring. Take, for instance, Eggers describing an air raid:
"But the plane returned a few minutes later, and soon after, there was a whistle. Dut screamed to us that we needed to run but did not tell us where. We ran in a hundred directions and two boys chose the wrong direction. They ran for the shelter of a large tree and this is where the bomb struck."
That's it? One of the most intense and terrifying things that can happen to you in life, and this is the treatment it gets? The plane returned and soon there was a whistle? Eggers writes like he just wants to get it over with. Which I don't exactly blame him for.
There is a bit of unintentional humor - when, in the present story, Deng tells Americans that he's from Sudan, but not Darfur, they quickly lose interest, because Americans only care about the foreign trouble spots that are hip to care about. Dumb, trendy Americans! But the real joke, of course, is that concurrent with the Sudanese civil war was/is the one in the Congo, which dwarfs the Sudanese conflict in horror, body count, and anything else you can think of. But Eggers, along with the rest of the world, doesn't care, because it's messy and complicated, whereas in Sudan you have Good Guys and Bad Guys. Much easier to understand - and much easier to sell books about.
All that having been said, Eggers is a genius; just not a literary genius. He is a genius for pulling the ultimate bait and switch: take someone else's story and then become the hero of it. Because that is who the hero is here, Dave Eggers, even though he doesn't appear once in the actual plot. After all, young Valentino's story would have remained untold - if it were not for the Deus Ex Maquina of Dave Eggers, who tells it like no one else can. Remember Eggers' first book, "A Staggering Work of Heartbreaking Genius?" That title wasn't cutesy and ironic, it was literal. That's what Eggers wanted to write, and now he's given you one. So what if the heartbreak is someone else's?
If you think I'm being too harsh, then ask yourself this: why didn't Eggers just write a nonfiction book, or a straight up biography of Deng? At points, I'm tempted to think that it's because he couldn't be bothered to do some basic research (i.e., the repeated references to "Darfurians"; "Darfur" means "The Land of the Fur," the Fur being the people that live there, so this is sort of like referring to Polish people as "The People From The Land of the Polish." Also, the 1997 death of Princess Diana for some reason seems to come in the plot well after the 1998 African embassy bombings). The answer is that Eggers needs to hide behind someone else's genuine suffering, because that defuses any criticism of his own lifeless, droning prose. Insult Eggers, and you're insulting the sanctity of the Sudanese Lost Boys' pain and suffering. Point out the platitudes that Eggers shovels out in lieu of the real questions, which generally do not have easy answers or any answers at all, and you're heartless and callow. It's not a hard shell game that Eggers plays here - but there is none better at it than him.
First of all, the voice is terrible. At points it reads like a parody of an American trying to imitate an African (oh, wait, it is, although Dave Eggers has probably at least met some, so I don't know what his excuse is). Take the very first sentence: "I have no reason not to answer the door so I answer the door." What, did the Sudanese civil war rob fake-Deng of the ability to use pronouns? The language is stilted and formal in a very amateurish way, not at all the way a young man talks, and for no good reason.
Second, why is it that going through a capital-T Tragedy means that none of the characters are allowed to have personalities? This happens all the time in fiction about genocide. No one is allowed to be cowardly, or funny, or petty, or squabbling - everyone must be stoic and long-suffering, because they are Noble Victims, and that is how Noble Victims are supposed to act (in real life, many people who go through tragedy tend to develop dark, savage senses of humor, but you wouldn't know that from reading this). After all, you can only be a nuanced and articulated character if you grew up in the suburbs of America, preferably with an unhappy childhood and a substance abuse problem in college.
Third, Eggers' writing is just flat and boring. Take, for instance, Eggers describing an air raid:
"But the plane returned a few minutes later, and soon after, there was a whistle. Dut screamed to us that we needed to run but did not tell us where. We ran in a hundred directions and two boys chose the wrong direction. They ran for the shelter of a large tree and this is where the bomb struck."
That's it? One of the most intense and terrifying things that can happen to you in life, and this is the treatment it gets? The plane returned and soon there was a whistle? Eggers writes like he just wants to get it over with. Which I don't exactly blame him for.
There is a bit of unintentional humor - when, in the present story, Deng tells Americans that he's from Sudan, but not Darfur, they quickly lose interest, because Americans only care about the foreign trouble spots that are hip to care about. Dumb, trendy Americans! But the real joke, of course, is that concurrent with the Sudanese civil war was/is the one in the Congo, which dwarfs the Sudanese conflict in horror, body count, and anything else you can think of. But Eggers, along with the rest of the world, doesn't care, because it's messy and complicated, whereas in Sudan you have Good Guys and Bad Guys. Much easier to understand - and much easier to sell books about.
All that having been said, Eggers is a genius; just not a literary genius. He is a genius for pulling the ultimate bait and switch: take someone else's story and then become the hero of it. Because that is who the hero is here, Dave Eggers, even though he doesn't appear once in the actual plot. After all, young Valentino's story would have remained untold - if it were not for the Deus Ex Maquina of Dave Eggers, who tells it like no one else can. Remember Eggers' first book, "A Staggering Work of Heartbreaking Genius?" That title wasn't cutesy and ironic, it was literal. That's what Eggers wanted to write, and now he's given you one. So what if the heartbreak is someone else's?
If you think I'm being too harsh, then ask yourself this: why didn't Eggers just write a nonfiction book, or a straight up biography of Deng? At points, I'm tempted to think that it's because he couldn't be bothered to do some basic research (i.e., the repeated references to "Darfurians"; "Darfur" means "The Land of the Fur," the Fur being the people that live there, so this is sort of like referring to Polish people as "The People From The Land of the Polish." Also, the 1997 death of Princess Diana for some reason seems to come in the plot well after the 1998 African embassy bombings). The answer is that Eggers needs to hide behind someone else's genuine suffering, because that defuses any criticism of his own lifeless, droning prose. Insult Eggers, and you're insulting the sanctity of the Sudanese Lost Boys' pain and suffering. Point out the platitudes that Eggers shovels out in lieu of the real questions, which generally do not have easy answers or any answers at all, and you're heartless and callow. It's not a hard shell game that Eggers plays here - but there is none better at it than him.
July 28, 2022
Written in the first-person, this book started off as a captivating epic tale of a Sudanese boy's life, from Southern Sudan village life to genocide; from many hundred mile walks with others mostly boys, escaping for their lives; through to refugee status, through to resettlement in the US... with this very book's proceeds going to help people like him; a story told, by looking back as the narrator himself is robbed in his own home and tied up!
Some of the Lost Boys of Sudan
However what started of as a compelling and painful look at what was happening in Sudan became an almost monotonous read which yet again on rereading was a bit of a struggle to get to the end of. It almost feels like the escape from Genocide is the story that I wanted to really dig deep into, and having a whole second story about life in a refugee camp although illuminating, took away a lot of the momentous first half of this book? Still very much a must read for people that want to know a little more about Southern Sudan and refugee camp life. 7 out of 12
2022 read; 2009 read
Some of the Lost Boys of Sudan
However what started of as a compelling and painful look at what was happening in Sudan became an almost monotonous read which yet again on rereading was a bit of a struggle to get to the end of. It almost feels like the escape from Genocide is the story that I wanted to really dig deep into, and having a whole second story about life in a refugee camp although illuminating, took away a lot of the momentous first half of this book? Still very much a must read for people that want to know a little more about Southern Sudan and refugee camp life. 7 out of 12
2022 read; 2009 read
April 30, 2018
I’ve been thinking a lot about this book this morning. I���ve recommended it a few dozen times over the years. I didn’t even ‘think’ about whether or not I had written a review. I hadn’t.
I read this before I joined Goodreads —- in the days before I wrote reviews. Those days are coming back again in my near future — ‘review retirement ‘—- but that’s another story (to review?-ha)....
But I’d like to share a little about this book. I read in in 2006 - and I still remember it like yesterday. It’s the type of book that leaves a lasting impression. It’s extremely well written. And for those who don’t like other books by Dave Eggers (I’m not one of them) - this is not the book people turn their nose against. This is a great book!
It was horrific how the Lost Boys lived day after day in Sudan- starving - being chased from village location to the next - disease - killing - etc....and there is another appalling story to read about as well.
Dave Eggers gives us a fictional autobiography of the horrendous journey of one boy in particular named Valentino Deng. It’s a novel that reads like a memoir.
But what also makes this story unbelievable is what happens when Valentino is brought over to the United States. He knows his host family and has made a few friends. He is given an apartment to live in by himself. He plans on attending community college. ( I’m leaving out lots of details)....
but in a very short time -new in his apt. - Valentino gets mugged- robbed- and tied up. For days nobody knew he was alone in bad condition on the floor of his own apt.
Welcome to America!
I can’t recommend this book enough!
I read this before I joined Goodreads —- in the days before I wrote reviews. Those days are coming back again in my near future — ‘review retirement ‘—- but that’s another story (to review?-ha)....
But I’d like to share a little about this book. I read in in 2006 - and I still remember it like yesterday. It’s the type of book that leaves a lasting impression. It’s extremely well written. And for those who don’t like other books by Dave Eggers (I’m not one of them) - this is not the book people turn their nose against. This is a great book!
It was horrific how the Lost Boys lived day after day in Sudan- starving - being chased from village location to the next - disease - killing - etc....and there is another appalling story to read about as well.
Dave Eggers gives us a fictional autobiography of the horrendous journey of one boy in particular named Valentino Deng. It’s a novel that reads like a memoir.
But what also makes this story unbelievable is what happens when Valentino is brought over to the United States. He knows his host family and has made a few friends. He is given an apartment to live in by himself. He plans on attending community college. ( I’m leaving out lots of details)....
but in a very short time -new in his apt. - Valentino gets mugged- robbed- and tied up. For days nobody knew he was alone in bad condition on the floor of his own apt.
Welcome to America!
I can’t recommend this book enough!
December 16, 2010
TOO MUCH, AND NOT ENOUGH : A PARADOX
With her open and confident sexuality, she was the constant igniter of everything flammable within us
Hmm, if this Sudanese refugee & now American Valentine Achak Deng can turn a phrase like that, how come he needs Dave Eggars to shape his book and cop the byline? Okay, maybe he can't, maybe those delightful sentences are pure Dave. So what about this:
"I had feared for a long time that secretly Tabitha was well versed in the ways of love and that the moment we were alone she would want to move too quickly."
Now this sounds like the authentic voice of an African trying to speak of delicate matters in his second language to me, and comes off as horribly stilted, but understandably so. Okay, so no Dave Eggars there, that's pure Valentine. Now since it's the clunky uber-sincere stilted voice which tells 98% of this long tale, why is this book not bylined like all those celeb autobiographies - "by Valentine Achak Deng, as told to Dave Eggars". Does this matter much? Well, at the point where the ventriloquism starts to creep you out, yes it does.
As everyone knows, this is a long catalogue of ghastly horrors suffered in Africa interspersed with a long catalogue of banal indignities suffered in Atlanta: "As we swam across the river I saw a crocodile swim by with a boy I knew slightly in its mouth... I was unfulfilled being the receptionist at a gym and I deeply regretted not being accepted by the Jesuit college of my choice... when I woke up I found my closest friend had died in the night...I gradually realised my girlfriend was playing fast and loose with other gentlemen..." etc etc. This flipfloppery clashed dissonantly in my ears like an untuned church bell, but nevertheless is it not profoundly human? As soon as the crocodile lets you go you start bitching about how his fangs ruined your only good Hugo Boss shirt. In Art Spiegelman's brilliant memoir "Maus" - another tale of horror told to someone who then tells it to us - the difficulties of Art's relationship with his survivor father loom just as large in the book as the atrocities of Auschwitz. Is this tastelessness? No, it's life as she is lived. I mean, is there a God? Do you think this jacket, or the other one? But would God allow such evil just for the sake of human free will, I mean, does that justify all this agony? So are you saying the brown shoes? Really?
WHY THIS AND WHY NOT THAT?
Three stars, not four or five? Well, there were so many aspects covered, great swathes of I confess tedious detail I could have done without, and yet so many other things not included - why this, why that? How? And of course, what? (Or more likely in this book WHAT??!!) And yet it was very compelling. Valentine is indeed a modern Ancient Mariner compelled to stop us wedding guests and fix us with a powerful gaze so that we have to hear his dreadful over-politely-phrased tale to the end.
It would take a whole long essay to discuss the politics of this intensely political book. Was the airlift of the Lost Boys to America a "failed experiment"? Can the West ever really do anything about these decades-long conflicts in Africa? And further - is one lot of humans (here, the Sudanese Arabs) really wholly evil and another group (here the Sudanese Dinka) complete and utter innocent victims? Is this Valentine Achak Deng's whole story, or as I suspect do we now need another 537 pages of footnotes giving us all the context that's missing from this almost essential but extremely frustrating book?
With her open and confident sexuality, she was the constant igniter of everything flammable within us
Hmm, if this Sudanese refugee & now American Valentine Achak Deng can turn a phrase like that, how come he needs Dave Eggars to shape his book and cop the byline? Okay, maybe he can't, maybe those delightful sentences are pure Dave. So what about this:
"I had feared for a long time that secretly Tabitha was well versed in the ways of love and that the moment we were alone she would want to move too quickly."
Now this sounds like the authentic voice of an African trying to speak of delicate matters in his second language to me, and comes off as horribly stilted, but understandably so. Okay, so no Dave Eggars there, that's pure Valentine. Now since it's the clunky uber-sincere stilted voice which tells 98% of this long tale, why is this book not bylined like all those celeb autobiographies - "by Valentine Achak Deng, as told to Dave Eggars". Does this matter much? Well, at the point where the ventriloquism starts to creep you out, yes it does.
As everyone knows, this is a long catalogue of ghastly horrors suffered in Africa interspersed with a long catalogue of banal indignities suffered in Atlanta: "As we swam across the river I saw a crocodile swim by with a boy I knew slightly in its mouth... I was unfulfilled being the receptionist at a gym and I deeply regretted not being accepted by the Jesuit college of my choice... when I woke up I found my closest friend had died in the night...I gradually realised my girlfriend was playing fast and loose with other gentlemen..." etc etc. This flipfloppery clashed dissonantly in my ears like an untuned church bell, but nevertheless is it not profoundly human? As soon as the crocodile lets you go you start bitching about how his fangs ruined your only good Hugo Boss shirt. In Art Spiegelman's brilliant memoir "Maus" - another tale of horror told to someone who then tells it to us - the difficulties of Art's relationship with his survivor father loom just as large in the book as the atrocities of Auschwitz. Is this tastelessness? No, it's life as she is lived. I mean, is there a God? Do you think this jacket, or the other one? But would God allow such evil just for the sake of human free will, I mean, does that justify all this agony? So are you saying the brown shoes? Really?
WHY THIS AND WHY NOT THAT?
Three stars, not four or five? Well, there were so many aspects covered, great swathes of I confess tedious detail I could have done without, and yet so many other things not included - why this, why that? How? And of course, what? (Or more likely in this book WHAT??!!) And yet it was very compelling. Valentine is indeed a modern Ancient Mariner compelled to stop us wedding guests and fix us with a powerful gaze so that we have to hear his dreadful over-politely-phrased tale to the end.
It would take a whole long essay to discuss the politics of this intensely political book. Was the airlift of the Lost Boys to America a "failed experiment"? Can the West ever really do anything about these decades-long conflicts in Africa? And further - is one lot of humans (here, the Sudanese Arabs) really wholly evil and another group (here the Sudanese Dinka) complete and utter innocent victims? Is this Valentine Achak Deng's whole story, or as I suspect do we now need another 537 pages of footnotes giving us all the context that's missing from this almost essential but extremely frustrating book?
December 11, 2014
“Valentino, I just don’t know what God has against you”.
These words were directed at the subject of this novel/biography and are pretty much a motif that runs throughout most of this book.
This is one man’s true story of the Lost Boys of the Sudan. Valentino Achak Deng, at age seven, and thousands of boys just like him, endured all manner of hardship as they fled their homes as civil war (beginning in 1983) devastated their country. Their journey from refugee camp to refugee camp is fraught with the most horrific events you could imagine.
This book is a testament to not only how cruel man can be to his fellow man, but also to Deng’s faith and perseverance. Calling this book sad or heartbreaking seems trite. Repeating a litany of hardships these boys endured would render them trivial. It’s inconceivable for me to imagine my own son at age seven (seven!?!) making this type of journey. There is also a parallel story of Deng’s robbery and assault while in this county. With everything this man has experienced, Deng was able to transcend these events and find purpose and meaning in his life.
Although it says “novel” on the spine, as Dave Egger’s subject states, his earlier life had to be “fictionalized” to condense the story and fold characters into one another for narrative flow.
This is not a book to read in order to be “entertained” but as an eye-opener or wake up call to what can go wrong in this world and a rallying cry to do something about it.
Proceeds of the sale of this book go towards funding of a nonprofit organization to increase access to education in South Sudan. This is the web site:
http://www.valentinoachakdeng.org/
The website also has a reader’s guide to the book.
These words were directed at the subject of this novel/biography and are pretty much a motif that runs throughout most of this book.
This is one man’s true story of the Lost Boys of the Sudan. Valentino Achak Deng, at age seven, and thousands of boys just like him, endured all manner of hardship as they fled their homes as civil war (beginning in 1983) devastated their country. Their journey from refugee camp to refugee camp is fraught with the most horrific events you could imagine.
This book is a testament to not only how cruel man can be to his fellow man, but also to Deng’s faith and perseverance. Calling this book sad or heartbreaking seems trite. Repeating a litany of hardships these boys endured would render them trivial. It’s inconceivable for me to imagine my own son at age seven (seven!?!) making this type of journey. There is also a parallel story of Deng’s robbery and assault while in this county. With everything this man has experienced, Deng was able to transcend these events and find purpose and meaning in his life.
Although it says “novel” on the spine, as Dave Egger’s subject states, his earlier life had to be “fictionalized” to condense the story and fold characters into one another for narrative flow.
This is not a book to read in order to be “entertained” but as an eye-opener or wake up call to what can go wrong in this world and a rallying cry to do something about it.
Proceeds of the sale of this book go towards funding of a nonprofit organization to increase access to education in South Sudan. This is the web site:
http://www.valentinoachakdeng.org/
The website also has a reader’s guide to the book.
June 7, 2012
GREAT STORY, NOT-SO-GREAT BOOK!
This took me THREE MONTHS to finish!!! I did read other books in the meantime, but believe me, I wouldn't have dragged my feet on this one if the storytelling hadn't been so TERRIBLY AWFUL!
Examples of STORIES told particularly badly ....
a) The drama teacher Miss Gladys and the Dominics
b) The romance between Achak and Tabitha
c) Life at Kakuma
d) The story of Maria, the girl who called him Sleeper
e) The walk from Pinyudo to Kakuma
f) The play times with Achak and the Royal Girls of Pinyudo
g) Achak's trip to the hospital
h) Achak's job at the fitness club
i) Achak's attempts to go to college in America
j) The night when the Sudanese were invited to the basketball game
AND MANY MORE .... Some of the above should have been interesting stories, but they were written in such a matter-of-fact style, I could barely bring myself to read each line on the page. It was like forcing myself to read engineering textbooks!!!! OHHHHHH!
Another thing ... this is supposed to be a fictional autobiography. It's not a REAL autobiography, because if it were, it would be all about Dave Eggers. NO, NO, it's all about Valentino Achak Deng. OK, so I get it ... Dave Eggers is PRETENDING to be Achak, and writing it just the way he thinks Achak would write it. And this (in part) is what makes it fictional. OK, FINE. Now the narrator of the autobiography (or, the fictional entity that Dave Eggers was conjuring up when he was pretending to be Achak) ... maybe he's the kind of guy who refuses to go on and on about his philosphical beliefs. Well, fine. But as a READER wanting to hear the story of Valentino Achak Deng, I want to know about that stuff. And we get practically nothing!
For example, from reading the book, I would think this is the autobiography of an atheist. But our fictional narrator is Catholic. I know this because of occasional instances of praying, various run-ins with priests, and occasional times when God is mentioned. But I find it really annoying that the central character never seems to care enough about spirituality to discuss it.
The lack of discussion about the narrator's beliefs extends to other areas besides just religion ... I wish he had discussed his motivation and ambitions that led him to be in charge at so many stages in his life, and his political views about the government of Sudan, hopes for peace, and so much more.
Maybe the real VAD wouldn't have discussed philosophical matters in such a public forum as a book, and maybe that's why Dave Eggers, in pretending to be Achak, left these kinds of discussion out. I don't know. But I wish the real VAD would come out and write his autobiography so I could find out. From the web site valentinoachakdeng.org, I can see the great work Achak is doing to lift up the people of Sudan. He seems like a great man. And you know what, I do not get that impression from this book. Honestly, I think the real VAD could do a much better job of writing his autobiography than Dave Eggers did of pretending to be him.
This fictionalized autobiography device simply DID NOT WORK.
Now, to be fair (and this is why the book gets 2 stars for "it was ok" instead of 1), there were a few parts of the book that I enjoyed.
BITS OF PLOT TOLD RATHER WELL ...
a) The portrait of Achak's life in southern Sudan before the fighting began, where his prosperous father owned a shop and had many wives; and there were various religions (Catholic, Muslim, and African/pagan/something?) intermingling somewhat peacefully; where he was loved by his mother in the yellow dress, played with William K and Moses, and would try to spy on Amath and her sisters
b) Achak's first visit at Phil and Stacy's house, when a bunch of other Sudanese came in for dinner uninvited, and the ensuing story of Achak's friendship with Phil's family
c) Achak's running escape, as a 6-year-old boy, from the fighting
d) The story of William K walking with Achak
e) Moses' story about being captured and turned into a slave
f) The story told by the old man who was brought by the SPLA to speak to the Kakuma refugees about being the lone survivor of an attack on all the chiefs of the local tribes
g) The friendship between Achak and Noriyaki
h) The story of a woman who comes to Achak's adopted family's home in Kakuma with news for Achak regarding his biological family
i) Achak's experiences on the drama group's trip to Nairobi when he gets to stay with Mike and Grace and go to the shopping mall with Tabitha
j) The last week of Achak's time in Kakuma, and his weeks spent in Goal waiting for a plane to take him to America.
This may seem like a lot, but bear in mind, this book is 535 pages, and some of these plotlines above only lasted a few pages.
Looking back, it seems that the first 100 or so pages were good, and the last 100 pages were good. It was the part in the middle that made me want to tear my toe nails out.
Hmmmm ... maybe those 335 pages in the middle are THE WHAT.
Oooooooooooooooooh!
This took me THREE MONTHS to finish!!! I did read other books in the meantime, but believe me, I wouldn't have dragged my feet on this one if the storytelling hadn't been so TERRIBLY AWFUL!
Examples of STORIES told particularly badly ....
a) The drama teacher Miss Gladys and the Dominics
b) The romance between Achak and Tabitha
c) Life at Kakuma
d) The story of Maria, the girl who called him Sleeper
e) The walk from Pinyudo to Kakuma
f) The play times with Achak and the Royal Girls of Pinyudo
g) Achak's trip to the hospital
h) Achak's job at the fitness club
i) Achak's attempts to go to college in America
j) The night when the Sudanese were invited to the basketball game
AND MANY MORE .... Some of the above should have been interesting stories, but they were written in such a matter-of-fact style, I could barely bring myself to read each line on the page. It was like forcing myself to read engineering textbooks!!!! OHHHHHH!
Another thing ... this is supposed to be a fictional autobiography. It's not a REAL autobiography, because if it were, it would be all about Dave Eggers. NO, NO, it's all about Valentino Achak Deng. OK, so I get it ... Dave Eggers is PRETENDING to be Achak, and writing it just the way he thinks Achak would write it. And this (in part) is what makes it fictional. OK, FINE. Now the narrator of the autobiography (or, the fictional entity that Dave Eggers was conjuring up when he was pretending to be Achak) ... maybe he's the kind of guy who refuses to go on and on about his philosphical beliefs. Well, fine. But as a READER wanting to hear the story of Valentino Achak Deng, I want to know about that stuff. And we get practically nothing!
For example, from reading the book, I would think this is the autobiography of an atheist. But our fictional narrator is Catholic. I know this because of occasional instances of praying, various run-ins with priests, and occasional times when God is mentioned. But I find it really annoying that the central character never seems to care enough about spirituality to discuss it.
The lack of discussion about the narrator's beliefs extends to other areas besides just religion ... I wish he had discussed his motivation and ambitions that led him to be in charge at so many stages in his life, and his political views about the government of Sudan, hopes for peace, and so much more.
Maybe the real VAD wouldn't have discussed philosophical matters in such a public forum as a book, and maybe that's why Dave Eggers, in pretending to be Achak, left these kinds of discussion out. I don't know. But I wish the real VAD would come out and write his autobiography so I could find out. From the web site valentinoachakdeng.org, I can see the great work Achak is doing to lift up the people of Sudan. He seems like a great man. And you know what, I do not get that impression from this book. Honestly, I think the real VAD could do a much better job of writing his autobiography than Dave Eggers did of pretending to be him.
This fictionalized autobiography device simply DID NOT WORK.
Now, to be fair (and this is why the book gets 2 stars for "it was ok" instead of 1), there were a few parts of the book that I enjoyed.
BITS OF PLOT TOLD RATHER WELL ...
a) The portrait of Achak's life in southern Sudan before the fighting began, where his prosperous father owned a shop and had many wives; and there were various religions (Catholic, Muslim, and African/pagan/something?) intermingling somewhat peacefully; where he was loved by his mother in the yellow dress, played with William K and Moses, and would try to spy on Amath and her sisters
b) Achak's first visit at Phil and Stacy's house, when a bunch of other Sudanese came in for dinner uninvited, and the ensuing story of Achak's friendship with Phil's family
c) Achak's running escape, as a 6-year-old boy, from the fighting
d) The story of William K walking with Achak
e) Moses' story about being captured and turned into a slave
f) The story told by the old man who was brought by the SPLA to speak to the Kakuma refugees about being the lone survivor of an attack on all the chiefs of the local tribes
g) The friendship between Achak and Noriyaki
h) The story of a woman who comes to Achak's adopted family's home in Kakuma with news for Achak regarding his biological family
i) Achak's experiences on the drama group's trip to Nairobi when he gets to stay with Mike and Grace and go to the shopping mall with Tabitha
j) The last week of Achak's time in Kakuma, and his weeks spent in Goal waiting for a plane to take him to America.
This may seem like a lot, but bear in mind, this book is 535 pages, and some of these plotlines above only lasted a few pages.
Looking back, it seems that the first 100 or so pages were good, and the last 100 pages were good. It was the part in the middle that made me want to tear my toe nails out.
Hmmmm ... maybe those 335 pages in the middle are THE WHAT.
Oooooooooooooooooh!
August 15, 2016
Nine years after this was published I've finally read it. Have meant to read it since loving Zeitoun a few years ago. Wife listened to audiobook on long commute and deemed it a truly heartbreaking work of staggering genius -- also proclaimed herself an Eggers fan after not being so into his memoir. I didn't get to it for so long in part thanks to reviews on here that called it boring, unreadable, a mess, lacking structure and characterization, on and on, all of which I can now officially deem sort of nutso -- more a result of Eggersfraude most likely than anything else. At most maybe the second half is 100 pages too long, could've been accelerated in parts, but overall it sure seemed to me like a gripping quasi-autobiographical novel, conventionally structured in alternating sections of front and back story that more or less unite at the end, with the narrator directly addressing various front-story characters when he tells his history. Valentino is sort of like the Sudanese Job, afflicted at every turn by the worst from marauding Arabs to helicopters strafing his village to crocodiles to starvation to dysentery to lions to fatal accidents to burglars to deranged jealous ex-boyfriends to terrorists, on and on. (He has a lot of luck, too.) Well-characterized characters abound. Generally, it's an engaging, moving story of perseverance that makes you omni-aware of your privilege to have a goodreads account on which to right the wrongs of reviewers of yore.
August 18, 2021
When reading this book, you have to separate two things: the story of the Sudanese refugee Valentino/Dominic Achak Deng and what Dave Eggers did with it. I'll start with Deng.
It's impossible not to feel sympathy for Deng's story. What he describes is horrendous and endearing at the same time: the persecution of the dinka minority in South Sudan by the Islamic-Arab regime in Khartoum, the long deadly marches of the 'Lost Boys' to Ethiopia and, after their expulsion there, to Kenya , the difficult life in refugee camps, the existential choice between joining the armed resistance or staying aside, between accepting the offer to resettle in the rich West or returning to your family, and finally the problematic integration in the United States. The way Deng brings us his story is very authentic, especially because he tells it without much frills, even at the hardest of moments, and with great attention for the very mixed feelings he had towards what happened around him. The great merit of this story is that you learn how complex the refugee existence is, and how daunting the challenges are a refugee has to face.
The story is not only horrendous, but also endearing. Deng seems to be someone who has an unrestrained and open attitude, always tries to see the good and almost never gives up. That can be incredible: with all that happened to him you would expect him to be cynical and bitter or very fanatical and radical. That's not the case, and I believe him. The endearment also stems from the fact that his story at times becomes a very classic 'coming of age' story, for example, where he talks about the confrontation with the great mature world of the rebels, and more so when he describes his struggle with the other gender. At such moments, it seems like you're getting a picture of an ordinary puberty in an ordinary context, but of course that's not the case at all. And precisely that's one of the charms of this book.
Of course there also are a few shortcomings. As Deng says in the introduction, he brings a very personal and thus subjective story. The reader better be warned that he shall absolutely not get an objective picture of the complex conflict in Sudan in recent decades. For example: Deng is very short on the ethnic conflicts within South Sudan itself (between dinka and nuer), which, unfortunately, have become all too clear after the independence in 2011, with another awefull round of civil war as a consequence.
But then there's the role of Dave Eggers. The American author has been working with Deng for three years, listening to his story for hours and hours on end, and processing all of it in this book. Initially, I found that the method used by Eggers, a frame-story, really works. The opening scene in which our main character is brutally attacked and robbed in his Atlanta appartment, is brilliant: it immediately avoids that the whole story of Deng csan be seen as a succesfull rescue story ("Sudanese refugee is pulled out of the African pool of misery and builds a glorious future in the paradisiacal United States of America"). Also, the rapid succession of Deng's internal monologues to the robbers, looking back on more violent episodes in Sudan, has been done brilliantly. But then the dynamic of the story slows, and Eggers lets Deng bring longer and longer flashbacks, often also about his highly personal feelings, and thus at the expense of the tempo of the story.
So from a literary point of view, the book is not an overall success. But let’s not make too much of a fuss about that. "What's the What?" is a worthy human document. Maybe the tragedy it deals with wasn't the biggest of the last decades (what happened in Rwanda and Congo was actually much and much worse), but it remains a gruesome testimony of what people are doing to each other in this modern age and how the victims are dealing with this tragedy, each in their own way.
Finally of course, the question remains, "What is the What?". Do not expect an explicit answer to this question, even though the attentive reader will probably find enough clues to formulate a satisfying answer. Fortunately, Eggers uses this gimmick only very sparingly, because actually it’s not more than that: a gimmick.
It's impossible not to feel sympathy for Deng's story. What he describes is horrendous and endearing at the same time: the persecution of the dinka minority in South Sudan by the Islamic-Arab regime in Khartoum, the long deadly marches of the 'Lost Boys' to Ethiopia and, after their expulsion there, to Kenya , the difficult life in refugee camps, the existential choice between joining the armed resistance or staying aside, between accepting the offer to resettle in the rich West or returning to your family, and finally the problematic integration in the United States. The way Deng brings us his story is very authentic, especially because he tells it without much frills, even at the hardest of moments, and with great attention for the very mixed feelings he had towards what happened around him. The great merit of this story is that you learn how complex the refugee existence is, and how daunting the challenges are a refugee has to face.
The story is not only horrendous, but also endearing. Deng seems to be someone who has an unrestrained and open attitude, always tries to see the good and almost never gives up. That can be incredible: with all that happened to him you would expect him to be cynical and bitter or very fanatical and radical. That's not the case, and I believe him. The endearment also stems from the fact that his story at times becomes a very classic 'coming of age' story, for example, where he talks about the confrontation with the great mature world of the rebels, and more so when he describes his struggle with the other gender. At such moments, it seems like you're getting a picture of an ordinary puberty in an ordinary context, but of course that's not the case at all. And precisely that's one of the charms of this book.
Of course there also are a few shortcomings. As Deng says in the introduction, he brings a very personal and thus subjective story. The reader better be warned that he shall absolutely not get an objective picture of the complex conflict in Sudan in recent decades. For example: Deng is very short on the ethnic conflicts within South Sudan itself (between dinka and nuer), which, unfortunately, have become all too clear after the independence in 2011, with another awefull round of civil war as a consequence.
But then there's the role of Dave Eggers. The American author has been working with Deng for three years, listening to his story for hours and hours on end, and processing all of it in this book. Initially, I found that the method used by Eggers, a frame-story, really works. The opening scene in which our main character is brutally attacked and robbed in his Atlanta appartment, is brilliant: it immediately avoids that the whole story of Deng csan be seen as a succesfull rescue story ("Sudanese refugee is pulled out of the African pool of misery and builds a glorious future in the paradisiacal United States of America"). Also, the rapid succession of Deng's internal monologues to the robbers, looking back on more violent episodes in Sudan, has been done brilliantly. But then the dynamic of the story slows, and Eggers lets Deng bring longer and longer flashbacks, often also about his highly personal feelings, and thus at the expense of the tempo of the story.
So from a literary point of view, the book is not an overall success. But let’s not make too much of a fuss about that. "What's the What?" is a worthy human document. Maybe the tragedy it deals with wasn't the biggest of the last decades (what happened in Rwanda and Congo was actually much and much worse), but it remains a gruesome testimony of what people are doing to each other in this modern age and how the victims are dealing with this tragedy, each in their own way.
Finally of course, the question remains, "What is the What?". Do not expect an explicit answer to this question, even though the attentive reader will probably find enough clues to formulate a satisfying answer. Fortunately, Eggers uses this gimmick only very sparingly, because actually it’s not more than that: a gimmick.
March 27, 2012
Now that was a lot of information. Too much.
Valentino Achak Deng is one of the lost boys of the civil war in Sudan. He survived a genocide, walking from Sudan to Ethiopia where boys were getting picked off one by one by lions in the night. Crocodiles, vultures, dysentery, soldiers tying to blow him up, starvation, a car accident, and a robbery in Atlanta after being relocated to the US.
Life has not been easy for Valentino. Yet he somehow keeps going with a positivity that is hard to believe. The story is moving, and Dave Eggers can sure turn a phrase, but there was so much detail.....(oh my poor overloaded head) if this hadn't been an audiobook I never would have gotten through it.
But that does not mean that I don't admire Valentino, or that I believe his story (and that of Sudan) should not have been told. I do.
It just that, less is more sometimes.
3.5 stars.
Valentino Achak Deng is one of the lost boys of the civil war in Sudan. He survived a genocide, walking from Sudan to Ethiopia where boys were getting picked off one by one by lions in the night. Crocodiles, vultures, dysentery, soldiers tying to blow him up, starvation, a car accident, and a robbery in Atlanta after being relocated to the US.
Life has not been easy for Valentino. Yet he somehow keeps going with a positivity that is hard to believe. The story is moving, and Dave Eggers can sure turn a phrase, but there was so much detail.....(oh my poor overloaded head) if this hadn't been an audiobook I never would have gotten through it.
But that does not mean that I don't admire Valentino, or that I believe his story (and that of Sudan) should not have been told. I do.
It just that, less is more sometimes.
3.5 stars.
February 29, 2008
When so much hype and reputation converge on such a complex and sensitive topic only to receive unchecked praise from the American publishing industry and profitable sales, I fear disaster, choir-preaching and the perpetration of harmful stereotypes. Despite my interest in African literature, in African conflicts and in the way that the developed world engages with Africa, I have been avoiding this book since I learned of its existence. A friend of mine who has lived and worked in Sudan vouched unreservedly for its authenticity and inoffensiveness and lent me her copy; I’m not mad at her.
Dave Eggers more or less avoids cheapening his subject, weakening his message or losing credibility for the duration of a book comprised of stories that would tempt a narrator with less integrity to deploy every variety of manipulative, sensationalist, suspenseful and tear-jerking prose. The result is an unflinching, straight-forward, trustworthy and revealing testimony. I have no doubt that “What is the What” has communicated more deeply about the reality of Sudan’s recent atrocities than most other products in any media. And I consider this more of an ethical accomplishment than a literary one.
Modern pragmatist philosophers (such as Richard Rorty) contend that one of the best ways to act ethically is to work towards expanding the circles of empathy of as many people as you can. They suggest doing this by telling stories from new perspectives that familiarize and humanize marginalized and oppressed peoples and by creating ethnographies that do the same work on a more scholarly level. A book like this is supposed to raise awareness, to sensitize people and to encourage action. To the extent that this book makes it harder for people to be idle or disinterested in the face of circumstances like those in the South of Sudan, it is successful; to the extent that it prompts people to take action about such circumstances, it is impressively so.
Now, I’m not thrilled with Eggers’s decision to play a little game with the genre—calling this both an autobiography and a novel—and I’m not convinced by the reasons that are given for his doing so. Nor am I entirely comfortable with the narrative tactic of making Achak Deng directly address different parts of his story to whichever American seems to be disappointing him in the contemporary portion of “What is the What.” As readers quickly discover, the chapters of Deng’s tale that transpire in Sudan, Ethiopia and Kenya are related by him (in his mind, somewhat accusingly) over the course of less than two days to Americans with whom he is interacting. It is all rather obvious that the Americans he addresses are just the cogs in the machinery of our populace, the people who refuse agency and responsibility, the people who are passive accomplices to the neglect of people like Deng—whether they struggle at dead end jobs, making change at our supermarkets or whether they struggle to survive in crude structures built of trash amidst vulnerable refugees on the far side of earth. It’s an interesting tactic, clearly built to abolish narrative distance and to refresh a sense of accountability; but it can seem a bit forced.
I don’t think the prose warrants excerpting or stylistic analysis, nor am I tempted to highlight any particular episodes of Deng’s life. There are charming bits to the story, therapeutic moments of good fortune and humanity and there are scarring accounts of human behavior at its worst. The book is worth reading for its even keeled navigation of these moments, for the insight it offers into life in a refugee camp and for the mirror that it holds up to the United States as it fails to approximate the ideal of “sanctuary.” Respect to Dave Eggers for donating the profits he could have made from this endeavor to the cause of other Lost Boys from Sudan.
Dave Eggers more or less avoids cheapening his subject, weakening his message or losing credibility for the duration of a book comprised of stories that would tempt a narrator with less integrity to deploy every variety of manipulative, sensationalist, suspenseful and tear-jerking prose. The result is an unflinching, straight-forward, trustworthy and revealing testimony. I have no doubt that “What is the What” has communicated more deeply about the reality of Sudan’s recent atrocities than most other products in any media. And I consider this more of an ethical accomplishment than a literary one.
Modern pragmatist philosophers (such as Richard Rorty) contend that one of the best ways to act ethically is to work towards expanding the circles of empathy of as many people as you can. They suggest doing this by telling stories from new perspectives that familiarize and humanize marginalized and oppressed peoples and by creating ethnographies that do the same work on a more scholarly level. A book like this is supposed to raise awareness, to sensitize people and to encourage action. To the extent that this book makes it harder for people to be idle or disinterested in the face of circumstances like those in the South of Sudan, it is successful; to the extent that it prompts people to take action about such circumstances, it is impressively so.
Now, I’m not thrilled with Eggers’s decision to play a little game with the genre—calling this both an autobiography and a novel—and I’m not convinced by the reasons that are given for his doing so. Nor am I entirely comfortable with the narrative tactic of making Achak Deng directly address different parts of his story to whichever American seems to be disappointing him in the contemporary portion of “What is the What.” As readers quickly discover, the chapters of Deng’s tale that transpire in Sudan, Ethiopia and Kenya are related by him (in his mind, somewhat accusingly) over the course of less than two days to Americans with whom he is interacting. It is all rather obvious that the Americans he addresses are just the cogs in the machinery of our populace, the people who refuse agency and responsibility, the people who are passive accomplices to the neglect of people like Deng—whether they struggle at dead end jobs, making change at our supermarkets or whether they struggle to survive in crude structures built of trash amidst vulnerable refugees on the far side of earth. It’s an interesting tactic, clearly built to abolish narrative distance and to refresh a sense of accountability; but it can seem a bit forced.
I don’t think the prose warrants excerpting or stylistic analysis, nor am I tempted to highlight any particular episodes of Deng’s life. There are charming bits to the story, therapeutic moments of good fortune and humanity and there are scarring accounts of human behavior at its worst. The book is worth reading for its even keeled navigation of these moments, for the insight it offers into life in a refugee camp and for the mirror that it holds up to the United States as it fails to approximate the ideal of “sanctuary.” Respect to Dave Eggers for donating the profits he could have made from this endeavor to the cause of other Lost Boys from Sudan.
August 23, 2007
Dave Eggers tells Achack's story much like you would hear it if you had befriended the Sudanese refugee yourself. this book is like a conversation with a good friend. you start where you are. "hello, how are you, i am being robbed at gun point". you move back to the begining. "this is where i am from, the world was dust, we knew it to be Sudan, there was no more". but, to explain the begining, and to get to the end, you often have laughs in the middle. "successful with women". eventually a life is woven infront of you, and somewhere along the way you become a part of the story.
it's just that i haven't had a conversation like this before, one that starts with a burglary in Atlanta, draws you back to a small village in soutern Sudan, and marches you in and out of Ethiopia, the jungles, the rivers, the lions stare, over the bodies, into the refugee camps, into love, out of heartbreak. this is a vast story. this is a story told unflinchingly by the best of humanity, told of the worse afflicition humanity can bring down. of one person who knows his story intermingles with millions of others.
this is about the Lost Boys, about the civil war of Sudan, of apparent caste systems and the invisible ones, about loss and grief, the physical and emotional distress that a body can handle, love, war, violence, learning to write in dirt, growing up, struggle, transformation, adaptation.
mostly this is a clear voice that has every right to be broken or twisted, but it is not, it remains even lyrical, humorous.
what i am left with is the word war, how small it is. like boy. these words should have thousands of letters in them to convey their impact, because i had no idea. you can hear these words and they might conjur one image. maybe two or three. but what Dave Eggers and Achack have done is paint a huge landscape behind three letters. murals upon murals in my head, and what is hung on them is so touching, so sickening and moving, such a story is told that you can't go back to where you were before. boy. war.
give me better words. give us a better world to match this boy.
this might be one of the most important books of our time. it is absolutley required reading.
it's just that i haven't had a conversation like this before, one that starts with a burglary in Atlanta, draws you back to a small village in soutern Sudan, and marches you in and out of Ethiopia, the jungles, the rivers, the lions stare, over the bodies, into the refugee camps, into love, out of heartbreak. this is a vast story. this is a story told unflinchingly by the best of humanity, told of the worse afflicition humanity can bring down. of one person who knows his story intermingles with millions of others.
this is about the Lost Boys, about the civil war of Sudan, of apparent caste systems and the invisible ones, about loss and grief, the physical and emotional distress that a body can handle, love, war, violence, learning to write in dirt, growing up, struggle, transformation, adaptation.
mostly this is a clear voice that has every right to be broken or twisted, but it is not, it remains even lyrical, humorous.
what i am left with is the word war, how small it is. like boy. these words should have thousands of letters in them to convey their impact, because i had no idea. you can hear these words and they might conjur one image. maybe two or three. but what Dave Eggers and Achack have done is paint a huge landscape behind three letters. murals upon murals in my head, and what is hung on them is so touching, so sickening and moving, such a story is told that you can't go back to where you were before. boy. war.
give me better words. give us a better world to match this boy.
this might be one of the most important books of our time. it is absolutley required reading.
May 19, 2014
I'm having trouble coming up with the right word to describe reading this book. "Enjoyed" is definitely not the right word - although the book is well-written, it's hard to call it enjoyable, nor is it trying to be. Moving? Something seems facile and reductionist about that, to reduce the story to something that affected me briefly, as if it is all about me.
Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforcement. You can read why I came to this decision here.
In the meantime, you can read the entire review at Smorgasbook
Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforcement. You can read why I came to this decision here.
In the meantime, you can read the entire review at Smorgasbook
February 20, 2021
What Is the What, Dave Eggers fiction based life of Valentino Achak Deng, a Sudanese child refugee who immigrated to the United States under the Lost Boys of Sudan program, escaping fates of many & luck not becoming a child soldier it's brutal and disheartening with sardonic humor but even in the states he suffers a home invasion and being robbed of everything, while trussed up he reflects back on his early life in Sudan. What I found out what is the what? We have a 40 year war to gain independence from north Sudan which is the early focus of this story of South Sudan that it became the world's newest country in 2011 but wait 2 years and a 6-year civil war with attempted genocidal massacres estimated 400,000 dead & millions of displaced persons. On one side President Salva Kiir of the Dinka tribe against Vice President Reik Machar, of the Nuer tribe, war weary when in 2019 an uncertain peace accord was signed, with faint hope of some sort of lasting peace seems to exist, along with 12000 UN peace keepers. But with oil reserves up for stakes and these recent power struggles to control all. Sudan has only got hope & faith for a formation of a stable peaceful government.
July 19, 2018
Corri ragazzo, corri.
Compro sempre i libri di Eggers, a scatola chiusa.
A volte li amo, a volte no.
Erano solo ragazzi in cammino è molto di più di un libro da amare.
È un libro che racconta la vita, che ti prende per mano e non ti lascia più.
È un libro che sarà difficile dimenticare.
Perché non si deve e non si può dimenticare.
Confesso, quando ho girato la copertina per iniziare a leggerlo, alla vista della cartina del Sudan, di aver pensato ‘’Oh no, questo libro è ambientato in Africa... a me non piace molto l'Africa, non ne subisco il fascino'' (anche se poi ho letto con passione i libri di Karen Blixen, quelli di Nadine Gordimer, di Nagîb Mahfuz, di J. M. Coetzee, di Kuki Gallmann; insomma, in letteratura ho spaziato per tutta l'Africa!).
Ma è stato un solo un momento, mi è bastato leggere la prefazione per esserne conquistata, in ogni senso: dal romanzo, perché Dave Eggers, qui come non mai, usa una prosa pulita, scorrevole, capace di conquistare e di colpire al cuore; dalla storia, perché è vera, accidenti se è vera, ed è storia di oggi, che forse la maggior parte di noi ignora ed è contenta di continuare ad ignorare: perché una volta che l'hai conosciuta non è più possibile tornare indietro e non puoi far finta che non esista; dai paesaggi, perché pur senza esserci mai stato, Marial Baj è un villaggio che adesso saprai che esiste e ne conoscerai ogni angolo, ogni colore, ogni casa; dall'umanità che lo pervade e che lo popola, perché quelle lunghe code di bambini e di persone indifese in movimento, che hanno attraversato il Sudan fino alle frontiere con il Kenia e l'Etiopia, cercano una sola cosa: il diritto alla vita.
Dopo averlo letto, e si deve leggerlo, Valentino Achak Deng non sarà più solo un nome, perché vorrai dargli un volto, sapere come vive e come vive la sua gente, in Sudan. [12-19/8/2007]
Letto nell’estate del 2007, questo romanzo è stato per me un colpo di fulmine: apprezzavo già Eggers, come dicevo, la sua Opera struggente di un formidabile genio mi aveva subito conquistata, ma questo parlava dritto al cuore, se possibile, con la stessa intensità con cui il giovane Dave si occupava, qualche tempo prima, del piccolo Toph.
È così, perché la lettura per me è sempre stata, soprattutto, condivisione, nel mese di dicembre ho girato almeno tre librerie - vado a memoria, la Eritrea, la Futura e l’allora Minerva (poi tutte riunite sotto il marchio Arion, ora miseramente fallito), per acquistarne cinque copie da regalare per Natale alle mie due sorelle, a mio fratello e a mio zio e… la quinta non ricordo a chi.
Beh, nessuno apprezzò tanto quanto me questa lettura, ciascuno con sfumature differenti di gradimento (dallo scarso al buono) lesse l’opera di Eggers, che resta, però, iscritta nell’aneddotica di famiglia ed è ancora ricordata da tutti con divertimento: da qui la mia idea, nonostante continui a credere che la lettura possa essere condivisione, che certi entusiasmi e certe passioni, restino un'esperienza che non può sempre essere contagiosa. [12/4/2018]
Compro sempre i libri di Eggers, a scatola chiusa.
A volte li amo, a volte no.
Erano solo ragazzi in cammino è molto di più di un libro da amare.
È un libro che racconta la vita, che ti prende per mano e non ti lascia più.
È un libro che sarà difficile dimenticare.
Perché non si deve e non si può dimenticare.
Confesso, quando ho girato la copertina per iniziare a leggerlo, alla vista della cartina del Sudan, di aver pensato ‘’Oh no, questo libro è ambientato in Africa... a me non piace molto l'Africa, non ne subisco il fascino'' (anche se poi ho letto con passione i libri di Karen Blixen, quelli di Nadine Gordimer, di Nagîb Mahfuz, di J. M. Coetzee, di Kuki Gallmann; insomma, in letteratura ho spaziato per tutta l'Africa!).
Ma è stato un solo un momento, mi è bastato leggere la prefazione per esserne conquistata, in ogni senso: dal romanzo, perché Dave Eggers, qui come non mai, usa una prosa pulita, scorrevole, capace di conquistare e di colpire al cuore; dalla storia, perché è vera, accidenti se è vera, ed è storia di oggi, che forse la maggior parte di noi ignora ed è contenta di continuare ad ignorare: perché una volta che l'hai conosciuta non è più possibile tornare indietro e non puoi far finta che non esista; dai paesaggi, perché pur senza esserci mai stato, Marial Baj è un villaggio che adesso saprai che esiste e ne conoscerai ogni angolo, ogni colore, ogni casa; dall'umanità che lo pervade e che lo popola, perché quelle lunghe code di bambini e di persone indifese in movimento, che hanno attraversato il Sudan fino alle frontiere con il Kenia e l'Etiopia, cercano una sola cosa: il diritto alla vita.
Dopo averlo letto, e si deve leggerlo, Valentino Achak Deng non sarà più solo un nome, perché vorrai dargli un volto, sapere come vive e come vive la sua gente, in Sudan. [12-19/8/2007]
Letto nell’estate del 2007, questo romanzo è stato per me un colpo di fulmine: apprezzavo già Eggers, come dicevo, la sua Opera struggente di un formidabile genio mi aveva subito conquistata, ma questo parlava dritto al cuore, se possibile, con la stessa intensità con cui il giovane Dave si occupava, qualche tempo prima, del piccolo Toph.
È così, perché la lettura per me è sempre stata, soprattutto, condivisione, nel mese di dicembre ho girato almeno tre librerie - vado a memoria, la Eritrea, la Futura e l’allora Minerva (poi tutte riunite sotto il marchio Arion, ora miseramente fallito), per acquistarne cinque copie da regalare per Natale alle mie due sorelle, a mio fratello e a mio zio e… la quinta non ricordo a chi.
Beh, nessuno apprezzò tanto quanto me questa lettura, ciascuno con sfumature differenti di gradimento (dallo scarso al buono) lesse l’opera di Eggers, che resta, però, iscritta nell’aneddotica di famiglia ed è ancora ricordata da tutti con divertimento: da qui la mia idea, nonostante continui a credere che la lettura possa essere condivisione, che certi entusiasmi e certe passioni, restino un'esperienza che non può sempre essere contagiosa. [12/4/2018]
August 24, 2008
It took me a million years to finish reading this book. Even up to the very end, 30 pages from the end, then 20, then 10, then 5, I kept thinking, "Isn't this over yet?" I keep wondering if not being crazy about this novel makes me a bastard, because not only does the book aim to educate people about the staggering crisis in southern Sudan, but Dave Eggers donated 100% of the proceeds to help build schools, public libraries, etc., in the protagonist's war-torn village. It just struck me as being very monotonous... which, again, seems like a horrendous thing to say. The guy was forced to live in a refugee camp for ten years, so monotony was what defined his life for a very long time. I can't figure out if it was the actual events that I found boring (which would make me a soulless ghoul for sure), or if it was the narration. Looking at other reviews, it does seem that some other readers struggled to finish this book as well. I find discussing the book more interesting than the actual reading of it, namely, debating about Eggers's decision to write the book as a work of fiction despite the fact that the protagonist is a living person. Eggers said in numerous interviews that he initially started writing this as a work of nonfiction, but his own voice kept getting in the way, and it was only after deciding to write it as fiction that he felt sufficiently freed up to let Valentino Achek Deng's voice shine through (whuh?). But some reviewer who clearly has an axe to grind with Dave Eggers (how can anybody be pissed at Dave Eggers, by the way? It'd be like hating Wally Cleaver) cited a paragraph from this book and compared it alongside a paragraph from A Heartbreaking Work of Staggering Genius, and there were undeniable similarities - I say "some reviewer" because I no longer have any recollection, but I seem to remember it being a "real" reviewer writing for a "real" publication... I would Google it, but I need to shower for the first time in days (I couldn't before now because I had to finish this book - I swear, it was frickin' arduous)... anyway, debates about the author's decisions aside, I have to pitch in my lot with all the people who were less than over the moon about this book. Although I will say that those people seem inordinately, illogically pissed at Dave Eggers himself, and my theory is that they're overcompensating in an attempt to alleviate their guilt because in the end, if you don't like this book, you're a bastard. By extension, if you don't read this book, you're a bastard. So there! Welcome to the club!
September 17, 2015
I picked this book up at this particular moment for a reason. While I've really liked, even loved, several of the books I've read so far this year, I haven't really felt blown away by anything. I was looking for something that was going to blow me away, and I thought this book might fit the bill. Luckily for me, I turned out to be totally right.
This book succeeds completely on two levels. On the one level, if you want to learn about what was happening in Sudan in the eighties and nineties, this book will tell you pretty much everything you need to know. But fortunately, for all the information that's imparted, Dave Eggers doesn't forget that his book must also work as a novel, and it does. It really, really does. The book is longer than it looks--more than 500 pages--but they go by swiftly. I can't remember the last time I got this absorbed in a book; I would forget my surroundings entirely, and given that I was reading a lot of it on rush-hour trains and crowded train platforms, that's really saying something.
I think my experience of reading this book made me understand what people mean when they call something an "instant classic." That term has always seemed like hyperbole to me--after all, the whole reason books are considered "classics" is because they stand the test of time; there's nothing instant about it. But I truly believe What Is the What is going to be one of those books that's still being read decades from now. There's really no excuse for not reading this at some point. Very highly recommended.
This book succeeds completely on two levels. On the one level, if you want to learn about what was happening in Sudan in the eighties and nineties, this book will tell you pretty much everything you need to know. But fortunately, for all the information that's imparted, Dave Eggers doesn't forget that his book must also work as a novel, and it does. It really, really does. The book is longer than it looks--more than 500 pages--but they go by swiftly. I can't remember the last time I got this absorbed in a book; I would forget my surroundings entirely, and given that I was reading a lot of it on rush-hour trains and crowded train platforms, that's really saying something.
I think my experience of reading this book made me understand what people mean when they call something an "instant classic." That term has always seemed like hyperbole to me--after all, the whole reason books are considered "classics" is because they stand the test of time; there's nothing instant about it. But I truly believe What Is the What is going to be one of those books that's still being read decades from now. There's really no excuse for not reading this at some point. Very highly recommended.
September 8, 2022
Valentino Achak es arrastrado por la incertidumbre inmisericorde de la guerra civil sudanesa. Su vida, su huida, es la narración de un mundo que para muchos nos es ajeno: el de los refugiados en la espera de recobrar su dignidad, los desplazados que cargan con el miedo y la amenaza permanente, el de los marginados por la mala voluntad de los poderosos y la indiferencia del resto de acomodados. Me tienta decir que la suya es la “Odisea” del hombre contemporáneo, pero pecaría de ingrato desde el escritorio de mi privilegio.
Eggers logra convertir la narración oral de su protagonista en una novela que se agarra al corazón del lector y le exprime tantas lágrimas como esperanzas. “Qué es el qué” conmueve hasta la gratitud; pero asusta con el más crudo de los realismos. Siento que esta es una de esas obras que me harán evocar escenas, sensaciones y diálogos en momentos importantes de mi vida. Por eso mismo, se ha convertido en uno de esos libros que servirán de presente para las personas que abrigan la calidez de mi alma.
Eggers logra convertir la narración oral de su protagonista en una novela que se agarra al corazón del lector y le exprime tantas lágrimas como esperanzas. “Qué es el qué” conmueve hasta la gratitud; pero asusta con el más crudo de los realismos. Siento que esta es una de esas obras que me harán evocar escenas, sensaciones y diálogos en momentos importantes de mi vida. Por eso mismo, se ha convertido en uno de esos libros que servirán de presente para las personas que abrigan la calidez de mi alma.
July 8, 2011
A while back I'd slogged through the simultaneously compelling and and head-scratchingly-moribund epic "Acts of Faith" by Philip Caputo which dealt with the Sudanese Civil War (of the mid-1980s through today) and ensuing humanitarian efforts; while I wasn't terribly impressed by that novel, it did leave me with many questions about the situation in Sudan, many of which were addressed (if not exactly answered) by the far-superior "novel" "What Is the What" by Dave Eggers.
I put quotes around novel primarily because it's not a novel in the classical sense of the term; it's more a first-person account from the very real Valentino Achak Deng as written by Eggers (whose soleraison d'etre these days is to give a voice to the disenfranchised). And, oh my goodness, what an account. If there was ever a story that makes a reader pause to assess his problems as meaningless piffles, this is the one. Mr. Deng takes us down a 2-decade-long rabbit hole of sheer horror, from fleeing for his life as his village is shelled first by helicopters, then by Arab murahaleen horseback raiders; running for miles and miles with hundreds of other displaced "Lost Boys" looking for rumored humanitarian aid encampments across the borders of Ethiopia and Kenya, only to be decimated by famine, thirst, hunger, wild animals, random attacks and massacres; then focusing on survival in the camps while being recruited to go off to a totally unwinnable war against the ruling regime in the capital city of Khartoum. It would seem like it would be the bleakest reading experience imaginable slogging through the travails of Mr. Deng's life, but there is an amazing undercurrent of optimism that buoys the non-stop negativity, and makes it more a fascinating portrait of a fascinating life than the total bummer it could've been. It helps that the recollection is broken up by present-day musings by Mr. Deng after he is selected to come to the United States and tries to cope with a completely different set of ordeals (in adjusting to living in Atlanta, GA). Even the most jaded, surly curmudgeon would be hard-pressed not to be moved by this guy's plight.
One could argue that Eggers pseudo-autobiography is shamelessly manipulative. If I think about it for too long I might possibly agree with that statement, but for now I think I'd rather give this book 5 stars and let you decide for yourself whether Eggers' story is one worth reading. While it doesn't answer many questions, it does bring to light the very serious and dire situation in Sudan (that evidently goes on to this day) and if that requires some heart-string pulling, so be it.
HIGHLY recommended.
I put quotes around novel primarily because it's not a novel in the classical sense of the term; it's more a first-person account from the very real Valentino Achak Deng as written by Eggers (whose soleraison d'etre these days is to give a voice to the disenfranchised). And, oh my goodness, what an account. If there was ever a story that makes a reader pause to assess his problems as meaningless piffles, this is the one. Mr. Deng takes us down a 2-decade-long rabbit hole of sheer horror, from fleeing for his life as his village is shelled first by helicopters, then by Arab murahaleen horseback raiders; running for miles and miles with hundreds of other displaced "Lost Boys" looking for rumored humanitarian aid encampments across the borders of Ethiopia and Kenya, only to be decimated by famine, thirst, hunger, wild animals, random attacks and massacres; then focusing on survival in the camps while being recruited to go off to a totally unwinnable war against the ruling regime in the capital city of Khartoum. It would seem like it would be the bleakest reading experience imaginable slogging through the travails of Mr. Deng's life, but there is an amazing undercurrent of optimism that buoys the non-stop negativity, and makes it more a fascinating portrait of a fascinating life than the total bummer it could've been. It helps that the recollection is broken up by present-day musings by Mr. Deng after he is selected to come to the United States and tries to cope with a completely different set of ordeals (in adjusting to living in Atlanta, GA). Even the most jaded, surly curmudgeon would be hard-pressed not to be moved by this guy's plight.
One could argue that Eggers pseudo-autobiography is shamelessly manipulative. If I think about it for too long I might possibly agree with that statement, but for now I think I'd rather give this book 5 stars and let you decide for yourself whether Eggers' story is one worth reading. While it doesn't answer many questions, it does bring to light the very serious and dire situation in Sudan (that evidently goes on to this day) and if that requires some heart-string pulling, so be it.
HIGHLY recommended.
August 23, 2007
ugh.... I had read Heartbreaking Work and did not enjoy it, but I thought I'd give Eggers another chance. I'm plodding through this book and have been since March. I'm sad about it, because I'm interested by the subject matter. Oh well, lots of people disagree with me, so "you don't have to take MY word for it!"
July 22, 2008
You know who should read What is the What? Um…everyone. It’s one of those rare books that are really easy to read, really gripping—it will grip you!—but also globally consequential.
What is the What, by Dave Eggers, is a docu-drama-type "novel" based on the real life of Valentino Achak Deng. At the age of seven (maybe eight) he watches his Sudanese village be attacked and destroyed by government-sponsored militia. Not knowing if his family is alive or dead, he's forced to run and ends up trekking (on foot with thousands of other boys) across the deserts of three countries. They walk for months, pursued by militiamen on horseback, government bombers and predatory animals, carrying with them almost nothing in terms of clothing, shoes, shelter, food or water. After this epic journey in which he faces down every imaginable hardship, Achak spends many years in desolate Ethiopian and Kenyan refugee camps before finally being resettled in the U.S. where he finds "a life full of promise, but also heartache and myriad new challenges." (So lazy, I quote the back of the book)
I don’t know if Valentino is the unluckiest person ever, or the luckiest for having survived a lifetime of horrors you and I could only conjure in our worst nightmares. But whatever he is, his story is extraordinary. This book is suspenseful, intense, horrifying, heartbreaking, at times surprisingly sweet and funny, but always incredibly moving — if you don’t at least have the urge to make large donations to Mercy Corps after reading this, you’re an absolute robot. I don’t know if there’s a word strong enough to sum up this guy’s life — the tragedy, trauma, loss, deprivation — but it was crazy to read his story and know it had all really happened while I sat around watching Seinfeld and picking the onions off my cheeseburger.
Things that are really great about this book:
1. Eggers lays out the decades-old conflict in Sudan in a way that people like me who knew little about it can wrap their brains around. He weaves the history into his story really naturally and without ever making it a political invective.
2. The author drops the self-consciously clever post-modernist act and assumes the voice of Achak telling his story in first person. And outside of a few overly sophisticated turns of phrase, it works — sounds authentic and believable, as if it really were Achak telling his own story. Eggers does a terrific job of creating a "character" that is super lovable and pitiable but also respectable.
3. Despite the fairly devastating subject matter, What is the What is not depressing or the type of horrifying that makes you have to put it down. As a work of literature, it’s incredibly impressive and I found myself reading on because I was wowed. And too, Eggers makes this young Sudanese so very human and real that I felt a strong sense of commonality, which made me not want to turn away from him. And the book ends on a rather hopeful note.
So I recommend this book to you and everyone you know. It really is amazing, definitely top 10 material. If you want to learn more about it or read a (way) more articulate review, visit McSweeney’s Web site — they seem to have republished everything ever written about What is the What.
What is the What, by Dave Eggers, is a docu-drama-type "novel" based on the real life of Valentino Achak Deng. At the age of seven (maybe eight) he watches his Sudanese village be attacked and destroyed by government-sponsored militia. Not knowing if his family is alive or dead, he's forced to run and ends up trekking (on foot with thousands of other boys) across the deserts of three countries. They walk for months, pursued by militiamen on horseback, government bombers and predatory animals, carrying with them almost nothing in terms of clothing, shoes, shelter, food or water. After this epic journey in which he faces down every imaginable hardship, Achak spends many years in desolate Ethiopian and Kenyan refugee camps before finally being resettled in the U.S. where he finds "a life full of promise, but also heartache and myriad new challenges." (So lazy, I quote the back of the book)
I don’t know if Valentino is the unluckiest person ever, or the luckiest for having survived a lifetime of horrors you and I could only conjure in our worst nightmares. But whatever he is, his story is extraordinary. This book is suspenseful, intense, horrifying, heartbreaking, at times surprisingly sweet and funny, but always incredibly moving — if you don’t at least have the urge to make large donations to Mercy Corps after reading this, you’re an absolute robot. I don’t know if there’s a word strong enough to sum up this guy’s life — the tragedy, trauma, loss, deprivation — but it was crazy to read his story and know it had all really happened while I sat around watching Seinfeld and picking the onions off my cheeseburger.
Things that are really great about this book:
1. Eggers lays out the decades-old conflict in Sudan in a way that people like me who knew little about it can wrap their brains around. He weaves the history into his story really naturally and without ever making it a political invective.
2. The author drops the self-consciously clever post-modernist act and assumes the voice of Achak telling his story in first person. And outside of a few overly sophisticated turns of phrase, it works — sounds authentic and believable, as if it really were Achak telling his own story. Eggers does a terrific job of creating a "character" that is super lovable and pitiable but also respectable.
3. Despite the fairly devastating subject matter, What is the What is not depressing or the type of horrifying that makes you have to put it down. As a work of literature, it’s incredibly impressive and I found myself reading on because I was wowed. And too, Eggers makes this young Sudanese so very human and real that I felt a strong sense of commonality, which made me not want to turn away from him. And the book ends on a rather hopeful note.
So I recommend this book to you and everyone you know. It really is amazing, definitely top 10 material. If you want to learn more about it or read a (way) more articulate review, visit McSweeney’s Web site — they seem to have republished everything ever written about What is the What.
April 29, 2008
This was the most amazing book I've ever read. There were times I just wanted to put it down, some of the events were just too much to handle and I wondered whether it was worth being brought down to such dark depths. But even through the unbelievably sad and shocking things that happened to Achak, the narration is so incredible and personal. I couldn't stop reading, and I couldn't stop thinking about him. In the past few weeks that I've been reading this, Achak is always on my mind, he's with me wherever I go, telling me his story. It's incredible that someone could go through so much and continue to maintain the will to live. Despite the risk of depression, I think this book is incredibly important to read. It's one of those stories that forces you to recognize what an unfathomably huge place this world is, and that things happen every day that would be almost impossible for most of us to even imagine. A big part of the story deals with the fact that something this horrific can be happening to so many people, and most of the world is almost completely unaware. Reading a book like this puts my own life into perspective, and although it's not feasible to constantly maintain a downward comparison (because let's face it, no matter who you are, there's always someone who's worse off), it forces you to recognize that your own problems are so insignificant in the grand scheme of things.
Dave Eggers did an incredible job telling Achak's story - his narration is so simple and easy to read, but very eloquent and powerful at the same time. I've read reviews that say differently, but I swear I really believed that this was the voice of Achak telling his story. So although it was exhausting to go through one horrible incident after another, it was still difficult to put it down.
The last page is one of the most beautiful things I've read and it moved me to tears, the whole concept that we're all on this earth together and we should all recognize each other's existence and love each other, because in the end through all of our differences, we have this incredible thing in common, which is life.
Dave Eggers did an incredible job telling Achak's story - his narration is so simple and easy to read, but very eloquent and powerful at the same time. I've read reviews that say differently, but I swear I really believed that this was the voice of Achak telling his story. So although it was exhausting to go through one horrible incident after another, it was still difficult to put it down.
The last page is one of the most beautiful things I've read and it moved me to tears, the whole concept that we're all on this earth together and we should all recognize each other's existence and love each other, because in the end through all of our differences, we have this incredible thing in common, which is life.
July 11, 2019
Although written by Dave Eggers, it is a narrative account of Valentino Achak Deng, one of the Lost Boys of Sudan. It details the plight of the Sudanese refugees.
The story begins with Valentino being robbed in his American apartment as an adult. When he is knocked out by one of the thieves, he thinks back to his life in the Sudan. He then begins his story of his exodus at the age of seven, when he and thousands of other boys cross the desert by foot. Wild animals, guns, bombs, death, militia, and starvation constantly threaten the boys chance for freedom and survival. "Should we stop? I whispered as we ran. No, no. Run. Always run." But even if they survive the labyrinth of the desert, they must then find a country to host them so that war does not claim them.
Throughout his narrative account, the chapters sometimes resume back to his current state in America--stuck in a chair, a telephone chord wrapped around him while he is being robbed. I enjoyed his comparisons to being held captive in his own apartment to his turmoil in Sudan. While he could be whimsical and sarcastic at times towards his robbers, it was disheartening to hear the voice of the true refugee, "You would not add to my suffering if you knew what I have seen."
I highly recommend What is the What for anyone interested in historical fiction, cultural anthropology, and social behaviors. It is a story to savor and one that you will never forget.
The story begins with Valentino being robbed in his American apartment as an adult. When he is knocked out by one of the thieves, he thinks back to his life in the Sudan. He then begins his story of his exodus at the age of seven, when he and thousands of other boys cross the desert by foot. Wild animals, guns, bombs, death, militia, and starvation constantly threaten the boys chance for freedom and survival. "Should we stop? I whispered as we ran. No, no. Run. Always run." But even if they survive the labyrinth of the desert, they must then find a country to host them so that war does not claim them.
Throughout his narrative account, the chapters sometimes resume back to his current state in America--stuck in a chair, a telephone chord wrapped around him while he is being robbed. I enjoyed his comparisons to being held captive in his own apartment to his turmoil in Sudan. While he could be whimsical and sarcastic at times towards his robbers, it was disheartening to hear the voice of the true refugee, "You would not add to my suffering if you knew what I have seen."
I highly recommend What is the What for anyone interested in historical fiction, cultural anthropology, and social behaviors. It is a story to savor and one that you will never forget.
April 5, 2013
"What is the What is the soulful account of my life: from the time I was separated from my family in Marial Bai to the thirteen years I spent in Ethiopian and Kenyan refugee camps, to my encounter with vibrant Western cultures beginning in Atlanta, to the generosity and the challenges that I encountered elsewhere," Valentino Achak Deng writes.
Dave Eggers did such a great job bringing Deng's story to life, that I enjoyed this book even more than I did Egger's memoir. This is a novel that is "historically accurate" and "all of the major events in the book are true," Deng writes.
The voice is clearly that of a Sudanese man, the descriptions vivid, the story-telling riveting. The story starts in the present with a dramatic beginning, Deng is a refugee in America, alone in his sparsely furnished apartment, when robbers enter his apartment and tie him up. As he lays there helplessly, the book veers to retrospective narration when Deng goes into backstory about his childhood in Sudan--how ironic it is, he thinks, that he, a former soldier, is being attacked in his own home. He views his attackers with scorn and something akin to pity because of what he perceives to be their naiveté. The prose gets a bit lengthy at times, yet includes great introspection from the narrator who also seems to recount meaningful historical data that could only have been obtained from someone who has "been there, done that." Towards the end, you see him come to terms with his experiences, the mistakes he made as he grew older and wiser, and the plans he has for improving his life.
At a time when it was so important to obtain the story of the infamous "Lost Boys," perhaps this book is a crucial addendum.
Dave Eggers did such a great job bringing Deng's story to life, that I enjoyed this book even more than I did Egger's memoir. This is a novel that is "historically accurate" and "all of the major events in the book are true," Deng writes.
The voice is clearly that of a Sudanese man, the descriptions vivid, the story-telling riveting. The story starts in the present with a dramatic beginning, Deng is a refugee in America, alone in his sparsely furnished apartment, when robbers enter his apartment and tie him up. As he lays there helplessly, the book veers to retrospective narration when Deng goes into backstory about his childhood in Sudan--how ironic it is, he thinks, that he, a former soldier, is being attacked in his own home. He views his attackers with scorn and something akin to pity because of what he perceives to be their naiveté. The prose gets a bit lengthy at times, yet includes great introspection from the narrator who also seems to recount meaningful historical data that could only have been obtained from someone who has "been there, done that." Towards the end, you see him come to terms with his experiences, the mistakes he made as he grew older and wiser, and the plans he has for improving his life.
At a time when it was so important to obtain the story of the infamous "Lost Boys," perhaps this book is a crucial addendum.
October 24, 2007
I finished listening to "What is the What" by Dave Eggers, narrated by Dion Graham, a couple of days ago, but didn't have a chunk of quiet time to write about it until now. It's the somewhat fictionalized biography of Valentino Achak Deng, a young boy in the Sudan at the outbreak of the civil war, through to his adulthood as a refugee in America.
The story is epic in scope, but is told in a very personal, down-to-earth fashion. You're as likely to hear about the title character's first fumbling attempts at typing or his volunteer guard duty of a neighbour's bicycle as to hear about tanks and land-mines. This really anchors the story and helps the focus remain on telling the story of Valentino, and telling the wider story through his story rather than making it about the wider situation with his story being a tacked-on footnote. The material itself is striking, and eye-opening. Even if you've been aware of what happened in the Sudan, I expect hearing about what the people endured as part of the story of an individual life would still be eye-opening. I wasn't that well-informed, so it was certainly interesting for me.
Despite the excellent source matter, however, the story is somewhat crudely told. While Eggers has a fantastic sense of voice and really personalizes all of the characters, the overall handling of the plot arc felt clumsy and gimmicky at times, and the way the historical material is introduced through the Valentino's present-day inner monologue addressed at various people in his daily life gets to be a tired trick after a while. Also, the attempt to include everything possible about the Sudanese people's experiences in this one person's individual story leads to a certain straining of plausibility after a while that's only partly explained away by having the other characters themselves remark that God must have something against him. The pacing of the context switches seems slightly off in a way that often leaves you wanting to hear more about the part you're not hearing about now, whichever part that may be. There are a couple of things which are introduced multiple times during the course of the story in a way that seems more accidental than artistic, and oddly, given that at several points the story felt a little long, the book eventually just sort of ... stops, dropping the story in an unsatisfying fashion.
All of that said, the source material is so compelling that even a muddled rendition of it provides for an extremely worthwhile read, and Dion Graham does a riveting job as the narrator, with excellent voices for most of the characters (his female characters become a little generic, but I haven't heard many male narrators do great women, so I'll forgive him that) and a fantastic command of the cadence and character of the principal character's voice that makes the book wonderful to hear.
Overall, the writing is matter-of-fact enough and the delivery of the material is somewhat ho-hum (other than the excellent audio production) in a way that makes it hard for me to jump up and down waving my arms in the air about this book, but I definitely still think that it's a worthwhile listen, probably even more gripping in audio than on the printed page.
The story is epic in scope, but is told in a very personal, down-to-earth fashion. You're as likely to hear about the title character's first fumbling attempts at typing or his volunteer guard duty of a neighbour's bicycle as to hear about tanks and land-mines. This really anchors the story and helps the focus remain on telling the story of Valentino, and telling the wider story through his story rather than making it about the wider situation with his story being a tacked-on footnote. The material itself is striking, and eye-opening. Even if you've been aware of what happened in the Sudan, I expect hearing about what the people endured as part of the story of an individual life would still be eye-opening. I wasn't that well-informed, so it was certainly interesting for me.
Despite the excellent source matter, however, the story is somewhat crudely told. While Eggers has a fantastic sense of voice and really personalizes all of the characters, the overall handling of the plot arc felt clumsy and gimmicky at times, and the way the historical material is introduced through the Valentino's present-day inner monologue addressed at various people in his daily life gets to be a tired trick after a while. Also, the attempt to include everything possible about the Sudanese people's experiences in this one person's individual story leads to a certain straining of plausibility after a while that's only partly explained away by having the other characters themselves remark that God must have something against him. The pacing of the context switches seems slightly off in a way that often leaves you wanting to hear more about the part you're not hearing about now, whichever part that may be. There are a couple of things which are introduced multiple times during the course of the story in a way that seems more accidental than artistic, and oddly, given that at several points the story felt a little long, the book eventually just sort of ... stops, dropping the story in an unsatisfying fashion.
All of that said, the source material is so compelling that even a muddled rendition of it provides for an extremely worthwhile read, and Dion Graham does a riveting job as the narrator, with excellent voices for most of the characters (his female characters become a little generic, but I haven't heard many male narrators do great women, so I'll forgive him that) and a fantastic command of the cadence and character of the principal character's voice that makes the book wonderful to hear.
Overall, the writing is matter-of-fact enough and the delivery of the material is somewhat ho-hum (other than the excellent audio production) in a way that makes it hard for me to jump up and down waving my arms in the air about this book, but I definitely still think that it's a worthwhile listen, probably even more gripping in audio than on the printed page.
May 9, 2021
Jesus, this was long. And I'm not just talking the length of the book. The chapters were loooonggg. And if there's one thing I hate, it's long chapters in a book. I'm glad, though, that this was a good read, because I probably would have thrown it in the garbage out of sheer frustration.
Touted as a biographical novel, it tells the story of Valentino Achak Deng, one of the Lost Boys from Sudan, and how he eventually achieved asylum in the US. His ordeals are never-ending, but I got the sense that that was the point. How else can we truly understand the horrors of war and genocide if we skirt the details of what actually happens to the innocent?
It's a really good book, one that unfortunately took me way too long to read. Would I recommend it? You bet. Would I read it again? Absolutely not.
Touted as a biographical novel, it tells the story of Valentino Achak Deng, one of the Lost Boys from Sudan, and how he eventually achieved asylum in the US. His ordeals are never-ending, but I got the sense that that was the point. How else can we truly understand the horrors of war and genocide if we skirt the details of what actually happens to the innocent?
It's a really good book, one that unfortunately took me way too long to read. Would I recommend it? You bet. Would I read it again? Absolutely not.
February 3, 2008
This book is the fictionalized autobiography of real-life Sudanese refugee Valentino Achak Deng, who grew up mostly in a refugee camp in Kenya (where he lived for 10 years!)
Eggers weaves a present tense with the story of Valentino's childhood in Sudan. In the present tense Valentino is getting robbed and beaten in his Atlanta apartment because he trusted the people who came to the door. Finally when he is discovered bleeding on the floor of his apartment by his roommate, he is taken to the hospital where it takes ages for him to get help. As all of that is happening, in his mind Valentino tells the story of his life to his robbers, to the unhelpful people at the hospital, to the people who walk into the health club where he works at the front desk, and to the readers of the book.
It's difficult to imagine that one man has lived through so much! Paramilitaries backed by the Sudanese government attacked the village of Marial Bai where the little boy Valentino lived, and he ended up walking all the way to Ethiopia with a group of other "lost boys". He did not know if his parents were alive or dead for many years, until he was an adult. The walk to Ethiopia nearly killed Valentino, and did kill many of the other boys. After living in a refugee camp for several years in Ethiopia, with tens of thousands of others, he was forced to flee a massacre at that camp back across southern Sudan to northern Kenya, where he ended up living in another refugee camp for an entire decade. Along the way, boys and girls and men and women died from animals, insects, bombings, shootings, hunger, thirst. For someone who didn't know much about that world, some of this is surprising, such as how long refugees are trapped as refugees, when "temporary" camps become seemingly permanent. Kakuma (the camp in Kenya) is a place where Valentino and the refugees could not provide for themselves, owing to the poor quality of the land. It really is like being in prison.
For me, the saddest part of the entire story by far is the fate of Valentino's love Tabitha, another refugee from Sudan who ended up in Seattle. It's strange that I would feel that way, given how many terribly sad things happen in this book. I guess I would like to believe that among the survivors love is possible.
Names are a notable part of this story. Valentino picks up names like "Gone Far" (for having walked the farthest to Ethiopia) and "Sleeping" (for having decided to stop walking and die on the road, only to be saved by a girl who won't let him stay there) and "Dominic" (because his drama teacher couldn't remember names). The refugees come up with clever nicknames like "Potential Food" for the leader who describes every empty field as potential food (mockingly they point to every rock and every tire as potential food).
Finally there is the question of What is the What? The What is a reference to a Dinka story, where God offers the Dinka people a choice between the cattle they see before them, and the What (the unknown). Of course the Dinka chose the cattle which gave them life (abundance, etc). At the end of the book Valentino gives a speech that frames that choice as a mistake of timidity, although I find myself disagreeing with that thought. Abundance seems like a decent choice if it's offered! But Valentino's life offered no abundance. He was thrown about from one What to another. Coming to America was the first time in his life where he chose the What -- the first time he was free to make his own choice.
After finishing the book, I remembered a point earlier in the story where Tabitha and Valentino traveled to Nairobi (where they share their first kiss), and she urged him to run away from their group and not return to the refugee camp. He wouldn't do it, because to run away would mean other refugees would never again be permitted visits outside the camp. I find myself wishing he'd have listened to her and chosen that What instead of the What at the end of the book (coming to America). I wonder if he ever feels that way.
You can visit Valentino's foundation here:
http://www.valentinoachakdeng.org/
Eggers weaves a present tense with the story of Valentino's childhood in Sudan. In the present tense Valentino is getting robbed and beaten in his Atlanta apartment because he trusted the people who came to the door. Finally when he is discovered bleeding on the floor of his apartment by his roommate, he is taken to the hospital where it takes ages for him to get help. As all of that is happening, in his mind Valentino tells the story of his life to his robbers, to the unhelpful people at the hospital, to the people who walk into the health club where he works at the front desk, and to the readers of the book.
It's difficult to imagine that one man has lived through so much! Paramilitaries backed by the Sudanese government attacked the village of Marial Bai where the little boy Valentino lived, and he ended up walking all the way to Ethiopia with a group of other "lost boys". He did not know if his parents were alive or dead for many years, until he was an adult. The walk to Ethiopia nearly killed Valentino, and did kill many of the other boys. After living in a refugee camp for several years in Ethiopia, with tens of thousands of others, he was forced to flee a massacre at that camp back across southern Sudan to northern Kenya, where he ended up living in another refugee camp for an entire decade. Along the way, boys and girls and men and women died from animals, insects, bombings, shootings, hunger, thirst. For someone who didn't know much about that world, some of this is surprising, such as how long refugees are trapped as refugees, when "temporary" camps become seemingly permanent. Kakuma (the camp in Kenya) is a place where Valentino and the refugees could not provide for themselves, owing to the poor quality of the land. It really is like being in prison.
For me, the saddest part of the entire story by far is the fate of Valentino's love Tabitha, another refugee from Sudan who ended up in Seattle. It's strange that I would feel that way, given how many terribly sad things happen in this book. I guess I would like to believe that among the survivors love is possible.
Names are a notable part of this story. Valentino picks up names like "Gone Far" (for having walked the farthest to Ethiopia) and "Sleeping" (for having decided to stop walking and die on the road, only to be saved by a girl who won't let him stay there) and "Dominic" (because his drama teacher couldn't remember names). The refugees come up with clever nicknames like "Potential Food" for the leader who describes every empty field as potential food (mockingly they point to every rock and every tire as potential food).
Finally there is the question of What is the What? The What is a reference to a Dinka story, where God offers the Dinka people a choice between the cattle they see before them, and the What (the unknown). Of course the Dinka chose the cattle which gave them life (abundance, etc). At the end of the book Valentino gives a speech that frames that choice as a mistake of timidity, although I find myself disagreeing with that thought. Abundance seems like a decent choice if it's offered! But Valentino's life offered no abundance. He was thrown about from one What to another. Coming to America was the first time in his life where he chose the What -- the first time he was free to make his own choice.
After finishing the book, I remembered a point earlier in the story where Tabitha and Valentino traveled to Nairobi (where they share their first kiss), and she urged him to run away from their group and not return to the refugee camp. He wouldn't do it, because to run away would mean other refugees would never again be permitted visits outside the camp. I find myself wishing he'd have listened to her and chosen that What instead of the What at the end of the book (coming to America). I wonder if he ever feels that way.
You can visit Valentino's foundation here:
http://www.valentinoachakdeng.org/
Want to read
June 17, 2024Pitched in The American Novel Since 1945. It is supposed to be accessible, talks about Civil War, and alienation within the United States, feels more like a conversation. Recommended by Barnes and Noble employee....plus let's be honest....it has a high GoodReads score!
May 12, 2014
In lesser hands than Dave Eggers’, 500+ pages of tragedy, violence and deprivation would have been intolerable reading material. Fortunately for me, Eggars writes this story of the Lost Boys of Sudan with care, courage and even some humor so that I never lost interest or felt it went on too long.
Although it’s classified as fiction, it reads more like a memoir. We learn the personal tragedy of Valentino, a Sudanese boy whose world and family is ripped apart by war. He runs from his village under attack and just continues to run from refugee stop to stop, with violence and uncertainty trailing him.
This “circumference of calamity” seems to expand exponentially as the book switches between his childhood and current day, when he is being robbed and held prisoner in Atlanta. Yet, the book never grows depressing or hopeless. Without creating any emotional distance, Eggers never over-dramatizes the tragedy; he uses the see-sawing timeline to continually remind the reader that our hero does indeed “get out.”
This novel (really a history lesson) never loses hope. These tens of thousands of children walked through a hell that never seemed to end, and yet many of them never gave up or gave in.
It also helps that Valentino is so likably human, even when repeating the same mistakes.
Truth be told, What is the What has been on my “To Read” shelf almost as long as it’s been published, but its sheer size and my love/hate relationship with Eggers’ books kept it from moving to the top. Three things finally pushed me to read this: 1) The VERY high recommendation of my friend Kathy, RA Librarian and someone who knows my reading taste well. 2) My 2014 reading goal to read more books that take place outside the US or England. 3) A May challenge in one of my on-line book groups to read a book with “What,” “Where,” “Who” or “Why” in its title.
Sometimes I just have to give it up to fate. This is an outstanding book.
Although it’s classified as fiction, it reads more like a memoir. We learn the personal tragedy of Valentino, a Sudanese boy whose world and family is ripped apart by war. He runs from his village under attack and just continues to run from refugee stop to stop, with violence and uncertainty trailing him.
"I do not want to think of myself as important enough the God would choose me for extraordinary punishment, but then again, the circumference of calamity that surrounds me is impossible to ignore."
This “circumference of calamity” seems to expand exponentially as the book switches between his childhood and current day, when he is being robbed and held prisoner in Atlanta. Yet, the book never grows depressing or hopeless. Without creating any emotional distance, Eggers never over-dramatizes the tragedy; he uses the see-sawing timeline to continually remind the reader that our hero does indeed “get out.”
This novel (really a history lesson) never loses hope. These tens of thousands of children walked through a hell that never seemed to end, and yet many of them never gave up or gave in.
“Now we can stand and decide. This is our first chance to choose our own unknown...As impossible as it sounds, we must keep walking."
It also helps that Valentino is so likably human, even when repeating the same mistakes.
“I wanted to be alone with my stupidity, which I cursed in three languages and with all my spleen."
Truth be told, What is the What has been on my “To Read” shelf almost as long as it’s been published, but its sheer size and my love/hate relationship with Eggers’ books kept it from moving to the top. Three things finally pushed me to read this: 1) The VERY high recommendation of my friend Kathy, RA Librarian and someone who knows my reading taste well. 2) My 2014 reading goal to read more books that take place outside the US or England. 3) A May challenge in one of my on-line book groups to read a book with “What,” “Where,” “Who” or “Why” in its title.
Sometimes I just have to give it up to fate. This is an outstanding book.
February 13, 2023
'What is the What' is essentially a novelistic autobiography of Valentino Achak Deng, one of the thousands of Sudan's 'Lost Boys'--small children who walked the breadth of Sudan alone to escape a vicious civil war. Some of the lucky children were eventually rehomed in the West but many mainly boys but some girls spent years living in refugee camps, relying on foreign nationals for all their needs, never knowing if their other family members were alive or dead.
The book opens with Achak undergoing a home invasion by an American black couple in his adopted home of Atlanta, Georgia. The story that follows is a series of mental monologues between Achak, his present oppressors and a hospital receptionist who delays treating him of his injuries because he is uninsured, bit by bit telling them and us, of his ardous journey up to that point and some of the extraordinary people he met along the way.
Some of the minor characters and conversations are fictional, however, the book also reminds us of the incredible resilience of the survivors and that not all refugees are granted asylum whilst giving some background in to a now almost forgotten civil war.
Despite the author describing some really grim events his prose retains a relatively light touch, allowing both humour and sorrow. This isn't and easy read and I had a few minor quibbles. I felt that the editing could have been better as at times it felt a little unbalanced nor was I totally sure as to believe some parts of it, even the author admits many of the refugees' tales sound remarkably alike, but overall I found this a fascinating and enlightening piece of writing about a conflict that I was only vaguely aware of. This is my first experience of the author's work but I hope that it won't be my last.
The book opens with Achak undergoing a home invasion by an American black couple in his adopted home of Atlanta, Georgia. The story that follows is a series of mental monologues between Achak, his present oppressors and a hospital receptionist who delays treating him of his injuries because he is uninsured, bit by bit telling them and us, of his ardous journey up to that point and some of the extraordinary people he met along the way.
Some of the minor characters and conversations are fictional, however, the book also reminds us of the incredible resilience of the survivors and that not all refugees are granted asylum whilst giving some background in to a now almost forgotten civil war.
Despite the author describing some really grim events his prose retains a relatively light touch, allowing both humour and sorrow. This isn't and easy read and I had a few minor quibbles. I felt that the editing could have been better as at times it felt a little unbalanced nor was I totally sure as to believe some parts of it, even the author admits many of the refugees' tales sound remarkably alike, but overall I found this a fascinating and enlightening piece of writing about a conflict that I was only vaguely aware of. This is my first experience of the author's work but I hope that it won't be my last.
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